Religious Placemaking and Community Building in Diaspora
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kalamazoo College W.E. Upjohn Center for the Study Of
This digital document was prepared for Kalamazoo College by the W.E. Upjohn Center for the Study of Geographical Change a division of Western Michigan University College of Arts and Sciences COPYRIGHT NOTICE This is a digital version of a Kalamazoo College yearbook. Kalamazoo College holds the copyright for both the paper and digital versions of this work. This digital version is copyright © 2009 Kalamazoo College. All rights reserved. You may use this work for your personal use or for fair use as defined by United States copyright law. Commercial use of this work is prohibited unless Kalamazoo College grants express permission. Address inquiries to: Kalamazoo College Archives 1200 Academy Street Kalamazoo, MI 49006 e-mail: [email protected] .Ko\aVV\ti.XOO Co\\ege. ~a\C\mazoo \ V'f\~c."'~g~V\ Bubbling over, Steaming hot Our Indian name t-Jolds likely as not: Kalamazoo Is a Boiling Pot, Where simmering waters Slowly rise, Then nearly burst The cauldron's sides ; And where, after all, The aim and dream Bubbling, all in a turmoil, unquestionably alive, Is sending the lukewarm the Kalamazoo Coll ege program in the academic Up in steam. year 1963-64 has resembled nothing so much as M. K. a great cauldron of simmering water coming to a rolling boil. Much of the credit for this new energy and activity belongs to President Weimer K. Hicks, to whom, in this tenth year of his asso ciation with the College, this edition of the Boiling Pot is dedicated. MCod~m \ cs ACt '\Vi ti ~s Dff Cam?V0 Sports 0e\\\OrS \Jr\der c\o~~J\\e,r\ Summer Summer employment for caption writers. -
Rising Second Grade
1st into 2nd Grade 2021 Summer Reading List ======================= Prepared by Liz Perry, SFWS Librarian for Class Teacher Deborah LeDean On the threshold of 2nd grade, children possess a burgeoning love of story, an interest cultivated in part by rich Main Lesson content and also by caregivers sharing a love of reading and storytelling at home. This summer, whether read-aloud or read-alone moments are offered as quick intakes of breath in the middle of the day or as restful unfoldings at night before bed, the grade-school library would like to suggest books honoring a variety of interests. The summer reading list includes Picture Books and Read-Aloud chapter-books, both Classic and Contemporary, of animals, adventure, friendship, fantasy, and family life. Included here are also Fairy and Folk Tales, followed by the Alphabet Books; while traditional in scope, they build on the 1st grader’s recent acquisition of letters and their sounds—even proficient readers can revisit these. Children can advance to Early Chapter Books (look for series such as Stepping Stones, Puffin Chapters, Harper Trophy), often housed on a separate carousel from older fiction. Recent Award-Winning Picture Books ● Alfie: (The Turtle that Disappeared), by Thyra Heder (2017). Nia loves Alfie, her pet turtle. But he’s not very soft, he doesn’t do tricks, and he’s pretty quiet. Sometimes she forgets he’s even there! That is until the night before Nia’s seventh birthday, when nAlfie disappears! Then, in an innovative switch in point of view, we hear Alfie’s side of the story. -
The New Sincerity Ethos by Kayley Hart a Dissertation Submitted to The
Sincerity and Hyperreality: The New Sincerity Ethos by Kayley Hart A Dissertation Submitted to the University of Wyoming Undergraduate Honors Program and English Honors Program Spring 2020 Hart 2 I: Introduction to New Sincerity A broad literary and cultural ethos has emerged in the early 21st century that is referred to by literary scholars, writers, and journalists as “New Sincerity.” Associated with the “millennial” generation, the movement encompasses various media including books, poetry, television, films, and music. Analyzing New Sincerity as a specific movement or ethos involves studying the relationship between sincerity and irony, writer and reader, and postmodernism. This study seeks to understand the characteristics of New Sincerity and the political and cultural implications of the emergence of media that embraces sincerity and kindness instead of cynicism. “New Sincerity” is described as an ethos in the media, indicating its cultural foothold. In a 2012 Atlantic article called, “Sincerity, Not Irony, Is Our Age's Ethos,” Jonathan D. Fitzgerald argues that sincerity is the overarching ethos of our age. He says, “A recent Knights of Columbus-Marist Poll survey found that among Millennials, six out of 10 prioritized being close to God and having a good family life above anything else.” This indicates that New Sincerity is more than just a rejection of irony, but a shift in everyday values, including an acceptance of vulnerability and simplicity. Fitzgerald looks at Generation X (born in the 1960s-70s) and Millennials (born in the 1980s-90s) comparatively, saying he appreciates the culture of the 90s, “But I can also still remember the cool, detached posturing of the teenagers I looked up to as a child in the '80s, and still as a teenager myself in the '90s. -
Learn & Grow Fall/Wintercourse | October Catalog2020 - March 2021
LEARN & GROW FALL/WINTERCOURSE | OCTOBER CATALOG2020 - MARCH 2021 NEVER STOP LEARNING, KEEP ON GROWING! Registration Start Dates Residents | September 11 | 8:30AM General Public | September 14 | 8:30AM TABLE OF CONTENTS FAQ’s ������������������������������������������������������������������������������������������������������������������������������������������������������ 4 Aquatics ������������������������������������������������������������������������������������������������������������������������������������������������� 5 Art ����������������������������������������������������������������������������������������������������������������������������������������������������� 6 - 9 Crafts ������������������������������������������������������������������������������������������������������������������������������������������������ 9 - 11 Culinary �������������������������������������������������������������������������������������������������������������������������������������������������11 Dance ���������������������������������������������������������������������������������������������������������������������������������������������� 12 - 15 Gardening ��������������������������������������������������������������������������������������������������������������������������������������������� 15 Health & Wellness ����������������������������������������������������������������������������������������������������������������������� 16 - 18 History ���������������������������������������������������������������������������������������������������������������������������������������������19 -
Kumbhabhishekam the Long Awaited Event Since1961 Simha Langam
Kumbhabhishekam The Long Awaited Event Since1961 Simha Langam 10-30 A.M. To 11-00 A.M. on the 7th Of June, 1973 The long-awaited event since 1961, of the Kumbhabhi-shikam of Lord Sivaskanda at least arrived. The auspicious time fixed was between 10-30 A.M. and 11-00 A.M., on the 7thof June, 1973. His Holiness Jagatguru Shri Chandrasekharendra Saraswati Swamigal- Paramcharya – was invited personality by Shri R.Venkataraman, President to grace the occasion and perform the Kumbhabhishekam. Due to His Holiness’s advanced age, the Paramcharya could not undertake the strenuous journey to Delhi, but instead, was gracious enough to depute His Holiness Jayendra Saraswati Swamigal on his behalf. President Shri R. Venkataraman was extremely happy. He immediately His Holiness Jayendra made all the arrangements by contacting all the Saraswati Swamigalperforming the Kumbhabhshekam person concerted, including the Chief Ministers of Andhra Pradesh, Maharashtra, Madhya Pradesh, Rajasthan and Uttra Pradesh to extend due countesies to his Holiness Jayendra Saraswati and his entourage on his Padayatra from Kanchipuram to Delhi. His Holiness commenced his Padyatra of 2,500 kms, in Febuary 1973 itself to reach Delhi by June. After covering the distance on foot, he arrived in the capital a week earlier to the date fixed for his entourage, two respresentatives of the Samaj had joined His Holiness Party at Hyderabad’s ro ensure his personal conveniences. On the arrival of his Holiness party at the borders of Delhi, he was received with due temple honours. Kumbhabhi-shekam. A yaga had to be performed initially to propitiate the Presiding Deity of Lord Swaminatha Swami, followed by Yagas for the Pariwara Devatas. -
Core Concepts in Heroism Science, Volume Two
University of Richmond UR Scholarship Repository Bookshelf 2020 Core Concepts in Heroism Science, Volume Two Scott T. Allison University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/bookshelf Part of the Community Psychology Commons, Social Psychology Commons, and the Theory and Philosophy Commons Recommended Citation Allison, S. T. (Ed.). (2020). Core Concepts in Heroism Science (Vol. Two). Richmond, VA: Palsgrove. NOTE: This PDF preview of Core Concepts in Heroism Science, Volume Two includes only the preface and/or introduction. To purchase the full text, please click here. This Book is brought to you for free and open access by UR Scholarship Repository. It has been accepted for inclusion in Bookshelf by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. CORE CONCEPTS IN HEROISM SCIENCE VOLUME TWO First published 2020 by Palsgrove Copyright © 2020 by Scott T. Allison. All rights reserved. Printed in the United States of America. No part of the book may be used or reproduced without written permission with the exception of brief quotations. Library of Congress Cataloging in Publication Data Name: Allison, Scott T., Editor Title: Core Concepts in Heroism Science, Volume 2 Edited by Scott T. Allison Description: 1 Edition | Richmond: Palsgrove, 2020 | Includes bibliographical references Identifiers: ISBN-9798650178880 ISBN: 9798650178880 COVER IMAGE: Illustration by Jamie Katz. Design by Dylan Vavra CORE CONCEPTS IN HEROISM SCIENCE VOLUME TWO Edited by Scott T. Allison University of Richmond Praise for Core Concepts in Heroism Science “Meticulously researched, and a lively read, this book is a brilliant example of the meaningful and collaborative scholarship that emerges from the partnership between gifted students and their faculty mentors.” -- Dr. -
Intermixx Member and Founder of Miller’S Farm, the Band That Plays a Rather Unique Style of “Country Music for City Folk.”
by Noel Ramos I interviewed Bryan Miller, long time InterMixx member and founder of Miller’s Farm, the band that plays a rather unique style of “country music for city folk.” How did Miller’s Farm get started? The band started as my solo project in 1997 when I quit my full time job and decided to hit music as hard as I could. Pretty quickly I felt the desire to have a band behind me again and I brought in a drummer and a bassist that I'd worked with before in other bands. As we went along, we brought in the soloists (guitar and pedal steel/dobro/harmonica). The sound of the pedal steel/dobro/harmonica really helped focus the direction of the band into the Americana genre, where we are now. As the principal songwriter, what are your inspirations? I've been inspired by a wide range of singers. Robert Plant, Mel Tormé, Jon Anderson, Ray Charles, Paul King (of King)... later, Eddie Vedder, Kurt Cobain. The singers who can not only hit the notes, but can make the song their own. Lyle Lovett has been my most recent and biggest inspiration. From the first time I saw him on Dave Letterman singing "She's No Lady", I have aspired to write like him. Simple melodies, seemingly simple songs full of great description, often humorous with a real sense of honesty. Since then, I've gotten turned on to George Jones, Buck Owens and Hank Thompson, who have some similar qualities. What led you to begin writing "country music for city folk?” Before Miller's Farm, my writing experience was in an 8 piece party band, writing lyrics for music that was already written. -
Samkranthi Shibhir’
From Brahma Jignyasa Shibhir at AVG, Anaikatti to ‘Samkranthi Shibhir’ at Swami Dayananda Ashram, Rishikesh text-‘Neethi Shathakam’ was taught to around 80 students · At Thiruvidaimarudur, the Chariot (Thaer) of Mahalingaswamy, which was built with the support and blessings of Pujya Sri Swami Dayananda Saraswathi was seen by all the students · On May 14th2014, Yoga Shanthi Gurukulam’s 19th Annual day was celebrated at ‘Sastralayam’, the newly built ashram for Swamiji, at Neelamangalam village, Maduranthakam (90 kms from Shri Swami Brahmayogananda, Founder Chennai). On that auspicious Chitra Acharya, Yoga Shanthi Gurukulam, Pournami day, Swamiji took the Chennai conducted a one week camp inaugural class to Bhakthi Yoga Shibhir. named ‘Brahma Jignyasa Shibhir’ at the Bhagavad Gita Sankara Bhashyam CD prestigious Arsha Vidya Gurukulam, was released on this occasion. Anaikatti in January 2014. Swamiji taught Brahma Sutram to 150 students who had · 2 Back to back ‘4 day camps’ were come from various parts of the country. It conducted at Swami Suddhananda was a rare honour for him to teach the Ashram, Uthandi in May & June 2014. Brahma Sutras to his students from the very Swamiji covered Chapters 6, 7, 8 and 9 same place where he learnt it from Pujya from the Bhagavad Gita during these Sri Swami Dayananda Saraswathi ji. camps totally spanning 8 days. These Since the camp at Anaikatti, various classes, camps and events have been conducted by Swami Brahmayogananda ji and following are the highlights In the month of April 2014, Swamiji conducted ‘Vairakya Shibhir’ at Thiruvidaimarudur/ Govindapuram, where he taught Bharthruhari’s text- Vairagya Shathakam followed by ‘Neethi Shibhir’ at Bangalore where the 28 Arsha Vidya Newsletter - August 2014 Vyasa Puja performed by Swamiji and camps titled ‘Bhakthi Yoga Shibhir’ Guru Puja by the students of the were attended by around 100 students. -
Temple-Mystery-India.Pdf
Newsletter Archives www.dollsofindia.com Five Hindu Temples Shrouded in Mystery Copyright © 2017, DollsofIndia India is a land of myriad temples and other sacred places of worship. According to experts, Hindu temples did not exist before or during the Vedic period (1500-500 BC). The concept of idol worship came into existence only after this era - this in turn gave rise to the construction of shrines and temples of all shapes and sizes. Most of the major Hindu temples are truly amazing, jaw-dropping creations, which inspire a sense of awe and wonder in us. Yet others give rise to a totally different sensation in us - that of being in a mystical; sort of magical and surreal location. In this post, we bring you a feature on five major Hindu temples, which seem unusually numinous and are shrouded in mystery and mysticism. Konark Sun Temple The Konark Sun Temple, also referred to as Konarak Sun Temple and Surya Deula, was built in 13th century CE. Located about 35 kilometers northeast of Puri, it lies along the coastline of Odisha. This temple is attributed to King Narasimhadeva of the Eastern Ganga Dynasty (around 1250 CE). Dedicated to Surya (the Sun God), this structure is presently a 100-foot high chariot with huge wheels and horses; all carved from stone. Today, much of the temple is in ruins. A large shikhara, which rose high above the present mandapa, has unfortunately fallen off. The surviving structure is famed for its intricate sculpture, artwork and themes including the erotic Kama and Mithuna scenes. Built in the typical Oriyan style of temple architecture, it stood over 200 feet high before the start of its ruin. -
Legend a Ry Milestones
Shri Shirdi Sai Baba Mandir Chicago SAI SAMSTHAN USA (Estd. in 1997) 1101 Foran Lane. Aurora, IL - 60506, USA The Saga of Love & Devotion with Shraddha & Saburi Incorporation of Sai Samsthan USA - 1997 – 21 years Shri Shirdi Sai Mahotsav - 2001 – 18 years Establishment of Shirdi Sai Baba Mandir in Aurora Location - 2002 – 16 years Bala Vidya Mandir - 2003 – 15 years Prana Pratishtha & Maha Kumbhabishekam— Guru Pournima Day - 2006 – 12 years Stavana Manjari Dedication September 9, 1918 100 years Shej Aarati LEGENDARY MILESTONES Begin in Chavadi December 10, 1909 109 years ‘Guru Pournima’ Celebrations Began in Shirdi 1908 — 110 years 100th Maha Samadhi Day October 19th , 2018 (Once in a life-time event) Some Key Events during the Centennial Year 2017-2018 Punaruddharana Kumbhabhishekham PALKI TO 100 DEVOTEES Guru Pournima Day—July 27, 2018 LENDIBAUGH WITH 100 FLOWER PLANTS (BY CHIL- DREN) Guru Pournima is the only festival Baba ANNADANA TO 100 HUNGRY PEOPLE instructed His devotees to celebrate SERVICE TO 100 NEEDY PEOPLE Kumbhabhishekam is the ritual to homoge- FELICITATE 100 CULTURAL ARTISTS nize, synergize and unite the mystic powers of PLANT 100 TREES IN MANDIR the deity. SATCHARITRA PARAYANA BY 100 DEVOTEES ‘Kumbha’ means the Head and denotes the ABHISHEK WITH 100 RIVER WATERS ‘Shikhara’ or Crown of the Temple & Abhisek- ham is ritual bathing with sacred waters. ANNAKUT WITH 100 ITEMS TO BABA Children willing to plant a tree in Lendibaugh ,Families wanting to participate in Sri ‘Sainatha Siddha Bija Yantra’ is placed in Annakut, Devotees wanting to bring sacred river waters for Baba's Abhishek - Please the Gopuram send email to [email protected] CENTENNIAL SPONSORSHIP Muktabhishekam - 'Mukta' means 'Pearl'.'Mukta' also means 'One who is liberated'. -
Collecting, Collage, and Alchemy: the Harry Smith Anthology of American Folk Music As Art and Cultural Intervention
Collecting, Collage, and Alchemy 111 Collecting, Collage, and Alchemy: The Harry Smith Anthology of American Folk Music as Art and Cultural Intervention Kevin M. Moist In 1952 the Folkways record label released a set of three double-LP collec- tions titled the Anthology of American Folk Music. Housed in obscure packag- ing seemingly designed to conceal as much as document, the set collected 84 commercially-released recordings from the 1920s and 1930s covering a variety of styles and genres that, in the streamlined modern 1950s, already sounded as though they came from a distant past despite being just a generation removed from their recording. The set was compiled by one Harry Smith, an experimental filmmaker and visionary painter with an interest in anthropology, an extensive knowledge of mysticism, and a passion for collecting various types of cultural artifacts. The Anthology coalesced out of these interests, bringing together art, music, philosophy, and collecting into a work that was both a document and a provocation, a statement about the past and a suggestion about how to remake the present in the interests of the future. The collection’s influence on American music and culture has been widely hailed. The set, and the music and worldview it contained, would spread like a subterranean virus during the decade, serving as a bible for the late-1950s “folk revival,” and later as a spur for countercultural musical developments of the 1960s. In 1991, shortly before his death, Smith received a lifetime Grammy award in honor of its enduring influence, which continues in the early years of the new millennium through a late-1990s compact disc reissue and a revived popular appreciation for folk music. -
Hugo Distler (1908-1942)
HUGO DISTLER (1908-1942): RECONTEXTUALIZING DISTLER’S MUSIC FOR PERFORMANCE IN THE TWENTY-FIRST CENTURY by Brad Pierson A dissertation Submitted in partial fulfillment of the Requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Geoffrey P. Boers, Chair Giselle Wyers Steven Morrison Program Authorized to Offer Degree: School of Music © Copyright 2014 Brad Pierson ii Acknowledgements It has been an absolute joy to study the life and music of Hugo Distler, and I owe a debt of gratitude to many people who have supported me in making this document possible. Thank you to Dr. Geoffrey Boers and Dr. Giselle Wyers, who have served as my primary mentors at the University of Washington. Your constant support and your excellence have challenged me to grow as a musician and as a person. Thank you to Dr. Steven Morrison and Dr. Steven Demorest for always having questions and forcing me to search for better answers. Joseph Schubert, thank you for your willingness to always read my writing and provide feedback even as you worked to complete your own dissertation. Thank you to Arndt Schnoor at the Hugo Distler Archive and to the many scholars whom I contacted to discuss research. Your thoughts and insights have been invaluable. Thank you to Jacob Finkle for working with me in the editing process and for your patience with my predilection for commas. Thank you to my colleagues at the University of Washington. Your friendship and support have gotten me through this degree. Finally, thank you to my family. You have always supported me in everything I do, and this journey would not have been possible without you.