2018 Star Wars Masterworks Checklist
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Women, Sf Spectacle and the Mise-En-Scene of Adventure in the Star Wars Franchise
This is a repository copy of Women, sf spectacle and the mise-en-scene of adventure in the Star Wars franchise. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/142547/ Version: Accepted Version Article: Tasker, Y orcid.org/0000-0001-8130-2251 (2019) Women, sf spectacle and the mise-en- scene of adventure in the Star Wars franchise. Science Fiction Film and Television, 12 (1). pp. 9-28. ISSN 1754-3770 https://doi.org/10.3828/sfftv.2019.02 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Women, science fiction spectacle and the mise-en-scène of space adventure in the Star Wars franchise American science fiction cinema has long provided a fantasy space in which some variation in gender conventions is not only possible but even expected. Departure from normative gender scripts signals visually and thematically that we have been transported to another space or time, suggesting that female agency and female heroism in particular is a by-product of elsewhere, or more precisely what we can term elsewhen. -
I'll Be Refferencing Scenes from the Film with Screen Shots
Scene The Scene is shown in the film between ~25mins to 37mins, covering the events of the Jedha Revolt. Following the characters Jyn, Cassian and K-2SO on their mission to find Saw Gerrera. I’ll be refferencing scenes from the film with screen shots, and ~25mins to indicating their timing or range with this image: 37mins Any reference to controller input will be concerning the Xbox One controller, making use of the “A”, “B”, “X” and “Y” buttons for example. Characters Jyn Erso Sharp-Shoot Grapple Cassian Andor Sharp-Shoot Quadnoculars Rebel Access K-2SO Imperial Access Strength Mechanics Sharp-Shoot – Hold “X” to bring up a targeting reticle and aim for specific LEGO target pieces. Releasing “B” fires the characters weapon at the target. Grapple – Tap “B” near a grapple point it access high areas or swing across gaps. This can also connect to grapple points on objects. When pulling an object, the player must repeatedly press “B” to fill a meter, at which point the object will be moved. Grapple Pull Grapple Swing Quadnoculars – Press “B” when standing in an area highlighted with Arubesh VFX, then move the targeting reticle around until viewing desired location, at which point the UI flashes and a new object or LEGO piece will appear. Rebel Access – Pressing “B” at a Rebel Access panel brings up a small screen showing broken fragments of planets. The player must move a highlighted fragment into the matching slot in the circle in the middle, then the next piece is highlighted and then the next until the planet is whole. -
Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell
APRIL 11, 2019 Disney Speakers: Bob Iger Chairman and Chief Executive Officer Kevin Mayer Chairman, Direct-to-Consumer & International Michael Paull President, Disney Streaming Services Randy Freer Chief Executive Officer, Hulu James Pitaro Co-Chairman, Disney Media Networks Group and President, ESPN Russell Wolff Executive Vice President & General Manager, ESPN+ Uday Shankar President, The Walt Disney Company Asia Pacific and Chairman, Star & Disney India Ricky Strauss President, Content & Marketing, Disney+ Jennifer Lee Chief Creative Officer, Walt Disney Animation Studios ©Disney Disney Investor Day 2019 April 11, 2019 Disney Speakers (continued): Pete Docter Chief Creative Officer, Pixar Kevin Feige President, Marvel Studios Kathleen Kennedy President, Lucasfilm Sean Bailey President, Walt Disney Studios Motion Picture Productions Courteney Monroe President, National Geographic Global Television Networks Gary Marsh President & Chief Creative Officer, Disney Channel Agnes Chu Senior Vice President of Content, Disney+ Christine McCarthy Senior Executive Vice President and Chief Financial Officer Lowell Singer Senior Vice President, Investor Relations Page 2 Disney Investor Day 2019 April 11, 2019 PRESENTATION Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Good afternoon. I'm Lowell Singer, Senior Vice President of Investor Relations at THe Walt Disney Company, and it's my pleasure to welcome you to the webcast of our Disney Investor Day 2019. Over the past 1.5 years, you've Had many questions about our direct-to-consumer strategy and services. And our goal today is to answer as many of them as possible. So let me provide some details for the day. Disney's CHairman and CHief Executive Officer, Bob Iger, will start us off. -
Columbia Sportswear Launches Collection Inspired by Rogue One: a Star Wars Story
December 2, 2016 Columbia Sportswear Launches Collection Inspired by Rogue One: A Star Wars Story Limited-edition jackets inspired by characters in the first standalone Star Wars story for sale December 9 PORTLAND, Ore.--(BUSINESS WIRE)-- Columbia Sportswear today unveiled three limited- edition, high-performance jackets inspired by Rogue One: A Star Wars Story. The collection represents the first movie merchandise collaboration for Columbia and will be available in very limited quantities on www.columbia.com and Columbia’s retail locations beginning December 9. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20161202005171/en/ The high-performance jackets, featuring Columbia’s industry-leading technologies, take unique design inspiration from three main Rogue One characters: Sergeant Jyn Erso, Captain Cassian Andor, and the Imperial Death Trooper. Each jacket features special design details connected to the character and their allegiance in the film. The Columbia team worked closely with Disney Consumer Products and Interactive Media throughout this collaboration to ensure that the jackets are an authentic representation for discerning Star Wars fans. Constructed with Columbia’s Tested Tough promise and designed with a deep nod to characters in Rogue One and the overall Star Wars franchise, each jacket will stand up to the cold, wet weather of the winter season. Details on each jacket follow: Jyn Erso Rebel Jacket: Crafted of stretch twill cotton, Sergeant Jyn Erso’s jacket features rugged leather-look details on the The Captain Cassian Andor Rebel Parka is built to sleeves and throughout the garment. The withstand the harshest conditions. -
MASCULINE REPRESENTATIONS in STAR WARS by NICOLE
UNMASKING HEGEMONIC MASCULINITY: MASCULINE REPRESENTATIONS IN STAR WARS by NICOLE MARTINEZ B.A., University of Colorado Colorado Springs 2017 A thesis submitted to the Graduate Faculty of the University of Colorado Colorado Springs in partial fulfillment of the requirements for the degree of Master of Arts Department of Communication 2019 © 2019 NICOLE MARTINEZ ALL RIGHTS RESERVED ii This thesis for the Master of Arts degree by Nicole Martinez has been approved for the Department of Communication by Christopher Bell, Chair K. Maja Krakowiak Katie Sullivan December 16, 2019 iii Martinez, Nicole (M.A. Communication) Unmasking Hegemonic Masculinity: Masculine Representations in Star Wars Thesis directed by Associate Professor Christopher Bell. ABSTRACT Star Wars has influenced generations of American viewers for decades but has gone largely unanalyzed when it comes to a critique of the discourses about masculinity presented in the films. This is problematic as media serves as an agent of socialization, and the representations of masculinity in the Star Wars franchise may influence viewers’ idealization of masculinity leading to real world consequences. The research questions being analyzed in this study are: Is hegemonic masculinity performed by central characters in Star Wars? If so, how is it reinforced, how is it challenged, and how do these change over time? This study uses a critical discourse analysis to analyze the character development of twenty central characters of the Star Wars franchise, how these characters are both challenged and aspire to fall into ideals of hegemonic masculinity, and how these ideals may shift over time. Keywords: Star Wars, Critical Discourse Analysis, Hegemonic Masculinity, Toxic Masculinity iv ACKNOWLEDGEMENTS I would like to thank all of the people in my life who made it possible for me to submit this thesis and pursue my Masters education. -
Star Wars™: the Card Game Champion Cards
5 * Aurra Sing 5 * Darth Vader 0 It’s Beautiful UNIT UNIT Character. Bounty Hunter. Force Sensitive. Character. Force User. 1 Replacement. Shielding. Targeted strike. Replacement. Elite. ENHANCE Interrupt: When an opponent triggers an Action: Focus your affiliation card and reveal this ability during an engagement in which this card from your hand to return Darth Vader to your Enhance your play area. unit is participating, remove this unit from the hand. Then, put this unit into play from your hand Replacement. Influence. engagement to cancel that ability’s effects. (Limit and destroy each unit with printed cost 2 or less. Forced Reaction: After the Force phase once per turn.) “All I am surrounded by is fear. And dead men.” begins, sacrifice this card unless there are 3 or more affiliations 2207 2208 among cards you control. 2209 – 4 OF 6 – 2 OF 6 – 2 OF 6 3 4 © LFL FFG Illus. Mark Molnar © LFL © FFG © LFL © FFG Illus. Jacob Murray 4 * Profundity 4 * K-2SO UNIT UNIT Vehicle. Capital Ship. Droid. Replacement. Replacement. Protect Captain Cassian Andor. Action: Focus a friendly Fighter or Transport unit Protect Jyn Erso. to attach it to this unit as an enhancement with the While this unit is ready and participating in an text: “Action: Focus this enhancement to remove engagement, it cannot be targeted by enemy card 1 token (any type) from enhanced unit.” effects or affected by enemy combat icons, except Action: Unattach a Fighter or Transport through the use of the protect keyword. enhancement from this unit. Turn that “Congratulations. You are being rescued.” enhancement into a unit. -
Star Wars H and V (Autosaved)
YouGov Results - Star Wars Characters Fieldwork: 6th - 9th December 2019 Sample size: 2,016 GB adults Gender Age Total Male Female 18-24 25-34 35-44 45-54 55+ THX_1. Moving on...For the following question, if you haven't seen any Star Wars films, please select the 'Not applicable' option.Would you, or would you not, describe yourself as a Star Wars film fan? Unweighted base 2016 937 1079 202 310 336 337 831 Base: All GB adults 2016 978 1038 224 311 341 341 800 Yes, I would describe myself as a Star Wars film fan 33% 44% 23% 39% 36% 47% 41% 20% No, I would not describe myself as a Star Wars film fan 37% 34% 39% 32% 35% 34% 40% 38% Don't know 3% 2% 3% 3% 3% 2% 3% 3% Not applicable - I have never seen any Star Wars film 28% 20% 35% 26% 26% 17% 16% 39% © 2019 YouGov plc. All Rights Reserved 3 YouGov.co.uk YouGov Results - Star Wars Characters Fieldwork: 6th - 9th December 2019 Sample size: 2,016 GB adults Gender Age Total Male Female 18-24 25-34 35-44 45-54 55+ THX_1. Moving on...For the following question, if you haven't seen any Star Wars films, please select the 'Not applicable' option.Would you, or would you not, describe yourself as a Star Wars film fan? Unweighted base 2016 937 1079 202 310 336 337 831 THX_2. Thinking about ALL the Star Wars films you have seen… Which ONE, if any, of the following do you think is the BEST villain from the Star Wars films? (Please select the option that best applies. -
Astronavigation Data: Jedha System, Freestanding Subsector
Astronavigation Data: Jedha system, freestanding subsector, Mid Rim Orbital Metrics: 360 days per year/23 hours per day Government: protectorate of the Galactic Empire Population: 11,300,000 Languages: Basic Terrain: Deserts, natural mesas Major Cities: Jedha City Areas of Interest: Catacomb of Cadera, kyber mines, Temple of the Whills lightsaber component material. Under the rule of the Empire, the timeworn streets of Jedha were Major Exports: Kyber crystals patrolled by stormtroopers, TX-225 GAVw Major Imports: Labor "Occupier" combat assault tanks, and AT-STs. The Background: Located in the Jedha system of the Imperial oppression later led to the formation of a Mid Rim, Jedha was a small desert moon frosted by resistance, coordinated by the Rebel veteran Saw a permanent winter that caused a cold climate. Its Gerrera who preferred brutal tactics. native inhabitants included humans and the moon's atmosphere was breathable to the species. Jedha was rich in kyber crystal–Force-attuned crystals that were fundamental for lightsaber Preciptating the Battle of Yavin, Rebel construction. Many settlements on the moon, like soldiers Cassian Andor and Jyn Erso Jedha City, sat atop natural mesas. undertook a mission to Jedha to The ancient world of Jedha was home to one of retrieve Imperial defector Bodhi Rook, the first civilizations to explore the nature of the who had been captured by Saw Force, was considered a spiritual home of the Jedi, Gerrera's rebels. Shortly after their and the Temple of the Whills–a great temple held arrival, the first Death Star – the sacred by those who followed the teachings of the Empire's deep-space mobile battle Church of the Force–was located on the moon. -
Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise
Abilene Christian University Digital Commons @ ACU Electronic Theses and Dissertations Electronic Theses and Dissertations Spring 5-2018 Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise Taylor Hamilton Arthur Katz [email protected] Follow this and additional works at: https://digitalcommons.acu.edu/etd Recommended Citation Katz, Taylor Hamilton Arthur, "Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise" (2018). Digital Commons @ ACU, Electronic Theses and Dissertations. Paper 91. This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at Digital Commons @ ACU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ ACU. ABSTRACT Mythic narratives exert a powerful influence over societies, and few mythic narratives carry as much weight in modern culture as the Star Wars franchise. Disney’s 2012 purchase of Lucasfilm opened the door for new films in the franchise. 2016’s Rogue One: A Star Wars Story, the second of these films, takes place in the fictional hours and minutes leading up to the events portrayed in 1977’s Star Wars: Episode IV – A New Hope. Changes to the fundamental myths underpinning the Star Wars narrative and the unique connection between these film have created important implications for the public memory of the original film. I examine these changes using Campbell’s hero’s journey and Lawrence and Jewett’s American monomyth. In this thesis I argue that Rogue One: A Star Wars Story was likely conceived as a means of updating the public memory of the original 1977 film. -
Rpggamer.Org (Characters D6 / K-2SO) Printer Friendly
Characters D6 / K-2SO Name: K-2SO Homeworld: Vulpter Date created: 12 BBY Date destroyed: 0 BBY, Scarif Creator: Galactic Empire Manufacturer: Arakyd Industries Model: KX-series security droid Class: Security droid Height: 2.16 meters Gender: Masculine programming Sensor color: White Plating color: Gray Dexterity: 3D Blaster 6D, Dodge 7D, Brawling Parry: 7D, Vehicle Blasters 4D Knowledge: 1D Tactics: 4D Mechanical: 2D Repulsorlift Operation 5D, Space Transports 7D,Security 4D Perception: 2D Search 4D Strength: 4D Brawling: 7D Technical: 1D Computer Programming/Repair 6D, Droid Programming/Repair 6D Equipped with: Humanoid Body (two arms, two legs, head) Standard auditory sensors human range Armored Chassis (+1D to resist damage) Built-in comm package Computer interface arm (+1D to Computer Programming + Droid Programming) Move: 12 Size: 2.16 meters tall FORCE SENSITIVE: N FORCE POINTS: 2 DARK SIDE POINTS: 1 CHARACTER POINTS: 14 Description: K-2SO (Kay-Tuesso), abbreviated K-2 (Kay-Tu or Kaytoo) or Kay, was a KX-series security droid originally created for use in the Galactic Empire's armed forces. At some point, the droid encountered Captain Cassian Andor, a member of the resistance movement- known as the Rebel Alliance-that sought to overthrow the Empire and restore democracy to the galaxy. Andor was able to reprogram K-2SO to serve the Alliance. In 0 BBY, K-2SO participated in the Battle of Scarif, where he sacrificed himself so that Andor and Jyn Erso could steal the plans to the Empire's moon-sized battle station, the Death Star. K-2SO was one of the KX-series security droids assigned to the Imperial stormtrooper detachment on the planet Wecacoe. -
Rogue One: a Star Wars Story
THE DEATH STAR IN BRIEF THE EYE A massive lens built around a crystal used to focus the super weapon’s laser. HYPERMATTER REACTOR CORE The heart of the Death Star, the reactor core generates the energy necessary to power the superlaser and keep the moon-sized behemoth aoat. BAND OF ROGUES SURFACE FACTS ABOUT THE DEATH STAR The surface of the Death Rogue One: A Star Wars Story introduces a motley crew of Rebellion operatives set to inltrate Star is populated by THAT’S NO MOON HOW MUCH DOES IT COST? AN IMPERIAL HUMAN RESOURCES GUIDE and steal the plans for the Death Star. millions of structures made The Death Star is a How much would it cost to A giant battle station would need a large crew and many offensive of Quadanium steel. At a huge battle station, build a moon-sized battle and defensive vehicles to keep it operational. Here is a glance at distance, it resembles an but it still pales in station? Taking the example the crew strength and vehicle line-up of the rst Death Star. entire city. comparison of the amount of steel size-wise with the required to build the aircraft Gunners Stormtroopers carrier, HMS Illustrious. 7,200 3,600 Earth or even the 52,276 25,984 starfighters assault shuttles moon. The Earth is about 106 times Ship support staff bigger and the 42,782 moon is about 29 Volume of HMS Illustrious Volume of Death Star times bigger. 28,591.2 m 1,728,000 km Pilots and Amount of steel required: Amount of steel required: support crew 22,000,000kg 6.95 x 1,017kg DIAMETER 167,216 JYN ERSO CASSIAN ANDOR CHIRRUT IMWE BAZE MALBUS (695,000,000,000,000,000kg) Played by: Felicity Jones Played by: Diego Luna Played by: Donnie Yen Played by: Jiang Wen Death Star 1,860 1,400 Species: Human Species: Human Species: Human Species: Human Troops drop ships AT-STs 120KM According to the 2016 Steel forecast, steel cost Homeworld: Vallt Stationed at: Yavin 4 Homeworld: Jedha Homeworld: Jedha 607,360 Crew Jyn Erso was separated Cassian Andor is a veteran Chirrut Imwe is a blind Baze Malbus is an Moon $565 per 1,000kg 265,675 from her parents at age 15 spy for the rebellion. -
REPUBLIC COMM MANUAL.Qxd
WARNING: PLEASE READ BEFORE INSTALLING OR USING THE SOFTWARE PHOTOSENSITIVE SEIZURES A very small percentage of people may possibly experience a seizure when exposed to certain light patterns, flashing lights or other visual images that appear in computer software games. If you, or anyone in your family, have an epileptic condition, consult your physician before installing or using the software. Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can possibly cause a seizure while viewing a computer software game. Reported seizures may have a variety of symptoms, including lightheadedness, altered vision, eye or face twitching, nausea, headaches, jerking or shaking of arms and legs, disorientation, confusion, or any involuntary movement or convulsions. If you experience any of these symptoms, IMMEDIATELY STOP PLAYING AND CONSULT A DOCTOR. Parents or guardians should watch for or ask their children if they are having any of the above symptoms - children and teenagers are reportedly more likely than adults to experience seizures from viewing computer software games. INTERNET CONNECTION AND SYSTEM REQUIREMENTS Notice: You will need to obtain an Internet connection (through a computer meeting the minimum system requirements) in order to play the game associated with this software. If you do not use an Internet connection, you cannot play the game. Such Internet connection may require additional fees. You will also need a valid credit card or a paid game card (if available) to play the game. Additional recurring fees required to play this game. 1 Menu DATA DOWNLOAD . 2 SQUAD CONTROLS . 2 SQUAD ALERT . 5 MAIN MENU .