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Original Research Paper
PARIPEX - INDIAN JOURNAL OF RESEARCH | Volume-9 | Issue-4 | April - 2020 | PRINT ISSN No. 2250 - 1991 | DOI : 10.36106/paripex ORIGINAL RESEARCH PAPER Arts KEY WORDS: Tholu Bommalatha, SUPPLEMENTARY ELEMENTS OF Kambaramayanam, Thiruvachakam,, Natya Sastra, Yakshaganam, Adalpattu, Are, ENTERTAINMENT IN LEATHER SHADOW Ranganatha Ramayanam, Ayappudava, Sadya Vazhthal,Gona Budha reddy, PUPPETEERING OF ANDHRA PRADESH Puppeteering, Yakshaganam, Wuti. Mada Pulavar. Kunthirikulathu Madom, MMRA 55A, Madan Kovil Road, Paruthippara, Babu K Muttada-P O, Trivandrum- 695 025, INDIA. With stupendous international kindred, leather shadow puppetry is a marvelous folk art form widespread in India. This art form has a role in conception of amusement in all south Indian states, (Kerala, Tamil Nadu, Karnataka and Andhra CT Pradesh). Apart from its special role on Hindu devotional practices it a well established engagement of entertainment. There are certain families absolutely devoted in puppet making, playing and surviving only with income produced through performances. It is very intricate for provide a normal survival to them because of the strong hostility with other various modern forms of entertainments existing in each corner. However it is the duty of the beholders and ABSTRA beneficiaries to keep the system alive for their continued existence. The certain changes and differences found in puppets and its manipulation in Andhra Pradesh are documented and evaluated its relevance here. INTRODUCTION: Kanyakumari, Bengaluru and Visakhapatinam straightly cut From child hood I have been well acquainted with several leather with a sharp knife and stitch them to make a huge types of performances conducted in temples offered as Ravana horrifying Puppet or smooth colorful pieces joined for worship to deities. -
Multidimensional Role of Women in Shaping the Great Epic Ramayana
International Journal of Academic Research and Development International Journal of Academic Research and Development ISSN: 2455-4197 Impact Factor: RJIF 5.22 www.academicsjournal.com Volume 2; Issue 6; November 2017; Page No. 1035-1036 Multidimensional role of women in shaping the great epic Ramayana Punit Sharma Assistant Professor, Institute of Management & Research IMR Campus, NH6, Jalgaon, Maharashtra, India Abstract We look for role models all around, but the truth is that some of the greatest women that we know of come from Indian mythology Ramayana. It is filled with women who had the fortitude and determination to stand up against all odds ones who set a great example for generations to come. Ramayana is full of women, who were mentally way stronger than the glorified heroes of this great Indian epic. From Jhansi Ki Rani to Irom Sharmila, From Savitribai Fule to Sonia Gandhi and From Jijabai to Seeta, Indian women have always stood up for their rights and fought their battles despite restrictions and limitations. They are the shining beacons of hope and have displayed exemplary dedication in their respective fields. I have studied few characters of Ramayana who teaches us the importance of commitment, ethical values, principles of life, dedication & devotion in relationship and most importantly making us believe in women power. Keywords: ramayana, seeta, Indian mythological epic, manthara, kaikeyi, urmila, women power, philosophical life, mandodari, rama, ravana, shabari, surpanakha Introduction Scope for Further Research The great epic written by Valmiki is one epic, which has Definitely there is a vast scope over the study for modern day mentioned those things about women that make them great. -
Harmony and Beauty in Ramayana 3
36 Summer Showers - 2002 3 Harmony and Beauty in Ramayana Daivadhinam jagat Sarvam Sathyadhinam tu Daivatam Tat Sathyam Uttamadhinam Uttamo Paradevata The entire creation is under the control of God. That God is under the control of Truth. That truth is under the control of noble ones. The noble people are greater than gods. (Sanskrit Verse) Embodiments of Love! HE society today is in utter need of Ramayana. We do not have children who re- Tspect their parents, nor do we have parents who have great affection for their children. We do not have disciples today who revere their preceptors; nor do we have preceptors who have great love for their 38 Summer Showers - 2002 Summer Showers - 2002 39 disciples. We do not have homes where parents shine as And moderately. role models for their children. We do not have homes Go to school where brothers live with mutual love and affection; nor And study diligently. do we have homes where wives and husbands shine as Earn a good name that ideals to others by virtue of their mutual love and You are an obedient student. affection. Good manners and courtesies have vanished. The Ramayana stands as an ideal for the trouble-torn Don’t move society of today in various fields of activities. When weather is damp. House is the First School And never go near ditches. Run and play The parents of today do not bother to find out the ways and means of bringing up their children and Have fun and frolic. keeping them under control. They think that their If you abide by responsibility is over after admitting them into a primary All the principles mentioned above school or a village school. -
{PDF} World Record Paintings of Lord Hanuman Ebook, Epub
WORLD RECORD PAINTINGS OF LORD HANUMAN PDF, EPUB, EBOOK Amrita Gupta | 118 pages | 01 Jan 2017 | Createspace Independent Publishing Platform | 9781542852432 | English | none World Record Paintings of Lord Hanuman PDF Book Notification Center. In our Hindu scriptures we find countless references to powerful beings in the previous ages. Sandeep palyal on August 14, at am. Chattarpur Temple Hanuman ft Hanuman Statue in Chattarpur Temple complex is located in a down town area in south of Delhi, It is the second largest temple complex in India and one of the largest in the world. Explore our online art gallery and grab your choice of painting or portraits or craft. He is generally depicted as a man with the face of a monkey and a long tail. Even the Bible gives mention to the giants who walked the earth in ancient times:. Having become a master of all that he set out to learn, it was now time for Hanuman to pay for his education guru-dakshina. However, it turned out to be an empty promise and was never materialized. Very well composed. Total redeemable TimesPoints 0. Something went wrong. It was decreed that Hanuman would remain blissfully unaware of his own prowess, unless, during the course of a meritorious deed, his memory would remind him of his superhuman ability. Gladiator Drawing. Mickey Mouse Head Drawing. Hanuman's quest is suggestive of a much deeper symbolism than a mere search for the 'physical' Sita At last the monkeys confronted Mandodari, the chief wife of Ravana. Predictably there was panic in the cosmos. -
My HANUMAN CHALISA My HANUMAN CHALISA
my HANUMAN CHALISA my HANUMAN CHALISA DEVDUTT PATTANAIK Illustrations by the author Published by Rupa Publications India Pvt. Ltd 2017 7/16, Ansari Road, Daryaganj New Delhi 110002 Copyright © Devdutt Pattanaik 2017 Illustrations Copyright © Devdutt Pattanaik 2017 Cover illustration: Hanuman carrying the mountain bearing the Sanjivani herb while crushing the demon Kalanemi underfoot. The views and opinions expressed in this book are the author’s own and the facts are as reported by him which have been verified to the extent possible, and the publishers are not in any way liable for the same. All rights reserved. No part of this publication may be reproduced, transmitted, or stored in a retrieval system, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN: 978-81-291-3770-8 First impression 2017 10 9 8 7 6 5 4 3 2 1 The moral right of the author has been asserted. This edition is for sale in the Indian Subcontinent only. Design and typeset in Garamond by Special Effects, Mumbai This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated, without the publisher’s prior consent, in any form of binding or cover other than that in which it is published. To the trolls, without and within Contents Why My Hanuman Chalisa? The Text The Exploration Doha 1: Establishing the Mind-Temple Doha 2: Statement of Desire Chaupai 1: Why Monkey as God Chaupai 2: Son of Wind Chaupai 3: -
Ramakatha Rasavahini II 7 Preface for This Edition 8 This Book 9 the Inner Meaning 11 Chapter 1
Ramakatha Rasavahini II Stream of Sacred Sweetness Sathya Sai Baba Contents Ramakatha Rasavahini II 7 Preface for this Edition 8 This Book 9 The Inner Meaning 11 Chapter 1. The Dandaka Forest 12 The fool Jayanta 12 A visit to the sage Athri’s hermitage 12 A stay at a beautiful hermitage 13 An encounter with Viradha, the ogre 14 Sarabhanga immolates himself 14 Sutheekshna adores Rama 15 On to Agastya’s ashram 16 Agastya asks not to be deluded into egotism 17 The story of the curse on Dandaka Forest 18 On to Dandaka Forest 18 Chapter 2. Panchavati 20 Lakshmana’s sense of duty 20 Rama constantly has visitors 21 Rama discourses on spiritual matters 22 Surpanakha falls for Lakshmana 23 Surpanakha is punished 24 The demons want revenge 25 The demons kill each other! 26 Ascetic sages visit Rama 27 Ravana hears Surpanakha’s story 28 Chapter 3. The Wily Villain 30 The thoughts of Ravana and Vibhishana 30 Ravana enlists Maricha’s help 30 Rama and Sita discuss their plans 31 The deer entices the brothers 32 Rama stalks and kills the deer 33 Caught between two loyalties 34 Sita is kidnapped! 35 Jatayu tries to save Sita 35 The brothers lament Sita’s disappearance 36 Lakshmana realizes the truth 37 Rama assents 38 Study the Ramayana closely! 39 Jatayu tells them what he knows 39 Ajamukhi loses her limbs 40 Rama kills Kabanda 40 Sabari tells her story 41 Rama admires devotion 42 Sabari tells what she knows 43 Chapter 4. An Ally Accepted 45 Hanuman meets the brothers 45 The brothers meet Sugriva 46 Lakshmana identifies some of the jewels 47 Sugriva tells his story 47 The story of the curse on Vali 49 Rama exhibits his power 50 Sugriva pours out his feelings 51 The battle between Vali and Sugriva 52 Rama kills His devotee, Vali 54 Rama consoles Tara 56 The search for Sita is delayed by weather 57 Chapter 5. -
Sri Rama Navami
Sri Rama Navami On Chaitra Sukla Navami (the ninth day of the bright half of Chaitra) 'Sree Ramanavami' is celebrated. Sree Rama was born on this day and years later on the same day Rama married Sita. 'Sree Sitarama Kalyana Mahotsav' (wedding) is performed in the abode Sitarama Temple, Bhadrachalam, Khammam District, Andhra Pradesh with great tradition and Bhakti. On behalf of Andhra Pradesh Government, Chief Minister with his wife visits the Kalyana Mahotsav and offers Silk Clothes and Pearls as Talambralu (auspicious) to the God and Goddess. The whole of this celebration is telecasted live in Doordarshan. "Wherever four Hindus live, Rama and Sita will be there" so said Swami Vivekananda, one of the foremost harbingers of modern national renaissance of Bharat. The reverse also is equally true - wherever Rama and Sita live, the people there will remain and live as Hindus. Every hill and rivulet of Bharat bears the imprint of the holy feet of Rama and Sita. Sri Rama reigns supreme to this day in the hearts of our people, cutting across all barriers of province, language, caste or sect. Even the tribes living in isolated valleys and jungles have names like Mitti-Ram and Patthar-Ram. In some other tribes, every name carries the proud suffix of Ram, such as Lutthu Ram, Jagadev Ram, etc. In many northern parts of Bharat mutual greetings take the form of Jay Ramjee Ki. Sri Rama has become so much identified with all the good and great and virile qualities of heroic manhood that expressions such as 'Us me Ram nahi hai' (there is no Rama in him) - meaning that a person has lost all manliness and worth - have become common usage. -
Ramakatha Rasavahini II 7 Preface for This Edition 8 This Book 9 the Inner Meaning 11 Chapter 1
Contents Ramakatha Rasavahini II 7 Preface for this Edition 8 This Book 9 The Inner Meaning 11 Chapter 1. The Dandaka Forest 12 The fool Jayanta 12 A visit to the sage Athri’s hermitage 12 A stay at a beautiful hermitage 13 An encounter with Viradha, the ogre 14 Sarabhanga immolates himself 14 Sutheekshna adores Rama 15 On to Agastya’s ashram 16 Agastya asks not to be deluded into egotism 17 The story of the curse on Dandaka Forest 18 On to Dandaka Forest 18 Chapter 2. Panchavati 20 Lakshmana’s sense of duty 20 Rama constantly has visitors 21 Rama discourses on spiritual matters 22 Surpanakha falls for Lakshmana 23 Surpanakha is punished 24 The demons want revenge 25 The demons kill each other! 26 Ascetic sages visit Rama 27 Ravana hears Surpanakha’s story 28 Chapter 3. The Wily Villain 30 The thoughts of Ravana and Vibhishana 30 Ravana enlists Maricha’s help 30 Rama and Sita discuss their plans 31 The deer entices the brothers 32 Rama stalks and kills the deer 33 Caught between two loyalties 34 Sita is kidnapped! 35 Jatayu tries to save Sita 35 The brothers lament Sita’s disappearance 36 Lakshmana realizes the truth 37 Rama assents 38 Study the Ramayana closely! 39 Jatayu tells them what he knows 39 Ajamukhi loses her limbs 40 Rama kills Kabanda 40 Sabari tells her story 41 Rama admires devotion 42 Sabari tells what she knows 43 Chapter 4. An Ally Accepted 45 Ramakatha Rasavahini II Contents 3 Hanuman meets the brothers 45 The brothers meet Sugriva 46 Lakshmana identifies some of the jewels 47 Sugriva tells his story 47 The story of the curse on Vali 49 Rama exhibits his power 50 Sugriva pours out his feelings 51 The battle between Vali and Sugriva 52 Rama kills His devotee, Vali 54 Rama consoles Tara 56 The search for Sita is delayed by weather 57 Chapter 5. -
Year II-Chap.3-RAMAYANA
CHAPTER THREE Rama, Sita, Lakshmana and Hanuman in RAMAYANA Year II Chapter 3-RAMAYANA THE RAMAYANA Introduction Valmiki is known as Adi Kabi, the first poet. He wrote an epic in Sanskrit, the Ramayana, which depicts the life of Rama, the hero of the story. Sage Narada narrated the story of Rama to Valmiki. Ramayana is divided into the following: o Balakanda (Book of Youth) - Boyhood of Rama, o Ayodhya Kanda (Book of Ayodhya) - Life in Ayodhya after Rama and Sita’s wedding, o Aranya Kanda (Book of Forest) – Rama’s forest life and abduction of Sita by Ravana, o Kishkindha Kanda (Book of Holy Monkey Empire) – Rama’s stay in Kishkindha after meeting Hanuman and Sugriva, o Sundara Kanda (Book of Beauty) – Hanuman’s Prank-locating Sita in Ashoka grove, and o Yuddha Kanda (Book of War) – Rama’s victory over Ravana in the war and Rama’s coronation. The period after coronation of Rama is considered in the last book - Uttara Kanda. The feature story Dasaratha was the king of Kosala, an ancient kingdom that was located in present day Uttar Pradesh. Ayodhya was its capital- located on the banks of the river Sarayu. Dasaratha was loved by one and all. His subjects were happy and his kingdom was prosperous. Even though Dasaratha had everything that he desired, he was very sad at heart; he had no children. During the same time, there lived a powerful Rakshasa (demon) king in the island of Sri Lanka (Ceylon), located just south of India. He was called Ravana. He had ten heads. -
Iasbaba 60 Day Plan 2020 – Day 40 History
IASbaba 60 Day plan 2020 – Day 40 History Q.1) Consider the following pairs: Regional Music Region or State 1. Chhakri Kashmir 2. Laman Uttarakhand 3. Pandavani Chhattisgarh Which of the pairs given above are correctly matched? a) 1 and 2 only b) 3 only c) 1 and 3 only d) 1, 2 and 3 Q.1) Solution (c) Pair 1 Pair 2 Pair 3 Correct Incorrect Correct Chhakri, Kashmir: Chhakri Laman, Himachal Pradesh: Pandavani, Chhattisgarh: In is a group song which is the In Laman a group of girls Pandavani, tales from Mahabharata most popular form of sing a stanza and a group are sung as a ballad and one or two Kashmir’s folk music. It is of boys give reply in the episodes are chosen for the night’s sung to the song. This continues for performance. The main singer accompaniment of hours. Interesting is that continuously sits throughout the the noot (earthen pot) the girls singing on one of performance and with powerful rababs, sarangi and the peaks of the hill singing and symbolic gestures he tumbaknari (an earthen pot seldom see the faces of assumes all the characters of the with high neck). the boys singing on episode one after another. another peak. In between is the hill which echoes their love song. Most of these songs are sung especially in Kullu Valley. IASbaba 60 Day plan 2020 – Day 40 History Q.2) Consider the following: 1. Javali 2. Tappa 3. Dhamar 4. Kirtanam 5. Tillana Which of these are musical forms of Carnatic Music? a) 1, 2 and 3 only b) 1, 4 and 5 only c) 2, 3 and 4 only d) 3, 4 and 5 only Q.2) Solution (b) Musical forms of Carnatic Music: Gitam: It is the simplest type of composition with an easy and melodious flow of raga. -
Annual Report 2017-2018
ANNUAL REPORT 2017-2018 REVIVAL OF THE LESSER KNOWN ART FORMS OF KERALA A CSR INITIATIVE OF DORF KETAL MESSAGE FROM THE HEAD-CSR Dorf ketal believes in giving back particu- larly to the communities most significant to the company's success. Our CSR team works with the NGOs of repute to achieve our objectives by implementing a meaning- ful, well-managed corporate social respon- sibility program, Dorf ketal enhances value creation in the societies in which it oper- ates. Dorf ketal not only meets the respon- sible care requirements regarding health, safety, security and environment as set by the International council of chemical asso- ciations, on a global basis but also imple- mented the integrated management system (IMS) for its sustainable growth and high standard management. Folkland is implementing the goal of sus- tainable development through traditional art forms. As a happy family our team con- tinuous its endeavours towards the empow- erment of women and we look forward to transforming lives of performing artists by providing them with sustainable and respectable livelihood. SHRI.SANTOSH JAGDHANE AGM-Corporate Social Responsibility Dorf Ketal Chemicals India Pvt.Ltd. 02 A WORD FROM THE CHAIRMAN We are happy and proud to present the Annual report of 2017-18. Folkland is deeply indebted to Dorf Ketal,for their humble generosity that helped us realize our dream of sustainable development through art implying creation of an organic, growth-oriented process where the art forms and the artistic communities are encouraged to evolve and flow, even while retaining the traditional elements of their art intact.With this gesture,we were able to create difference in the lives of thousands of artists by creating opportunity for sustainable devel- opment through art training programs. -
Thootha Pooram Sree Thootha Bhagavathy Temple
THOOTHA POORAM SREE THOOTHA BHAGAVATHY TEMPLE Panchayat/ Municipality/ Shornur Municipality Corporation LOCATION District Palakkad Nearest Town/ Thootha Juma Masjid- 280 m Landmark/ Junction Nearest Bus station Thootha Bus Stop– 2 m Nearest Railway Cherukara Railway Station – 10 Km station Angadipuram Railway Station – 13 Km ACCESSIBILITY Nearest Airport Kozhikode International Airport –55 Km Palakkad - Cherplassery - Perinthalmanna Road Thootha, Palakkad-679357 Phone :+91-4662-224417 CONTACT Website:www.thoothatemple.com DATES FREQUENCY DURATION TIME April Annual 3 Days ABOUT THE FESTIVAL (Legend/History/Myth) Thootha is a beautiful village includes the natural beauty of Palakkad and Malappuram, and near the thootha river which flows across the two districts. As the goddess of the village, Sree Thootha Bhagavathy residing on the banks of the river at Thootha Bhagavathy Temple. Thootha Pooram is considered as the last pooram of the festival season of Malabar and its one of the biggest pooram after the Thrissur pooram. Tholpavakoothu, Kalam Pattu, Thalappoli, Chavittukali, Nayar vela, Kathir vela, Harijan vela, Kala vela, Aana Pooram and Harijan pooram, etc are part of this festival. It is said that once when a Brahmin woman was bathing in the Thootha river she found a pot of milk floating. Astonished to find it, she took it and kept on the bank and went on to finish her bath. But when she returned to take it she found that it had stuck to the ground and she was unable to lift it up. She informed her family about this miracle and later it was found that it belonged to the Sree Parkoli Bhagavathi of Mannarkkad and that the pot contained the Devi's Chaitanya.