Preview of the Visual Arts | February – March 2007
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(Chen Qiulin), 25F a Cheng, 94F a Xian, 276 a Zhen, 142F Abso
Index Note: “f ” with a page number indicates a figure. Anti–Spiritual Pollution Campaign, 81, 101, 102, 132, 271 Apartment (gongyu), 270 “......” (Chen Qiulin), 25f Apartment art, 7–10, 18, 269–271, 284, 305, 358 ending of, 276, 308 A Cheng, 94f internationalization of, 308 A Xian, 276 legacy of the guannian artists in, 29 A Zhen, 142f named by Gao Minglu, 7, 269–270 Absolute Principle (Shu Qun), 171, 172f, 197 in 1980s, 4–5, 271, 273 Absolution Series (Lei Hong), 349f privacy and, 7, 276, 308 Abstract art (chouxiang yishu), 10, 20–21, 81, 271, 311 space of, 305 Abstract expressionism, 22 temporary nature of, 305 “Academic Exchange Exhibition for Nationwide Young women’s art and, 24 Artists,” 145, 146f Apolitical art, 10, 66, 79–81, 90 Academicism, 78–84, 122, 202. See also New academicism Appearance of Cross Series (Ding Yi), 317f Academic realism, 54, 66–67 Apple and thinker metaphor, 175–176, 178, 180–182 Academic socialist realism, 54, 55 April Fifth Tian’anmen Demonstration (Li Xiaobin), 76f Adagio in the Opening of Second Movement, Symphony No. 5 April Photo Society, 75–76 (Wang Qiang), 108f exhibition, 74f, 75 Adam and Eve (Meng Luding), 28 Architectural models, 20 Aestheticism, 2, 6, 10–11, 37, 42, 80, 122, 200 Architectural preservation, 21 opposition to, 202, 204 Architectural sites, ritualized space in, 11–12, 14 Aesthetic principles, Chinese, 311 Art and Language group, 199 Aesthetic theory, traditional, 201–202 Art education system, 78–79, 85, 102, 105, 380n24 After Calamity (Yang Yushu), 91f Art field (yishuchang), 125 Agree -
Conservation That Transforms
Conservation that transforms ANNUAL REPORT 2016 OUR CONSERVATION SUPPORTERS 64 Ducks Unlimited Canada Annual Report 2016 Partnerships with a Purpose Every piece of wetland or associated upland habitat conserved A special thanks to our government partners by DUC is the result of partnerships. These partnerships are the foundation of DUC’s conservation leadership and the reason The governments listed below The State of Kansas why we so clearly envision a future for wetland conservation in have provided instrumental The State of Kentucky North America. support in Canada over the past year. The State of Louisiana Today, this continent-wide network of conservation staff, The Government of Canada The State of Maine volunteers and supporters ensures that Ducks Unlimited The State of Maryland Canada, Ducks Unlimited, Inc., and Ducks Unlimited Mexico The Government of Alberta play leadership roles in international programs like the North The Government of The State of Massachusetts American Waterfowl Management Plan (NAWMP). Established British Columbia The State of Michigan in 1986, NAWMP is a partnership of federal, provincial, state The Government of Manitoba and municipal governments, nongovernmental organizations, The State of Minnesota private companies and many individuals, all working towards The Government of The State of Mississippi achieving better wetland habitat for the benefit of waterfowl, New Brunswick The State of Missouri other wetland-associated wildlife and people. Ducks Unlimited The Government of The State of Nebraska Canada is proud to be closely associated with NAWMP, one of Newfoundland and Labrador the most successful conservation initiatives in the world. The State of Nevada The Government of the The North American Wetlands Conservation Act (NAWCA), Northwest Territories The State of New Hampshire enacted by the U.S. -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
Active Shooter Recommendations and Analysis for Risk Mitigation
New York City Police Department Active Shooter Recommendations and Analysis for Risk Mitigation Raymond W. Kelly Police Commissioner Table of Contents Acknowledgements……………………………………………………………………....ii Part I: Introduction…………………………………………………….………................1 Part II: Recommendations………………………………………………………..………2 Part III: Analysis …………………….…………………………………………………..4 Part IV: Analytic Methodology …………………………………………………….........9 Appendix: Compendium of Active Shooter Incidents - Office Buildings……………………………………………………………...12 - Open Commercial……………………………………………………………29 - Factories and Warehouses……………………………………………………61 - Schools……………………………………………………………………….78 - Other………………………………………………………………………..151 i Acknowledgements This report was prepared by the Counterterrorism Bureau of the New York City Police Department (NYPD), led by Deputy Commissioner Richard Daddario and Assistant Chief James R. Waters. The drafting of this report was a collaborative effort. The various authors and subject-matter experts include: Sgt. Richard Alvarez, Det. John Andersen, Sgt. Christopher Biddle, Lt. Stephenie Clark, Det. Joseph Cotter, Ryan Merola, Det. Peter Montella, Peter Patton, and Capt. Michael Riggio. In addition, NYPD Intelligence Research Specialists Aviva Feuerstein and Nathaniel Young, Det. Raymond McPartland, and Dr. Evan Levine, Chief Scientist for the Office of Risk Management and Analysis at the U.S. Department of Homeland Security, made extraordinary contributions to this report; the completion of this work is due largely to their efforts. Active Shooter -
FIERMAN Letterhead Template
! Jeneen Frei Njootli is a Canadian born Artist who lives and works in Vancouver, BC. [email protected] 604-726-3565 SELECTED EXHIBITIONS 2018 My Sister/Ma Soeur, Contemporary Indigenous Art Biennial/ La Biennale d’Art Contemporain Autochtone (BACA) (upcoming), with Tsēma Igharas, Montreal QC These Hands, Coney Island Baby with Gabrielle L’Hirondelle Hill, Chandra Melting Tallow, Tania Willard and Amy Kazymerchyk, Western Front, Vancouver BC Pink Noise Pop Up, ONE AND J + 1 with Space One, Instant Coffee and grunt gallery, Seoul ROK Inaugural Fashion Show, UnFURled, Whitehorse YT Common Cause: before and beyond the global, Mercer Union, Toronto ON Being Skidoo film screening and performance, Available Light Film Festival, Whitehorse YT 2017 Art Toronto, Macaulay & Co. Fine Arts, Toronto ON Western Canada Fashion Week, Ociciwan Collective, Edmonton AB Crafted Strangers, Center for Craft, Creativity and Design, Asheville NC Thunder in Our Voices, Interurban Gallery, Vancouver BC Vancouver Indigenous Fashion Week, Queen Elizabeth Theatre, Vancouver BC LandMarks2017, Vuntut Gwitchin Traditional Territory, Old Crow YT wnoondwaamin: we hear them, Platform Gallery (Saskatoon SK), Whitewater Gallery (North Bay 2016 ON), Art Gallery of South Western Manitoba (Brandon MB) Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery, Vancouver BCwnoondwaamin: we hear them, Trinity Square Video, Toronto ON Emergence, Fazakas Gallery, Vancouver BC Our Home is Our Gallery, Yukon Arts Centre, Whitehorse YTif this were a draft, would you dodge -
Art Market Trends Tendances Du Marché De L'art
Art market trends Tendances du marché de l'art THE WORLD LEADER IN ART MARKET INFORMATION Art market trends Tendances du marché de l'art 2005 $ 4.15 billion (€ 3.38 billion) 3.38 (€ billion 4.15 $ worldwide: auctions Art Fine at Turnover offer. on lots 320,000 of volume stable practically billion, vs. 3.6 $ billion the previous year, In despite 2005 the a turnover for record-breaking! Fine are gures Art sales fi The exceeded 4 $ well. so performed never has market art international The a million dollars, compared with compared in only 393 2004 dollars, a and million than more for hammer the under went lots 477 than less into of a rise sales 1 multiplication $ exceeding No million 19% the from translated ation on in recorded infl 2004. price This following already year, last 10.4%* of increase came on the of back a progression price incredible This Tendances du marché de l'art de marché du Tendances Art market trends trends market Art Artprice Global Index: Paris - New York - London (1994 - 2005) Base January 1994 = 100 - Quarterly data Artprice Indices are calculated with the Repeated Sales method (Econometric calculations on sales/resales of similar works) 10 000 $, 10 et 56% en deçà de 000 $.2 Ce segment est en 2005 en publiques ventes ont adjugés été moins de cette cette année, faisant suite aux d’affaires 19% mondial, de une hausse élévation déjà des A prix l’origine de de cette 10,4% incroyable progression du chiffre (3,38 d’euro) dollars de milliards milliards 4,15 : mondiales enchères Artaux Fine de ventes des Produit présentés. -
Callresponse March 23 – May 5, 2018 at EFA Project Space, 323 W
FOR IMMEDIATE RELEASE Laakkuluk Williamson-Bathory, Timiga nunalu, sikulu (My body, the land and the ice), 2016. Photo: Jamie Griffiths. #callresponse March 23 – May 5, 2018 At EFA Project Space, 323 W. 39th St., 2nd Floor, www.efanyc.org Gallery Hours: Wed-Sat, 12-6 pm Opening Reception: Friday, March 23, 6–8:30 pm Organized by: Tarah Hogue, Maria Hupfield, and Tania Willard Artists: Christi Belcourt, IV Castellanos, Marcia Crosby, Maria Hupfield, Ursula Johnson, Cheryl L'Hirondelle, Isaac Murdoch, Esther Neff, Tanya Tagaq, Tania Willard and Laakkuluk Williamson- Bathory with local respondents Jennifer Kreisberg and Laura Ortman From March 23 – May 5, 2018, EFA Project Space presents the US debut of #callresponse, an artistic and curatorial collaboration led by Indigenous women. A touring exhibition with responsive programming, #callresponse promotes discussion and action around Indigenous cultural revitalization, land-based knowledge, and cross-cultural solidarity. Shining a light on work that is both urgent and long-term, #callresponse acts as a connective support system that begins with commissioned artworks created by five Indigenous North American women artists and their invited guest respondents. A touring exhibition, #callresponse opened at Vancouver’s grunt gallery in 2016, and the project continues to evolve and engage each to which it travels with specific programming. #callresponse strategically centers Indigenous women across multiple platforms, moving between specificity of Indigenous nations, site, online space, and the gallery. The project focuses on forms of performance, process, and translation that incite dialogue and catalyze action across borders between individuals, communities, territories and institutions. An online platform using the hashtag #callresponse on social media connects the geographically diverse sites and provides opportunities for networked exchanges. -
Issue 5 • Winter 2021 5 Winter 2021
Issue 5 • Winter 2021 5 winter 2021 Journal of the school of arts and humanities and the edith o'donnell institute of art history at the university of texas at dallas Athenaeum Review_Issue 5_FINAL_11.04.2020.indd 185 11/6/20 1:24 PM 2 Athenaeum Review_Issue 5_FINAL_11.04.2020.indd 2 11/6/20 1:23 PM 1 Athenaeum Review_Issue 5_FINAL_11.04.2020.indd 1 11/6/20 1:23 PM This issue of Athenaeum Review is made possible by a generous gift from Karen and Howard Weiner in memory of Richard R. Brettell. 2 Athenaeum Review_Issue 5_FINAL_11.04.2020.indd 2 11/6/20 1:23 PM Athenaeum Review Athenaeum Review publishes essays, reviews, Issue 5 and interviews by leading scholars in the arts and Winter 2021 humanities. Devoting serious critical attention to the arts in Dallas and Fort Worth, we also consider books and ideas of national and international significance. Editorial Board Nils Roemer, Interim Dean of the School of Athenaeum Review is a publication of the School of Arts Arts and Humanities, Director of the Ackerman and Humanities and the Edith O’Donnell Institute of Center for Holocaust Studies and Stan and Art History at the University of Texas at Dallas. Barbara Rabin Professor in Holocaust Studies School of Arts and Humanities Dennis M. Kratz, Senior Associate Provost, Founding The University of Texas at Dallas Director of the Center for Asian Studies, and Ignacy 800 West Campbell Rd. JO 31 and Celia Rockover Professor of the Humanities Richardson, TX 75080-3021 Michael Thomas, Director of the Edith O’Donnell Institute of Art History and Edith O’Donnell [email protected] Distinguished University Chair in Art History athenaeumreview.org Richard R. -
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Initiative Would Allow Voters to Decide Livermore Downtown Plan
Thursday, MAY 23, 2019 VOLUME LVI, NUMBER 21 Your Local News Source Since 1963 SERVING DUBLIN, LIVERMORE, PLEASANTON, SUNOL Initiative Would Allow Voters to Decide Livermore Downtown Plan A recently formed committee, will be able to choose between the He explained, “The council of the elements that community Citizens for a Livermore Central city’s existing downtown plan and ignored what the majority of citi- members had opposed. Park, reported that they are fil- an alternative. zens said they wanted in the city’s “By turning to the initiative ing an initiative with the City of Bill Dunlop, chair of the orga- Outreach Process. As a result, process, ‘we, the people’ can now Livermore this week that outlines nization, stated in a press release, more than 6400 voters signed a choose the plan that is best for our See Inside Section A Section A is filled with a new plan for the center of the “The Central Park Plan provides referendum petition last year ex- community,” Dunlop stated. information about arts, city. Within the next two weeks, better parks and better parking, pecting to vote on the city’s plan, He continued, “The Livermore people, entertainment and they expect to begin collecting for a better Livermore. The City but the council declined to put the Central Park Plan area is located special events. There are signatures for the initiative to Council was given a once in a life- referendum on the ballot. Because on the former Lucky site and the education stories, a variety qualify it for the ballot. Once the time opportunity to create some- referendums by law are limited portion of the Livermore Valley of features, and the arts required signatures are gathered, thing special on the 8.2 acres of in scope, the council was able to Center west of the Bankhead The- and entertainment and the initiative will be put to a vote city owned land in the downtown adopt the referendum, then work ater. -
Grunt Gallery Annual Report 2013-2014
grunt gallery Annual Report 2013-2014 Program Director’s Report by Glenn Alteen Chair’s Report by Laiwan Board Members Biographies Staff Biographies Strategic Plan Summary Fundraising Report Programming Summary Special Projects Financial Graphs Program Director’s Report 2014 Receiving word of the $400,000 award of the Mount Pleasant Production Spaces on the eve of our 30th anniversary bodes well for our organization’s future. The award will pay off our mortgage and give us a quarter of a million dollars as a capital nest egg towards our future space needs. Along with the facility we will now own outright and our endowment currently valued at $550,000, we have financial equity to think seriously about our future. This financial capital comes as a result of our cultural capital that has been building up over the past 30 years. This capital in the form of our archives, our websites, our administrative and programing systems and our network of artists, supporters and patrons is the product of many years of underpaid and volunteer labour by a host of artists, curators and other cultural workers. These investments of energy and support have been the base of our continued success. This gives us much to celebrate for our 30th Birthday. The programming year that has just concluded was very substantial, with a strong representation of international artists including: • Agente Costura, a new performance by Brazillian artist Lisa Simpson; • Mamook Ipsoot, a new community project with Dutch artist Desiree Palmen working with seven aboriginal youth; • Trapez and Dynamo Lines by German artist Josephin Böttger at grunt, Surrey Urban Screens and the New Forms Festival; • Nothing to Lose, an exhibition and performance by Lebanese artist Rabih Mroue in conjunction with the PuSh Performing Arts Festival. -
Citizen Petition
No. ______ IN THE Supreme Court of the United States ____________________ JOHNSON & JOHNSON AND MCNEIL-PPC, INC., Petitioners, v. LISA RECKIS AND RICHARD RECKIS, Respondents. ____________________ On Petition for a Writ of Certiorari to the Supreme Judicial Court of Massachusetts ____________________ PETITION FOR A WRIT OF CERTIORARI ____________________ WALTER DELLINGER JAY P. LEFKOWITZ, P.C. O’MELVENY & MYERS LLP Counsel of Record 1625 Eye Street NW STEVEN J. MENASHI Washington, DC 20006 KIRKLAND & ELLIS LLP (202) 383-5300 601 Lexington Avenue [email protected] New York, NY 10022 (212) 446-4800 CHARLES C. LIFLAND [email protected] CARLOS M. LAZATIN [email protected] O’MELVENY & MYERS LLP 400 South Hope Street MICHAEL D. SHUMSKY Los Angeles, CA 90071 KIRKLAND & ELLIS LLP (213) 430-6000 655 Fifteenth Street NW [email protected] Washington, DC 20005 [email protected] (202) 879-5000 [email protected] Attorneys for Johnson & Johnson and McNeil-PPC, Inc. i QUESTION PRESENTED In Wyeth v. Levine, this Court explained that state tort claims against drug manufacturers for fail- ing to provide additional warnings would be preempted if “clear evidence” shows “that the FDA would not have approved a change to [the drug’s] la- bel.” 555 U.S. 555, 571 (2009). The question pre- sented is: Whether the Massachusetts Supreme Judicial Court erred when it held, in direct conflict with the Seventh Circuit, that FDA’s rejection of warning language proposed in a Citizen Petition is not “clear evidence” sufficient to preempt state tort claims that the manufacturer was obligated to add the FDA- rejected language to its drug’s labeling.