OUT of the WILDERNESS 8 a SONG of the UNRETURNING 7 a Song to the VALIANT

Total Page:16

File Type:pdf, Size:1020Kb

OUT of the WILDERNESS 8 a SONG of the UNRETURNING 7 a Song to the VALIANT CONTENTS THE BOOK OF THE WILDERNESS .Aoa OUT OF THE WILDERNESS 8 A SONG OF THE UNRETURNING 7 A SoNG TO THE VALIANT . 8 THE CALL • 11 THE LoON. 18 THESE FRIENDS OF MINE 16 THE SONG OF THE SKI 17 M'SIEU • 20 LARANOWA 23 MUSKOKA U I HEARD A WOODMAN GRIEVE 81 AN ADVENTURER'S SoNG. 32 NOVEMBER. 83 THE BERRY PICKERS 87 THE WAR IN THE GORSE. 89 THE SONG OF THE WINDING ROAD 40 OAKS 45 BmCHES. 48 ix PAO. PAG& IN A WOOD CLEARING 51 GBADUATION DAY. 97 FEBRUARY THE FmsT ON TIlE PRAIRIES 54 I WONDER • 100 A SoNG OF LoNESOMENESS 57 HAECltEL OF JENA • IOi AND No ONE SHALL FORGET 108 THE BOOK OF MAN WHY NOT I? 109 I LoVE OLD THINGS 61 THE SoNG OF THE FLAsHING DooR. 111 64 IN THE FAR YEARS CHBISTMAS DINNER AT CHILDS' • 114 65 IN HOWARD PARK. TlmEE O'CLOCK 117 WHO ARE THESE SPIRITS? 74 EXIT. 119 75 FALLEN . THE SoNG OF A PLUTOCRAT I~i 76 ENGLISH BAY SEA HARVEST 124 78 THE MAKER OF DREAMS. TRINITY COLLEGE, TORONTO • 126 COME HERE NEVERMORE. 81 THE TOLL-GATE MAN 1i9 88 THE GARMENT. THE THREE RIDERS 182 84 ON THE STAIR • HE HAs KEPI' FAITH WITH BEAUTY 135 TWILIGHT AT CRESCENT BEACH . 85 CENTRE STREET 136 86 THE UNSUNG PASSION THE SHOE-COBBLER IN IlEAVEN 138 87 You ARE A HAVEN ON HIS GoLDEN-WEDDING DAY. 144 MAGGIE SWARTZ 88 . AN EVENING SoNG 145 YLETTE AND YVONNE. 89 "NIAGARA 146 UNSATISFIED 9i Foo . 151 SoNG OF Two HOUSES. 98 A SIR GEORGE PARKIN 15i SAINT C:EsAmE • 95 . o SWEET TRANSLATOR 154 X xi PAQ8 GHOST HORNPIPES. • 155 THE UNDYING BEAUTY 157 OFF JUAN DE FuCA 158 As A WHITE MOON 161 A STREET SONG 162 THE BOOK OF THE REBEL A GYPSY SoNG. 165 THE SONG OF THE REBEL 167 THE UNBURIED DEAD. • 172 FIRST SONG OF A VAGABOND. 174 THE BOOK OF THE WILDERNESS SECOND SONG OF A VAGABOND 175 THE PUPPETS • 176 THE SONG OF THE HEMP • 182 MOURNERS. 186 NINETEEN TwENTY-SIX 188 THE GOLDEN CROSS 190 VOLGA • 196 LwYD-GEORGE 199 THE SONG OF THE NEW COMMUNITIES. !tOO THE MAsKED BALL • 206 WESTWARD •••• !t08 THE LAsT PORTAGE ftl0 OUT OF THE WILDERNESS I. A VAGABOND. gypsy. lover forever of freedom, Come to you who are arrogant, proud, and fevered with civilization- Come with a tonic of sunlight, bottled in wild, careless acres, To cure you with secrets as old as the breathing of men; Come with the clean north wind in my nostrils, To blowout the dust and the smoke of your lives in a great blast of beauty; Come with a chaos of wild-flowers, grouped in a. lovely disorder. To shaq;le all your gardens of maddening, cloying per­ fection. I have in my veins all the sweet unrest of the wild places. And if you toss me aside I will come hither again on the morrow; For I am a force that you eannot deny; I am an offering that you finally must accept, For I ,am the herald of new things in & new land. H you knew what savagery I have endured That you might know peace; If you knew how often mine eyes have been blinded To giv;e you light; H you knew how many times mine ears have been deaf­ ened 3 To give you sound; But blesses with beauty of yellow and crimson and all If you knew the chains and manacles I have worn flaming colors To give you freedom, Whoever beholds it with wisdom and love. Then would you open the doors you have closed in my face My song is a roseate rug, yet not of the Orient. And recant all you have spoken against me Here is the weave of it: seaweed, curled black with salt, And drink my song to the full measure of my cup. Under the cold, high cliffs of Gaspe; Pine-shadowed snow, at the dome of the Selkirks, I am a renegade, laughing at rules and laws, Burning with suns and flaming with moons and remain- And my whims are my king and my royal family. ing forever; I am an adventurer, delving in joy and sorrow Sands from the restless and changeable dunes of Wasaga; And love and friendship and the white quarries of Slim, hardy reeds in the broad, lonely marshes truth. Where James Bay falters between her allegiance I am a plunderer, taking all that the sages have left me To land and the gray, green of water; And adding thereto, that the children to come may have Gold suns that slip from the world at Alberni, peace. Warming the seas with their fires; I am a highwayman, stealing the gold of the dawn Threads of blue mist from the indolent valleys And the star-heavy, blue-purple robe of the night. Of the low, lovely, lounging Laurentians; I hold up the wind for its fragrance and wrestle the sea Sighs of the hemlock and snow-loving tamarack, With my brown, naked arms, for the tang of its salt. Where the trees march to the south in Saskatchewan; I am a pirate, a gay, laughing, profligate pirate Firs that leap up from dark Capilano Sailing the seas of delight, where my loot . Where music glides down a long stair to the sea; Is diamonds of sunlight and the cold pearls of the moon. Orange and purple and crimson and bronze From the gay palette of gorgeous October My song is a lily in darkness, keeping the whiteness of In the lake-lyric land of Algonquin; truth Shadows from deep, frosty fissures whose waters To guide the lost soul of the night up to dawn. Slip from their turbulent life to the hill-cradled Shuswap; My song is a cactus that stings him who touches, Leaves of the red-limbed arbutus and roses of yellow and With misunderstanding, its sharp, biting needles, red, ' 4 5 Leaning low to the sea in VictOria, A SONG OF THE UNRETURNING The all-lovely lyric of cities. And, through all these colorful threads of my song, TO-NIGHT a crimson sun Tolerance, truth, and the kiss of full brotherhood! With no attendants by Goes down in lonely splendor I am the herald of new things in a new land. An orange waste of sky. The light of my song blinds the bats and the night-owls. Never in all the years I tear from all men their false trappings Garbed thus will he go from me: And they in their anger revile me. Red is the sea-gull's wing The disciples of Cant feel my words in their hearts, And blood-red is the sea. As a dead tree that knows not sunlight from moonlight. Like the dancing of rain upon water Never again will the clouds I run with a song in my feet. Group in this austere way; Never again will love Who then shall hear me? Be as it is to-day; Men with brown limbs who rise up with joy to the sun Never again will the waves At the dawn; children who know a pure song Break as now on the shore: From their own flowing rhythm of flesh; Nothing in earth or heaven Old men who hunger for youth; Comes as it came before. Young men who thirst for the blue, living waters of life. High Beauty will never return I am forever the foe of Intolerance, In the same hood and gown, Hating her soul with a hatred undying. Whether the rose grows red I am a renegade, I am a highwayman, Or the old oak burns brown, I am a plunderer, I am a vagabond. Or the blue rain dances swiftly I am a pirate, a gay, laughing, profligate pirate Down the green-aisled sea, Sailing the seas of delight, where my loot Or whether on gray, winding roads Is diamonds of sunlight and the cold pearls of the moon.. My love walks with me. 6 7 A SONG TO THE VALIANT On the hill alone! The bare trees moan with a dead thing's cry, I'LL walk on the storm-swept side of the hill And their skeletons crawl along the sky, In my young days, in my strong days, Like a dinosaur In the days of ardent pleasure. Who would live once more I'll go where the winds are fierce and chill­ In the flesh that blooms to-morrow. On the storm-swept side of the daring hill­ And there will I shout my song-lays I'll walk on the sheltered side of the hill In a madly tumbling measure. In myoId days, in my cold days, Hilloo the dusk, As the sap of life is waning. And hilloo the dark! I'll :find a road where the trees are still­ The wind hath a tusk On the sheltered side of the placid hill­ And I wear its mark. And dream a dream of the bold days The day's last spark hath a valiant will: When the leash of Time was straining. Hilloo the dark on the wind-swept hill! Adieu the snows, From the hour of pain And the fang that rips! Two joys we gain- And hilloo the rose The strife and the after-leisure. With her velvet lips! Where the brown bee sips with his gorgeous lust When the fang of the wind is bared and white, I'll pay earth back with her borrowed dust; In the strong days, in the wild days, Nor shall I grieve In the days that laugh at sorrow, At the clay I leave, I love to wander the hills at night- But joy in the gifts I'm gaining.
Recommended publications
  • Arizona 500 2021 Final List of Songs
    ARIZONA 500 2021 FINAL LIST OF SONGS # SONG ARTIST Run Time 1 SWEET EMOTION AEROSMITH 4:20 2 YOU SHOOK ME ALL NIGHT LONG AC/DC 3:28 3 BOHEMIAN RHAPSODY QUEEN 5:49 4 KASHMIR LED ZEPPELIN 8:23 5 I LOVE ROCK N' ROLL JOAN JETT AND THE BLACKHEARTS 2:52 6 HAVE YOU EVER SEEN THE RAIN? CREEDENCE CLEARWATER REVIVAL 2:34 7 THE HAPPIEST DAYS OF OUR LIVES/ANOTHER BRICK IN THE WALL PART TWO ANOTHER BRICK IN THE WALL PART TWO 5:35 8 WELCOME TO THE JUNGLE GUNS N' ROSES 4:23 9 ERUPTION/YOU REALLY GOT ME VAN HALEN 4:15 10 DREAMS FLEETWOOD MAC 4:10 11 CRAZY TRAIN OZZY OSBOURNE 4:42 12 MORE THAN A FEELING BOSTON 4:40 13 CARRY ON WAYWARD SON KANSAS 5:17 14 TAKE IT EASY EAGLES 3:25 15 PARANOID BLACK SABBATH 2:44 16 DON'T STOP BELIEVIN' JOURNEY 4:08 17 SWEET HOME ALABAMA LYNYRD SKYNYRD 4:38 18 STAIRWAY TO HEAVEN LED ZEPPELIN 7:58 19 ROCK YOU LIKE A HURRICANE SCORPIONS 4:09 20 WE WILL ROCK YOU/WE ARE THE CHAMPIONS QUEEN 4:58 21 IN THE AIR TONIGHT PHIL COLLINS 5:21 22 LIVE AND LET DIE PAUL MCCARTNEY AND WINGS 2:58 23 HIGHWAY TO HELL AC/DC 3:26 24 DREAM ON AEROSMITH 4:21 25 EDGE OF SEVENTEEN STEVIE NICKS 5:16 26 BLACK DOG LED ZEPPELIN 4:49 27 THE JOKER STEVE MILLER BAND 4:22 28 WHITE WEDDING BILLY IDOL 4:03 29 SYMPATHY FOR THE DEVIL ROLLING STONES 6:21 30 WALK THIS WAY AEROSMITH 3:34 31 HEARTBREAKER PAT BENATAR 3:25 32 COME TOGETHER BEATLES 4:06 33 BAD COMPANY BAD COMPANY 4:32 34 SWEET CHILD O' MINE GUNS N' ROSES 5:50 35 I WANT YOU TO WANT ME CHEAP TRICK 3:33 36 BARRACUDA HEART 4:20 37 COMFORTABLY NUMB PINK FLOYD 6:14 38 IMMIGRANT SONG LED ZEPPELIN 2:20 39 THE
    [Show full text]
  • Mountain Shepherd
    Newsletter of the The Salem United Methodist Church — Wolfsville MMoouunnttaaiinn SShheepphheerrdd Volume 30 March 2012 Number 3 Worship, Fellowship, & Prayer Opportunities at Salem during Lent THEME FOR LENT: “A Journey to Hope” Salem United Methodist Church—Wolfsville IN DIFFICULT INSIDE TIMES WHAT DO YOU GRAB ONTO? Journey to hope Skating Party photos on pages 10 & 11. DISCOVER the HOPE to HANDLE EVERYTHING Missions . 2 Bee-lievers Food Sales . 3 Although the series began Feb 22, you may join us at any time. Bee-lievers Prayer Shawls . 3 Each message can make a difference in our lives right now. Attendance & Offerings . 4 Sticky Buns Sales . 4 JOIN US on THE JOURNEY. Invitations to Church . 4 Follow Christ to the cross this Lenten OPEN Calendar of Events . 5 season. Learn from Pastor Bob’s A NEW Old Sanctuary Photo . 5 teachings on... Who’s Doing What, When? . 6 DOOR It’s Your Day! . 6 Wed Feb 22 Risk (Ash Wednesday) See REAL LIFE SITUATIONS Inspirational Reading . 7 with fresh eyes... Recipe . 7 Sun Feb 26 Choosing our Traveling From Our Pastor . 8 Companions no matter your Women’s Valentine Breakfast 9 Sun Mar 4 Self-Esteem mile marker in life. Snow Tubing/Skating Party 10 Sun Mar 11 Work Easter Flowers Order Form 11 Sun Mar 18 Temptation Commit to attend each week. Heavenly Humor . 12 Sun Mar 25 Money Invite a friend. Encounter Christ. Amazing Bible Facts . 12 Sun Apr 1 Suffering (Palm Sunday) 2 March 2012 The Mountain Shepherd The 22001122 MISSION PROJECTS Mountain Shepherd Monthly Paid 2012 % of Published monthly by Salem United Minimum Jan Goal Goal Methodist Church – Wolfsville.
    [Show full text]
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]
  • Leslie Costa
    Leslie Costa The Early Days Live BACK IN THE GAME If I was just a little stronger e I’d tear down the walls that stand between us e If love could last just a little longer e I’d belong to the things I’m thinking of e Time is time when you’re last on line e And you’re waiting e To be back in the game e If I saw where this road could lead e I’d burn down the miles of destiny e The more I know the less I see e I’m dazed and confused in this world of greed e Time is time when you’re last on line e And you’re waiting e To be back in the game e If I knew I was on my way e I’d find the words to scream and shout e Hey this time it’ll be OK e There’s no guarantees in this world of doubt e Time is time when you’re last on line e And you’re waiting e To be back in the game e If you lost your dream e And all you see e Is the road between the strong and weak e Just tell yourself e There’s a light in the distance e Where all is forgotten e And it all makes some sense e Then you’re back in the game e Back in the game e You’re back in the game... NO NEED TO CRY The only way to go now is to turn around and move ahead it’s alright e The only thing to say now is our love is gonna get better yet e Don’t fight it e All these changes make us feel so strange e There comes a time when you should e Drink a toast to yestrday e No need to cry e Just hold on tight e No need to cry e Real love won’t die e Living in the past was something that kept the pain alive e I was learning e Got to get me feet back on the ground e Live my life Top left: Photo by Lisa Toto at a gig at The Stone Horse in New Canaan, CT e All these lessons learned e Are blessings in diguise e Got to believe in time in 1994.
    [Show full text]
  • Copy UPDATED KAREOKE 2013
    Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M.
    [Show full text]
  • The Castle Fall 2017 | Volume 72
    THE CASTLE FALL 2017 | VOLUME 72 TABLE OF CONTENTS POETRY & PROSE: 2 REBECCA BUCHANAN You Deserve Something Good 3 MAYA WEATHERALL Parties Are Not The Same 4 KATIE LEE Definition of Love 6 ALEX GLASCOE The Monster Under the Bed 7 BEN KLOOSTER The Body and Blood of Life 9 ALEX GLASCOE Melt Away 10 SNEHA MAHAPATRA Halves 14 A.S.D #16 15 MORGAN KELLY First Time 16 ALEX GLASCOE Bodies 27 MAYA WEATHERALL Colors Around You 18 BEN KLOOSTER Trust 21 A.S.D #20 22 JASMINE MOORE Haunted House 24 BEN KLOOSTER The Boy in the Black Suit 28 MORGAN KELLY Just One 30 ALEX GLASCOE Prisoner 213 35 MORGAN KELLY Coming Home 36 KATIE LEE Letting Go 37 REBECCA BUCHANAN Motion ART&PHOTOGRAPHY 8 ANGELINE NEO My Favourite Scenery 20 KATIE LEE Escape 25 ANGELINE NEO My Art Professor's Office 26 BEN KLOOSTER Mackinac Island 27 KATIE LEE Dream of a Destination You Deserve Something Good Rebecca Buchanan You deserve something good. It can’t be right or a plan that one single person, such as you, should have to weather this much hardship. And another person, such as me, does not possess the luxury or power to tell you that everything will be ok and make it true like a goddess might make grass grow. But I can tell you this, and I can tell you that it’s true. You deserve something good. 2 | THE CASTLE Parties Are Not The Same Maya Weatherall The party was strange. The party was interesting. No the party was strange.
    [Show full text]
  • Thursday, June 9, 2011
    THURSDAY, JUNE 9, 2011 I sit. Waiting. My heart is thumping. It’s 5:36 and I stare through the privacy glass of my Audi at the front door of her building. I know I’m early, but I’ve been looking forward to this moment all day. I’m going to see her. I shift in my seat in the rear of the car. The atmosphere feels stifling, and though I’m trying to remain calm, the anticipation and anxiety are knotting my stomach and pressing down on my chest. Taylor sits in the driver’s seat, staring straight ahead, wordless, looking his usual composed self, while I can barely breathe. It’s irritating. Damn it. Where is she? She’s inside—inside Seattle Independent Publishing. Set back beyond a wide, open sidewalk, the building is shabby and in need of renovation; the company’s name is etched haphazardly in the glass, and the frosted effect on the window is peeling. The business behind those closed doors could be an insurance company or an accounting firm—they’re not displaying their wares. Well, that’s something I can rectify when I take control. SIP is mine. Almost. I’ve signed the revised heads of agreement. Taylor clears his throat and his eyes dart to mine in the rearview mirror. “I’ll wait outside, sir,” he says, surprising me, and he climbs out of the car before I can stop him. Maybe he’s more affected by my tension than I thought. Am I that obvious? Maybe he’s tense.
    [Show full text]
  • In Memoriam": the Relationship of Death to Love and Art
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1990 "The House of Life" and "In Memoriam": The Relationship of Death to Love and Art Cathleen Marie Calvano College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Calvano, Cathleen Marie, ""The House of Life" and "In Memoriam": The Relationship of Death to Love and Art" (1990). Dissertations, Theses, and Masters Projects. Paper 1539625605. https://dx.doi.org/doi:10.21220/s2-ht76-9s42 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE HOT JSE OF LIFE AND IN MEMORIAM: THE RELATIONSHIP OF DEATH TO LOVE AND ART A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Cathleen M. Calvano 1990 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts LArl^lJUL/L.(ft-^CUljL)a/£) Author Approved, December 1990 Nathaniel Elliott TerryMeyers, Cnair Elsa Nettels TABLE OF CONTENTS Page ABSTRACT ............... iv TEXT ................................................................................................................. 2 WORKS CITED....................................................................................................... 36 VITA......................................................................................... 38 iii ABSTRACT The years 1832 to 1901 marked a time of transition throughout England. The shift in emphasis from a traditional, rural life to a technological, urban setting resulted in tensions that are captured in the poems examined here.
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]
  • A Cycle of C-Changes
    A Cycle of C-changes: a working model for the literary epiphany Artur Schouten s1092146 MA thesis June 2014 first reader: Dr. Wim Tigges second reader: Prof. Dr. Peter Liebregts A Cycle of C-changes: a working model for the literary epiphany Schouten 1 Table of Contents: page: 1. Introduction 2 2. Defining epiphany and associated notions 6 3. The literary epiphany - an overview of received knowledge and previous research 10 4. Thesis Statement: A Cycle of C-Changes 25 5. A Portrait of the Artist as a Young Man: entering the world of the artist as he enters into the world 34 6. Vision and revision: the long road to realization in the development of Kerouac’s On the Road 57 7. Conclusion 84 Selected bibliography and works cited 90 A Cycle of C-changes: a working model for the literary epiphany Schouten 2 1. Introduction Change is a keyword in much of the world’s literature, as human beings are hardly ever static and unchanging. Although there are instances in which hardly any change of character, or change of heart, or change of scene occurs in the course of a narrative – Beckett’s Waiting for Godot comes to mind – more often the protagonist’s progress is marked by significant changes. Hence, one of the most commonly discussed aspects when dealing with a work of literature is that of character development. Another key mechanism is that of rising and falling action. This is conventionally associated with drama, but equally applies to prose. Introduced in 1894 by the German critic and dramatist Gustav Freytag (Prince 36), the framework for plot analysis which became known as Freytag’s Pyramid consists of an upright triangular shape depicting on the left-hand side of the triangle the notion of rising action or the increase of tension, the tip of the pyramid representing the climax or culmination of the action, and the right-hand side standing for falling action or the decrease of tension.
    [Show full text]
  • Title "Stand by Your Man/There Ain't No Future In
    TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan.
    [Show full text]
  • The Mask We Wear
    2622 W. Central - Suite 108, Wichita, KS 67203 316-612-0700 January 2016 Good Grief of Kansas, Inc. Website: www.goodgriefofkansas.org Email: [email protected] The Mask We Wear As we stumble through our I would clench my teeth as a display The mask had not been violently journey of grief, life lessons can of perseverance, and the muscles in ripped off my face but gradually come from the most unexpected my face would strain from this act. removed of my own accord. places. A couple of years ago I went As I continued pretending to be Although the scars remained, it felt to see Andrew Lloyd Webber’s “okay,” my grief was suffocating good to feel the air on my face Phantom of the Opera. I had always underneath. As if trapped under ice again. What I learned from this been intrigued by the story, so experience is that as a society we on a lake, the emotions frantically seeing the play for the first time was still struggle with the subject of captivating. The Phantom’s name looked for way to break through. death. Using the analogy of the was Erik. He was a man with many Pieces of my mask began to chip Phantom of the Opera, imagine the talents, including music, away revealing the pain perspective of Christine as she architecture, magic, and science. underneath. Like the phantom, I stood face to face with the Yet, despite these gifts, people were was afraid of what others might Phantom. To look beneath the mask afraid of him because of his think when the mask was lifted.
    [Show full text]