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The History and Politics of Taiwan's February 28
The History and Politics of Taiwan’s February 28 Incident, 1947- 2008 by Yen-Kuang Kuo BA, National Taiwan Univeristy, Taiwan, 1991 BA, University of Victoria, 2007 MA, University of Victoria, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of History © Yen-Kuang Kuo, 2020 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The History and Politics of Taiwan’s February 28 Incident, 1947- 2008 by Yen-Kuang Kuo BA, National Taiwan Univeristy, Taiwan, 1991 BA, University of Victoria, 2007 MA, University of Victoria, 2009 Supervisory Committee Dr. Zhongping Chen, Supervisor Department of History Dr. Gregory Blue, Departmental Member Department of History Dr. John Price, Departmental Member Department of History Dr. Andrew Marton, Outside Member Department of Pacific and Asian Studies iii Abstract Taiwan’s February 28 Incident happened in 1947 as a set of popular protests against the postwar policies of the Nationalist Party, and it then sparked militant actions and political struggles of Taiwanese but ended with military suppression and political persecution by the Nanjing government. The Nationalist Party first defined the Incident as a rebellion by pro-Japanese forces and communist saboteurs. As the enemy of the Nationalist Party in China’s Civil War (1946-1949), the Chinese Communist Party initially interpreted the Incident as a Taiwanese fight for political autonomy in the party’s wartime propaganda, and then reinterpreted the event as an anti-Nationalist uprising under its own leadership. -
Lian Heng As a Linguist: a Critical Assessment
Fourth Conference of the European Association of Taiwan Studies Stockholm 2007 Lian Heng as a linguist: a critical assessment Henning Klöter Leiden University [email protected] work in progress – do not quote 1. Introduction Lian Heng 連橫 (1878-1936; also known as Lian Yatang 連雅堂) is without doubt one the most important Taiwanese intellectuals of the Japanese colonial period. In recent years, academic interest in Lian and other well-known intellectuals of his time, such as Cai Peihuo 蔡培火, Jiang Weishui 蔣渭水, and Lin Xiantang 林獻堂, has grown considerably. As shown in previous biographical research on Lian Heng, his contributions are manifold and span diverse fields such as history, poetry, linguistics and journalism. It is in the nature of biographical studies to provide an all-encompassing account of historical personalities. However, such an endeavour for completeness runs the risk of neglecting, overstating or blurring particular aspects of a person’s accomplishments. This is certainly true of previous scholarship on Lian Heng’s linguistic studies. Referring to his Dictionary of Taiwanese (臺灣語典), scholars seem to agree that Lian was among Taiwan’s first linguists, or, in more elevated terms, the first rescuer of the Taiwanese language. As I will argue in this paper, however, the nature of Lian’s linguistic research has thus far not been adequately assessed and the general picture of the linguist Lian Heng remains vague. This paper will sharpen the picture by assessing the quantitative, qualitative, and ideological dimensions of Lian’s language studies. - 2 - 2. Lian Heng’s language research: historical background Lian Heng’s interest in language research came in the later years of his life. -
Shi Lang: Hero Or Villain? His Evolving Legacy in China and Taiwan
Ronald C. Po Shi Lang: hero or villain? His evolving legacy in China and Taiwan Article (Accepted version) (Refereed) Original citation: Po, Ronald C. (2017) Shi Lang: hero or villain? His evolving legacy in China and Taiwan. Modern Asian Studies . ISSN 0026-749X © 2017 Cambridge University Press This version available at: http://eprints.lse.ac.uk/81309/ Available in LSE Research Online: June 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Shi Lang: Hero or Villain? His Evolving Legacy in China and Taiwan Ronald C. Po London School of Economics [Accepted to be published in Modern Asian Studies (2018)] Abstract For over two centuries, some of China’s most prominent officials, literary figures, and intellectuals have paid special attention to the legacy of Shi Lang. -
China's Gate to the South: Iranian and Arab Merchant Networks In
Österreichische Akademie der Wissenschaften / Austrian Academy of Sciences AAS WORKING PAPERS IN SOCIAL ANTHROPOLOGY Volume 29 Angela Schottenhammer CHINA’S GATE TO THE SOUTH: IRANIAN AND ARAB MERCHANT NETWORKS IN GUANGZHOU DURING THE TANG-SONG TRANSITION (c.750–1050), PART II: 900–c.1050 Band 29 ÖAW ARBEITSPAPIERE ZUR SOZIALANTHROPOLOGIE AAS Working Papers in Social Anthropology / ÖAW Arbeitspapiere zur Sozialanthropologie ISBN-Online: 978-3-7001-7880-4 DOI:10.1553/wpsa29 Wien 2015 Editors / Herausgeber: Andre Gingrich & Guntram Hazod © Institut für Sozialanthropologie Zentrum Asienwissenschaften und Sozialanthropologie Österreichische Akademie der Wissenschaften Apostelgasse 23 A-1030 Wien Fax: 01/ 51581-6450 E-Mail: [email protected] CHINA’S GATE TO THE SOUTH: Iranian and Arab Merchant Networks in Guangzhou during the Tang-Song Transition (c.750–1050), Part II: 900–c.1050* ANGELA SCHOTTENHAMMER In a world of tumult many courtiers [sic] of the Middle Kingdom journeyed to the far reaches of Lingnan in search of sanctuary. There were famous courtiers banished for life in the far south during Tang times who often left behind survivors; or officials on recent assignment who encountered tumult that impeded their safe passage back north – these are the sorts of persons to become itinerants beyond the Lingnan Mountains1 1. Introduction “In late Tang times, Nanhai was the last region to succumb to chaos, so senior courtiers after Xizong’s reign [, r. 873–888] serving locally as governors could find no place untouched by turmoil, safe for Nanhai. Yet it also turned independent beginning with Yin’s [that is, Liu Yin , A.S.] rule” (Davis 2004: 537). -
562 Five Dynasties and Ten Kingdoms. Edited by Peter
562 Book Reviews / T’oung Pao 99 (2013) 539-584 Five Dynasties and Ten Kingdoms. Edited by Peter Lorge. Hong Kong: Chinese Univ. Press, 2011. ix + 252 p. Contributions by Hugh R. Clark, Johannes L. Kurz, De-nin Lee, Peter Lorge, Tracy Miller, Ruth Mostern, Naomi Standen. This book is an excellent collection of thought-provoking essays. It successfully presents the Five Dynasties and Ten Kingdoms period (906-960) as highly sig- nificant to Chinese history, and also demonstrates the benefits of a pluralistic perspective in analyzing this period. Moreover, this volume raises methodological questions that are broadly relevant to historians in other fields. Peter Lorge’s introduction concisely explains how the collection was conceived, and lays out the broader historical and historiographical background of the case studies in this volume. Without claiming to do a complete reassessment of the traditional historiography on the Five Dynasties and Ten Kingdoms, Lorge points out certain of its weaknesses. With its emphasis on periodization and the “legiti- mate succession” (p. 3) of dynasties, it tends to favor a linear view of history, which is inadequate to explain the diversity in this period of division. Moreover, the focus on periodization tends to create a “cognitive dissonance” (p. 2) in tra- ditional historians. Ouyang Xiu’s 歐陽修 “Historical Records of the Five Dynas- ties” (Wudai shiji 五代史記), for example, seems to have been written teleologically to explain the subsequent rise of the Song rather than to analyze the Five Dynas- ties period on its own terms (p. 1). An important goal of this volume of essays, then, is to promote a historical perspective that is centered on the Five Dynasties and Ten Kingdoms period itself. -
A Buried Past: the Tomb Inscription
Journal of the Economic and Social History of the Orient 52 (2009) 14-56 www.brill.nl/jesho A Buried Past: Th e Tomb Inscription (Muzhiming) and Offi cial Biographies of Wang Chuzhi (863-923) Angela Schottenhammer* Abstract Th e present article investigates the tomb inscription of Wang Chuzhi (863-923), a military governor whose career spanned the end of the Tang and the beginning of the Five Dynas- ties. By comparing the inscription with representations of the deceased in offi cial sources, the article reveals that the tomb inscription presents a critical attitude toward the moral standards of conventional historiography, and demonstrates a shifting moral geography in the works of Song historians. Th is new standard increasingly excluded nomadic peoples from the newly imagined political body, and excluded with them the pragmatic diplomacy that had characterized the politics of the Five Dynasties. Cet article analyse l’inscription funéraire de Wang Chuzhi (863-923). Ce gouverneur mili- taire vécut à la fi n des Tang et au début de la période des Cinq Dynasties. La comparaison de l’inscription à diverses représentations du défunt contenues dans les sources offi cielles montre la manière dont l’auteur de l’inscription critique les standards moraux de l’historiographie offi cielle. Elle montre aussi le cadre géographique mouvant dans lequel s’appliquait la morale Song : les populations nomades étaient de plus en plus exclues du corps politique tel qu’il était alors imaginé ; la diplomatie pragmatique qui avait dominé la période des Cinq Dynasties était abandonnée. Keywords tomb inscriptions, historiography, dynastic histories, Five Dynasties, Wang Chuzhi Introduction Wang Chuzhi 王處直 (863-923) was a high-ranking Military Commis- sioner who lived during the closing decades of the Tang (618-907) and the early years of the Five Dynasties (907-960), a time characterized by unceas- *) Angela Schottenhammer, Sinology, Japanese Studies, Munich University and Mar- burg University, Germany, [email protected]. -
Women Rulers in Imperial China
NAN N Ü Keith McMahonNan Nü 15-2/ Nan (2013) Nü 15 179-218(2013) 179-218 www.brill.com/nanu179 ISSN 1387-6805 (print version) ISSN 1568-5268 (online version) NANU Women Rulers in Imperial China Keith McMahon (University of Kansas) [email protected] Abstract “Women Rulers in Imperial China”is about the history and characteristics of rule by women in China from the Han dynasty to the Qing, especially focusing on the Tang dynasty ruler Wu Zetian (625-705) and the Song dynasty Empress Liu. The usual reason that allowed a woman to rule was the illness, incapacity, or death of her emperor-husband and the extreme youth of his son the successor. In such situations, the precedent was for a woman to govern temporarily as regent and, when the heir apparent became old enough, hand power to him. But many women ruled without being recognized as regent, and many did not hand power to the son once he was old enough, or even if they did, still continued to exert power. In the most extreme case, Wu Zetian declared herself emperor of her own dynasty. She was the climax of the long history of women rulers. Women after her avoided being compared to her but retained many of her methods of legitimization, such as the patronage of art and religion, the use of cosmic titles and vocabulary, and occasional gestures of impersonating a male emperor. When women ruled, it was an in-between time when notions and language about something that was not supposed to be nevertheless took shape and tested the limits of what could be made acceptable. -
'Time' and 'Supertime' in Chinese Historical Thinking
2 “Time” and “Supertime” in Chinese Historical Thinking Chun-chieh Huang We have called history “the science of men.” That is still far too vague. It is necessary to add: “of men in time.” The historian does not think of the human in the abstract. His thoughts breathe freely the air of the climate of time… Historical time is a concrete and living reality with an irreversible onward rush. It is the very plasma in which events are immersed, and the field within which they become intelligible. Marc Bloch (1886-1944)1 2:1. Introduction That Chinese culture is humanistic through and through is nowhere more evident than in the fact that the Chinese people are imbued with profound historical consciousness. In China, to be human is to inherit history, i.e., to live up to the paradigmatic past today. “To be human in China is to be historical.” It behooves us to unpack this statement. We have to discern the Chinese chiasma of Time, Supertime and historiography, in order to understand the Chinese mode of historical thinking. To begin with, “time” in China is not clock time (chronos) but hum- anly lived time. Unlike the ancient Greeks, who regarded history as something “against Time the all-destroying in order to save the memory 1 Marc Bloch, The Historian’s Craft, Peter Putnam trans. (New York: Alfred A. Knopf, 1953), p. 27. 20 Notions of Time in Chinese Historical Thinking of events worth being remembered,”2 the Chinese historians believed that time helped to shape history.3 Time in Chinese culture is situa- tional timeliness (similar to kairos), not of impersonal events but of a humanly shaped milieu,4 the vectorial nisus (勢 shi) pulsating in the lives and performances of historical individuals. -
A Reading of Hou Jing's Rebellion in Zizhi
200 mark strange CHAPTER SEVEN A READING OF HOU JING’S REBELLION IN ZIZHI TONGJIAN (COMPREHENSIVE MIRROR TO AID GOVERNMENT): THE CONSTRUCTION OF SIMA GUANG’S IMPERIAL VISION Mark Strange Reading Zizhi tongjian On the bing chen day of the third month [13 April], [Emperor Wu of Liang] erected an altar in front of the Taiji Hall to declare to Heaven and Earth that [Hou] Jing had violated their pact. The beacons were then lit and the drums sounded. Originally, on the day when the imperial palace had closed its gates, its men and women had numbered in excess of a hundred thousand, over twenty thousand of whom had been fighting men. But having been under siege for so long, many people’s bodies had swollen up and they had problems breathing. Eighty or ninety per cent of the population had died and those manning the palace walls—not even four thousand—were all emaciated and exhausted. Corpses were strewn about, filling the streets without any prospect of burial. Decay and [the corpses’] effluent filled the gutters. Yet people still set their hearts on relief from outside. All Liu Zhongli did meanwhile was gather together his concubines and singing girls to lay on banquets and make merry with them.1 Every day the generals went with requests to go into battle, but Zhongli refused permission. Jun, Marquis of Annan, urged Lun, Prince of Shaoling: “The city is in such great danger yet the Commander-in-chief does not come to its rescue. In the unlikely event that something untoward were to happen, how would you have the face to stand among your contemporaries? What would be best now would be to divide the army along three routes and attack the rebels while they are off guard. -
Musical Taiwan Under Japanese Colonial Rule: a Historical and Ethnomusicological Interpretation
MUSICAL TAIWAN UNDER JAPANESE COLONIAL RULE: A HISTORICAL AND ETHNOMUSICOLOGICAL INTERPRETATION by Hui‐Hsuan Chao A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2009 Doctoral Committee: Professor Joseph S. C. Lam, Chair Professor Judith O. Becker Professor Jennifer E. Robertson Associate Professor Amy K. Stillman © Hui‐Hsuan Chao 2009 All Rights Reserved ACKNOWLEDGEMENTS Throughout my years as a graduate student at the University of Michigan, I have been grateful to have the support of professors, colleagues, friends, and family. My committee chair and mentor, Professor Joseph S. C. Lam, generously offered his time, advice, encouragement, insightful comments and constructive criticism to shepherd me through each phase of this project. I am indebted to my dissertation committee, Professors Judith Becker, Jennifer Robertson, and Amy Ku’uleialoha Stillman, who have provided me invaluable encouragement and continual inspiration through their scholarly integrity and intellectual curiosity. I must acknowledge special gratitude to Professor Emeritus Richard Crawford, whose vast knowledge in American music and unparallel scholarship in American music historiography opened my ears and inspired me to explore similar issues in my area of interest. The inquiry led to the beginning of this dissertation project. Special thanks go to friends at AABS and LBA, who have tirelessly provided precious opportunities that helped me to learn how to maintain balance and wellness in life. ii Many individuals and institutions came to my aid during the years of this project. I am fortunate to have the friendship and mentorship from Professor Nancy Guy of University of California, San Diego. -
The Idea of “Zhongguo” and Its Transformation in Early Modern Japan and Contemporary Taiwan
The Idea of “Zhongguo” and Its Transformation in Early Modern Japan and Contemporary Taiwan Chun-Chieh Huang I. Introdution In East Asian intellectual history, while the apparently referential idea of “Zhongguo” received its basic definition in ancient China, it underwent twists and changes in early modern Japan and contemporary Taiwan. In Tokugawa Japan (1600-1868), the idea of “Zhongguo” was altered to denote Japan, not China, in sync with and supported by the development of Japanese national subjectivity. In contemporary Taiwan, the idea of “Zhongguo” contains the two elements of “cultural China” and “political China” and their dialectical relationship. These turns and changes in the idea of “Zhongguo” in Japan and Taiwan are worthy of study in the context of East Asian intellectual history. In Section Two of this paper, we shall examine features of the idea of “Zhongguo” as it evolved in ancient Chinese documents. Section Three then analyzes twists and changes in the idea initiated by Tokugawa intellectuals, who gave it new referential content. Section Four dis- cusses further changes in the idea of “Zhongguo” in contmporary Taiwan. Finally, sec- tion Five recounts the main points of this inquiry and offers some concluding reflections. II. “Zhongguo” Through China's Process of Self-consciousness Formation: An Assumed Unity of Cultural China and Political China The exprssion “Zhongguo” (中國, central state/kingdom) arose during the proto-his- toric Yin-Shang 殷商 period (14th c.-1045B.C.), appearing initially in oracle bone inscrip- ― 408 ― (1) The Idea of “Zhongguo” and Its Transformation in Early Modern Japan and Contemporary Taiwan tions.(1) The oracle bone inscriptions included the expression, wufang 五方 (five quar- ters). -
From Barbarians to the Middle Kingdom: the Rise of the Title “Emperor, Heavenly Qaghan” and Its Significance
From Barbarians to the Middle Kingdom: The Rise of the Title “Emperor, Heavenly Qaghan” and Its Significance Han-je Park* INTRODUCTION The entrance of the Five Barbarians wuhu( 五胡) people into the Central Plain of China is a historical event of great significance in the East, comparable in importance to the migration of Germanic tribes into the Roman Empire. The Five Barbarians became the main actors in the establishment of an array of dynasties throughout the periods of the Sixteen Kingdoms of Five Hu, the Northern Dynasties, and eventually the cosmopolitan empires of the Sui (隋) and the Tang (唐). With the passing of time, they lost their original culture and customs, and many came to lose their ethnonym. This phenomenon is described as their sinicization (hanhua 漢化), although there is also a contrary view that the Han (漢) people in China were barbaricized (huhua 胡化) and thus widened the range of Chinese culture. But, we may ask, do the terms “sinicization” and “barbaricization” adequately convey what really happened? Aside from arguments regarding sinicization or barbaricization, what role did the Five Barbarians actually play in the history of China? Were they indeed a people without a culture, who could therefore not bring anything novel to China itself,1 or were they a civilization with a sophisticated culture of their own? *Seoul National University (Seoul, Korea) Journal of Central Eurasian Studies, Volume 3 (October 2012): 23–68 © 2012 Center for Central Eurasian Studies 24 Han-je Park The Han and Tang empires are often joined together and referred to as the “empires of the Han and the Tang,” implying that these two dynasties have a great deal in common.