Ron Chernow February 9, 2017
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20 Thomas Jefferson.Pdf
d WHAT WE THINK ABOUT WHEN WE THINK ABOUT THOMAS JEFFERSON Todd Estes Thomas Jefferson is America’s most protean historical figure. His meaning is ever-changing and ever-changeable. And in the years since his death in 1826, his symbolic legacy has varied greatly. Because he was literally present at the creation of the Declaration of Independence that is forever linked with him, so many elements of subsequent American life—good and bad—have always attached to Jefferson as well. For a quarter of a century—as an undergraduate, then a graduate student, and now as a professor of early American his- tory—I have grappled with understanding Jefferson. If I have a pretty good handle on the other prominent founders and can grasp the essence of Washington, Madison, Hamilton, Adams and others (even the famously opaque Franklin), I have never been able to say the same of Jefferson. But at least I am in good company. Jefferson biographer Merrill Peterson, who spent a scholarly lifetime devoted to studying him, noted that of his contemporaries Jefferson was “the hardest to sound to the depths of being,” and conceded, famously, “It is a mortifying confession but he remains for me, finally, an impenetrable man.” This in the preface to a thousand page biography! Pe- terson’s successor as Thomas Jefferson Foundation Professor at Mr. Jefferson’s University of Virginia, Peter S. Onuf, has noted the difficulty of knowing how to think about Jefferson 21 once we sift through the reams of evidence and confesses “as I always do when pressed, that I am ‘deeply conflicted.’”1 The more I read, learn, write, and teach about Jefferson, the more puzzled and conflicted I remain, too. -
Massachusetts Historical Society, Adams Papers Editorial Project
Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application, which conforms to a past set of grant guidelines. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the application guidelines for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Research Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Adams Papers Editorial Project Institution: Massachusetts Historical Society Project Director: Sara Martin Grant Program: Scholarly Editions and Translations Program Statement of Significance and Impact The Adams Papers Editorial Project is sponsored by and located at the Massachusetts Historical Society (MHS). The Society’s 300,000-page Adams Family Papers manuscript collection, which spans more than a century of American history from the Revolutionary era to the last quarter of the nineteenth century, is consulted during the entire editing process, making the project unique among large-scale documentary editions. The Adams Papers has published 52 volumes to date and will continue to produce one volume per year. Free online access is provided by the MHS and the National Archives. -
Who Tells Your Story?: Intersections of Power, Domesticity, and Sexuality Relating to Rap and Song in the Musical Hamilton
WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey A THESIS Submitted to Michigan State University in partial fulfillment of the requirement for the degree Musicology—Master of Arts 2019 ABSTRACT WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey In January 2015, Lin-Manuel Miranda’s Hamilton: An American Musical premiered at The Public Theater in New York City. Later that year it moved to Broadway with an engagement at the Richard Rodgers Theater, followed by productions in Chicago and London. Commercially successful and critically acclaimed, Hamilton continues to hold significant cultural relevance in 2019. As a result of this musical’s cultural significance, it has the ability to communicate positive, but also limiting, aspects of our society. In this thesis, I examine the concept of rap as a musical language of power. To do this, I assert that characters in Hamilton who have power, and particularly when expressing that power, do so through rap. In contrast, when characters don’t have power, or are entering realms of the powerless (i.e. spaces gendered female), they do so through lyrical song. In chapter 1, I set up the divide between rap and song as it primarily translates among male characters and class. Chapter 2 is focused on the domestic sphere, and in chapter 3 I discuss sexuality. In the conclusion of this thesis, I revisit the character of Eliza and explore the perceived power of her role as storyteller and the way in which the themes I discuss illuminate many missed opportunities to present an interpretation of America’s founding that is truly revolutionary. -
HAMILTON Project Profile 6 8 20
“HAMILTON” ONE-LINER: An unforgettable cinematic stage performance, the filmed version of the original Broadway production of “Hamilton” combines the best elements of live theater, film and streaming to bring the cultural phenomenon to homes around the world for a thrilling, once-in-a-lifetime experience. OFFICIAL BOILERPLATE: An unforgettable cinematic stage performance, the filmed version of the original Broadway production of “Hamilton” combines the best elements of live theater, film and streaming to bring the cultural phenomenon to homes around the world for a thrilling, once-in-a-lifetime experience. “Hamilton” is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, “Hamilton” has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. Filmed at The Richard Rodgers Theatre on Broadway in June of 2016, the film transports its audience into the world of the Broadway show in a uniquely intimate way. With book, music, and lyrics by Lin-Manuel Miranda and direction by Thomas Kail, “Hamilton” is inspired by the book “Alexander Hamilton” by Ron Chernow and produced by Thomas Kail, Lin-Manuel Miranda and Jeffrey Seller, with Sander Jacobs and Jill Furman serving as executive producers. The 11-time-Tony Award®-, GRAMMY Award®-, Olivier Award- and Pulitzer Prize-winning stage musical stars: Daveed Diggs as Marquis de Lafayette/Thomas Jefferson; Renée Elise Goldsberry as Angelica Schuyler; Jonathan Groff as King George; Christopher Jackson as George Washington; Jasmine Cephas Jones as Peggy Schuyler/Maria Reynolds; Lin-Manuel Miranda as Alexander Hamilton; Leslie Odom, Jr. -
World Wide Enough: Historiography, Imagination, and Stagecraft
City University of New York (CUNY) CUNY Academic Works Publications and Research Brooklyn College 2017 World Wide Enough: Historiography, Imagination, and Stagecraft Benjamin L. Carp CUNY Brooklyn College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bc_pubs/240 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 World Wide Enough: Historiography, Imagination, and Stagecraft Benjamin L. Carp Is Hamilton good history? Or is this the wrong question? Hamilton: An American Musical is both an intriguing and imperfect vehicle for understanding the history of the American Revolutionary Era. The show is grounded in learned interpretation of archival sources. The show’s writer, Lin-Manuel Miranda, drew extensively from Ron Chernow’s well- researched biography, Alexander Hamilton. He and his co-creators also researched primary sources, quote from them extensively in the libretto, and use facsimiles of them on stage. Finally, the creators consulted other works to get a sense of historical context, while adding references to hip-hop, musical theater, films about the Revolutionary Era, and other sources.1 At the same time, Miranda relied too heavily on Chernow, who exaggerated Alexander Hamilton’s anti-slavery credentials and his sympathy with debtors, and deemphasized (or even celebrated) some of his more militaristic, elitist, and antidemocratic inclinations. Since there was little scholarly criticism of the biography when it appeared, however, current critics have been poorly equipped to engage in the debate over the quality of the musical’s history now.2 Miranda told a story that focused on elite characters, missing opportunities to show how the Revolution and its conflicts affected—and was effected by—a broader swath of the 1 Lin-Manuel Miranda, Hamilton: An American Musical, dir. -
His Excellency: George Washington, William M
Naval War College Review Volume 58 Article 20 Number 3 Summer 2005 His Excellency: George Washington, William M. Calhoun Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation Calhoun, William M. (2005) "His Excellency: George Washington,," Naval War College Review: Vol. 58 : No. 3 , Article 20. Available at: https://digital-commons.usnwc.edu/nwc-review/vol58/iss3/20 This Book Review is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Color profile: Disabled Composite Default screen 154 NAVAL WAR COLLEGE REVIEW Calhoun: His Excellency: George Washington, time when Japan had conquered vast and Australian failings in that battle. swaths of South East Asia and the South Having been a badly wounded partici- West Pacific. pant in the battle, he observes, “My There are chapters devoted to a number arguments against some of those hy- of distinguished wartime Australian potheses were therefore largely based senior naval officers, and others that on an innate belief that we Austra- (re)address some of the perennial mys- lians and our Royal Navy Admiral teries, such as the complete loss (and could not have done as badly as we vanishing) of the cruiser HMAS Sydney were led to believe. At the time I thought on the eve of the Japanese entry into that I had not made much of an im- the war. -
Founders H441 Syllabus
The Founders and Their World: histories (and historians) of the new republic History 441 Spring 2014 Thursdays 1:30-4:20 Shelby Cullum Davis Center Seminar Room (G-14, Dickinson Hall) Alec Dun 137 Dickinson Hall [email protected] Office hours: Mondays, 1:30-3:30 (use WASS to schedule) Overview: This seminar allows students to dig deeply into American history during the early national period, with a particular focus on the period between 1789 and 1808. This is a vibrant and crucial timespan, one in which the ideals of the recent Revolution met the realities of statecraft, when the social institutions of British America were strained through a new national American idiom, and when many of the issues that would prove vital to subsequent American history first cropped up. To explore it, we will read and talk about a diverse array of issues, ranging from the formation of the rules governing debate in the first Congress and George Washington’s social schedule to flaps over Alexander Hamilton’s Whiskey tax and the John Jay’s Anglo-American treaty. As we go, we will assess developments such as the American reaction to the French and Haitian Revolutions and the machinations of foreign diplomats and the outbreak of a little-known naval war in the Caribbean. Through it all, we will witness the birth of partisan politics and the so-called “first party system,” figuring out the divisions and developments and marking its workings in Presidential and Congressional elections. In sum, we will steep ourselves in the political culture of the new nation. -
Rappin' History
Rappin’ History Composing Historical Raps in the Classroom with Lessons Integrating Historical Raps from the Broadway Show Hamilton Rappin’ in the Classroom Hamilton! Lessons Using the Broadway Show Hamilton Traveling Exhibit Activities Lois MacMillan – 2018 Jane Ortner Education Award Submission South Middle School – Grants Pass, OR Outline of Rappin’ History Introduction: Impact of the Broadway show Hamilton & Historical Rap Lesson Experiences (pages 1-2) “Composing Historical Raps” Five Day Lesson Plan (pages 3-21) o Joseph Plumb Martin Worksheet PDF o Joseph Plumb Martin Adventures, Sufferings, and Dangers PDF o Joseph Plumb Martin Bio PDF o Article “Of Rocks, Trees, Rifles, and Militia” PDF o Rap Facts Worksheets PDF “World Turned Upside Down” The Battle of Yorktown Lesson Plan (pages 22-26) o “World Turned Upside Down Worksheet” PDF “Constitution Needed!” Events Around the Constitution Lesson Plan (pages 27-37) o “Events Around the Constitution” PDF o “Events Around the Constitution Worksheet” PDF o PowerPoint “Plain, Honest Men” “The Dinner Deal” Choosing the Nation’s Capital Lesson Plan (pages 38-44) o “The Dinner Deal Worksheet” PDF o “In Room Where It Happens” PDF “Election of 1800” Crisis in the Electoral College Lesson Plan (pages 45-49) o “Election of 1800” PDF “Code Duello and the Hamilton-Burr Duel” Two Day Lesson Plan (pages 50-57) o “Code Duello” PDF o PowerPoint “Five Duel Experiences” o “Your Obedient Servant” PDF Introduction: In 2004, Ron Chernow published Hamilton, earning him Gilder Lehrman’s George Washington Book -
Founding Fathers" in American History Dissertations
EVOLVING OUR HEROES: AN ANALYSIS OF FOUNDERS AND "FOUNDING FATHERS" IN AMERICAN HISTORY DISSERTATIONS John M. Stawicki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2019 Committee: Andrew Schocket, Advisor Ruth Herndon Scott Martin © 2019 John Stawicki All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This thesis studies scholarly memory of the American founders and “Founding Fathers” via inclusion in American dissertations. Using eighty-one semi-randomly and diversely selected founders as case subjects to examine and trace how individual, group, and collective founder interest evolved over time, this thesis uniquely analyzes 20th and 21st Century Revolutionary American scholarship on the founders by dividing it five distinct periods, with the most recent period coinciding with “founders chic.” Using data analysis and topic modeling, this thesis engages three primary historiographic questions: What founders are most prevalent in Revolutionary scholarship? Are social, cultural, and “from below” histories increasing? And if said histories are increasing, are the “New Founders,” individuals only recently considered vital to the era, posited by these histories outnumbering the Top Seven Founders (George Washington, Thomas Jefferson, John Adams, James Madison, Alexander Hamilton, Benjamin Franklin, and Thomas Paine) in founder scholarship? The thesis concludes that the Top Seven Founders have always dominated founder dissertation scholarship, that social, cultural, and “from below” histories are increasing, and that social categorical and “New Founder” histories are steadily increasing as Top Seven Founder studies are slowly decreasing, trends that may shift the Revolutionary America field away from the Top Seven Founders in future years, but is not yet significantly doing so. -
The Jefferson-Hemings Controversy Report of the Scholars Commission
turner 00 fmt auto cx 3 3/17/11 10:54 AM Page iii The Jefferson-Hemings Controversy Report of the Scholars Commission Edited by Robert F. Turner Carolina Academic Press Durham, North Carolina turner 00 fmt auto cx 3 4/15/11 5:36 AM Page iv Copyright © 2001, 2011 Robert F. Turner All Rights Reserved Library of Congress Cataloging-in-Publication Data Scholars Commission on the Jefferson-Hemings Matter. The Jefferson-Hemings controversy : report of the Scholars Commission / edited by Robert F. Turner. p. cm. ISBN 978-0-89089-085-1 (alk. paper) 1. Jefferson, Thomas, 1743–1826--Relations with women. 2. Hemings, Sally. 3. Jef- ferson, Thomas, 1743–1826--Relations with slaves. 4. Jefferson, Thomas, 1743–1826-- Family. I. Turner, Robert F. II. Title. E332.2.S35 2010 973.4'6092--dc22 2010031551 Carolina Academic Press 700 Kent Street Durham, NC 27701 Telephone (919) 489-7486 Fax (919) 493-5668 www.cap-press.com Printed in the United States of America turner 00 fmt auto cx 3 3/17/11 10:54 AM Page v This book is dedicated to the memory of our beloved colleagues Professor Lance Banning Hallam Professor of History University of Kentucky (January 24, 1942–January 31, 2006) and Professor Alf J. Mapp, Jr. Eminent Scholar, Emeritus and Louis I. Jaffe Professor of History, Emeritus Old Dominion University (February 17, 1925–January 23, 2011) turner 00 fmt auto cx 3 3/17/11 10:54 AM Page vii Contents Preface xiii Acknowledgments xv Members of the Scholars Commission xvii Scholars Commission on The Jefferson-Hemings Matter, Report 12 April 2001 3 Summary -
Best Biographies 2017
Chief Engineer: Washington Roebling, the The Gatekeepers: How the White House Man Who Built the Brooklyn Bridge Chiefs of Staff Define Every Presidency Henry David Thoreau - Laura Dassow Walls Erica Wagner Chris Whipple A superbly researched and written literary His father conceived of the Brooklyn Bridge, An in-depth, behind-the-scenes look at the portrait that broadens our understanding of the but after John Roebling’s sudden death, seventeen White House Chiefs of Staff, whose pre-eminent naturalist. “The Thoreau I sought Washington Roebling built what has become actions, and inactions, have defined the course was not in any book, so I wrote this one,” says one of America’s most iconic structures. Yet, of our country. 973.92 WHI Walls. The result is a Thoreau unlike any seen as recognizable as the bridge is, its builder is since he walked the streets of Concord, a too often forgotten, and his life is of interest far Thoreau for our time and all time. beyond his chosen field. It is the story of B THOREAU immigrants, of the frontier, of the greatest The Glass Universe: How the Ladies of the crisis in American history, and of the making Harvard Observatory Took the Measure of of the modern world. B ROEBLING the Stars - Dava Sobel Lenin - Victor Sebestyen The little-known true story of a group of women whose contributions to the burgeoning The first major work in English for nearly two Churchill and Orwell - Thomas E. Ricks field of astronomy forever changed our decades on one of the most significant figures understanding of the stars and our place in the of the twentieth century. -
Dr. Segers SEMINAR in POLITICAL PHILOSOPHY Fall 2018 21:790:408 CITIZENSHIP and EQUALITY in AMERICAN POLITICAL THOUGHT Tues
Dr. Segers SEMINAR IN POLITICAL PHILOSOPHY Fall 2018 21:790:408 CITIZENSHIP AND EQUALITY IN AMERICAN POLITICAL THOUGHT Tues. eve The United States was founded as a republic, to be governed by a patriotic, virtuous citizenry. But in 1776 and 1787, citizenship was restricted and political equality was circumscribed. Slaves, women, native peoples, and some religious minorities were excluded from citizenship or denied basic political rights such as the right to vote. Despite the emphasis of the Declaration of Independence on fundamental, inalienable rights, the country’s founders rationalized the denial of rights to these groups. This course examines three examples of such denial of rights. First, we consider slavery and its legacy of racial segregation and violence---a fundamental flaw in the character of the new nation. We will read Frederick Douglass’ narrative of his life as a slave in order to get a renewed sense of the cruelty and deprivation slaves faced. We shall also consider the anti-slavery reflections of the Framers and what they proposed as a solution to the dilemma of slavery. We shall see how later political leaders (presidents) such as Lincoln, Franklin D. Roosevelt, and Lyndon Johnson sought to mitigate the after-effects of slavery and end racial discrimination. Second, the course considers the status of women in 1776 and the long struggle for political equality and the right to vote. In addition to the suffrage movement, we will review the struggle of Second Wave Feminists who in the last 50 years used legal cases to challenge sexual discrimination and harassment in the workplace.