Longlists 2016
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Junior Boys B.B.C. English Info
The white noise backdrop of modern life means that without some fine-tuning on our part, even established and progressive artists can become elusive on occasion. But since musical creativity involves a healthy drive to self-determination and often a keen collaborative spirit, out of earshot doesn’t necessarily mean out of action. Certainly not in the case of Junior Boys, who’ve readied a new album, Big Black Coat - due for release on 5 February 2016. A strikingly energised and intuitively dynamic set that reconnects them to their techno roots without sacrificing their soulful pop nous or riding a revivalist wave, it’s also shaped by what Jeremy Greenspan and Matt Didemus have been doing in the five years since their last release. The Hamilton, Ontario duo have racked up four albums since they formed in 1999, including their 2004 debut Last Exit and 2006’s So This Is Goodbye, two rapturous – and rapturously received – records that were as poignant as they were impeccably produced, and prefigured Album: ‘Big Black Coat’ the digital R&B so beloved of many an artist in the last few years. Two albums followed, the Cat No: Slang50089 Format: CD / LP / Digital last in 2011, by which time high expectation had begun to leach the fun from making records. Release: 05.02.2016 Label: City Slang The years since then have been filled with nourishing independent pursuits. Greenspan released two solo singles and a collaborative EP on Jiaolong, the label run by his old friend and fellow Hamiltonian Dan Snaith (aka Caribou, Daphni – Greenspan also mixed several TRACKLISTING songs from Swim). -
Complete Christmas Songbook
NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 43563-1053-3 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105337 CD$ 12.00 2-Nov-18 NOQ059 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105313 LP$ 16.00 2-Nov-18 JAG330CS UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233055 CS 8.00$ 26-Oct-18 56605-2330-2 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233024 CDEP$ 12.00 26-Oct-18 JAG330 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233017 12" EP $ 14.00 26-Oct-18 87828-0432-2 HOW TO DRESS WELLThe Anteroom Domino Rock-Pop 887828043224 CD$ 12.80 19-Oct-18 WIG432 HOW TO DRESS WELLThe Anteroom (180g LPx2) Domino Rock-Pop 887828043217 LPx2$ 25.60 19-Oct-18 87828-0817-2 HOLTER, JULIA Aviary Domino Rock-Pop 887828041725 CDx2$ 13.67 26-Oct-18 WIG417 HOLTER, JULIA Aviary Domino Rock-Pop 887828041718 LPx2$ 25.60 26-Oct-18 WIG417X HOLTER, JULIA Aviary (Indie Only - clear viny Domino Rock-Pop 887828041732 LPx2$ 25.60 26-Oct-18 66561-0138-2 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013820 CD$ 10.00 26-Oct-18 CST138 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013813 LP$ 14.25 26-Oct-18 28070-6355-2 SPECTRES Last Days Artoffact Records Punk 628070635528 CD$ 10.00 19-Oct-18 28070-6356-2 SPECTRES Nothing to Nowhere Artoffact Records Punk 628070635627 CD$ 10.00 19-Oct-18 28070-6357-2 SPECTRES Utopia -
ARIA TOP 100 URBAN ALBUMS CHART 2015 TY TITLE Artist CERTIFIED COMPANY CAT NO
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 100 URBAN ALBUMS CHART 2015 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 RNB FRIDAYS Various <G> UTV/UMA 5365216 2 BEAUTY BEHIND THE MADNESS The Weeknd <G> UNI/UMA 4750330 3 COMPTON Dr. Dre <G> UMA 00602547530653 4 TO PIMP A BUTTERFLY Kendrick Lamar <G> INR/UMA 4727091 5 WALKING UNDER STARS Hilltop Hoods <P>2 GE/UMA GER017 6 UPTOWN SPECIAL Mark Ronson <G> COL/SME 88875053102 7 IF YOU'RE READING THIS IT'S TOO LATE Drake UNI/UMA 4728879 8 STRANGE NEW PAST Seth Sentry HSR/INE HIGH003CD 9 A.L.L.A. (AT LONG LAST A$AP) A$AP Rocky RCA/SME 88843077752 10 FAN OF A FAN: THE ALBUM Chris Brown & Tyga RCA/SME 88875070012 11 GREATEST HITS The Notorious B.I.G. BAD/WAR 7567899963 12 101 MORE R&B HITS Various SME 88875035252 13 SWEET TALKER Jessie J UNI/UMA 4702907 14 ROYALTY Chris Brown RCA/SME 88875153622 15 BEYONCE Beyonce <P> COL/SME 88843032512 16 GOOD KID, M.A.A.D CITY Kendrick Lamar INR/UMA 3716232 17 NEXT STEP Kerser WAR ABK003 18 LIVE BY THE WORDS Justice Crew SME 88875012922 19 THE PINKPRINT Nicki Minaj UNI/UMA 4716384 20 CURTAIN CALL: THE HITS Eminem <P>6 INR/UMA 9887893 21 DRINKING FROM THE SUN Hilltop Hoods <P>2 GE/UMA GER015 22 THE EMINEM SHOW Eminem <P>9 UMA 4932902 23 LOVE IN THE FUTURE John Legend <G> COL/SME 88883773442 24 CIRCUS IN THE SKY Bliss N Eso <P> ILL/UMA ILL094CD 25 THE MARSHALL MATHERS LP2 Eminem <P>2 INR/UMA 3758811 26 101 R&B HITS Various <G> SME 88725415762 27 B4.DA.$$ Joey Bada$$ RED/SME 69346123852 28 2014 FOREST HILLS DRIVE J. -
Song List by Member
song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S. -
Triple J Hottest 100 of the Decade Voting List: AZ Artists
triple j Hottest 100 of the Decade voting list: A-Z artists ARTIST SONG 360 Just Got Started {Ft. Pez} 360 Boys Like You {Ft. Gossling} 360 Killer 360 Throw It Away {Ft. Josh Pyke} 360 Child 360 Run Alone 360 Live It Up {Ft. Pez} 360 Price Of Fame {Ft. Gossling} #1 Dads So Soldier {Ft. Ainslie Wills} #1 Dads Two Weeks {triple j Like A Version 2015} 6LACK That Far A Day To Remember Right Back At It Again A Day To Remember Paranoia A Day To Remember Degenerates A$AP Ferg Shabba {Ft. A$AP Rocky} (2013) A$AP Rocky F**kin' Problems {Ft. Drake, 2 Chainz & Kendrick Lamar} A$AP Rocky L$D A$AP Rocky Everyday {Ft. Rod Stewart, Miguel & Mark Ronson} A$AP Rocky A$AP Forever {Ft. Moby/T.I./Kid Cudi} A$AP Rocky Babushka Boi A.B. Original January 26 {Ft. Dan Sultan} Dumb Things {Ft. Paul Kelly & Dan Sultan} {triple j Like A Version A.B. Original 2016} A.B. Original 2 Black 2 Strong Abbe May Karmageddon Abbe May Pony {triple j Like A Version 2013} Action Bronson Baby Blue {Ft. Chance The Rapper} Action Bronson, Mark Ronson & Dan Auerbach Standing In The Rain Active Child Hanging On Adele Rolling In The Deep (2010) Adrian Eagle A.O.K. Adrian Lux Teenage Crime Afrojack & Steve Aoki No Beef {Ft. Miss Palmer} Airling Wasted Pilots Alabama Shakes Hold On Alabama Shakes Hang Loose Alabama Shakes Don't Wanna Fight Alex Lahey You Don't Think You Like People Like Me Alex Lahey I Haven't Been Taking Care Of Myself Alex Lahey Every Day's The Weekend Alex Lahey Welcome To The Black Parade {triple j Like A Version 2019} Alex Lahey Don't Be So Hard On Yourself Alex The Astronaut Not Worth Hiding Alex The Astronaut Rockstar City triple j Hottest 100 of the Decade voting list: A-Z artists Alex the Astronaut Waste Of Time Alex the Astronaut Happy Song (Shed Mix) Alex Turner Feels Like We Only Go Backwards {triple j Like A Version 2014} Alexander Ebert Truth Ali Barter Girlie Bits Ali Barter Cigarette Alice Ivy Chasing Stars {Ft. -
The Curationist Moment “Experiences”—Shows That, Due to the Primacy of Their Overarching Concept, Make the Curator, Rather Than the Artists, the Star
ADHOC manifests itself in the proliferation of exhibitions packaged as The Curationist Moment “experiences”—shows that, due to the primacy of their overarching concept, make the curator, rather than the artists, the star. This explains the celebrity status of curators like the Serpentine Gallery’s Hans Ulrich Obrist and MoMA PS1’s Klaus Biesenbach. The former, known for his interviews with notable artists as well as multi-faceted group exhibitions like 2014’s Extinction Marathon: Visions of the Future, serves as Balzer’s chief subject; the book’s prologue is titled “Who is HUO?” and posits Obrist’s jet-setting, star-making career as the pinnacle of curationism. The latter curator is well-known in New York and elsewhere for his ambitious 2015 was full of electronic music curatorial concepts, like 2015’s multimedia Björk exhibition at MoMA or “curators,” but Oneohtrix Point 2014’s expansive Rockaway! exhibition, which featured large projects by Never’s ’90s culture-inspired Patti Smith, Adrián Villar Rojas, and Janet Cardiff, plus a group show, all Garden of Delete went beyond throughout Rockaway Beach. name-checking. Is there a Hans Ulrich Obrist or Klaus Biesenbach, then, of music? Not necessarily, but we certainly see the “curationist” phenomenon at work in music, too. Contemporary musicians and industry workers “curate” everything from music festivals to videos to playlists. Within the Everyone’s a curator these days. their own agency or identity—a electronic music milieu this year, the curationist impulse also led to the It’s an observation that spurred practice that seems necessary as we release of numerous multi-faceted, collaboration-heavy albums—“curated” art critic David Balzer to write spend more and more of our time group exhibitions, if you will, which, furthermore, often included plenty Curationism, a late 2014 book that online, interfacing with others under of “curated” extra-musical material, from videos to performances to art aims to break down the when, why, the guise of social media avatars objects to pop-up shops. -
The Music Market in Australia and New Zealand
THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALAND 1 THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALANDLAND ACKNOWLEDGEMENTS Funding for this study was provided by Ontario Media Development Corporation. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Ontario Media Development Corporation or the Government of Ontario. The Government of Ontario and its agencies are in no way bound by the recommendations contained in this document. Funding for this study was also provided in part by Foreign Affairs, Trade and Development Canada. Foreign Affairs, Trade and Affaires étrangères, Commerce Development Canada et Développement Canada 2 THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALAND 1. Executive Summary . 4 2. Introduction . .. 5 3. At a Glance . 5 Australia . 5 New Zealand . 7 4. Recorded Music Market . 8 Charts . .. 8 In Numbers . 11 Copyright Infringement and Piracy in Australia . 12 Streaming Services . .. 12 Record Stores . 13 Record Labels and Distributors . 13 General Trends . 16 Interview: Leigh Gruppetta, Cooking Vinyl Australia . .. 16 5. Live Performance Industry . 17 Festivals . 19 Interview: Chloe Goodyear . Woodford Folk Festival . 22 Touring Australia and New Zealand . 23 Venues . 24 Booking Agencies and Promoters . 30 Merch . 31 Illy’s Top Tips for Touring Australia . 31 6. Music Publishing . 34 In Numbers . 34 Synch . 35 Interview: Zoe Coverdale, Mushroom Music Publishing . 36 7. Promotion and Media . 37 Australia (Radio, Print, Television, Online) . 37 Interview: Nick Findlay, triple j . 38 New Zealand (Radio, Print, Online) . 43 Marketing and Advertising . 43 Interview: Pam Thornback, Inertia . 44 8. Business and Showcase Events . -
NEWMEDIA Greig ‘Boldy’ Bolderrow, 103.5 Mix FM (103.5 Triple Postal Address: M)/ 101.9 Sea FM (Now Hit 101.9) GM, Has Retired from Brisbane Radio
Volume 29. No 9 Jocks’ Journal May 1-16,2017 “Australia’s longest running radio industry publication” ‘Boldy’ Bows Out Of Radio NEWMEDIA Greig ‘Boldy’ Bolderrow, 103.5 Mix FM (103.5 Triple Postal Address: M)/ 101.9 Sea FM (now Hit 101.9) GM, has retired from Brisbane radio. His final day was on March 31. Greig began PO Box 2363 his career as a teenage announcer but he will be best Mansfield BC Qld 4122 remembered for his 33 years as General Manager for Web Address: Southern Cross Austereo in Wide Bay. The day after www.newmedia.com.au he finished his final exam he started his job at the Email: radio station. He had worked a lot of jobs throughout [email protected] the station before becoming the general manager. He started out as an announcer at night. After that he Phone Contacts: worked on breakfast shows and sales, all before he Office: (07) 3422 1374 became the general manager.” He managed Mix and Mobile: 0407 750 694 Sea in Maryborough and 93.1 Sea FM in Bundaberg, as well as several television channels. He says that supporting community organisations was the best part of the job. Radio News The brand new Bundy breakfast Karen-Louise Allen has left show has kicked off on Hitz939. ARN Sydney. She is moving Tim Aquilina, Assistant Matthew Ambrose made the to Macquarie Media in the Content Director of EON move north from Magic FM, role of Direct Sales Manager, Broadcasters, is leaving the Port Augusta teaming up with Sydney. -
Top 50 Singles Top 50 Albums
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TW THIS WEEK LW LAST WEEK TI TIMES IN HP HIGH POSITION * BULLET TOP 50 SINGLES WEEK COMMENCING 14 MARCH, 2016 TOP 50 ALBUMS TW LW TI HP TITLE Artist COMPANY CAT NO. TW LW TI HP TITLE Artist COMPANY CAT NO. 1 1 5 1 7 YEARS Lukas Graham <P> WAR 054391965004 * 1 NEW 1 1 RISING WITH THE SUN The Cat Empire TWO/INE TCE011CD 2 3 7 2 STRESSED OUT Twenty One Pilots <G> FBR/WAR US-AT2-15-00597 2 2 15 1 MOLLY (SOUNDTRACK FROM THE TV SERIES) Soundtrack <P> LIB/UMA LMCD0281 3 2 5 2 1955 Hilltop Hoods Feat. Montaigne & Tom Thum <G> GE/UMA 4779948 * 3 NEW 1 3 UNTITLED UNMASTERED. Kendrick Lamar INR/UMA 4785403 4 4 8 1 NEVER BE LIKE YOU Flume Feat. Kai <P> FCL FCL160 4 4 16 1 25 Adele <P>8 XL/INE XLCD740 5 7 12 3 ONE CALL AWAY Charlie Puth <P> ATL/WAR 075679919809 5 5 3 1 DRINKING FROM THE SUN, WALKING UNDER STARS RESTRUNG H…GE/UMA GER021 6 6 7 6 MY HOUSE Flo Rida <G> ATL/WAR US-AT2-15-00528 * 6 NEW 1 6 LIMITLESS Tonight Alive SME 88875150092 * 7 13 4 7 HIDE AWAY Daya SME G010003340468Q * 7 NEW 1 7 THE PAST BEATS INSIDE ME LIKE A SECOND HEARTBEAT Urthboy ELEF/INE ACE138 * 8 12 7 8 CHEAP THRILLS Sia <G> MKP/INE US-RC1-15-02935 8 3 2 3 YOUTH REVIVAL Hillsong Young & Free HMA/SME HMACDDVD312 9 9 8 5 ROSES The Chainsmokers Feat. -
Fantastika Journal
FANTASTIKA JOURNAL Volume 4 • Issue 1 • July 2020 ISSN: 2514-8915 Fantastika Journal • Volume 4 • Issue 1 • July 2020 EDITOR’S NOTE “Fantastika” A term appropriated from a range of Slavonic languages by John Clute. It embraces the genres of Fantasy, Science Fiction, and Horror, but can also include Alternate History, Gothic, Steampunk, Young Adult Dystopic Fiction, or any other radically imaginative narrative space. The goal of Fantastika Journal and its annual conference is to bring together academics and independent researchers who share an interest in this diverse range of fields with the aim of opening up new dialogues, productive controversies and collaborations. We invite articles examining all mediums and disciplines which concern the Fantastika genres. “Most people think time is like a river that flows swift and sure in one direction. But I have seen the face of time, and I can tell you: they are wrong. Time is an ocean in a storm. You may wonder who I am or why I say this. Sit down and I will tell you a tale like none you have ever heard.” (Prince of Persia: The Sands of Time, 2003) Time is traditionally seen as being linear; the progression of one moment to the next, a strict separation of past, present, and future based on sequential and causational relationships. Yet memory, imagination, day-dreaming, nostalgia, planning and many other routine processes blur the boundaries between them as temporal linearity appears to fold back upon itself. Certainly, we cannot avoid the reality that time conceptually propels us along in one direction, but it is simultaneously multidirectional and chaotic. -
2018: Against Worldbuilding Fight the Snob Art of the Social Climbers!
2018: Against Worldbuilding Fight The Snob Art of the Social Climbers! tinymixtapes.com/features/2018-against-worldbuilding By Nick James Scavo · December 13, 2018 Tweet Tech evangelist Robert Scoble taking a shower while wearing now-defunct Google Glass. We celebrate the end of the year the only way we know how: through lists, essays, and mixes. Join us as we explore the music that helped define the year. More from this series In 2018, do we laud our creations enough to call them worlds? As we turn the knob of a Breville BOV650XL toaster oven and scrape strawberry jam over the 1,000 nooks and crannies of an english muffin, are we vain enough to proclaim a new world? Our special individuality suggests that our world is made up of billions of particular worlds. Our bizarre social ingenuity demonstrates that there is a world-network that compartmentalizes, associates, and connects them. All the while, there is an infinite amount of quantum worlds swirling in microcosm beneath the starry sky of an equally infinite macrocosm. Within this reflected infinity, exactly which worlds did we build? Or are we merely at war with an existing world in an effort to proclaim a more profound one — one distinctly of our making? Must we devour the multiplicity of worlds to build even one solitary one? Are we worldeaters or worldbuilders? 1/19 We look up from our world, the planet Earth, and our curiosity bores into the expanse of non- living worlds circling around us. Yet, even our centuries of research and recent astronautics can’t seem to reveal a single discovery other than a plentitude of dead worlds.