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Recruiting Al Gore
RECRUITING AL GORE For years, he was introduced as the “next President of the United States” -- but in the wake of a personally devastating and controversial defeat in the 2000 election, Al Gore did something entirely unexpected. He hit the road, not in search of exile, but as a traveling showman. His “show” is a non-partisan, multimedia presentation that reveals, via an original mix of humor, cartoons and convincing scientific evidence, the resonant effects that global warming is wreaking upon our planet. It is also an arresting, inspirational “call to arms,” pointing out the opportunity that stands before the nation to put American ingenuity and spirit to work in attacking this crisis. With little fanfare, Gore has presented his show more than 1,000 times in cramped school auditoriums and hotel conference rooms in cities large and small, hoping to propel audiences to make a difference in what might otherwise turn out to be the biggest catastrophe of human history. Two people who became entranced by Gore’s show are leading environmental activist Laurie David and movie producer Lawrence Bender. David hosted two of Gore’s sold-out presentations in New York and Los Angeles, where it had a transforming effect on her. “I felt like Al Gore had become the Paul Revere of our times,” says David, “traveling around the country calling out this vital warning that we really can’t ignore.” She also realized that Gore faced a daunting uphill battle in getting his message out into the zeitgeist. “Having researched this subject for some 40 years, nobody understands the issue better than Al Gore and nobody can explain it more clearly and compellingly to the lay person,” notes David. -
Dylan Penn Sean Penn
Sean Penn Dylan Penn réalisé par Sean Penn INGENIOUS MEDIA, NEW ELEMENT MEDIA, ROCKET SCIENCE, WONDERFUL FILMS, RAHWAY ROAD PRODUCTIONS, CLYDE IS HUNGRY FILMS, BUFFALO GAL PICTURES et MANITOBA FILM & MUSIC présentent réalisé par Sean Penn 1h48 – États-Unis – 2021 – 1.85 – 5.1 DISTRIBUTION RELATIONS PRESSE Jean-Pierre Vincent Marie Plante-Germain 5, rue Darcet SORTIE LE 29 SEPTEMBRE 2021 Tél. : 06.09.53.15.77 75017 Paris 06.89.54.16.12 Tél. : 01 44 69 59 59 E-mail : [email protected] www.le-pacte.com Matériel de presse téléchargeable sur www.le-pacte.com SYNOPSIS John Vogel était un personnage hors norme. Enfant, sa fille Jennifer s’émerveillait de son magnétisme et de sa capacité à faire de la vie une grande aventure. Il lui a beaucoup appris sur l’amour et la joie, mais elle va découvrir sa vie secrète de braqueur de banques et faussaire. Tiré d’une histoire vraie, FLAG DAY est le portrait d’une jeune femme luttant pour guérir des blessures de son passé, tout en reconstruisant sa relation père-fille. NOTES DE PRODUCTION Quand le producteur William Horberg a lu les mémoires captivants la première personne à qui j’ai pensé en le lisant, et j’ai été ravi de Jennifer Vogel, il a immédiatement su qu’ils pourraient donner quand lui et son frère, John-Henry, avec qui il collabore souvent, lieu à une excellente adaptation cinématographique. À la fois ont accepté de l’adapter. Le film a mis beaucoup de temps à se drôle et déchirant, Flim-Flam Man raconte la relation tumultueuse monter, mais son scénario n’a jamais cessé de nous stimuler. -
C R I T I C a • C U L T U R a • C I N E
CRITICA•CULTURA•CINEMA Conoscerete la verità E la verità vi farà liberi Giovanni 8,32 Questa pubblicazione è stata curata dal Cinecircolo Romano - Roma - Via Nomentana 333/c - tel 068547151 - fax 0685833883 E-mail: [email protected] Sito internet: www.cinecircoloromano.it Auditorio in Via Bolzano, 38 - tel. 068543216 (in giornate di cinema la segreteria presso l’Auditorio è attiva dalle 17.00 alle 21.30) 5 per MILLE: senza alcun onere aggiunto, al momento della denuncia dei redditi è possibile devolvere il contributo del 5 per mille al Cinecircolo Romano - codice 80258690587 Assistente editoriale Alessandra Imbastaro Amministrazione Carla Porta e Valentina Ferlazzo Collaborazione edizione “Dossier” Catello Masullo, Maria Teresa Raffaele, Luciana Burlin, Fiorenza Irace Coordinamento schede filmografiche Rossella Pozza e Antonio Rizzo per le schede registi Coordinamento realizzazione “Progetto Educazione al Cinema d’Autore” Luciana Burlin con Fiorenza Irace Collaborazione operativa Maria Teresa Raffaele Direzione e coordinamento generale Pietro Murchio Per la stagione 2016/2017 sono operanti due Comitati Consultivi Selezione Cinematografica: Promozione & Cultura: Luciana Burlin, Francesco Castracane, Rossella Pozza, Giampaolo D’Arpino, Paola Dei, Achille Dente, Gloria Maria Diani, Catello Masullo, Cinzia Di Giovanni, Fiorenza Irace, Giuseppe Rizzo Maria Teresa Raffaele Le fotografie sono state fornite da Centro Studi Cinematografici, Archivio del Cinecircolo Romano, siti internet, dal socio Giampaolo D’Arpino Annotazioni del Cinecircolo includenti alcune valutazione della Commissione Nazionale per la valuta- zione dei film della C.E.I Recensioni cinematografiche da “Rassegna Stampa Cinematografica” Editore S.A.S. Bergamo, data base del Cinecircolo, siti internet IN COPERTINA: in senso orario scene dal film “Il medico di campagna”, “Irrational Man”, “Una volta nella vita”, Fiorella Mannoia del cast de “7 minuti” di Michele Placido, “Le Confessioni”, “Ave, Cesare”. -
Certain Women
CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up. -
The Nerve Interview: It Might Get Loud Director Davis Guggenheim | Nerve Entertainment 10/11/09 7:59 PM
The Nerve Interview: It Might Get Loud director Davis Guggenheim | Nerve Entertainment 10/11/09 7:59 PM PERSONALS | RSS | HELP | SITE MAP | ADVERTISE ON NERVE FEATURES ADVICE ENTERTAINMENT PHOTOGRAPHY BLOGS DATING CONFESSIONS 1 Aug 11th, 2009 With It Might Get Loud, director Davis Guggenheim wanted to tell the personal stories of three guitar legends from different generations: Jack White from the White Stripes, The Edge from U2, and Jimmy Page from Led Zeppelin. Guggenheim, who directed the 2007 global-warming doc An Inconvenient Truth, wanted to stay away from typical rock-documentary tactics. It Might Get Loud has no rock critics, no ex-girlfriends, and no narration. Instead Guggenheim focuses on why these three write and play the way they do and how they developed their personal styles. Guggenheim wanted the three to open up — and they did. Jimmy Page plays air guitar while listening to music that influenced him as a kid, Jack White writes an original song on camera, and The Edge talks about how he drives everyone crazy trying to get the music in his head to come out of the amps. The movie brings the three together on a soundstage to share stories, show one another their songs, and play. Nerve spoke with Guggenheim about the men behind the legends. — Emily Wilson You won an Oscar for An Inconvenient Truth. After that, why did you choose to do a movie about the electric guitar? I just make movies about people that fascinate me. The next one could be about an archeologist or I don’t know, a proctologist. -
Foxcatcher Directed by Bennett Miller
Sony Pictures Classics Presents An Annapurna Pictures Production Foxcatcher Directed by Bennett Miller Cannes Film Festival 2014 Telluride Film Festival 2014 Toronto International Film Festival 2014 New York Film Festival 2014 Winner - Best Director, Cannes Film Festival 2014 134 mins | Rated R | Opens 11/14/14 (NY/LA) East Coast Publicity West Coast Publicity Distributor 42West Block Korenbrot Sony Pictures Classics Scott Feinstein Max Buschman Carmelo Pirrone 220 West 42nd Street Blair Bender Maya Anand 12th floor 6100 Wilshire Blvd., 550 Madison Ave New York, NY 10036 Ste. 170 New York, NY 10022 212-277-7555 Los Angeles, CA 90048 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax FOXCATCHER The Cast John du Pont STEVE CARELL Mark Schultz CHANNING TATUM Dave Schultz MARK RUFFALO Jean du Pont VANESSA REDGRAVE Nancy Schultz SIENNA MILLER Jack ANTHONY MICHAEL HALL Henry Beck GUY BOYD Documentary Filmmaker DAVE “DOC” BENNETT The Filmmakers Director BENNETT MILLER Written by E. MAX FRYE DAN FUTTERMAN Producers MEGAN ELLISON BENNETT MILLER JON KILIK ANTHONY BREGMAN Executive Producers CHELSEA BARNARD RON SCHMIDT MARK BAKSHI MICHAEL COLEMAN TOM HELLER JOHN P. GUIRA Co-Producer SCOTT ROBERTSON Director of Photography GREIG FRASER Production Designer JESS GONCHOR Editor STUART LEVY CONOR O’NEILL JAY CASSIDY Costume Designer KASIA MAIMONE WALICKA Music ROB SIMONSEN Additional Music WEST DYLAN THORDSON Valley Forge Theme MYCHAEL DANNA Casting Director JEANNE McCARTHY Makeup Designer BILL CORSO Hair Department Head KATHRINE GORDON Wrestling Coordinator JOHN GUIRA Wrestling Choreographer JESSE JANTZEN 2 FOXCATCHER Synopsis Based on true events, FOXCATCHER tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi-millionaire and two champion wrestlers. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
High School Guide
2018-19 Cincinnati Public Schools High School Guide Prepared for Life What’s Inside Superintendent's Message .................................................................... 2 Graduation Requirements ...................................................................... 3 Career and Technical Education Programs ............................................ 4 My Tomorrow Initiative .......................................................................... 5 Important Information about the High School Application Process ..... 6-7 Lottery Rounds and Waiting List Details .............................................. 8 CPS Students Applying to CPS – In District ......................................... 9 Applying to Upper Grades in CPS High Schools .................................. 10 Non-CPS Students Applying to CPS – In District and Out of District ... 11 Sports and Extracurricular Activities ..................................................... 12-14 Aiken High School .............................................................................. 15-16 Carpe Diem Innovative School – Cincinnati (A CPS-sponsored charter school) ........................................................ 17-18 Cincinnati Digital Academy .................................................................... 19-20 Clark Montessori High School ............................................................... 21-22 Dater High School .................................................................................. 23-24 Map of High School Locations ............................................................ -
GOLDEN LION Vol 59 - No
THE ARDENNES * THE RHINELAND * CENTRAL EUROPE UB PUBLISH' D BY AND fOli The Veterans of the 106th INFANTRY INVISION GOLDEN LION Vol 59 - No. 3 APR - MAY - JUN 2003 Major Steven Wall, of TACOM's Brigade Combat Team presents John M. "Jack" Roberts, "Michigan's Mini-Reunion Organizer" with a WWII Memorial Flag. See story in Mini-Reunion Section Board of Directors The CUB John 0. Gilliland, 592/SV (2003) A quarterly publication of the 140 Nancy Strut, Boaz, AL 35957 106th Infantry Division Association, Inc. 256-593-6801 A nonprofit Organization - USPO #5054 Frank Lapato, 422/HQ (2003) ' St Paul, MN - Agent: John P Kline, Editor RD 8, Box 403, Kittanning, PA 16201 Membership fees include CUB subscription 724-548-2119 Email: flapato@ alltel.net Paid membershipMay 7, 2003 -1,603 Harry F. Martin, Jr, 424/L (2003) PO Box 221, Mount Arlington, NJ 07856 973-663-2410 madinjr@localnetcom President John IL Schaffner George Peres, 590/A Past-President (Ex-Officio) . Joseph P. Maloney (2003) 19160 HaabocTree Court, NW Fort Myers, PL 33903 1st Vice-Pres John M. Roberts 941-731-5320 2nd Vice-Pres Walter G. Bridges Charles F. Meek 422/H (2003):, Historian Sherod Collins 7316 Voss Parkway, Middleton, WI 53562 608-831-6110 Adjutant Marion Ray CUB Editor, Membership John P. Kline Pete Yanchik, 423/A (2004).4 Chaplain Dr. Duncan Trueman 1161 Airport Road, Aliquippa, PA 15001-4312 eh Memorials Chairman Dr. John G. Robb 412-375-6451 Richard L. Rigatti, 423/B (2004) Atterbury Memorial Representative Philip Cox 113 Woodshire Drive, Pittsburgh, PA 15215-1713 Resolutions Chairman Richard Rigatti 412-781-8131 Email: [email protected] Washington Liaison Jack A. -
The Field Guide to Sponsored Films
THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House. -
A Review of Waiting for Superman Directed by Davis Guggenheim
________________________________________________________________________ Waiting for Balance: A Review of Waiting for Superman Directed by Davis Guggenheim Paramount Vantage and Participant Media, 2010. Approximately 90 minutes. ________________________________________________________________________ Reviewed by Joseph Flynn, Northern Illinois University Introduction Waiting for Superman is the latest documentary by the Academy Award winning director Davis Guggenheim. Guggenheim also directed An Inconvenient Truth, the Al Gore documentary about climate change and global warming. What made An Inconvenient Truth such a masterwork was that it presented stark and incontrovertible information about the destruction of our environment and further challenged the viewers to do something about it. Waiting for Superman follows a similar formula. It presents the viewer with an incredible amount of troubling information about our public schools and models of seemingly progressive advocates for change. The data represented is also properly cited on-screen, differentiating it from personal polemics like Michael Moore’s Bowling for Columbine and Fahrenheit 9-11. It concludes with a challenge to act for the best interests of our nation’s youths; the end credits in- clude a web site where viewers can go for ideas. That makes it difficult to speak negatively about the film, but upon a closer analysis we find that most of the information presented in the film is over-generalized and highly debatable. The problem with the film, ultimately, is that it is true and false, comprehensive and incomplete. Framing the Film The film begins with Geoffrey Canada, a dynamic educator and social activist who, as foun- der and Chief Executive Officer of the Harlem Children’s Zone, has created significant success for the community. -
White House Correspondents' Dinner Returns to Comedic Roots
4 THE CONCORDIAN theconcordian.org • February 20, 2020 Film review: “Birds of Prey” adds a fast-paced feminist film to the DC Extended Universe BY DOMINIC ERICKSON and written by Christina movie forward. McGregor graphed well, but the use the unadulterated sadism [email protected] Hodson. is both frightening and of colored backgrounds of the villain and heinous “Birds of Prey” tells the striking as the ostenta- and slow-motion ampli- threats against a child are “Birds of Prey (And tale of Harley Quinn (Rob- tious Roman Sionis/Black fies scenes and makes dangerously close to the the Fantabulous Eman- bie) after her breakup with Mask. Most of the other them fun to watch. There tasteless territory. cipation of One Harley Joker, which leaves her performances fall flat, as were, however, a handful Although it is not per- Quinn),” is a confetti can- vulnerable to both sides of the majority of the good of noticeable continuity fect, “Birds of Prey” even- non of chaotic carnage. the law. In the search for a lines belong to those two. misplacements which for tually takes flight in its hu- It’s fanatical, fun and valuable diamond sought The writing doesn’t leave a brief moment takes the mor, direction and visual fiercely female. It serves after by crime boss Roman a lot of room for the sec- viewer out of the scene, style. While the stakes are as the follow-up to 2016’s Sionis (McGregor), Har- ondary actresses to shine. such as henchmen magi- much lower in this movie “Suicide Squad,” and has ley is chased throughout Visually, “Birds of Prey” cally appearing and unde- compared to other DCEU been critically favorable the city by Detective Re- hits all the right notes, niable body position con- films’ attempts to save the - a positive shift from the nee Montoya (Perez) and especially near the begin- tinuity errors.