Linqua- IJLLC) August 2014 Edition Vol.1 No.1
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Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
Online Piracy of Indian Movies: Is the Film Industry Firing at the Wrong Target?
ONLINE PIRACY OF INDIAN MOVIES: IS THE FILM INDUSTRY FIRING AT THE WRONG TARGET? Arul George Sea ria* INTRODUCTION .......................................................................................... 648 I. ONLINE PIRACY OF INDIAN MOVIES ................................................... 649 II. EFFECTIVENESS OF THE LEGAL MEASURES AGAINST ONLINE PIRACY ................................................................................................ 657 III. SUSTAINABLE SOLUTIONS FOR ONLINE PIRACY ................................ 660 CONCLUSION .............................................................................................. 663 ABSTRACT India has recently introduced some digital rights management (DRM) provisions to the Indian copyright law with the objective of providing "adequate" protection for copyrighted material in the online digital environment. Film industry was one of the biggest lobbying groups behind the new DRM provisions in India, and the industry has been consistently trying to portray online piracy as a major threat. The Indian film industry also extensively uses John Doe orders from the high courts in India to prevent the access of Internet users to websites suspected to be hosting pirated material. This paper explores two questions in the context of the new DRM provisions in India: ( 1) Is online piracy a threat to the Indian film industry? and (2) Are the present measures taken by the film industry the optimal measures for addressing the issue of online piracy? Based on data from an extensive empirical -
War on Terror Partnership and Growing/Mounting/Increasing
Journal of Indian Studies Vol. 5, No. 1, January – June, 2019, pp. 119 – 130 Pakistan in the Bollywood Movies: A Discourse Analysis Nauman Sial International Islamic University, Islamabad, Pakistan. Yasar Arafat International Islamic University, Islamabad, Pakistan. Abid Zafar International Islamic University, Islamabad, Pakistan. ABSTRACT Pakistan and India had been the rival nations after the partition of Sub-continent in 1947. Both countries have fought many wars against each other including the 1948 Kashmir war, 1965 war, 1971 war and the Kargil war in 1999. But yet the relations remain on the conflicting peak. Indian government has always used the Hindi language cinema i.e. Bollywood as their main weapon. This research is being carried out to analyze the image of Pakistan that is being presented in the Bollywood Movies after the attacks on the Indian city Mumbai on November 26, 2008. Also, how the image of Pakistanis, the military forces/intelligence agencies and the religious groups of Pakistan are being shown in the Bollywood movies. Three films have been selected in this research which portrayed the image of Pakistan. Discourse analysis has been used as a research design for this study. The dialogues of all the movies have been analysed and interpreted which show that movies have portrayed a negative image of Pakistan, its people and also its military/intelligence agencies and religious groups. The five filters of propaganda model by Herman and Chomsky have also been observed and proved in this research work. Key Words: Film, Propaganda, Bollywood, A Propaganda Model, Inter-Services Intelligence (ISI), Research and Analysis Wing (RAW) Introduction Film or movie is an art that has borrowed itself from the other arts i.e. -
Order to Create New Names in a Field. Naming Units Involves Substance Such As Human Knowledge, Human Cognitive Abilities, and Experiences
order to create new names in a field. Naming units involves substance such as human knowledge, human cognitive abilities, and experiences. Onomasiology is inter-related between human minds/cognitive and word formation. Conclusion When morphology enters in word formation automatically semantics changes will occur consequently. There is a clear vision in this word formation which follows the flow as first morphological process and next is semantic change. In between this there is a strong relation between two words while merging together to deliver one meaning. Humans mind is just like a scanner because it will scan object with similar qualities to name another new object they see every day. Onomasiological relation defines relation between two words merged together to deliver one meaning. In this paper, we have offered an overview of word-formation literatures in the light of its sub- domains, namely, Morphology, Lexical, Lexical-semantics, Collocation and Onmasiology. Along the way, we offered a comparative look between popular lexical fraction in Tamil and English, to show that both have almost similar components. Nevertheless, the studies in Tamil on lexical and its semantics confined within grammar framework, yet accrossed the limit to discover its true ability extensively. Only minimal number of studies are available. On the other hand, studies in English in line with the field under observation has been extensively studied. Our expectation is that the lucaritive field of study should be honoured with its deserved stake, proper investigations in Tamil. Bibliography CaritaParadis. (2013). Lexical Semantics. In C. C. A (Ed.), The Encyclopedia of Applied Lingustics. United Kingdom: Wiley-Blackwell: Oxford. -
The Partition of India and Pakistan in the Novels of Selected Writers in South Asian Countries
International Journal of Linguistics, Literature and Culture (Linqua- IJLLC) August 2014 edition Vol.1 No.1 THE PARTITION OF INDIA AND PAKISTAN IN THE NOVELS OF SELECTED WRITERS IN SOUTH ASIAN COUNTRIES G.Sankar Assistant Professor Department of English Vel Tech Dr.RR& Dr.SR Technical University Chennai-600062 India Abstract The partition of India and the associated bloody riots inspired many creative minds in India and Pakistan to create literary/cinematic depictions of this event.[1] While some creations depicted the massacres during the refugee migration, others concentrated on the aftermath of the partition in terms of difficulties faced by the refugees in both side of the border. Even now, more than 60 years after the partition, works of fiction and films are made that relate to the events of partition.Literature describing the human cost of independence and partition comprises Khushwant Singh's Train to Pakistan (1956), several short stories such as Toba Tek Singh (1955) by Saadat Hassan Manto, Urdu poems such as Subh-e-Azadi (Freedom’s Dawn, 1947) by Faiz Ahmad Faiz, Bhisham Sahni's Tamas (1974), Manohar Malgonkar's A Bend in the Ganges (1965), and Bapsi Sidhwa's Ice-Candy Man (1988), among others.[2][3] Salman Rushdie's novel Midnight's Children (1980), which won the Booker Prize and the Booker of Bookers, weaved its narrative based on the children born with magical abilities on midnight of 14 August 1947.[3] Freedom at Midnight (1975) is a non-fiction work by Larry Collinsand Dominique Lapierre that chronicled the events surrounding the first Independence Day celebrations in 1947. -
TAMILNADU NAME of the DISTRICT : CHENNAI Division: Thiruvanmiyur 1 Hotel Saravana Bhavan Hotel Saravana Bhavan, Perungudi, Chennai-96
DETAILS OF DHABA'S IN TAMILNADU NAME OF THE DISTRICT : CHENNAI Division: Thiruvanmiyur 1 Hotel Saravana Bhavan Hotel Saravana Bhavan, Perungudi, Chennai-96. 7823973052 2 Hotel Hot Chips Hotel Hot Chips, ECR Road, Chennai-41 044-2449698 3 Yaa Moideen Briyani Yaa Moideen Briyani, ECR Road, Chennai-41 044-43838315 4 Kuppana Hotel Junior Kuppana, OMR, Chennai-96 044-224545959 Sree Madurai Devar Hotel, Porur Toll-8, NH Road 5 Sree Madurai Devar Hotel 72993 87778 Porur, Toll Gate Vanagarm, Porur, Chennai. Hotel Madurai Pandiyan, Porur Toll No.49, Bye Pass 6 Hotel Madurai Pandiyan road, Om sakthi nager, Maduravoyal, NR Tool Gate, 98841 83534 Chennai-95. Briyani Dream Porur Toll-39, Om Sakthi Nager, Porur 7 Briyani Dream 75500 60033 road, Chennai-95. Hotel Bypass Orient Porur Toll Bo.12B, Swami 8 Hotel BypassOrient 98411 92606 Vivekandar road bypass, Chennai-116 District: KANCHIPURAM Division : Kanchipuram New Panjabi Dhaba, Chennai to Bengalure Highway, 9 Rajendiran 9786448787 Rajakulam, Kanchipuram New Punjabi Dhaba, Chennai to Bengalure Highway, 10 Rajendiran 9786448787 Vedal, Kanchipuram, 9080772817 11 Punjab Dhaba Punjabi Dhaba, White Gate, Kanchipuram 9600407219 12 JP Hotels J P Hotels, Baluchettichatram, Kanchipuram, Hotel Sakthi Ganapathi, White Gate, Chennai to 13 Sakthi Ganapathi Hotel 9003855555 Bengalure Highway, Kanchipuram Hotel Ramanas, Chennai to Bengalure Highway, 14 Guru 9443311222 Kilambi, Kanchipuram Division: TAMBARAM AL-Taj Hotel, GST Road, Peerkan karanai, Chennai- 15 K.Thameem Ansari 9840687210 63 Division: SRIPERUMBUTHUR -
Indian Films on Partition of India
PEOPLE: International Journal of Social Sciences ISSN 2454-5899 Manoj Sharma, 2017 Volume 3 Issue 3, pp. 492 - 501 Date of Publication: 15th December, 2017 DOI-https://dx.doi.org/10.20319/pijss.2017.33.492501 This paper can be cited as: Sharma, M. (2017). Cinematic Representations of Partition of India. PEOPLE: International Journal of Social Sciences, 3(3), 492-501. This work is licensed under the Creative Commons Attribution-Non-commercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. CINEMATIC REPRESENTATIONS OF PARTITION OF INDIA Dr. Manoj Sharma Assistant Professor, Modern Indian History, Kirori Mal College, University of Delhi, Delhi-110007 – India [email protected] ________________________________________________________________________ Abstract The partition of India in August 1947 marks a watershed in the modern Indian history. The creation of two nations, India and Pakistan, was not only a geographical division but also widened the chasm in the hearts of the people. The objective of the paper is to study the cinematic representations of the experiences associated with the partition of India. The cinematic portrayal of fear generated by the partition violence and the terror accompanying it will also be examined. Films dealing with partition have common themes of displacement of thousands of masses from their homelands, being called refugees in their own homeland and their struggle for survival in refugee colonies. They showcase the trauma of fear, violence, personal pain, loss and uprooting from native place. -
VIDURA 1 from the Editor Even As Social Media Takes Charge, Newspapers Retain Their Charm
A JOURNAL OF THE PRESS INSTITUTE OF INDIA ISSN 0042-5303 July-September 2016 Volume 8 Issue 3 Rs 50 Tobacco habit is a disease, must be stopped CONTENTS • For the sake of media with a conscience / Sakuntala Globally, with control of communicable disease, we see an Narasimhan increasing trend in non-communicable diseases (NCDs). In • A penchant for hype and India, however, control of communicable disease is only partial. sensationalism / Pratab We have therefore to bear the burden of existing communicable Ramchand diseases such as tuberculosis, malaria and HIV and also the • A media dialogue on increasing burden of NCDs, says Dr V. Shanta connectivity / Shastri Ramachandran he past few decades have been witness to phenomenal changes in the • Charm and chivalry in health scenario, from an era of high mortality and morbidity to an era of China / Asma Masood Tcontrol and curability of communicable diseases. There is no panic about • The promise and reality cholera, typhoid, hepatitis and polio, and many others are under control. India of Indian politics / has been declared 'polio free'. The advent of vaccine and antibiotics made this J.V. Vil'anilam possible. • Bengal's transgender poll The World Health Organisation in its statistics report has referred to officers make history / Epidemics of NCDs emerging or accelerating in most developing countries. Dipanjana Dasgupta NCDs constitute the leading cause of death and disabilities world over. The • Nothing private about disability adjusted life years (DALY) which was 1:0.5 in 1990 is expected to be domestic violence / Pushpa 1:2.3 by 2020. Achanta The increase in NCDs is a result of increase in life expectancy, control of • How a billion can help communicable disease and lifestyle changes. -
Board Members, Officers and Directors As of March 20, 2014
Board Members, Officers and Directors as of March 20, 2014 Board of Management Managing Directors Directors Committee Managing Directors are organized by Managing Director class Lloyd C. Blankfein Lloyd C. Blankfein Lloyd C. Blankfein Edith W. Cooper* Chairman and Chief Chairman and Chief John P. Curtin, Jr. John S. Daly Executive Officer Executive Officer Mark Schwartz Gordon E. Dyal Richard A. Friedman Michael P. Esposito* Gary D. Cohn Gary D. Cohn Timothy J. O’Neill Matthew T. Fremont-Smith President and Chief President and Chief Gregory K. Palm Andrew M. Gordon Operating Officer Operating Officer Masanori Mochida Walter H. Haydock M. Michele Burns John S. Weinberg Gene T. Sykes James A. Hudis Center Fellow and Strategic Michael S. Sherwood John S. Weinberg David J. Kostin Advisor at Stanford University Mark Schwartz Sharmin Mossavar-Rahmani Paulo C. Leme Center on Longevity Vice Chairmen Armen A. Avanessians Kathy M. Matsui Gary D. Cohn Geraldine F. McManus Claes Dahlbäck Craig W. Broderick Christopher A. Cole Michael J. Poulter Senior Advisor to R. Martin Chavez Michael S. Sherwood* Paul M. Russo Investor AB and Foundation Christopher A. Cole Esta E. Stecher Sarah E. Smith Asset Management Edith W. Cooper Thomas C. Brasco Steven H. Strongin Michael D. Daffey Peter D. Brundage John J. Vaske William W. George Gordon E. Dyal Andrew A. Chisholm David M. Solomon Professor of Management Practice Isabelle Ealet Abby Joseph Cohen Karen R. Cook at Harvard Business School Richard A. Friedman E. Gerald Corrigan Gregory A. Agran James A. Johnson Justin G. Gmelich Charles P. Eve Raanan A. Agus Chairman of Johnson Capital Richard J. -
The Case of Tamil Nadu
CINEMATIC CHARISMA AS A POLITICAL GATEWAY IN SOUTH INDIA: THE CASE OF TAMIL NADU Dhamu Pongiyannan, MA Submitted to the Faculty of Humanities and Social Sciences In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) at The University of Adelaide 2012 Table of Contents Table of Contents ............................................................................................................... i List of Figures .................................................................................................................. iv Abstract............. ............................................................................................................... vi Declaration. ..................................................................................................................... vii Acknowledgements ........................................................................................................ viii Dedication....... ............................................................................................................... viii Situating Tamil Nadu in the Subcontinent ........................................................................ x Preface................ ............................................................................................................. xi Introduction ....................................................................................................................... 1 Ordinary Tamils, extraordinary celebrity devotion ................................................. -
WHO Monographs on Selected Medicinal Plants. Volume 3
WHO monographs on WHO monographs WHO monographs on WHO published Volume 1 of the WHO monographs on selected medicinal plants, containing 28 monographs, in 1999, and Volume 2 including 30 monographs in 2002. This third volume contains selected an additional collection of 32 monographs describing the quality control and use of selected medicinal plants. medicinal Each monograph contains two parts, the first of which provides plants selected medicinal plants pharmacopoeial summaries for quality assurance purposes, including botanical features, identity tests, purity requirements, Volume 3 chemical assays and major chemical constituents. The second part, drawing on an extensive review of scientific research, describes the clinical applications of the plant material, with detailed pharmacological information and sections on contraindications, warnings, precautions, adverse reactions and dosage. Also included are two cumulative indexes to the three volumes. The WHO monographs on selected medicinal plants aim to provide scientific information on the safety, efficacy, and quality control of widely used medicinal plants; provide models to assist Member States in developing their own monographs or formularies for these and other herbal medicines; and facilitate information exchange among Member States. WHO monographs, however, are Volume 3 Volume not pharmacopoeial monographs, rather they are comprehensive scientific references for drug regulatory authorities, physicians, traditional health practitioners, pharmacists, manufacturers, research scientists -
LIST of HINDI CINEMA AS on 17.10.2017 1 Title : 100 Days
LIST OF HINDI CINEMA AS ON 17.10.2017 1 Title : 100 Days/ Directed by- Partho Ghosh Class No : 100 HFC Accn No. : FC003137 Location : gsl 2 Title : 15 Park Avenue Class No : FIF HFC Accn No. : FC001288 Location : gsl 3 Title : 1947 Earth Class No : EAR HFC Accn No. : FC001859 Location : gsl 4 Title : 27 Down Class No : TWD HFC Accn No. : FC003381 Location : gsl 5 Title : 3 Bachelors Class No : THR(3) HFC Accn No. : FC003337 Location : gsl 6 Title : 3 Idiots Class No : THR HFC Accn No. : FC001999 Location : gsl 7 Title : 36 China Town Mn.Entr. : Mustan, Abbas Class No : THI HFC Accn No. : FC001100 Location : gsl 8 Title : 36 Chowringhee Lane Class No : THI HFC Accn No. : FC001264 Location : gsl 9 Title : 3G ( three G):a killer connection Class No : THR HFC Accn No. : FC003469 Location : gsl 10 Title : 7 khoon maaf/ Vishal Bharadwaj Film Class No : SAA HFC Accn No. : FC002198 Location : gsl 11 Title : 8 x 10 Tasveer / a film by Nagesh Kukunoor: Eight into ten tasveer Class No : EIG HFC Accn No. : FC002638 Location : gsl 12 Title : Aadmi aur Insaan / .R. Chopra film Class No : AAD HFC Accn No. : FC002409 Location : gsl 13 Title : Aadmi / Dir. A. Bhimsingh Class No : AAD HFC Accn No. : FC002640 Location : gsl 14 Title : Aag Class No : AAG HFC Accn No. : FC001678 Location : gsl 15 Title : Aag Mn.Entr. : Raj Kapoor Class No : AAG HFC Accn No. : FC000105 Location : MSR 16 Title : Aaj aur kal / Dir. by Vasant Jogalekar Class No : AAJ HFC Accn No. : FC002641 Location : gsl 17 Title : Aaja Nachle Class No : AAJ HFC Accn No.