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The American Poetry Review
“As soon as we subscribe to a hierarchy, we circumscribe ourselves within a value system. This is perhaps the great conundrum AMERICAN of art—once we define a term, we impose a limit, thereby inviting both orthodoxy and transgression. Our concept of ‘art’ or ‘poem’ or ‘novel’ is, then, always in flux, and I think we’d agree that this is how art renews itself—through those who dare to challenge those terms. The making of art, and the evaluation of it, is always an act POETRY REVIEW of self-definition.” —KITANO, p. 37 MAY/JUNE 2021 VOL. 50/NO. 3 $5 US/$7 CA MEGAN FERNANDES MAGICAL REALISM IN AMERICA & OTHER POEMS FORREST GANDER OWNING YOURSELF: AN INTERVIEW WITH JACK GILBERT SALLY WEN MAO PARIS SYNDROME & OTHER POEMS ALSO IN THIS ISSUE: ALISON C. ROLLINS MAGGIE SMITH NATALIE EILBERT PHOTO: APRWEB.ORG RIVKAH GEVINSON 2 THE AMERICAN POETRY REVIEW The American Poetry Review (issn 0360-3709) is published bimonthly by World Poetry, Inc., a non-profit corporation, and Old City Publishing, Inc. Edi torial offices: 1906 Rittenhouse Square, Philadelphia, PA 19103-5735. Subscription rates: U.S.: 3 years, $78.00; 2 years, $56.00; 1 year, $32.00. Foreign rates: 3 years, $129.00; 2 years, $92.00; 1 year, $49.00. Single copy, $5.00. Special classroom adoption rate per year per student: MAY/JUNE 2021 VOL. 50/NO. 3 $14.00. Free teacher’s subscription with classroom adoption. Subscription mail should be addressed to The American IN THIS ISSUE Poetry Review, c/o Old City Publishing, 628 N. -
From Surrealism to Now
WHAT WE CALL LOVE FROM SURREALISM TO NOW IMMA, Dublin catalogue under the direction of Christine Macel and Rachael Thomas [Cover] Wolfgang Tillmans, Central Nervous System, 2013, inkjet print on paper mounted on aluminium in artist’s frame, frame: 97 × 82 cm, edition of 3 + 1 AP Andy Warhol, Kiss, 1964, 16mm print, black and white, silent, approx. 54 min at 16 frames per second © 2015 THE ANDY WARHOL MUSEUM, PITTSBURG, PA, COURTESY MAUREEN PALEY, LONDON. © WOLFGANG TILLMANS A MUSEUM OF CARNEGIE INSTITUTE. ALL RIGHTS RESERVED. FILM STILL COURTESY OF THE ANDY WARHOL MUSEUM. PHOTO © CENTRE POMPIDOU, MNAM-CCI, DIST. RMN-GRAND PALAIS / GEORGES MEGUERDITCHIAN CONTENTS E 1 FOREWORD Sarah Glennie 6 WHAT WE CALL LOVE Christine Macel 13 SURREALISM AND L’AMOUR FOU FROM ANDRÉ BRETON TO HENRIK OLESEN / FROM THE 1920s TO NOW 18 ANDRÉ BRETON AND MAD LOVE George Sebbag 39 CONCEPTUAL ART / PERFORMANCE ART FROM YOKO ONO TO ELMGREEN AND DRAGSET / FROM THE 1960s TO NOW 63 NEW COUPLES FROM LOUISE BOURGEOIS TO JIM HODGES / FROM THE 1980s TO NOW 64 AGAINST DESIRE: A MANIFESTO FOR CHARLES BOVARY? Eva Illouz 84 THE NEUROBIOLOGY OF LOVE Semir Zeki 96 LOVE ACTION Rachael Thomas WHAT 100 LIST OF WORKS 104 BIBLIOGRAPHY WE CALL LOVE CHAPTER TITLE F FOREWORD SARAH GLENNIE, DIRECTOR The Irish Museum of Modern Art (IMMA) is pleased to present this publication, which accompanies the large scale group exhibition, What We Call Love: From Surrealism to Now. This exhibition was initially proposed by Christine Macel (Chief Curator, Centre Pompidou), who has thoughtfully curated the exhibition alongside IMMA’s Rachael Thomas (Senior Curator: Head of Exhibitions). -
Art, Crime, and the Image of the City
Art, Crime, and the Image of the City The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Kaliner, Matthew Erik. 2014. Art, Crime, and the Image of the City. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11744462 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Art, Crime and the Image of the City A dissertation presented by Matthew Kaliner to The Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Sociology Harvard University Cambridge, Massachusetts October, 2013 © 2014 Matthew Kaliner All rights reserved Dissertation Advisor: Robert J. Sampson Matthew Kaliner Art, Crime, and the Image of the City Abstract This dissertation explores the symbolic structure of the metropolis, probing how neutral spaces may be imbued with meaning to become places, and tracing the processes through which the image of the city can come to be – and carry real consequences. The centrality of the image of the city to a broad array of urban research is established by injecting the question of image into two different research areas: crime and real estate in Washington, DC and the spatial structure of grassroots visual art production in Boston, Massachusetts. By pursuing such widely diverging areas of research, I seek to show the essential linkage between art and crime as they related to the image of the city and general urban processes of definition, distinction, and change. -
Toponymic Medical Terms Based on Precedent Situations and Denoting Psychiatric Deviations
Филологические науки Shalajeva A.V. The Chair of Foreign Languages, Higher State Educational Establishment of Ukraine „Bukovinian State Medical University“, Chernivtsi (Ukraine) TOPONYMIC MEDICAL TERMS BASED ON PRECEDENT SITUATIONS AND DENOTING PSYCHIATRIC DEVIATIONS. In the medical context the precedent situations containing toponyms in their name are well-known geographical names that are used in the text not so much to refer to concrete areas, cities or countries, but rather as a kind of symbol of certain qualities that are used to form medical terms, designating the syndromes of various mental abnormalities. In our unstable and volatile time, the time of local wars, political changes and new opportunities for obtaining all kinds of information and possibility to move from one country to another for both with political goals and for the purpose of travel, the social sphere is an inexhaustible source for the field of psychiatry. Mental disorders affect the lives of many people. At assessment of condition of persons with mental disorders, doctors rely on diagnoses that are generally accepted and are taken into account in the differential diagnostics of the patient. But there are a number of rare psychiatric syndromes that doctors rarely encounter in everyday practice. One of such syndromes is the Paris syndrome. People who study the language and culture of another country often feel an active interest in the population of this country, they pay attention to the external appearance of the native speakers, their habits, norms and manners of behavior, the system of values, and their mentality as a whole. On the other hand, they try to get acquainted with the new cultural environment as close as possible by comparing the phenomena of another country with the phenomena of their native or world culture. -
They Eat Horses, Dont They?: the Truth About the French Pdf, Epub, Ebook
THEY EAT HORSES, DONT THEY?: THE TRUTH ABOUT THE FRENCH PDF, EPUB, EBOOK Piu Marie Eatwell | 352 pages | 13 Mar 2014 | Head of Zeus | 9781781854464 | English | London, United Kingdom They Eat Horses, Dont They?: The Truth About the French PDF Book Argos AO. The beret is a local hat, not a national one. The croissants were sometimes stale, the women not always glamorous, there were supermarkets alongside the street markets and fast-food joints next door to the traditional bistros. The writing style was easily accessible and I came away feeling that I'd had an educational read as well as getting some pleasure from it. Refresh and try again. Really interesting for anyone interested in the culture and myths of culture of France. Until, that is, an event of seminal significance in French hippophagous history: the Siege of Paris during the Franco-Prussian War of — Mar 29, Mary rated it really liked it Shelves: humor , france. What were the challenges and joys of researching these topics? I was expecting this to be a travel memoir but it turned out to be a collection of essays about French myths. Showing Horsemeat was food to be resorted to only by those in the direst straits —- such as the French peasantry during the food shortages of the Revolution, or the armies of Napoleon on campaign in the depths of the Russian winter. Average rating 3. The French do eat horses, but so do other countries and most of the meat is imported. Nov 16, Katherine rated it really liked it Shelves: nonfiction-other , france. -
Hostilité Ou Hospitalité? – Une Analyse De La Représentation Des Parisiens Dans Les Médias
Hostilité ou hospitalité? – une analyse de la représentation des Parisiens dans les médias Mémoire de fin d’études Annemarie Anema 3373002 Université d’Utrecht Master Communication Interculturelle Sous la direction de dr. E.M.A.F.M. Radar Juillet 2014 Table des matières Introduction ................................................................................................................................ 3 1. Un accueil froid à Paris ? ................................................................................................. 5 1.1 Accueil, hospitalité et attitudes dans le secteur du tourisme ............................................ 5 1.1.1 La complexité de la notion d’hospitalité .................................................................... 5 1.1.2 Le lien entre l’hospitalité, l’accueil et le service ....................................................... 7 1.1.3 Les éléments de l’hospitalité touristique .................................................................... 9 1.2 La relation entre les stéréotypes et le tourisme .......................................................... 11 1.2.1 Qu’est-ce qu’un stéréotype ?.................................................................................... 11 1.2.2 Le discours touristique à l’heure actuelle ................................................................ 12 1.2.3 Le marketing du tourisme et l’emploi de stéréotypes .............................................. 15 1.2.4 La diffusion des stéréotypes du Parisien sur Internet ............................................. -
Cities and Cinema
Cities and Cinema Films about cities abound. They provide fantasies for those who recognize their city and those for whom the city is a faraway dream or nightmare. How does cinema rework city planners’ hopes and city dwellers’ fears of modern urbanism? Can an analysis of city films answer some of the questions posed in urban studies? What kinds of vision for the future and images of the past do city films offer? What are the changes that city films have undergone? Cities and Cinema puts urban theory and cinema studies in dialogue. The book’s first section analyzes three important genres of city films that follow in historical sequence, each associated with a particular city, moving from the city film of the Weimar Republic to the film noir associated with Los Angeles and the image of Paris in the cinema of the French New Wave. The second section discusses socio-historical themes of urban studies, beginning with the relationship of film industries and individual cities, continuing with the portrayal of war-torn and divided cities, and ending with the cinematic expression of utopia and dystopia in urban science fiction. The last section negotiates the question of identity and place in a global world, moving from the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire, to end with the representation of the global city in transnational cinematic practices. The book suggests that modernity links urbanism and cinema. It accounts for the significant changes that city film has undergone through processes of globalization, during which the city has developed from an icon in national cinema to a privileged site for transnational cinematic practices. -
In Search of Lost Cities: Imagined Geographies and the Allure of the Fake
Urban Imaginaries Issue 5 – Fall 2015 | www.diffractions.net In Search of Lost Cities: Siobhan Lyons Imagined Geographies Macquarie University - and the Allure of the Fake Australia Abstract | Despite audiences being aware of the way in which popular culture frames and invents history, places and people, these representations inevitably impinge on a viewer’s initial conception of various global landscapes and features, particularly the nature of an urban environment so often depicted through the lens of popular culture. It has been well established that the disparity between one’s expectations and the reality of a city’s layout and feel is stark, and that tourists are often confronted with the reality of a city. These episodes of touristic disillusionment stem from a fairly basic departure from romanticised images that circulate throughout the media and popular culture as ‘reality’, creating phenomena such as the ‘Paris Syndrome’ in which tourists express despair at a city’s realistic environment. In these instances, the imagined city – created by recycled media images and a person’s own psychological mapping – gives way to reality, but does not completely diminish. Instead, tourists often seek alternate destinations that substitute or even imitate real cities, fully aware of the staged authenticity of such sites. This paper interrogates how such images of a city are constructed in the first place, and examines the subsequent response of tourists who continuously seek what Umberto Eco calls the ‘hyperreal’ landscape in place of the real city. Keywords | imagined city, tourism, hyperreal, authenticity, fake, popular culture “New York as a character in a mystery would not be the detective, would not be the murderer. -
Texts, Interviews, Portrait, Social Media (Mainly in English / Few In
Texts, Interviews, Portrait, Social Media (mainly in English / Few in French) _Parrhesia / Athazagoraphobia / main texts / Page 2 _Parrhesia / Frigoli Symptomes / letter ad-hominem / Page 137 _Parrhesia / Chronophobia / Some real-time social media / Page 166 _Parrhesia / Narcissus / A book / a portrait FR / Page 175 _Parrhesia / Schizoid / interviews / page 218 Parrhesia / Athazagoraphobia #digitaldisobediences….but Architecture / Venice Biennale 2018- Bembo [gardens of earthly delights] In power games, [apparatuses could be considered] relationship strategies supporting types of knowledge and supported by themselves. Michel Foucault, 1994, Dits et Écrits We can’t remain satisfied with protest. This historically operative way to challenge the organization of power is now naive, childish, self-complacent and unproductive. Should we suspect that digital “art” is meant to be used as a glamorous lure, a blue sleeping pill, to entertain those who produce it, just as turpentine intoxicates the painter, and, for its consumers, to help maintain their belief in the illusion of positivism, progress, emancipation through science and novelty gadgets… Trapped in a postscience world without even knowing it, one already described by Rabelais in the middle of the Quattrocento… Should we suspect the apparent direct opposites of these Mephistopheleses, the regressive moralists and semiologists who turn their indignation into capital to recoup their 30 pieces of silver, using correct consciousness as a flagship, commoners and common goods as their willing -
A Strange Illness Called “Paris Syndrome” Was Recently Identified in Which Japanese Tourists/Expatriates in Paris Develop A
E-PAPER Paris Syndrome: Reverse Homesickness? Janima Nam (Academy of Fine Arts Vienna) [email protected] A strange illness called “Paris Syndrome” was recently identified in which Japanese tourists/expatriates in Paris develop a kind of exaggerated form of culture shock, requiring medical/psychological assistance and sometimes winding up repatriated. Apparently, the disillusionment that Japanese tourists experience upon arriving in Paris, stemming from the disappointment of their somewhat romanticized expectations, is enough to require in some cases medical assistance. Although “Paris Syndrome” has been identified by Parisian psychiatrists as a recognizable illness, suffice it to say that it is still holds the status of a “novelty” disorder. There have been an average number of 20 to 100 cases per year (depending on the source) with varying degrees of urgency. Some have been identified as having mildly latent psychological predispositions that somehow become “triggered” by the change of scenery and circumstance provided by traveling. Others have been actually motivated by an existing psychological imbalance prior to making their voyage, either as an answer to a “calling” or an attempt to flee. Characteristic symptoms cover the gamut of disturbed psychotic behavior—schizophrenia, delirium, depression, etc.— but generally, admittance into the center follows any of a variety of “major behavioral problems”. For all intensive purposes, the term “Paris syndrome” until now seems to serve as a catch-all phrase for the all those who end up in the Parisian hospital, Sainte-Anne, that “accommodates” them. In one article, the hospital is described in oddly touristic terms: its location is “central and near many places of interest” (Xaillé) and “France. -
Stendhal (Florence) Syndrome As an Unclassified Disorder
© Kamla-Raj 2019 Ethno Med, 13(4): 190-197 (2019) PRINT: ISSN 0973-5070 ONLINE: ISSN 2456-6772 DOI: 10.31901/24566772.2019/13.04.594 Stendhal (Florence) Syndrome as an Unclassified Disorder Asli Yayak Bursa Technical University, Bursa, 16330, Turkey E-mail: [email protected] KEYWORDS Aesthetic. Art. Beauty. City. Psychology ABSTRACT The first aim of this paper is to discuss human-art relations basically. In this paper, literature related to Stendhal syndrome as pertaining to art psychology will be reviewed and information on the subject will be compiled. The necessity of doing art is widely defined in society as a form of self-disclosure by an individual. The definition of art according to scientists is art as self-actualization. The other discussed concept in this paper is Stendhal (Florence) syndrome. It’s known as a city syndrome. Stendhal syndrome, also known as Florence syndrome, describes a physical disease that afflicts those who behold works of art in Florence, Italy. The symptoms are dizziness, palpitations, hallucinations, orientation disorder, loss of identity and physical burnout.These clinical features manifest in patients who encounter rich Italian culture and historically important characters. INTRODUCTION the The Diagnostic and Statistical Manual of Mental Disorders (DSM) as a specific psychiat- Over the last few years, a cluster of psycho- ric illness, but in contrast, it is included in Zin- logical symptoms has appeared among tourists garelli, which is one of Italy’s most important due to exposure to artistic and historical master- dictionaries (Hager 2016). According to Magh- pieces. These are known as city syndromes. -
Senza Parole: a Review
RadioDoc Review Volume 2 Issue 2 Article 3 December 2015 Senza Parole: a Review Robyn Ravlich Follow this and additional works at: https://ro.uow.edu.au/rdr Part of the Audio Arts and Acoustics Commons, Digital Humanities Commons, and the Radio Commons Recommended Citation Ravlich, Robyn, Senza Parole: a Review, RadioDoc Review, 2(2), 2015. doi:10.14453/rdr.v2i2.3 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Senza Parole: a Review Abstract This is a charming radio feature of modest length in the form of a travel memoir. Its author-producer is Katharina Smets, a radio maker with a background in philosophy, theatre and philology with experience in teaching radio documentary at the Royal Conservatory in Antwerp, Belgium and as a reporter and feature maker for Radio 1, KLARA (VRT in Belgium) and Holland Doc Radio (VPRO in The Netherlands). Originally produced in Dutch, her English language version of Senza Parole has attracted attention at both the Third Coast International Audio Festival (2014), USA and the Sheffield Doc/Fest (2014) in Britain. In Senza Parole Katharina Smets takes her recorder with her on what appears to be an aimless outing in Paris, a city in which she’s a short term sojourner, courtesy of a cultural residency. By happenstance, in an overlooked corner of a small island in the Seine, she encounters another outsider, an apparently homeless woman, with whom she attempts to communicate. There is an obvious language barrier between them and some other unfathomable difference.