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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
SPECIAL REPORT an Analysis of the June 1-15, 2008 the Fortnightly from Afaqs! Mobile Marketing Business in India 16
Rs 40 THE SPECIAL REPORT An analysis of the June 1-15, 2008 The fortnightly from afaqs! mobile marketing business in India 16 PROFILE Mohit Anand Making the transition from software to Channel [V]. 22 SPRITE Being Upfront How a consistent message worked like magic. 24 DEFINING MOMENTS Gullu Sen Anything can change your life, feels this adman. TV SHOWS The Power of Stars 12 WEBSITES Are details really everything? A report At Home 14 on whether execution in Indian PARLE MONACO advertising matches the idea. The Lighter Side 38 28 STAR COMIC BOOKS Animated in Print 38 The fortnightly from agencyfaqs! This fortnight... Volume III, Issue 21 he subject of this issue’s cover story has been provoked by the impending Cannes festival EDITOR T– but is not really about it. In the course of covering international awards, we have found Sreekant Khandekar that the quality of execution in Indian advertising keeps cropping up. The issue generally gets sidelined because the natural focus is the idea behind a campaign. PUBLISHER Prasanna Singh Craft and execution are not a pre-requisite for awards alone. It is the stuff of everyday advertising life, the very thing that can enhance the impact of an idea dramatically – EXECUTIVE EDITOR or wreck it, quite as easily. Happydent, Fevicol and Nike are three examples of the M Venkatesh delightful consequence when great idea meets great execution. CREATIVE CONSULTANTS We talk to creative directors, film makers and to clients to find out what the prob- PealiDezine lem is when it comes to execution. Is it about time? Money? Or simply about an LAYOUT Indian way of doing things? You may not like all that you read but it will make you Vinay Dominic look at an old issue afresh. -
Top 200+ Current Affairs Monthly MCQ's September
Facebook Page Facebook Group Telegram Group Telegram Channel AMBITIOUSBABA.COM | ONLINE TEST SERIES: TEST.AMBITIOUSBABA.COM | MAIL 1 US AT [email protected] Facebook Page Facebook Group Telegram Group Telegram Channel Q1.India's first-ever sky cycling park to be opened in which city? (a) Manali (b) Mussoorie (c) Nainital (d) Shimla (e) None of these Ans.1.(a) Exp.To boost tourism and give and an all new experience to visitors, India's first-ever sky cycling park will soon open at Gulaba area near Manali in Himachal Pradesh. It is 350m long & is located at a height of 9000 Feet above sea level. Forest Department and Atal Bihari Vajpayee Institute of Mountaineering and Allied Sports have jointly developed an eco-friendly park. AMBITIOUSBABA.COM | ONLINE TEST SERIES: TEST.AMBITIOUSBABA.COM | MAIL 2 US AT [email protected] Facebook Page Facebook Group Telegram Group Telegram Channel Q2.Which sportsperson has won the 2019 Rashtriya Khel Protsahan Puraskar? (a) Abhinav Bindra (b) Jeev Milkha Singh (c) Mary Kom (d) Gagan Narang (e) None of these Ans.2.(d) Exp.On 2019 National Sports Day (NSD), Gagan Narang and Pawan Singh have been honoured with the Rashtriya Khel Protsahan Puraskar for their Gagan Narang Sports Promotion Foundation (GNSPF) at the Arjuna Awards ceremony in Rashtrapati Bhavan, New Delhi. The award recognizes their contribution in the growth of their favourite sport and a reward for sacrifices they have made to realize their dream. In 2011, Narang and co-founder Pawan Singh founded GNSPF to nurture budding talent -
Research Paper Impact Factor
Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s. -
Gr8ambitionz Team
Quick Reference Guide for IBPS Clerks CWE III Powered by www.Gr8AmbitionZ.com your A to Z competitive exam guide CURRENT AFFAIRS QUICK REFERENCE GUIDE FOR IBPS CLERKS III ONLINE EXAM www.Gr8AmbitionZ.com Important Points you should know about Public Sector Banks RBI (Reserve Bank of India) : o The Reserve Bank of India (RBI) is India's central banking institution, which controls the monetary policy of the Indian rupee. It was established on 1st April 1935 during the British Raj in accordance with the provisions of the Reserve Bank of India Act, 1934 o Governor : Raghuram Rajan o Headquarters : Mumbai State Bank of India o It the largest banking and financial services company in India by assets. The bank traces its ancestry to British India, through the Imperial Bank of India, to the founding in 1806 of the Bank of Calcutta, making it the oldest commercial bank in the Indian Subcontinent. Bank of Madras merged into the other two presidency banks Bank of Calcutta and Bank of Bombay to form the Imperial Bank of India, which in turn became the State Bank of India. Government of India nationalized the Imperial Bank of India in 1956, with Reserve Bank of India taking a 60% stake, and renamed it the State Bank of India. In 2008, the government took over the stake held by the Reserve Bank of India. o CMD : Smt. Arundathi Bhattacharya o Headquarters : Mumbai o Associate Banks : SBI has five associate banks; all use the State Bank of India logo, which is a blue circle, and all use the "State Bank of" name, followed by the regional headquarters' name: . -
Space Exploration's Next Frontier
Tuesday, June 16, 2020 Shawwal 24, 1441 AH Doha today: 330 - 450 The future Space exploration’s next frontier: Remote-controlled robonauts. P4-5 COVER STORY HOLLYWOOD BACK PAGE White celebs rush to Artists laud Qatar’s resilience amplify Black Lives Matter. during unjust blockade. Page 15 Page 16 2 GULF TIMES Tuesday, June 16, 2020 COMMUNITY ROUND & ABOUT SERIES TO BINGE WATCH ON AMAZON PRIME PRAYER TIME Fajr 3.12am Shorooq (sunrise) 4.45am Zuhr (noon) 11.36am Asr (afternoon) 2.59pm Maghreb (sunset) 6.27pm Isha (night) 7.57pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Modern Love been a date. An unconventional new family. These are unique Water Corporation 44845555, 44845464 CAST: Anne Hathaway, Tina Fey, Andy Garcia stories about the joys and tribulations of love, each inspired Primary Health Care Corporation 44593333 SYNOPSIS: An unlikely friendship. A lost love resurfaced. by a real-life personal essay from the beloved New York Times 44593363 A marriage at its turning point. A date that might not have column Modern Love. Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Office (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 ote Unquo Qu te “Childhood is a short season.” — Helen Haye The Expanse to find a missing young woman; Julie between Earth, Mars and The Belt. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
NEW AD FILMMAKERS on the INTERVIEW Rishad Tobaccowala How Vivaki’S Role Will CENTRE STAGE Grow in Times to Come
May 16-31, 2012 Volume 3, Issue 10 `100 44 NEW AD FILMMAKERS ON THE INTERVIEW Rishad Tobaccowala How VivaKi’s role will CENTRE STAGE grow in times to come. Armed with a specialised approach, new-gen directors are sharing the limelight with industry veterans. 14 DIGITAL CAMERA Why so Glamorous? Digital camera brands have taken a fancy for filmstars. 41 DEFINING MOMENTS Paritosh Joshi The ex-CEO of STAR CJ Network looks back. GOOGLE New Measures 16 CHROME DATA ANALYTICS & MEDIA Study on Carriage Fees 32 GEC The Key to Success 33 28 ABP/STAR What Lies Ahead? 34 EDITORIAL This fortnight... Volume 3, Issue 10 EDITOR Sreekant Khandekar o whom will you attribute the success or failure of a television commercial? Is it the agency, the PUBLISHER Prasanna Singh T filmmaker or the brand owner? In feature films, which inspire the ad film industry in many EXECUTIVE EDITOR ways, the onus is more on the director than anyone else. But in the case of ad films, the agency or Prajjal Saha the marketer is the face of the film. The filmmaker, unless he is an iconic name, is seen as a mere SENIOR LAYOUT ARTIST executioner. However, one can equally argue that it’s the director who gives visual Vinay Dominic grammar to the script to deliver an impactful audio-visual story. LOGISTICS Rajesh Kanwal May 16-31, 2012 Volume 3, Issue 10 `100 Yes, the early days of television commercials did produce a few names which ADVERTISING ENQUIRIES 44 Neha Arora, (0120) 4077866, 4077837 NEW AD FILMMAKERS were equally iconic, such as Prahlad Kakkar and Shyam Benegal. -
Bollywood Bourgeois Author(S): Rachel Dwyer Source: India International Centre Quarterly, Vol
Bollywood Bourgeois Author(s): Rachel Dwyer Source: India International Centre Quarterly, Vol. 33, No. 3/4, India 60 (WINTER 2006-SPRING 2007), pp. 222-231 Published by: India International Centre Stable URL: http://www.jstor.org/stable/23006084 . Accessed: 07/11/2013 09:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. India International Centre is collaborating with JSTOR to digitize, preserve and extend access to India International Centre Quarterly. http://www.jstor.org This content downloaded from 146.96.128.36 on Thu, 7 Nov 2013 09:20:14 AM All use subject to JSTOR Terms and Conditions INDIA 60 Bollywood Bourgeois cliche of Indian cinema being the domain of the escapist fantasies of the Indian masses can now be safely put to rest. While this may have been true for The the 1980s, when the study of Indian cinema began to grow, the present cinema audiences, who are willing to pay Rs. 200 and upwards for a cinema ticket, are from various sections of the Indian middle classes and elites. These classes now dominate the public sphere in India and film is one of the major media which they are producing and consuming. -
An Imaginative Film and Monumental by Its Production Values and Cinematic Brilliance in Creating a Fantasy World on Screen
63rd NATIONAL FILM AWARDS FOR 2015 FEATURE FILMS S.No. Name of Award Name of Film Awardees Medal Citation & Cash Prize 1. BEST FEATURE BAAHUBALI Producer: SHOBU Swarna Kamal An imaginative film and FILM YARLAGADDA AND and monumental by its production ARKA values and cinematic brilliance MEDIAWORKS (P) 2,50,000/- LTD. each to in creating a fantasy world on screen. the Producer and Director : S.S Director RAJAMOULI (CASH COMPONENT TO BE SHARED) 2. INDIRA GANDHI MASAAN Producer: Swarna Kamal For his perceptive approach AWARD FOR BEST PHANTOM FILMS and to filmmaking in handling a DEBUT FILM OF A layered story of DIRECTOR Director : NEERAJ 1,25, 000/- people caught up changing GHAYWAN each to social and moral values. the Producer and Director 3. BEST POPULAR BAJRANGI Producer: SALMA Swarna Kamal Tackling an important social FILM PROVIDING BHAIJAAN KHAN, and issue in the simple heart- WHOLESOME SALMAN KHAN, warming & entertaining format. ENTERTAINMENT ROCKLINE 2,00,000/- VENKTESH each to Director : KABIR the Producer and KHAN Director 4. NARGIS DUTT NANAK SHAH Producer: Rajat Kamal and The saga on the life of the FAKIR GURBANI MEDIA AWARD FOR great spiritual master BEST FEATURE PVT. LTD. 1,50,000/- each to advocating the values of peace FILM ON and harmony. NATIONAL the Producer and INTEGRATION Director 5. BEST FILM ON NIRNAYAKAM Producer: JAIRAJ Rajat Kamal and For tackling a relevant and SOCIAL ISSUES FILMS unaddressed issue of 1,50,000/- each curtailing freedom of Director : V.K to movement for the common PRAKASH the Producer and man due to hartals and Director processions. -
Monthly Digest August 2019 E
www.gradeup.co 1 | P a g e www.gradeup.co Monthly Digest August-2019 Banking & Financial Awareness 1. The Postal Department has decided to convert the India Note: According to RBI Governor Shaktikanta Das, the Post Payments Bank (IPPB) into Small finance bank RBI will make available the NEFT system on a 24x7 basis (SFB). from December 2019. Currently, NEFT payment system Note: Besides, the department also looks to open one operated by the Reserve Bank as a retail payment system crore accounts for IPPB in 100 days. According to the is available for customers from 8 AM to 7 PM on all Postal Department statement, the decisions were taken at working days of the week except 2nd and 4th Saturdays the annual Heads of Circles Conference held at Srinagar. of the month. RBI has also decided to create a central 2. The total gross revenue collected under Goods and payments fraud information registry system to deal Services Tax (GST in the month of July 2019) was Rs. banking frauds adding that the details of the same will be 1,02,083 crores. shared later. Note: It consisted of Central GST component of 17,912 6. India contributed to the UN Palestine refugee agency crore rupees and State GST 25,008 crore rupees along and called for ensuring sustained fiscal support for the with the Integrated GST revenue which was 50,612 crore organization work -- USD 5 million. rupees and Cess collection was 8,551 crore rupees. Note: The cheque for the amount was handed over to the During the period from April to July 2019, the domestic United Nations Relief and Works Agency (UNRWA) for component has grown by 9.2 per cent while the GST on Palestinian Refugees by Representative of India (ROI) in imports has come down by 0.2% and the total collection Palestine, Sunil Kumar, at the Agency's headquarters in has grown by 6.83%.An amount of 17,789 crore rupees Jerusalem. -
Interlingual and Intersemiotic Transfer of Indian Cinema in Hong Kong
Indian Journal of Comparative Literature and Translation Studies | 45 Author(s): Andy Lung Jan CHAN Published by: Indian Journal of Comparative Literature and Translation Studies (IJCLTS) Issue Number: Volume 2, Number 1, February, 2014 ISSN Number: 2321-8274 Issue Editor: Rindon Kundu Editor : Mrinmoy Pramanick & Md Intaj Ali Website Link: http://ijclts.wordpress.com/ Interlingual and Intersemiotic Transfer of Indian Cinema in Hong Kong Abstract The history of Indian immigration to Hong Kong can be traced to the 1840s, when Hong Kong became a colony of the British Empire. However, Hong Kong Chinese people‟s knowledge of the local Indian community is limited. The stereotyping of Indian culture in the Hong Kong movie Himalaya Singh shows that Indian people and culture are often distorted and negatively portrayed in the media, and the secluded Indian community in Hong Kong is marginalised and neglected in the mainstream media. In recent years, Indian cinema has gained popularity in Hong Kong, but this survey of the Chinese movie titles, trailer subtitles and other publicity materials of four Indian movies (Slumdog Millionaire; 3 Idiots; English, Vinglish; and The Lunchbox) show that the films have to be recast and transfigured during interlingual and intersemiotic transfers so that it can become more accessible to Hong Kong Chinese audiences. 1. Introduction The history of Indian immigration to Hong Kong can be traced to the 1840s, when Hong Kong became a colony of the British Empire. In the social and economic development during the early colonial days, Indian people played an important role. Some Indian families have lived in the territory for generations and consider Hong Kong their home.