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Runwal the Reserve
https://www.propertywala.com/runwal-the-reserve-mumbai Runwal The Reserve - Worli, Mumbai 3 & 4 BHK apartments available at Runwals The Reserve Runwal The Reserve presented by Runwal Group with 3 & 4 BHK apartments available at Worli, Mumbai Project ID : J811900566 Builder: Runwal Group Location: Runwal The Reserve, Worli, Mumbai - 400018 (Maharashtra) Completion Date: Feb, 2016 Status: Started Description Runwal The Reserve is one of the residential developments by Runwal Group. It is located at Worli, Mumbai, Maharashtra. It offers skillfully designed 3 BHK and 4 BHK flats. The project is well equipped with all the amenities to facilitate the needs of the residents. Round the clock security is also available. Project Details Total area: 5 Acres Number of Blocks: 3 Number of Floors: G+25 Number of Units: 81 Amenities Hospital Community Center School Swimming Pool Multi Specialty Gym Yoga Center Club Park The Runwal group was established in 1978. The Runwal group is one of the leading players in several segments including construction and retail. The also make sure that great quality work, professionalism and customer satisfaction are some of the many things the group represents. In a society where good housing remains a basic necessity, Runwal is committed to making simple and elegant homes at a reasonably good speed. Features Luxury Features Security Features Power Back-up Centrally Air Conditioned Lifts Security Guards Electronic Security RO System High Speed Internet Wi-Fi Intercom Facility Fire Alarm Lot Features Lot Private Terrace -
Artists' Statement on Growing Political and Religious Intolerance
ISSN (Online) - 2349-8846 Artists' Statement on Growing Political and Religious Intolerance SAHMAT Vol. 50, Issue No. 44, 31 Oct, 2015 The artist community of India stands in firm solidarity with the actions of our writers who have relinquished awards and positions, and spoken up in protest against the alarming rise of intolerance in the country. We condemn and mourn the murders of MM Kalburgi, Narendra Dabholkar and Govind Pansare, rationalists and free thinkers whose voices have been silenced by rightwing dogmatists but whose “presence” must ignite our resistance to the conditions of hate being generated around us. The artist community of India stands in firm solidarity with the actions of our writers who have relinquished awards and positions, and spoken up in protest against the alarming rise of intolerance in the country. We condemn and mourn the murders of MM Kalburgi, Narendra Dabholkar and Govind Pansare, rationalists and free thinkers whose voices have been silenced by rightwing dogmatists but whose “presence” must ignite our resistance to the conditions of hate being generated around us. We will never forget the battle we fought for our pre-eminent artist MF Husain who was hounded out of the country and died in exile. We remember the rightwing invasion and dismantling of freedoms in one of the country’s best known art schools in Baroda. We witness the present government’s appointment of grossly unqualified persons to the FTII Society and its disregard of the ongoing strike by the students of this leading Institute. We see a writer like Perumal Murugan being intimidated into declaring his death as a writer, a matter of dire shame in any society. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions. -
C1-27072018-Section
TATA CHEMICALS LIMITED LIST OF OUTSTANDING WARRANTS AS ON 27-08-2018. Sr. No. First Name Middle Name Last Name Address Pincode Folio / BENACC Amount 1 A RADHA LAXMI 106/1, THOMSAN RAOD, RAILWAY QTRS, MINTO ROAD, NEW DELHI DELHI 110002 00C11204470000012140 242.00 2 A T SRIDHAR 248 VIKAS KUNJ VIKASPURI NEW DELHI 110018 0000000000C1A0123021 2,200.00 3 A N PAREEKH 28 GREATER KAILASH ENCLAVE-I NEW DELHI 110048 0000000000C1A0123702 1,628.00 4 A K THAPAR C/O THAPAR ISPAT LTD B-47 PHASE VII FOCAL POINT LUDHIANA NR CONTAINER FRT STN 141010 0000000000C1A0035110 1,760.00 5 A S OSAHAN 545 BASANT AVENUE AMRITSAR 143001 0000000000C1A0035260 1,210.00 6 A K AGARWAL P T C P LTD AISHBAGH LUCKNOW 226004 0000000000C1A0035071 1,760.00 7 A R BHANDARI 49 VIDYUT ABHIYANTA COLONY MALVIYA NAGAR JAIPUR RAJASTHAN 302017 0000IN30001110438445 2,750.00 8 A Y SAWANT 20 SHIVNAGAR SOCIETY GHATLODIA AHMEDABAD 380061 0000000000C1A0054845 22.00 9 A ROSALIND MARITA 505, BHASKARA T.I.F.R.HSG.COMPLEX HOMI BHABHA ROAD BOMBAY 400005 0000000000C1A0035242 1,760.00 10 A G DESHPANDE 9/146, SHREE PARLESHWAR SOC., SHANHAJI RAJE MARG., VILE PARLE EAST, MUMBAI 400020 0000000000C1A0115029 550.00 11 A P PARAMESHWARAN 91/0086 21/276, TATA BLDG. SION EAST MUMBAI 400022 0000000000C1A0025898 15,136.00 12 A D KODLIKAR BLDG NO 58 R NO 1861 NEHRU NAGAR KURLA EAST MUMBAI 400024 0000000000C1A0112842 2,200.00 13 A RSEGU ALAUDEEN C 204 ASHISH TIRUPATI APTS B DESAI ROAD BOMBAY 400026 0000000000C1A0054466 3,520.00 14 A K DINESH 204 ST THOMAS SQUARE DIWANMAN NAVYUG NAGAR VASAI WEST MAHARASHTRA THANA -
Indian Portraiture INDIAN PORTRAITS the FACE of a PEOPLE
Indian Portraiture 22nd March-15th April, 2009 Bikash Bhattacharya, Akbar Padamsee, Krishen Khanna, Jogen Chowdhury,Suhas Roy, Subrato Ganghopadya, Maharaja Ranjit Sigh Gaekwad, Hemen Mazumdar, Shankar Palsikar, Prabhakar Kolte, Bose Krishnamachari, Abir Karmakar, Sunil Padwal,Ajay De,Alok Bal, Jagganath Mohapatra., Mahendra Pandya, Vikram Bawa Indian Portraiture ia a dialogue between Prabhakar Kolte (Veteran Artist) and Jayaram Poduval (Art historian) on portraiture making. On the spot portraiture for all patrons and visitors on the day of the preview Indian Portraiture Fascination of figurative style Miniature style portraiture – Mughal emperors’ patronage – in portrait making and court room painting During British rule artists from European countries came to India for Nawabs’ patronage and painted a lot of portraits of the kings, their families and the nobles in oil – a new medium and the new realistic style in Indian art scenario. Raja Ravi Varma – portraiture painting British art schools in Bombay , Calcutta and Madras – a generation of Indians learnt the skill of realistic painting Influence of European movement and stylistic portraiture INDIAN PORTRAITS THE FACE OF A PEOPLE The art of modern portraiture came to India three centuries ago as part of a new, unexplored tradition brought in by colonial artists from Europe. Indian art till then had tended to depict attributes rather than particularities by way of portraits. The change was led by eighteenth century European artists who came in search of sitters and commissions for portraits in Madras and Calcutta, and later in Bombay. They found enough work in British India but were increasingly drawn to paint the princes among whom the Nawabs of Arcot and Awadh became major patrons. -
Karachi KATRAK BANDSTAND, CLIFTON PHOTO by KHUDABUX ABRO
FEZANA PAIZ 1377 AY 3746 ZRE VOL. 22, NO. 3 FALL/SEPTEMBER 2008 MahJOURJO Mehr-Avan-Adar 1377 (Fasli) G Mah Ardebehest-Khordad-Tir 1378 AY (Shenshai)N G Mah Khordad-Tir-AmardadAL 1378 AY (Kadmi) “Apru” Karachi KATRAK BANDSTAND, CLIFTON PHOTO BY KHUDABUX ABRO Also Inside: 2008 FEZANA AGM in Westminster, CA NextGenNow 2008 Conference 10th Anniversary Celebrations in Houston A Tribute to Gen. Sam Manekshaw PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 22 No 3 Fall 2008, PAIZ 1377 AY 3746 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistan: Coomi Gazdar Dolly Dastoor Consultant Editor: Lylah M. Alphonse, 3 Message from the President [email protected] 5 FEZANA Update Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info 6 Financial Report Cover design: Feroza Fitch, [email protected] 35 APRU KARACHI 50 Publications Chair: Behram Pastakia Columnists: Hoshang Shroff:: [email protected] Shazneen Rabadi Gandhi : 56 Renovations of Community Places of [email protected] Fereshteh Khatibi:: [email protected] Worship-Andheri Patel Agiary Behram Panthaki::[email protected] Behram Pastakia: [email protected] 78 In The News Mahrukh Motafram: [email protected] Nikan Khatibi: [email protected] 92 Interfaith /Interalia Copy editors: R Mehta, V Canteenwalla 99 North American Mobeds’ Council Subscription Managers: Kershaw Khumbatta : 106 Youthfully -
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died. -
Early Chinese Ritual Bronzes from the Daniel Shapiro Collection and Important Chinese Art from the Junkunc Collection
PRESS RELEASE | NEW YORK | 22 FEBRUARY 2021 | FOR IMMEDIATE RELEASE Featuring dedicated auctions for Shang: Early Chinese Ritual Bronzes from the Daniel Shapiro Collection and Important Chinese Art from the Junkunc Collection EXHIBITION BY APPOINTMENT: MARCH 12-18 LIVE AUCTIONS: MARCH 16-19 ONLINE SALE: MARCH 4-18 New York – Christie’s announces Asian Art Week, a series of auctions, viewings, and events, from March 4-19. This season presents seven auctions featuring over 750 objects from 5,000 years of art spanning all epochs and categories of Asian art from Chinese archaic bronzes through Japanese and Korean art to modern and contemporary Indian painting. Highlights include Shang: Early Chinese Ritual Bronzes from the Daniel Shapiro Collection led by The Luboshez Gong, an exceptional and highly important bronze ritual wine vessel and cover from the late Shang dynasty, 13th-12th century BC ($4,000,000-6,000,000). Also featured in the week of sales are important Gandharan sculptures from a private Japanese collection, including a magnificent 3rd to 4th-century gray schist figure of Buddha Shakyamuni ($1,500,000-2,500,000); a significant painting by the pioneer of Indian modernism Tyeb Mehta, titled Confidant and painted in 1962 ($600,000- 800,000); an important and highly exhibited work by Katsushika Hokusai titled Mitate Asazuma bune (The Parody of Boat Asazuma) from the collection of the Japan Ukiyo-e Museum ($400,000-500,000); an exceptionally rare huanghuali incense stand from the Yunwai Lou collection ($800,000-1,200,000) and Chinese works of art from the celebrated Junkunc collection. -
A Fragile Inheritance
Saloni Mathur A FrAgile inheritAnce RadicAl StAkeS in contemporAry indiAn Art Radical Stakes in Contemporary Indian Art ·· · 2019 © 2019 All rights reserved Printed in the United States o America on acid- free paper ♾ Designed by Matthew Tauch Typeset in Quadraat Pro by Tseng Information Systems, Inc. Library o Congress Cataloging- in- Publication Data Names: Mathur, Saloni, author. Title: A fragile inheritance : radical stakes in contemporary Indian art / Saloni Mathur. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identi£ers: ¤¤ 2019006362 (print) | ¤¤ 2019009378 (ebook) « 9781478003380 (ebook) « 9781478001867 (hardcover : alk. paper) « 9781478003014 (pbk. : alk. paper) Subjects: ¤: Art, Indic—20th century. | Art, Indic—21st century. | Art—Political aspects—India. | Sundaram, Vivan— Criticism and interpretation. | Kapur, Geeta, 1943—Criticism and interpretation. Classi£cation: ¤¤ 7304 (ebook) | ¤¤ 7304 .384 2019 (print) | ¤ 709.54/0904—dc23 ¤ record available at https://lccn.loc.gov/2019006362 Cover art: Vivan Sundaram, Soldier o Babylon I, 1991, diptych made with engine oil and charcoal on paper. Courtesy o the artist. Duke University Press gratefully acknowledges the ¤ Academic Senate, the ¤ Center for the Study o Women, and the ¤ Dean o Humanities for providing funds toward the publication o this book. ¶is title is freely available in an open access edition thanks to the initiative and the generous support o Arcadia, a charitable fund o Lisbet Rausing and Peter Baldwin, and o the ¤ Library. vii 1 Introduction: Radical Stakes 40 1 Earthly Ecologies 72 2 The Edice Complex 96 3 The World, the Art, and the Critic 129 4 Urban Economies 160 Epilogue: Late Styles 185 211 225 I still recall my £rst encounter with the works o art and critical writing by Vivan Sundaram and Geeta Kapur that situate the central concerns o this study. -
Unclaimed Dividend
JBF Industries Limited Unpaid Dividend Details for Final Dividend For The Year 2015-2016 25/11/2020 PAGE NO: 1 ---------------------------------------------------------------------------------------------------------- NAMES & ADDRESS OF THE SHARE NO. OF Amount SR NO FOLIO NO. WARRANTNO. HOLDER SHARES (RS.) MICR NO ---------------------------------------------------------------------------------------------------------- 1 M017874 2 MANGEET V KALRA 100 100.00 565 2 S004155 3 SATISH K KOCHHAR 62 62.00 566 3 S005055 6 SANJAY CHACHIRE 100 100.00 569 4 B016396 8 BALDEV SINGH 100 100.00 571 5 B016406 9 BALDEV RAJ KOHLI 100 100.00 572 6 S023307 10 SHASHI GUPTA 100 100.00 573 7 S024092 11 SUSHMA KUMARI 100 100.00 574 8 S024120 12 SAVITRI DEVI VERMA 100 100.00 575 9 K017190 13 K GEETHA DEVI 100 100.00 576 10 K001084 14 KAMLA BELLARA 162 162.00 577 11 S015906 16 SHIVRAMAN PAPPU 162 162.00 579 12 K002541 17 KRISHNAN VISWANATHAN 100 100.00 580 13 L015451 18 LALITABEN RAJINIKANT PATEL 100 100.00 581 14 M019166 20 M L NARANG 100 100.00 583 15 K001527 21 K SHREEKANTH 100 100.00 584 16 S004162 24 SHARMILA RAJIV MEHTA 200 200.00 587 17 A018738 27 ANIL KUMAR MANCHANDA 100 100.00 590 18 G000790 29 GURJIT SINGH MAINGI 78 78.00 592 19 B001821 30 BHUPINDER SINGH 100 100.00 593 20 K000860 31 KRISHAN LAL SETHI 78 78.00 594 21 P018164 33 PUNAM GIRI 100 100.00 596 22 P018300 34 PARTAB L JESRANI 100 100.00 597 23 V017667 35 VINITA KAUSHIK 100 100.00 598 24 V017755 36 VIJENDRA NATH SHARMA 100 100.00 599 25 J017966 37 JAYSUKH HIRA KHUNT 100 100.00 600 26 L000636 39 L C & INVESTMENTS P LTD 123 123.00 602 27 K001989 41 KHODAY LAKSHMANSA NARAYANSA 1300 1300.00 604 NRE A/CNO.18 28 S004358 42 S.H.C.OF INDIA LTD.A/C GIC MUTUAL 200 200.00 605 FUND. -
CHILDREN Saturday
Saturday - 4th Feb: Kala Ghoda Schedule CHILDREN Title Location Time Description Methodical Max Mueller 11.00 am - Workshop in Origami with CSA By Bhavan Gate 01.00 pm Nilesh Shaharkar Special Workshop For Special Max Mueller 11.00 am - Ami Kothari in a creative session with Children Bhavan Gate 12.00 pm Little Angel Foundation. (children with mental disabilities) Post Office Adventures Entrance Gate 2.30 pm - Mumbai GPO is the biggest Post of GPO, Fort 3.30 pm Office in the country and one of the biggest in the world! Join Kruti as she takes you on a tour through this magnicificent structure. (ages 8 - 13) Speak with Paper Max Mueller 3.30 pm - Paper bag decoration with recycled Bhavan Gate 5.30 pm paper by Amruta Pathre (ages 9 - 15) Wonderful Wire Craft Max Mueller 4.00 pm - Watch and learn with Colaba's street Bhavan Gate 5.00 pm artist Harish. (9 yrs & above) Hanging Gardens Max Mueller 5.30 pm - Creating fresh flower hanging Bhavan Gate 7.00 pm arrangements with roots ribbons and crystals with Vibha Gupta (ages 10 - 15) [NOTE: Kids section can get crowded on the Weekends] www.wonderfulmumbai.com FOOD Title Location Time Description Asian Chef of the year 5 All Day, Hotel 4.00 pm - Embark on a 'food-art' journey with Milind Milind Sovani and Apollo, Colaba 6.00 pm and Asha as they give you priceless tips on Asha Khatau Causeway eyecatching presentations of Indian cuisine. www.wonderfulmumbai.com FILM Title Location Time Description REGIONAL GEMS Adaminte Makan Abu Max Mueller 2.30 pm - India’s Entry for the Oscars is about an Malayalam (101 min) Bhavan 4.30 pm elderly couple yearning to go on Haj.