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Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October. -
To Elektra EKL-264 Mono / EKS-7264 Stereo "The BLUES Project"
DAVE RAY: Dave "Snaker" Ray, whose ambition is to be a doctor, started playing guitar while a sophomore in high school. He origin ally began with blues (Leadbelly) to keep his fingers nimble fo r what he thought would be a classical-flamenco guitarist career. "After an adagio by Sor and a hacked-up Farruca, I began playing Led better's stuff exclusively, " Dave reports. He began playing the 12-string guitar when a senior in high school, and lists as early influences, Elvis' Sun label recordings, Bo Diddley, Muddy Waters, early Chicago, and, of course, Leadbelly. " I sing the blues because it's a medium not as demanding as literatu re or serious music, and free enough to permit a total statement of personality and. self, " Dave states. "I play blues because 1 feel it's important to me to express myself and because I feel it's a significant form of music which hasn't had enough dispersement. As far as white men playing blues, that's all who do play blues. the new Negroes are too busy (doing other things). " Discography: Blues, Rags and Hollers (Elektra EKL 240). Dave Ray may soon be heard, with John Koerner and Tony Glover, on Elektra EKL 267. ERIC VON SCHMIDT: E ric w rites: "B orn 1931; began singing in 1948; first influences were Leadbelly, Josh White and Jelly Roll Morton — then Library of Congress material and field recordings. Worked as magazine illustrator, then painter until 1952... two years in the army, and then to Florida, where I worked as a frame-maker and built a 27-foot ketch which was almost called the 'John Hurt'. -
Steinweiss.Pdf
@flq., h +, Eis*u*'"rn*d}..+. *{% \Ahile playing with the Dap-Kings was back at it-no one noticed. I'm where I'll be like, "ba-boom-boom," occupies much of Steinweiss's time, kind of shocked that it worked. I'm a but using the left and right on the it's hardly his entire workload. Homer left-foot drummer now. " "ba-boom" instead of doubling up serves as the house drummer for MD caught up with Steinweiss as he on the left. many artists on the Dap-Kings'label, was resting both feet during some rare MD: Do you intend to get back to using Daptone, in addition to co-ornning downtime before the Dap-Kings' pre- your right foot on the kick? his or,nrr soul- and R&B-rooted label Christmas Australian dates. Homer: I don't know. This sryle is really and studio, Dunham Records and feeling good. Even the guys in the band Dunham Studios. MD: Using your left foot on the double say, "Ever since you went to the left And since the producer Mark pedal and keeping the hi-hat closed, foot, your time got better." I've thought Ronson used the Dap-Kings on Amy don't you miss the kicks where you about doing a double bass drum thing, Winehouse's 2007 breakthrough open and close the hi-hat? That's a with fwo different tones. I've thought album, Back To Black, Steinweiss has foundational element of a lot of soul about turning the drumset left-handed become an in-demand session drum- and funk drumming. -
Producer Any- -Where from 2-10 Years to Really Become Articulate with Their Craft
says www.AudioFanzine.com Prologue.................................................................................................08 Chapter One: Getting Started Why the Niche Exists....................................................................................09 History of the Niche......................................................................................10 Ethics of Selling Beats Online.......................................................................11 Other Beat Selling Courses............................................................................12 Placements Vs. Selling Online.......................................................................13 On-Foot Sales Vs. Online Sales......................................................................15 Why People Fail to Sell Beats........................................................................16 Selling Beats and E-Commerce......................................................................18 Marketing is Everything.................................................................................19 How Important are the Beats?......................................................................20 Competition Vs. Saturation............................................................................21 Chapter Two: Free Market The Sensibility of Free Beats........................................................................23 Foreign Buyers (Internationals)...................................................................25 iTunes Strategy ($0.99 -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
Sharon Jones & the Dap-Kings
MARCH/APRIL 2010 ISSUE MMUSICMAG.COM Q&A Gabriel Roth, Fernando Velez, Homer Steinweiss , Thomas Brenneck, Sharon Jones, Neal Sugarman, Dave Guy, Laura Hanifi n Laura Hanifi Ian Hendrickson-Smith, Binky Griptite SHARON JONES & THE DAP-KINGS One of soul’s leading ladies brings the boys back home THE MASTER FUNKATEERS IN THE It’s been a few years since Winehouse Move on. If I’d lived my life listening to what Dap-Kings have earned mainstream borrowed the Dap-Kings for her people had to say—too big, too short, too fat, attention over the last several years back-up band. How do you look at once you pass 50 you’re too old—I wouldn’t for their work with big-name artists like that now? be where I’m at right now. Amy Winehouse and Jay-Z, but their one The whole thing took me a little by surprise. true leader is soul singer extraordinaire The Dap-Kings didn’t even know what In the 1980s you worked as a Sharon Jones. Their new album together was going on when Mark came to them. guard at New York’s notorious Rikers as Sharon Jones and the Dap-Kings, Actually while they were out with Amy, a Island. Anything from that experience I Learned the Hard Way, is the fourth of little opportunity came for me, the movie, affect your music? their almost decade-long collaboration so it all worked out. [Jones appeared in That just taught me to not be afraid. But and their fi rst since 2007’s critically acclaimed 2007’s The Great Debaters.] But I don’t it didn’t take jail to show me that, because 100 Days, 100 Nights. -
Old Howard Troupe
Volume 54, Number 7 NEWSLETTERfsgw.org March 2018 FSGW Program Takoma, DC Old Howard Troupe: A Night at an Old English Music Hall Saturday, March 24 7:30–9:30 pm As the crier outside the Old Howard Theatre in Boston might say, “Roll up, roll up, hear the entertainment! This is not a dry lecture or a workshop, it’s a show! Our vintage ensemble style features some old favorites of the music hall stage: rous- ing chorus songs, songs that might make you blush, and bittersweet Inside: but tender songs that tug at the heartstrings. There’s literally something FSGW Board Members/Meetings, and Editorial Policy ................2 for everyone in our fast-paced and fun performance. Have no fear, our Call for Performers & Volunteers for Takoma Park Folk steadfast Chairman will keep things moving along smoothly with his keen Festival ...............................................................................4 Call for Volunteers for Washington Folk Festival .............26 wit and saucy comments, and you will be delighted by the Professor’s FSGW Election Nominations ..............................................14 Newsletter Submissions Policy ............................................2 smooth handling of the piano keys!” (Note to parents, the Troupers add: Concerts: The show contains a good deal of rapid-fire innuendo, most of which Weds., March 7: Alan Reid & Rob van Sante ..............................3 Fri., March 16: Pumpkin Bread .............................................4 will fly over the heads of innocents in the audience but might give you a Fri., March 30: Turnspit Dogs ................................................4 chuckle.) “The Old Howard Troupe: Often Notorious. Frequently Glori- Sat., March 31: The Fly Birds .................................................5 Sat., March 24: A Celebration of Orrin Star .........................5 ous. -
Sharon Jones & the Dap Kings
Jazz Collection: Sharon Jones & the Dap Kings Dienstag, 28.04.2020, 21.00 – 22.00 Uhr Radio SRF 2 Kultur Samstag, 02.05.2020, 17.06 – 18.30 Uhr (mit Bonustracks) Die Retro-Zauberformel Als Sharon Jones, die afroamerikanische Sängerin, vom weissen Bassisten Gabriel Roth entdeckt wurde, hatte sie die Idee einer echten Karriere eigentlich schon begraben. Aber Roths Vorstellung eines Retro-Sounds, aufgenommen mit Vintage-Instrumenten auf Band, passte perfekt zur Stimme von Sharon Jones. Und das gemeinsam gegründete Label Daptones mit der Hausband, den Dap Kings, wurde mit genau dieser Stimme zu einer regelrechten Zauberformel. Kaum eine andere Band tönt so satt und crèmig wie Sharon Jones & the Dap Kings. Kaum eine andere Band arrangiert und produziert so sorgfältig wie diese. Warum das so ist, und was der Vorteil ist, wenn man ein zehnköpfiges Ensemble auf engstem Raum mit nur wenigen Mikrophonen aufnimmt, das diskutiert der Musikredaktor Roman Hosek in der Jazz Collection mit Jodok Hess. Gast: Roman Hosek Redaktion und Moderation: Jodok Hess Interpret Titel Komponist Album / Label Sharon Jones & the Dap-Kings Got a Thing on My Mind Bosco Mann Got a Thing on My Mind / Daptone DAP-1001 Sharon Jones & the Dap-Kings The Dap Dip Bosco Mann Dap-Dippin' with Sharon Jones and The Dap-Kings / Daptone Sharon Jones & the Dap-Kings This Land Is Your Land Woody Guthrie Naturally / Daptone Sharon Jones & the Dap-Kings 100 days, 100 nights Bosco Mann 100 days, 100 nights / Daptone Sharon Jones & the Dap-Kings When the other foot Bosco Mann 110 days, 100 nights / Daptone drops, uncle Sharon Jones & the Dap-Kings Window shopping Wayne Gordon I Learned the Hard Way / Daptone / Lawrence Gordon / Derek Nievergelt Sharon Jones & the Dap-Kings Retreat! Bosco Mann Give the People What They Want / Daptone Sharon Jones & the Dap-Kings I’m Still Here Dap Kings Miss Sharon Jones. -
Troubadours Folk and the Roots of American Music
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] Troubadours Folk And The Roots Of American Music INFORMATION In the one hundred years that folk music has been recorded in the United States, the tradition has embraced ballads – mostly new, but some transplanted from Europe, political statements, personal introspection, and much more. Now the story is here from the 1920s to the 1970s and beyond in four exclusive 3-CD sets. Through this music, we feel it all from the isolation of early twen- tieth century Appalachia through the economic and political upheavals of the Depression, War, and Civil Rights eras to contem- porary west coast singer-songwriters looking within for inspiration. The story is here: original artists and original versions in stunning sound with detailed notes from folk scholar Dave Samuelson. The first set covers the period from the 1920s through to 1957. All the names you'd expect are here: the Carter Family, Woody Guthrie, Pete Seeger, the Weavers, Lead Belly, Cisco Houston, and many, many more. Here are the original versions of songs that have become classics and rallying cries: Wildwood Flower, Midnight Special, Rock Island Line, Wayfaring Stranger, So Long It's Been Good To Know You, This Land Is Your Land, 16 Tons, 900 Miles, Delia, and many, many more. The second set begins with the folk revival that started in the wake of the Kingston Trio's Tom Dooley and continues through the dawn of the singer-songwriter era. It includes early folk revival classics like Walk Right In, Michael, and Green, Green. -
Print Version (Pdf)
Special Collections and University Archives UMass Amherst Libraries Broadside (Mass.) Collection Digital 1962-1968 1 box (1.5 linear foot) Call no.: MS 1014 About SCUA SCUA home Credo digital Scope Inventory Broadside, vol. 1 Broadside, vol. 2 Broadside, vol. 3 Broadside, vol. 4 Broadside, vol. 5 Broadside, vol. 6 Broadside, vol. 7 Broadside and Free Press, vol. 8 Broadside and Free Press, vol. 9 Admin info Download xml version print version (pdf) Read collection overview When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. Assembled by Folk New England, the Broadside collection contains a nearly complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy. See similar SCUA collections: Folk music Massachusetts (East) Printed materials Background When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. The rapid growth of the folk scene in Boston during the mid- 1950s was propelled in part by the popularity of hootenannies held at the YMCA and local hotels, and by a growing number of live music venues, catching on especially in the city's colleges. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 09/01/2010 09:57 Am
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 09/01/2010 09:57 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/25/2010 to 08/31/2010 Last Period (TP) = 08/18/2010 to 08/24/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 267 James Moody Moody 4B IPO 2010 14 0 14 2 2 Kenny Burrell Be Yourself HighNote 2010 9 13 -4 2 6 Steve Davis Images Posi-Tone 2010 9 8 1 4 6 Hilario Duran Motion Alma 2010 8 8 0 4 267 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 8 0 8 4 267 The Marsalis Family Music Redeems Marsalis 2010 8 0 8 7 1 Curtis Fuller I Will Tell Her Capri 2010 7 14 -7 7 267 Danilo Perez Providencia Mack Avenue 2010 7 0 7 7 267 Jim Rotondi 1000 Rainbows Posi-Tone 2010 7 0 7 10 16 Fred Hersch Whirl Palmetto 2010 6 5 1 10 78 Dr. Lonnie Smith Spiral Palmetto 2010 6 1 5 10 267 Mauricio De Souza Here. There... Pulsa 2010 6 0 6 13 3 Tomas Janzon Experiences Changes 2010 5 10 -5 13 4 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 5 9 -4 13 12 Nnenna Freelon Homefree Concord 2010 5 6 -1 13 16 Dave Bass Gone Dave Bass 2010 5 5 0 13 22 John Fedchock Live At The Red Sea Jazz Capri 2010 5 4 1 Festival 13 267 The Vanguard Jazz Orchestra Up From The Skies: Music Of Planet Arts 2006 5 0 5 Jim McNeely 13 267 Larry Goldings & Harry Allen When Larry Met Harry Cafe Society 2010 5 0 5 20 4 Chris Massey Vibrainium Self-Released 2010 4 9 -5 20 8 Mark Weinstein Timbasa Jazzheads 2010 4 7 -3 20 16 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 4 5 -1 20 22 Tamir Hendelman Destinations Resonance 2010 4 4 0 20 27 Pharez Whitted Transient Journey Owl Studios 2010 4 3 1 20 267 Ted Hogarth Live At The Jazz Showcase Jazz Showcase 2010 4 0 4 20 267 Sharon Jones & The I Learned The Hard Way Daptone 2010 4 0 4 Dap-Kings 27 8 Rita Edmond A Glance At Destiny T.O.T.I.