DOCSLIB.ORG

Abbreviations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Abbreviations ABBREVIATIONS Abbreviations of papyri follow John F. Oates et al., eds, Checklist of Editions of Greek, Latin, Demotic, and Coptic Papyri, Ostraca, and Tablets, the current edition of which is available online: https://library.duke.edu/rubenstein/scriptorium/papyrus/texts/clis t.html. Epigraphic abbreviations follow G. H. R. Horsely and John A. L. Lee, ‘A Preliminary Checklist of Abbreviations of Greek Epigraphic Volumes,’ Epigraphica 56 (1994): 129–69. Imperial petitions from Tor Hauken, Petition and Response: An Epigraphic Study of Petitions to Roman Emperors, 181–249 (Mono- graphs from the Norwegian Institute at Athens vol. 2 [Bergen: Jonsered, Sweden: Norwegian Institute at Athens; Distributor, P. Åstrøms förlag, 1998]) are cited by location. To easily distinguish imperial petitions from those to other officials, I reference them in bold throughout this study. Abbreviations of reference works follow The SBL Handbook of Style for Ancient Near Eastern, Biblical, and Early Christian Studies (2d edn; Atlanta, GA: SBL Press, 2014). Additional corpora and editions are listed below. Abbreviations of ancient works follow The SBL Handbook of Style and, secondarily, Simon Hornblower and Antony Spawforth, eds, Oxford Classical Dictionary (4th ed.; Oxford: Oxford University Press, 2012). Abbreviations of ancient authors follow the Oxford Classical Dictionary. xi xii PETITION AND PERFORMANCE IN ANCIENT ROME Ancient Texts Ach. Tat., Leuc. Clit. Achilles Tatius, Leucippe et Clitophon Acta mart. Scillit. Acts of the Scillitan Martyrs Aeschin., Fals. leg. Aeschines, De falsa legatione Aeschin., Tim. Aeschines, In Timarchum Anax., Rhet. Alex. Anaximenes, Rhetorica ad Alexandrum Antiph. Antiphon Apul., Apol. Apuleius, Apologia (Pro se de magia) Arist., Or. Aristides, Orationes Arist., Poet. Aristotle, Poetica Arist., Rhet. Aristotle, Rhetorica Ath., Deipn. Athenaeus, Deipnosophistae Athenagoras, Leg. Athenagoras, Legatio pro Christianis Cass. Dio Cassius Dio Cic., Inv. Cicero, De inventione rhetorica Cic., Fam. Cicero, Epistulae ad familiares CJ Codex Justinianus Clem. Alex., Paed. Clement of Alexandria, Paedagogus Clem. Alex., Strom. Clement of Alexandria, Stromateis Corp. herm. Corpus hermeticum [Demetr.], Eloc. [Demetrius], De elocutione [Dem.], Apat. [Demosthenes], Contra Apatourium Dem., Cor. Demosthenes, De corona Dem., Fals. leg. Demosthenes, De falsa legatione [Dem.], Leoch. [Demosthenes], Contra Leocharem [Dem.], Neaer. [Demosthenes], In Neaeram Dem., Pant. Demosthenes, Contra Pantaenetum [Dem.], Poly. [Demosthenes], Contra Polyclem Dem., Zenoth. Demosthenes, Contra Zenothemin Dig. Digesta Justiniani ABBREVIATIONS xiii Dio Chrys., Exil. Dio Chrysostom, De exilio (Or. 13) Dio Chrys., Tumult. Dio Chrysostom, De tumultu (Or. 46) Dion. Hal., Comp. Dionysius of Halicarnassus., De composi- tione verborum [Dion. Hal.], Rhet. [Dionynsius of Halicarnassus], Ars Rhe- torica Diog. Laert. Diogenes Laertius Epict., Diatr. Epictetus, Diatribai (Dissertationes) Epict., Ench. Epictetus, Enchiridion Eur., Bacch. Euripides, Bacchae Eur., Med. Euripides, Medea Eur., Phoen. Euripides, Phoenissae Euseb., Comm. Isa. Eusebius, Commentarius in Isaiam Euseb., Hist. eccl. Eusebius, Historia ecclesiastica Eust., Il. Eusthathius, Ad Iliadem Gell., Noct. att. Aulus Gellius, Noctes atticae Gorg., Pal. Gorgias, Palamedes Hermog., Meth. Hermogenes, De methodo Hermog., Stat. Hermogenes, Peri tôn staseôn Iambl. Myst. Iamblichus, De mysteriis Isoc., Antid. Isocrates, Antidosis (Or. 15) Isoc., Areop. Isocrates, Areopagiticus (Or. 7) Isoc. Evag. Isocrates, Evagoras (Or. 9) Isoc., Hel. enc. Isocrates, Helenae encomium (Or. 10) Isoc., Panath. Isocrates, Panathenaicus (Or. 12) Isoc., Trapez. Isocrates, Trapeziticus (Or. 17) Joseph. Ant. Josephus, Antiquitates judaicae Julian, Caes. Julian, Caesares Julian, Or. Julian, Orationes Justin, 1 Apol. Justin Martyr, 1 Apology Justin, 2 Apol. Justin Martyr, 2 Apology xiv PETITION AND PERFORMANCE IN ANCIENT ROME Lib. Ep. Libanius, Epistulae Lib. Or. Libanius, Orationes [Longinus], Subl. [Longinus], De sublimitate Lucian, Bis acc. Lucian, Bis accusatus Lucian, Char. Lucian, Charon [Lucian], Cyn. [Lucian], Cynicus Lucian, Peregr. Lucian, De morte Peregrini Lucian, Phal. Lucian, Phalaris Lucian, Vit. auct. Lucian, Vitarum auctio Lys., Or. Lysias, Orationes Mart. Apoll. Martyrdom of Apollonius Mart. Perp. Felic. Martyrdom of Perpetua and Felicitas Mart. Poly. Martyrdom of Polycarp Max. Tyrius, Diss. Maximus Tyrius, Dissertationes Men. Rhet. Menander Rhetor Muson. Musonius Rufus Origen, Cels. Origen, Contra Celsum Origen, Or. Origen, De oratione Philo, Leg. Philo, Legatio ad Gaium Philostr., Vit. Apoll. Philostratus, Vita Apollonii Philostr., Vit. soph. Philostratus, Vitae sophistarum Phld., Lib. Philodemus, De libertate dicendi Plato, Apol. Plato, Apology Plato, Soph. Plato, Sophista Pliny, Ep. Pliny the Younger, Epistulae Plut. Adv. Col. Plutarch, Adversus Colotem Plut., Demetr. Plutarch, Demetrius [Plut.], Lib. ed. [Plutarch], De liberis educandis Plut., Pomp. Plutarch, Pompeius Plut., Praec. ger. rei publ. Plutarch, Praecepta gerendae rei publicae ABBREVIATIONS xv [Plut.], Reg. imp. apophth. [Plutarch], Regum et imperatorum apophthegmata Plut., Ti. C. Gracch. Plutarch, Tiberius et Caius Gracchus Plut., Tranq. an. Plutarch, De Tranquillitate animi Polyb. Polybius Quint., Inst. Quintilian, Institutio oratoria Rhet. Her. Rhetorica ad Herennium SHA Scriptores Historiae Augustae Suet., Vit. Suetonius, Vitellius Tert., Apol. Tertullian, Apologeticus Tert., Val. Tertullian, Adversus Valentinianos Them., Or. Themistius, Orationes Xen., Apol. Xenophon, Apologia Socratis Xen., Mem. Xenophon, Memorabilia Xen., Oec. Xenophon, Oeconomicus Additional Corpora and Editions Aphrodisias and Rome J. Reynolds, Aphrodisias and Rome (1982) OGIS Orientis Graeci Inscriptiones Selectae, W. Dittenberger, ed., (1903) Oliver J. Oliver, Greek Constitutions of Early Ro- man Emperors (1989) RECAM Regional Epigraphic Catalogues of Asia Minor RDGE R. E. Sherk, Roman Documents from the Greek East (1969) .
Load more

Recommended publications
  • 'Gut-Madness': Gastrimargia in Plato and Beyond
    ‘GUT-MADNESS’: GASTRIMARGIA IN PLATO AND BEYOND Judy Stove (University of New South Wales) The classical Greeks’ and Romans’ ethical systems focused heavily on virtues, that is to say, on good human attributes. Human vices, in fact, always received much more thorough treatment from Christian writers than pagan writers gave them. Our very notion of a vice is heavily influenced by Christian views of sin. This should not overshadow the fact that pagan writers dealt, to some extent, with habits or actions which later entered the canon of vices or sins (for example, Aristotle in the work commonly called Virtues and Vices). My topic is gastrimargia: the bad habit which, in Greek, means ‘gut-madness’, and which came to be translated as gula in Latin and gluttony in English. Overeating and its visible outcome, obesity, are receiving, in our society, a high level of attention, both official and individual. Yet, to state the obvious, overeating (like drinking too much alcohol) is not something unprecedented in earlier societies. Perhaps not so obviously, it was a feature even of societies of the distant past, in times which we might think were insufficiently wealthy to allow it. Gastrimargia represented, of course, one of those bodily desires the denial of which was critical to both pagan and Christian virtue. In fact, the very commonness of the habit may have been the reason why it seems to have assumed quite an important role in some ethical discussions. Gastrimargia features in two key dialogues of Plato. The first I want to discuss appears in the Phaedo.It is easy to forget how very ascetic Plato makes Socrates, in this dialogue.
    [Show full text]
  • The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
    THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans.
    [Show full text]
  • Aristippus and Xenophon As Plato's Contemporary Literary Rivals and The
    E-LOGOS – Electronic Journal for Philosophy 2015, Vol. 22(2) 4–11 ISSN 1211-0442 (DOI 10.18267/j.e-logos.418),Peer-reviewed article Journal homepage: e-logos.vse.cz Aristippus and Xenophon as Plato’s contemporary literary rivals and the role of gymnastikè (γυμναστική) Konstantinos Gkaleas1 Abstrakt: Plato was a Socrates’ friend and disciple, but he wasn’t the only one. No doubt, Socrates had many followers, however, the majority of their work is lost. Was there any antagonism among his followers? Who succeeded in interpreting Socrates? Who could be considered as his successor? Of course, we don’t know if these questions emerged after the death of Socrates, but the Greek doxography suggests that there was a literary rivalry. As we underlined earlier, most unfortunately, we can’t examine all of them thoroughly due to the lack of their work, but we can scrutinize Xenophon’s and Aristippus’ work. All of them, Plato, Xenophon and Aristippus, presented to a certain extent their ideas concerning education. Furthermore, they have not neglected the matter of gymnastikè, but what is exactly the role of physical education in their work? Are there any similarities or any differences between them? Since, Xenophon and Aristippus (as well as Plato) seem to be in favor of gymnastikè, it is necessary to understand its role. Keywords: gymnastikè, Plato, Socrates, Xenophon, Aristippus. 1 Université Paris 1 Panthéon-Sorbonne, 12 place du Panthéon, 75231 Paris Cedex 05, France, [email protected] Volume 22 | Number 02 | 2015 E-LOGOS – ELECTRONIC JOURNAL FOR PHILOSOPHY 4 Plato is a prominent thinker, whose influence on philosophy is an incontestable fact.
    [Show full text]
  • 1 Reading Athenaios' Epigraphical Hymn to Apollo: Critical Edition And
    Reading Athenaios’ Epigraphical Hymn to Apollo: Critical Edition and Commentaries DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Corey M. Hackworth Graduate Program in Greek and Latin The Ohio State University 2015 Dissertation Committee: Fritz Graf, Advisor Benjamin Acosta-Hughes Carolina López-Ruiz 1 Copyright by Corey M. Hackworth 2015 2 Abstract This dissertation is a study of the Epigraphical Hymn to Apollo that was found at Delphi in 1893, and since attributed to Athenaios. It is believed to have been performed as part of the Athenian Pythaïdes festival in the year 128/7 BCE. After a brief introduction to the hymn, I provide a survey and history of the most important editions of the text. I offer a new critical edition equipped with a detailed apparatus. This is followed by an extended epigraphical commentary which aims to describe the history of, and arguments for and and against, readings of the text as well as proposed supplements and restorations. The guiding principle of this edition is a conservative one—to indicate where there is uncertainty, and to avoid relying on other, similar, texts as a resource for textual restoration. A commentary follows, which traces word usage and history, in an attempt to explore how an audience might have responded to the various choices of vocabulary employed throughout the text. Emphasis is placed on Athenaios’ predilection to utilize new words, as well as words that are non-traditional for Apolline narrative. The commentary considers what role prior word usage (texts) may have played as intertexts, or sources of poetic resonance in the ears of an audience.
    [Show full text]
  • Athenaeus' Reading of the Aulos Revolution ( Deipnosophistae 14.616E–617F)
    The Journal of Hellenic Studies http://journals.cambridge.org/JHS Additional services for The Journal of Hellenic Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here New music and its myths: Athenaeus' reading of the Aulos revolution ( Deipnosophistae 14.616e–617f) Pauline A. Leven The Journal of Hellenic Studies / Volume 130 / November 2010, pp 35 - 48 DOI: 10.1017/S0075426910000030, Published online: 19 November 2010 Link to this article: http://journals.cambridge.org/abstract_S0075426910000030 How to cite this article: Pauline A. Leven (2010). New music and its myths: Athenaeus' reading of the Aulos revolution ( Deipnosophistae 14.616e– 617f). The Journal of Hellenic Studies, 130, pp 35-48 doi:10.1017/S0075426910000030 Request Permissions : Click here Downloaded from http://journals.cambridge.org/JHS, IP address: 147.91.1.45 on 23 Sep 2013 Journal of Hellenic Studies 130 (2010) 35−47 DOI: 10.1017/S0075426910000030 NEW MUSIC AND ITS MYTHS: ATHENAEUS’ READING OF THE AULOS REVOLUTION (DEIPNOSOPHISTAE 14.616E−617F) PAULINE A. LEVEN Yale University* Abstract: Scholarship on the late fifth-century BC New Music Revolution has mostly relied on the evidence provided by Athenaeus, the pseudo-Plutarch De musica and a few other late sources. To this date, however, very little has been done to understand Athenaeus’ own role in shaping our understanding of the musical culture of that period. This article argues that the historical context provided by Athenaeus in the section of the Deipnosophistae that cites passages of Melanippides, Telestes and Pratinas on the mythology of the aulos (14.616e−617f) is not a credible reflection of the contemporary aesthetics and strategies of the authors and their works.
    [Show full text]
  • View / Download 2.4 Mb
    Lucian and the Atticists: A Barbarian at the Gates by David William Frierson Stifler Department of Classical Studies Duke University Date:_______________________ Approved: ___________________________ William A. Johnson, Supervisor ___________________________ Janet Downie ___________________________ Joshua D. Sosin ___________________________ Jed W. Atkins Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classical Studies in the Graduate School of Duke University 2019 ABSTRACT Lucian and the Atticists: A Barbarian at the Gates by David William Frierson Stifler Department of Classical Studies Duke University Date:_______________________ Approved: ___________________________ William A. Johnson, Supervisor ___________________________ Janet Downie ___________________________ Joshua D. Sosin ___________________________ Jed W. Atkins An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classical Studies in the Graduate School of Duke University 2019 Copyright by David William Frierson Stifler 2019 Abstract This dissertation investigates ancient language ideologies constructed by Greek and Latin writers of the second and third centuries CE, a loosely-connected movement now generally referred to the Second Sophistic. It focuses on Lucian of Samosata, a Syrian “barbarian” writer of satire and parody in Greek, and especially on his works that engage with language-oriented topics of contemporary relevance to his era. The term “language ideologies”, as it is used in studies of sociolinguistics, refers to beliefs and practices about language as they function within the social context of a particular culture or set of cultures; prescriptive grammar, for example, is a broad and rather common example. The surge in Greek (and some Latin) literary output in the Second Sophistic led many writers, with Lucian an especially noteworthy example, to express a variety of ideologies regarding the form and use of language.
    [Show full text]
  • Euripides and Gender: the Difference the Fragments Make
    Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Ruby Blondell, Chair Deborah Kamen Olga Levaniouk Program Authorized to Offer Degree: Classics © Copyright 2013 Melissa Karen Anne Funke University of Washington Abstract Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke Chair of the Supervisory Committee: Professor Ruby Blondell Department of Classics Research on gender in Greek tragedy has traditionally focused on the extant plays, with only sporadic recourse to discussion of the many fragmentary plays for which we have evidence. This project aims to perform an extensive study of the sixty-two fragmentary plays of Euripides in order to provide a picture of his presentation of gender that is as full as possible. Beginning with an overview of the history of the collection and transmission of the fragments and an introduction to the study of gender in tragedy and Euripides’ extant plays, this project takes up the contexts in which the fragments are found and the supplementary information on plot and character (known as testimonia) as a guide in its analysis of the fragments themselves. These contexts include the fifth- century CE anthology of Stobaeus, who preserved over one third of Euripides’ fragments, and other late antique sources such as Clement’s Miscellanies, Plutarch’s Moralia, and Athenaeus’ Deipnosophistae. The sections on testimonia investigate sources ranging from the mythographers Hyginus and Apollodorus to Apulian pottery to a group of papyrus hypotheses known as the “Tales from Euripides”, with a special focus on plot-type, especially the rape-and-recognition and Potiphar’s wife storylines.
    [Show full text]
  • Swapping Drinking Songs for Spiritual Songs: Skolia and Possession in Ephesians 5 and Mozambique
    Harding University Scholar Works at Harding Bible & Ministry Faculty Research and Publications College of Bible & Ministry Fall 2020 Swapping Drinking Songs for Spiritual Songs: Skolia and Possession in Ephesians 5 and Mozambique Alan Howell Harding University, [email protected] Follow this and additional works at: https://scholarworks.harding.edu/bible-facpub Part of the Christianity Commons Recommended Citation Howell, A. (2020). Swapping Drinking Songs for Spiritual Songs: Skolia and Possession in Ephesians 5 and Mozambique. International Journal of Frontier Missiology, 37 (3-4), 161-169. Retrieved from https://scholarworks.harding.edu/bible-facpub/25 This Article is brought to you for free and open access by the College of Bible & Ministry at Scholar Works at Harding. It has been accepted for inclusion in Bible & Ministry Faculty Research and Publications by an authorized administrator of Scholar Works at Harding. For more information, please contact [email protected]. Testing Models, Shifting Paradigms Swapping Drinking Songs for Spiritual Songs: Skolia and Possession in Ephesians 5 and Mozambique by Alan B. Howell ertain aspects of the cultures of the Bible are more easily grasped today by Africans than by Westerners.1 By recognizing important parallels to Greco-Roman culture, Africa can serve as a “laboratory,” an appropriate setting, for reading both the Classics and the New Testament C2 well. Reading the biblical text in the “laboratory” of Mozambique, for exam- ple, led to observations and connections that, although surprising to me, in retrospect, have been there all along. The Makua-Metto Christians made a number of insightful observations as we studied Ephesians 5: 15-20 together, connecting Paul’s counsel for the church in Ephesus to our context in northern Mozambique.3 We noted how the verb wiipa in the Makua-Metto language means both “to swell” and “to sing.” That seman- tic connection fit well with the instruction in the text to be filled, or swell, with the Holy Spirit while singing psalms, hymns, and spiritual songs.
    [Show full text]
  • V..Btoa.Ti; 61 Athenian Empire 12 Epibomios, 3-6, 109 Atoms, Motion of 85 Dramatic Date 12 Attridge, Harold W
    INDEX Abdera 55, 59, 61, 65, 67, 69, 75 Byl, Simon 37 Abderites 21, 23, 29, 40, 57, 59, 61, 63, 69, Cadmus 3, 117 71, 75, 77, 79, 93 Calydonia 115 Abderos 59 Calydonians 115 Achilles 89 Calymnus 10 Aelius Aristides 16 Casson, Lionel 67, 75 Aeschylus, Agam11mnon 61 Celsus, De m11dicina 26, 27, 33 Alcibiades 12, 121 Cltrysos 113 Alexander the Great 12, 13 Cltrysostomus, Johannes 103 Alexandria 6, 13 Cicero, De Oratore 29 Alexandrian Library 1, 7, 9, 39 Cirphius, Mount 111 catalogue 6 Oeomyttades 49 Alexis,Kpanva; ii Cl>ap11a1C071Cl».. 11i;, 20, Cnidos 13, 14, 16 71 Cos, history 2-4, 6, 8-9, 12, 14, 16-17 Arnelesagoras 59 Crateuas, 'P1~0'tOf111Cov 71 Arnphictyons, Amphictyonic War 3, 4, 111- Crisamis 49 115 Crisa, Criseans 3, 111, 113, 115, 117, 123 anatomy in Alexandria 26, 33 Critodemus 13 Anius 5, 109 Ctesias 16 Anonymus Londinensis 33 Cynics, Cynic philosophy 20, 22, 28, 57 Anticyreus 73 Damagetus 67, 73, 91, 93 Antigonus 33, 34 Darius 55 ci11a8Eta 57 De Ley, Hennann 31, 34 Apollo 59, 71, 75, 109, 111, 115 Deichgriber, Karl 7, 44 ciPXai11 c,,icni; 65 Delphi 2, 13, 14, 15, 16, 111, 115, 119 Argos, Argives 4, 125 Demeter 10, 51, 121 Aristogenes 34 Demetrius 53, 105 Aristotle 13, 33 Democritus 19-24, 26, 27, 28, 31, 40, 42, History of Animals 25 57-103 Parts of Animals 25 On the Nat11re of Man 103 Problems23 71tpi Qf1£l ljlll)UCJfll(l)V 9 3 Arrian, Anabasis 13, 16, 17 11tpi aa'tpovo11{ai; 93 Artaxerxes 18, 24, 49, 51, 55 71tpi ICOOflOU 93 Artemidorus, Onirocritica 69 71tpi 'tii>v 61aq,tpoV't(l)V pua fliilv 9 3 Artemisia I 3, 12, 117 110)..oypaq,{a
    [Show full text]
  • PANR Paper Guidlines Template
    Journal of Physical Activity, Nutrition and Rehabilitation, 2018 www.panr.com.cy [email protected] The war dances and their role in the youth’s military education in ancient Greece Douka, S.* Department of Physical Education and Sports Science, Aristotle University of Thessaloniki, Thermi 54124, Thessaloniki, Greece Abstract War dances had a significant role in ancient Greeks’ life before, during and after the classical period. The aim of the current research is to study the significance of military preparation in ancient Greeks’ life and to make a reference to war dances, especially dance pyrrhichios; the most prominent dance of this category. For the data collection it has been used the historic methodological research, where it has been analyzed and interpreted primary and secondary sources. According to analysis of the collected, in the antiquity, war dances possessed a pedagogical role, whereas they were used as a war preparation medium by weapons usage. Greeks loved war dances, not because they were a bellicose folk, but in the wake of those historical incidents, which obliged them to be constantly and sufficiently prepared for war, they could taste the goods of the Peace. The consequence of this research is that for the ancient Greeks, the best martial education and preparation was accomplished through dance and music, that’s why they ascertained each time that the “best warriors were the best dancers”. Hence, they attempted through poems, songs and dance movements to stimulate warriors’ courage, bravery and jubilant/impulsive mood. Keywords: dance; military education; pyrrhichios. 1 Introduction The most researchers that have handled with dance in general, and especially with the dancing in the ancient Greece, refer war dances, too.
    [Show full text]
  • A Riddle in Athenaeus , Greek, Roman and Byzantine Studies, 25:3 (1984) P.285
    CAPONIGRO, MARK STEPHEN, Five Men and Ten Ships: A Riddle in Athenaeus , Greek, Roman and Byzantine Studies, 25:3 (1984) p.285 Five Men and Ten Ships: A Riddle in Athenaeus Mark Stephen Caponigro OR THE FOLLOWING RIDDLE we find no certain solution in F a?ci~nt sources, and the few modern guesses are not con­ vmcmg: 7TEVT' avBpE~ BEKa vavO"i KaTEBpaJ,Wv el~ Eva XWPOV" • ~'\ '() ., \ '() ~ , • l' • \' () EV uE ",L OL~ E/-UXXOVTO, ",L OV u OVK TlV aVE",EO" aL" ~ ',I, ~,. i:: ' \ \ .,~ ~,." , uL'P'YI u E",W",,,,VVTO, vuwp u V7TEPELXE 'YEVELOV. Five men with ten ships came to land at one place; they did battle amidst stones, but no stone could be lifted; for thirst they perished, but the water rose over the chin. The riddle is found in Athenaeus' Deipnosophistae (457B); in the anonymous scholia to Hermogenes' Peri ideon (VII.2 949f Walz); then in two composite codices, Paris.gr.suppl. 690 (s. XI-XII) 1 and Laurent.Plut. 32.16.2 Finally, the second line of the riddle appears in Plutarch's Quaestiones conviviales (6600-E). It is surprising that Athenaeus, who gives adequate explanation for most of the 'YptcPoL and sympotic puzzles that are assembled in his 1 For the reference to C. Dilthey's edition, and H. Diels' use of the interpretation found therein, see Diels, "Die Lasung eines Ratsels bei Athenaeus," BBG 54 (1918) 29. 2 The riddle is found on f.380 v of this famous codex. The ff.361 r-39P are written in the hand of Manuel-Maximus Planudes; c/ Alexander Turyn, Dated Greek Manuscripts of the Thirteenth and Fourteenth Centuries in the Libraries of Italy I (Urbana/Chicago/ London 1972) 31.
    [Show full text]
  • Lutheranism & the Classics
    LOGIA a journal of lutheran theology Lutheranism & the Classics EastErtidE 2012 volumE XXi, numbEr 2 LOGIA A JOURNAL OF LUTHERAN THEOLOGY EastErtidE 2012 volume xxi, number 2 CONTENTS Foreward ...................................................................................................................................................................................................... 5 articles The Greco-Roman Savior: Jesus in the Age of Augustus Peter Scaer ..................................................................................................................................................................................................... 7 Paul’s Vision of “A Certain Macedonian” in Troas: How Might Luke’s Original Audience Have Heard the Narration of Acts 16:9? Robert Sorensen ......................................................................................................................................................................................... 11 Luther and the Classical Tradition in the Heidelberg Disputation of 1518 E. Christian Kopff ...................................................................................................................................................................................... 15 Deipnosophistae Reformed: Classical Intertexts in Luther’s Tischreden Alden Smith ................................................................................................................................................................................................ 19 Classical
    [Show full text]