DOCSLIB.ORG

OVERALL Full Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
OVERALL Full Report National Institutional Ranking Framework Ministry of Human Resource Development Government of India (/NIRFIndia/Home) Welcome to Data Capturing System: OVERALL Institute ID: IR-3-O-OEM-U-0369 Go Back (/DCS/Home) Institute Name: Pondicherry University Full Report Sanctioned (Approved) Intake Academic Year 2016-17 2015-16 2014-15 2013-14 2012-13 2011-12 UG [3 Years Program(s)] 494 364 446 --- --- --- PG [2 Years Program(s)] 2541 2507 --- --- --- --- PG [3 Years Program(s)] 160 160 160 --- --- --- PG-Integrated 202 243 283 283 243 --- Total Actual Student Strength (Program(s) Offered by Your Institution) (All No. of No. of Total Within Outside Outside Economically Socially No. of No. of No. of No. of programs Male Female Students State State Country Backward Challenged students students students students of all years) Students Students (Including (Including (Including (Including (SC+ST+OBC receiving receiving receiving who are not male & male & male & male & Including Freeships / Freeships / Freeships / receiving female) female) female) female) male & Scholarships Scholarships Scholarships any female) from the from from the Freeships / State and Institution Private Scholarships Central Funds Bodies Government UG [3 Years 490 365 855 556 299 0 495 343 383 0 2 453 Program(s)] PG [2 Years 2814 1760 4574 531 4018 25 617 2824 351 490 44 2556 Program(s)] PG [3 Years 323 144 467 155 312 0 22 272 14 46 0 234 Program(s)] PG- 528 449 977 278 699 0 170 542 6 181 0 525 Integrated Placement & Higher Studies UG [3 Years Program(s)]: Placement & higher studies for previous 3 years Academic No. of first year No. of first year Academic No. of students Academic No. of students No. of Median salary of No. of Year students intake in students admitted Year admitted through Year graduating in students placed students the year in the year Lateral entry minimum stipulated placed graduates (Amount selected for time in Rs.) Higher Studies (2012-13) 216 181 (2013-14) 0 (2014-15) 110 9 90000 (Ninety 54 thousand) (2013-14) 326 262 (2014-15) 0 (2015-16) 124 10 125000 (one lakh 92 twenty five thousand) (2014-15) 446 336 (2015-16) 0 (2016-17) 152 29 120000 (one lakh 121 twenty thousand) PG [2 Years Program(s)]: Placement & higher studies for previous 3 years Academic No. of first year No. of first year Academic No. of students graduating No. of Median salary of placed No. of students Year students intake in the students admitted in Year in minimum stipulated time students graduates (Amount in Rs.) selected for Higher year the year placed Studies (2013-14) 2536 2199 (2014-15) 1720 332 261000 (Two lakh sixty 257 one thousand) (2014-15) 2514 2108 (2015-16) 1742 337 306438 (Three lakh sixty 253 four thousand thirty eight) (2015-16) 2507 2245 (2016-17) 1619 418 300000 (Three lakhs) 106 PG [3 Years Program(s)]: Placement & higher studies for previous 3 years Academic No. of first year No. of first year Academic No. of students Academic No. of students No. of Median salary of No. of students Year students intake in students admitted Year admitted through Year graduating in students placed graduates selected for the year in the year Lateral entry minimum stipulated placed (Amount in Rs.) Higher Studies time (2012-13) 160 149 (2013-14) 0 (2014-15) 135 25 285000 (Two lakh 0 eighty five thousand) (2013-14) 160 155 (2014-15) 0 (2015-16) 137 14 360000 (Three 0 lakh sixty thousand) (2014-15) 160 158 (2015-16) 0 (2016-17) 87 23 300000 (Three 0 lakh) PG-Integrated [5 Years Program(s)]: Placement & higher studies for previous 3 years Academic No. of first year No. of first year Academic No. of students graduating No. of Median salary of placed No. of students Year students intake in the students admitted in Year in minimum stipulated time students graduates (Amount in Rs.) selected for Higher year the year placed Studies (2010-11) 185 168 (2014-15) 65 10 304200 (Three lakh forty 21 two thousand) (2011-12) 197 193 (2015-16) 105 3 280000 (Twenty lakh 22 eight thousand) (2012-13) 243 172 (2016-17) 132 10 390000 (Three lakh ninety 34 thousand) Ph.D Student Details Ph.D (Student pursuing doctoral program till 2016-17; Students admitted in the academic year 2017-18 should no be entered here). Total Students Full Time 2428 Part Time 645 No. of Ph.D students graduated (including Integrated Ph.D) 2016-17 2015-16 2014-15 Full Time 196 182 176 Part Time 12 10 18 Financial Resources: Utilised Amount for the Capital & Operational expenditure for previous 3 years Financial Year 2016-17 2015-16 2014-15 Utilised Amount Utilised Amount Utilised Amount Annual Capital Expenditure on Academic Activities and Resources (excluding expenditure on buildings) Library 37009000 (Three Crore Seventy 34579000 (Three crore fourty 23367000 (Two crore thirty three lakh Nine thousand) five lakh seventy nine thousand) lakh sixty seven thousand) New Equipment for Laboratories 8220371 (Eighty two lakh twenty 2754754 (Twenty seven lakh fifty 8280936 (Eighty two lakh eighty thousand three hundred and four thousand seven hundred thousand nine hundred and seventy one) and fifty four) thirty six) Engineering Workshops 665988 (Six lakh sixty five 762354 (Seven lakh sixty two 1570552 (One lakh fifty seven thousand nine hundred and thousand three hundred fifty thousand five hundred fifty two) eighty eight) four) Studios 72094 (Seven two thousand and 52931 (Fifty two thousand nine 386309 (Three lakh eighty six ninety four) hundred and thirty one) thousand three hundred and nine) Other expenditure on creation of Capital Assets (excluding 27151327 (Two crore seventy 547727 (Five lakh forty seven 1701735 (Seventeen lakh one expenditure on Land and Building) one lakh fifty one thousand thousand seven hundred and thousand seven hundred and three hundred and twenty twenty seven) thirty five) seven) Annual Operational Expenditure Salaries (Teaching and Non Teaching staff) 761634462 (Seventy six crore 724708142 (Seventy two crore 684055238 (Sixty eight crore sixteen lakh thirty four thousand forty seven lakh eight thousand forty lakh fifty five thousand two four hundred and sixty two) one hundred and forty two) hundred and thirty eight) Maintenance of Academic Infrastructure or consumables, other 429824965 (Forty two crore 409378834 (Forty crore ninety 402481644 (Forty crore twenty running expenditures etc. (excluding maintenance of hostels and ninety eight lakh twenty four three lakh seventy eight four lakh eight one thousand six allied services) thousand nine hundred and thousand eight hundred and hundred and forty four) sixty five) thirty four) Seminars/Conferences/Workshops 11107867 (One crore eleven lakh 8307102 (Eighty three lakh seven 8748815 (Eighty seven lakh forty seven thousand eight hundred thousand one hundred and two) eight thousand eight hundred and sixty seven) and fifteen) Earning From Patents(IPR) Financial Year 2016-17 2015-16 2014-15 Earning From Patents (Amount in Rupees) 0 0 0 Enter Amount in Words zero zero zero Sponsored Research Details Financial Year 2016-17 2015-16 2014-15 Total no. of Sponsored 44 30 11 Projects Total no. of Funding 9 5 6 Agencies Total Amount Received 111243138 36412062 16343163 (Amount in Rupees) Amount Received in Words Eleven core twelve lakh forty three thousand one Three crore sixty four lakh twelve one crore sixty three lakh forty three thousand one hundred and thirty eight thousand sixty two hundred and sixty three Consultancy Project Details Financial Year 2016-17 2015-16 2014-15 Total no. of Consultancy Projects 1 4 3 Total no. of Client Organizations 1 4 3 Total Amount Received (Amount in Rupees) 620000 799000 3654935 Amount Received in Words Six lakh twenty Thousand Seven lakh ninety nine thousand Thirty six lakh fifty four thousand nine hundred and thirty five Executive Development Programs (Minimum one year duration) Financial Year 2016-17 2015-16 2014-15 Total no. of Executive Development Programs 0 0 0 Total no. of Participants 0 0 0 Total Annual Earnings (Amount in Rupees) 0 0 0 Total Annual Earnings in Words Zero Zero Zero PCS Facilties: Facilities of physically challenged students 1. Do your institution buildings have Lifts/Ramps? Yes, in some of the buildings 2. Do your institution have provision for walking aids, includingwheelchairs and transportation from one building to another for handicapped Yes, in some of the students? buildings 3. Do your institution buildings have specially designed toilets for handicapped students? Yes, in some of the buildings Faculty Details Srno Name Age Designation Gender Qualification Experience (In Is Associated Currently working with Joining Leaving Association Months) Last Year institution? Date Date type 1 A Arivunambi 64 Professor Male Ph.D 400 Yes No 28-11- 09-04- Regular 1986 2017 2 A Shahin Sultana 42 Associate Female Ph.D 163 Yes Yes 07-02- --- Regular Professor 2011 3 A Vijaya Bhaskara 56 Professor Male Ph.D 283 Yes Yes 08-10- --- Regular Rao 2010 4 A Yogamoorthi 65 Professor Male Ph.D 351 Yes Yes 27-07- --- Regular 1998 5 B Charumathi 48 Professor Female Ph.D 264 Yes Yes 05-08- --- Regular 2002 6 B Rangaiah 46 Professor Male Ph.D 234 Yes Yes 23-06- --- Regular 2009 7 Bala Manimaran 49 Professor Male Ph.D 164 Yes Yes 11-09- --- Regular 2006 8 BR Shantha Kumari 57 Associate Female Ph.D 295 Yes Yes 16-12- --- Regular Professor 2001 9 D Ramamoorthy 58 Associate Male Ph.D 360 Yes Yes 27-07- --- Regular Professor 1998 10 G 64 Associate Male Ph.D 439 Yes Yes 06-09- --- Regular Shanmugasundaram Professor 2010 11 G Vinod Kumar 46 Associate Male Ph.D 184 Yes Yes 14-03- --- Regular Professor 2012 12 J Krishnan 54 Associate
Load more

Recommended publications
  • Artists' Statement on Growing Political and Religious Intolerance
    ISSN (Online) - 2349-8846 Artists' Statement on Growing Political and Religious Intolerance SAHMAT Vol. 50, Issue No. 44, 31 Oct, 2015 The artist community of India stands in firm solidarity with the actions of our writers who have relinquished awards and positions, and spoken up in protest against the alarming rise of intolerance in the country. We condemn and mourn the murders of MM Kalburgi, Narendra Dabholkar and Govind Pansare, rationalists and free thinkers whose voices have been silenced by rightwing dogmatists but whose “presence” must ignite our resistance to the conditions of hate being generated around us. The artist community of India stands in firm solidarity with the actions of our writers who have relinquished awards and positions, and spoken up in protest against the alarming rise of intolerance in the country. We condemn and mourn the murders of MM Kalburgi, Narendra Dabholkar and Govind Pansare, rationalists and free thinkers whose voices have been silenced by rightwing dogmatists but whose “presence” must ignite our resistance to the conditions of hate being generated around us. We will never forget the battle we fought for our pre-eminent artist MF Husain who was hounded out of the country and died in exile. We remember the rightwing invasion and dismantling of freedoms in one of the country’s best known art schools in Baroda. We witness the present government’s appointment of grossly unqualified persons to the FTII Society and its disregard of the ongoing strike by the students of this leading Institute. We see a writer like Perumal Murugan being intimidated into declaring his death as a writer, a matter of dire shame in any society.
    [Show full text]
  • Raja Ravi Varma 145
    viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art.
    [Show full text]
  • Catalogue Fair Timings
    CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions.
    [Show full text]
  • Indian Portraiture INDIAN PORTRAITS the FACE of a PEOPLE
    Indian Portraiture 22nd March-15th April, 2009 Bikash Bhattacharya, Akbar Padamsee, Krishen Khanna, Jogen Chowdhury,Suhas Roy, Subrato Ganghopadya, Maharaja Ranjit Sigh Gaekwad, Hemen Mazumdar, Shankar Palsikar, Prabhakar Kolte, Bose Krishnamachari, Abir Karmakar, Sunil Padwal,Ajay De,Alok Bal, Jagganath Mohapatra., Mahendra Pandya, Vikram Bawa Indian Portraiture ia a dialogue between Prabhakar Kolte (Veteran Artist) and Jayaram Poduval (Art historian) on portraiture making. On the spot portraiture for all patrons and visitors on the day of the preview Indian Portraiture Fascination of figurative style Miniature style portraiture – Mughal emperors’ patronage – in portrait making and court room painting During British rule artists from European countries came to India for Nawabs’ patronage and painted a lot of portraits of the kings, their families and the nobles in oil – a new medium and the new realistic style in Indian art scenario. Raja Ravi Varma – portraiture painting British art schools in Bombay , Calcutta and Madras – a generation of Indians learnt the skill of realistic painting Influence of European movement and stylistic portraiture INDIAN PORTRAITS THE FACE OF A PEOPLE The art of modern portraiture came to India three centuries ago as part of a new, unexplored tradition brought in by colonial artists from Europe. Indian art till then had tended to depict attributes rather than particularities by way of portraits. The change was led by eighteenth century European artists who came in search of sitters and commissions for portraits in Madras and Calcutta, and later in Bombay. They found enough work in British India but were increasingly drawn to paint the princes among whom the Nawabs of Arcot and Awadh became major patrons.
    [Show full text]
  • 20Years of Sahmat.Pdf
    SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died.
    [Show full text]
  • Early Chinese Ritual Bronzes from the Daniel Shapiro Collection and Important Chinese Art from the Junkunc Collection
    PRESS RELEASE | NEW YORK | 22 FEBRUARY 2021 | FOR IMMEDIATE RELEASE Featuring dedicated auctions for Shang: Early Chinese Ritual Bronzes from the Daniel Shapiro Collection and Important Chinese Art from the Junkunc Collection EXHIBITION BY APPOINTMENT: MARCH 12-18 LIVE AUCTIONS: MARCH 16-19 ONLINE SALE: MARCH 4-18 New York – Christie’s announces Asian Art Week, a series of auctions, viewings, and events, from March 4-19. This season presents seven auctions featuring over 750 objects from 5,000 years of art spanning all epochs and categories of Asian art from Chinese archaic bronzes through Japanese and Korean art to modern and contemporary Indian painting. Highlights include Shang: Early Chinese Ritual Bronzes from the Daniel Shapiro Collection led by The Luboshez Gong, an exceptional and highly important bronze ritual wine vessel and cover from the late Shang dynasty, 13th-12th century BC ($4,000,000-6,000,000). Also featured in the week of sales are important Gandharan sculptures from a private Japanese collection, including a magnificent 3rd to 4th-century gray schist figure of Buddha Shakyamuni ($1,500,000-2,500,000); a significant painting by the pioneer of Indian modernism Tyeb Mehta, titled Confidant and painted in 1962 ($600,000- 800,000); an important and highly exhibited work by Katsushika Hokusai titled Mitate Asazuma bune (The Parody of Boat Asazuma) from the collection of the Japan Ukiyo-e Museum ($400,000-500,000); an exceptionally rare huanghuali incense stand from the Yunwai Lou collection ($800,000-1,200,000) and Chinese works of art from the celebrated Junkunc collection.
    [Show full text]
  • A Fragile Inheritance
    Saloni Mathur A FrAgile inheritAnce RadicAl StAkeS in contemporAry indiAn Art Radical Stakes in Contemporary Indian Art ·· · 2019 © 2019 All rights reserved Printed in the United States o America on acid- free paper ♾ Designed by Matthew Tauch Typeset in Quadraat Pro by Tseng Information Systems, Inc. Library o Congress Cataloging- in- Publication Data Names: Mathur, Saloni, author. Title: A fragile inheritance : radical stakes in contemporary Indian art / Saloni Mathur. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identi£ers: ¤¤ 2019006362 (print) | ¤¤ 2019009378 (ebook) « 9781478003380 (ebook) « 9781478001867 (hardcover : alk. paper) « 9781478003014 (pbk. : alk. paper) Subjects: ¤: Art, Indic—20th century. | Art, Indic—21st century. | Art—Political aspects—India. | Sundaram, Vivan— Criticism and interpretation. | Kapur, Geeta, 1943—Criticism and interpretation. Classi£cation: ¤¤ 7304 (ebook) | ¤¤ 7304 .384 2019 (print) | ¤ 709.54/0904—dc23 ¤ record available at https://lccn.loc.gov/2019006362 Cover art: Vivan Sundaram, Soldier o Babylon I, 1991, diptych made with engine oil and charcoal on paper. Courtesy o the artist. Duke University Press gratefully acknowledges the ¤ Academic Senate, the ¤ Center for the Study o Women, and the ¤ Dean o Humanities for providing funds toward the publication o this book. ¶is title is freely available in an open access edition thanks to the initiative and the generous support o Arcadia, a charitable fund o Lisbet Rausing and Peter Baldwin, and o the ¤ Library. vii 1 Introduction: Radical Stakes 40 1 Earthly Ecologies 72 2 The Edice Complex 96 3 The World, the Art, and the Critic 129 4 Urban Economies 160 Epilogue: Late Styles 185 211 225 I still recall my £rst encounter with the works o art and critical writing by Vivan Sundaram and Geeta Kapur that situate the central concerns o this study.
    [Show full text]
  • Unclaimed Dividend
    JBF Industries Limited Unpaid Dividend Details for Final Dividend For The Year 2015-2016 25/11/2020 PAGE NO: 1 ---------------------------------------------------------------------------------------------------------- NAMES & ADDRESS OF THE SHARE NO. OF Amount SR NO FOLIO NO. WARRANTNO. HOLDER SHARES (RS.) MICR NO ---------------------------------------------------------------------------------------------------------- 1 M017874 2 MANGEET V KALRA 100 100.00 565 2 S004155 3 SATISH K KOCHHAR 62 62.00 566 3 S005055 6 SANJAY CHACHIRE 100 100.00 569 4 B016396 8 BALDEV SINGH 100 100.00 571 5 B016406 9 BALDEV RAJ KOHLI 100 100.00 572 6 S023307 10 SHASHI GUPTA 100 100.00 573 7 S024092 11 SUSHMA KUMARI 100 100.00 574 8 S024120 12 SAVITRI DEVI VERMA 100 100.00 575 9 K017190 13 K GEETHA DEVI 100 100.00 576 10 K001084 14 KAMLA BELLARA 162 162.00 577 11 S015906 16 SHIVRAMAN PAPPU 162 162.00 579 12 K002541 17 KRISHNAN VISWANATHAN 100 100.00 580 13 L015451 18 LALITABEN RAJINIKANT PATEL 100 100.00 581 14 M019166 20 M L NARANG 100 100.00 583 15 K001527 21 K SHREEKANTH 100 100.00 584 16 S004162 24 SHARMILA RAJIV MEHTA 200 200.00 587 17 A018738 27 ANIL KUMAR MANCHANDA 100 100.00 590 18 G000790 29 GURJIT SINGH MAINGI 78 78.00 592 19 B001821 30 BHUPINDER SINGH 100 100.00 593 20 K000860 31 KRISHAN LAL SETHI 78 78.00 594 21 P018164 33 PUNAM GIRI 100 100.00 596 22 P018300 34 PARTAB L JESRANI 100 100.00 597 23 V017667 35 VINITA KAUSHIK 100 100.00 598 24 V017755 36 VIJENDRA NATH SHARMA 100 100.00 599 25 J017966 37 JAYSUKH HIRA KHUNT 100 100.00 600 26 L000636 39 L C & INVESTMENTS P LTD 123 123.00 602 27 K001989 41 KHODAY LAKSHMANSA NARAYANSA 1300 1300.00 604 NRE A/CNO.18 28 S004358 42 S.H.C.OF INDIA LTD.A/C GIC MUTUAL 200 200.00 605 FUND.
    [Show full text]
  • Nominations for Padma Awards 2011
    c Nominations fof'P AWARDs 2011 ADMA ~ . -­ - , ' ",::i Sl. Name';' Field State No ShriIshwarappa,GurapJla Angadi Art Karnataka " Art-'Cinema-Costume Smt. Bhanu Rajopadhye Atharya Maharashtra 2. Designing " Art - Hindustani 3. Dr; (Smt.).Prabha Atre Maharashtra , " Classical Vocal Music 4. Shri Bhikari.Charan Bal Art - Vocal Music 0, nssa·' 5. Shri SamikBandyopadhyay Art - Theatre West Bengal " 6: Ms. Uttara Baokar ',' Art - Theatre , Maharashtra , 7. Smt. UshaBarle Art Chhattisgarh 8. Smt. Dipali Barthakur Art " Assam Shri Jahnu Barua Art - Cinema Assam 9. , ' , 10. Shri Neel PawanBaruah Art Assam Art- Cinema­ Ii. Ms. Mubarak Begum Rajasthan i", Playback Singing , , , 12. ShriBenoy Krishen Behl Art- Photography Delhi " ,'C 13. Ms. Ritu Beri , Art FashionDesigner Delhi 14. Shri.Madhur Bhandarkar Art - Cinema Maharashtra Art - Classical Dancer ­ IS. Smt. Mangala Bhatt Andhra Pradesh Kathak Art - Classical Dancer ­ 16. ShriRaghav Raj Bhatt Andhra Pradesh Kathak : Art - Indian Folk I 17., Smt. Basanti Bisht Uttarakhand Music Art - Painting and 18. Shri Sobha Brahma Assam Sculpture , Art - Instrumental 19. ShriV.S..K. Chakrapani Delhi, , Music- Violin , PanditDevabrata Chaudhuri alias Debu ' Art - Instrumental 20. , Delhi Chaudhri ,Music - Sitar 21. Ms. Priyanka Chopra Art _Cinema' Maharashtra 22. Ms. Neelam Mansingh Chowdhry Art_ Theatre Chandigarh , ' ,I 23. Shri Jogen Chowdhury Art- Painting \VesfBengal 24.' Smt. Prafulla Dahanukar Art ~ Painting Maharashtra ' . 25. Ms. Yashodhara Dalmia Art - Art History Delhi Art - ChhauDance­ 26. Shri Makar Dhwaj Darogha Jharkhand Seraikella style 27. Shri Jatin Das Art - Painting Delhi, 28. Shri ManoharDas " Art Chhattisgarh ' 29. , ShriRamesh Deo Art -'Cinema ,Maharashtra Art 'C Hindustani 30. Dr. Ashwini Raja Bhide Deshpande Maharashtra " classical vocalist " , 31. ShriDeva Art - Music Tamil Nadu Art- Manipuri Dance 32.
    [Show full text]
  • Schneider Electric Infrastructure Limited
    SCHNEIDER ELECTRIC INFRASTRUCTURE LIMITED DIVIDEND FOR THE YEAR ENDED 31/03/2012 (BANK A/C NO.00032220004122 WITH HDFC) LIST OF UNPAID DIVIDEND WARRANTS AS ON 31/03/2017 FOLIO WNO CHQ AMOUNT NAME IN30014210488906 25994 20 800.00 GEORGE SEQUEIRA IN30023910648758 28793 21 40.00 PHILIP GEEVARGHESE THONDUPARAMPILE 01010144 12 22 18.00 UMA SHANKER AGARWAL 01010179 15 23 18.00 MOHD MATAHAR ALI 01010199 19 24 28.00 KADAICHEIRTTU PALANIAPPA AMIRTHA LINGAM 01010205 22 25 66.00 C T MEENAKSHI AMMAL 01010206 23 26 296.00 S SEETHAI AMMAL 01010207 24 27 794.00 V ANANTHALAKSHMI AMMAL 01010322 27 28 28.00 NATWARLAL MOHANLAL ASHRA 01010463 36 30 48.00 PREM CHAND AGRAWAL 01020114 65 32 36.00 ADITYA BARAN BANDOPADHYAY 01020119 66 33 18.00 DEBY SANKAR BANERJEE 01020721 122 36 130.00 SUDHIR BHATTACHARJEE 01020857 132 37 18.00 BONA BANERJEE 01020863 136 38 18.00 SONDHA RANI BAL 01030076 183 39 18.00 C JAGADEESH CHANDRA 01040168 254 41 70.00 RAM CHARAN DAS 01040223 261 42 358.00 ARUNKANT GIRDHARDAS DAWDA 01040396 275 44 48.00 PREM NATH DHANDA 01040397 276 45 24.00 PREM NATH DHANDA 01040419 279 46 48.00 SHIV DAYAL DHINGRA 01040493 286 47 28.00 KRISHAN LAL DUA 01040639 296 49 114.00 SUBHADRAN DEVI 01040811 306 50 48.00 SHANTI DEVI 01040889 311 51 48.00 BISHNUPRIYA DAS 01040893 315 52 18.00 SAROGINI DAS 01040901 321 53 48.00 SWAPAN CHANDRA DAS 01040912 322 54 30.00 SUBHADRAN DEVI 01070068 370 56 28.00 AMALENDU GANGULY 01070177 376 57 18.00 SUPROVAT GHOSH 01070301 395 58 18.00 C GUMMANNAIAH 01070310 396 59 134.00 PAHLAD RAI GUPTA 01070564 418 60 2.00 AMITA GHOSE
    [Show full text]
  • Krishen Khanna B.1925 Lyallpur, Punjab
    Krishen Khanna b.1925 Lyallpur, Punjab Education Self taught artist 1940 Imperial Service College, Windsor, England Punjab University, Lahore Exhibitions Selected Solo Exhibitions 2016 'Krishen Khanna: Drawings & Paintings', Vadehra Art Gallery, New Delhi 2015 'When the band begins to play...', Grosvenor Gallery, London 2013 'A Celebration of Lines', Sakshi Gallery, Mumbai 2010 'Krishen Khanna: A Retrospective', presented by Saffronart, Mumbai at Lalit Kala Akademi, New Delhi 2008 'The Savage Heart', Cymroza Art Gallery, Mumbai 2005 Saffronart and Berkeley Square Gallery, London 2004 'An Airing' Pundole Art Gallery, Mumbai 2001 Kumar Art Gallery, New Delhi 2001 Saffronart and Pundole Art Gallery, New York 1995 Sakshi Gallery, Mumbai 1994 Vadehra Art Gallery, New Delhi 1991 Gallery Espace, New Delhi 1989 Centre for Contemporary Art, New Delhi. 1986 Exhibition of drawings and paintings at Sarla Art Centre, Chennai 1983 Exhibition of drawings, Garhi Studio, New Delhi 1980 Rabindra Bhavan, Lalit Kala Akademi, New Delhi 1979 Dhoomimal Art Gallery, New Delhi 1975 Dhoomimal Art Gallery, New Delhi 1974 Black Partridge, New Delhi 1973 Pundole Gallery, Mumbai 1969 Photographs, Kunika-Chemould, New Delhi 1969 Experimental Photographs, Pundole Gallery, Mumbai 1966 Kumar Art Gallery, New Delhi 1965 Egan Gallery, New York 1964 Kumar Art Gallery, New Delhi 1964 Watkins Art Gallery, American University, Washington D.C. 1962 Kunika Art Centre 1962 Leicester Galleries, London 1961 Ashoka Gallery, Kolkata 1961 Jehangir Art
    [Show full text]
  • The India Habitat Centre's Art Journal
    The India Habitat Centre’s Art Journal Volume 9, April 2008 - March 2009 1 Editor: Dr. Alka Pande, Prof. Dr. Nils Röller Editorial Coordinators: Shilpa Sawant, Sadaf Raza, Marina Sawall Visual Arts Gallery Support: Krishna Kapur, Suprabha Nayak, Saurabh Rai, Kushal Singh Translator of German Essays: Ritu Khanna Design: Parthiv Shah Design Assistants: Shraboni Roy, Madhur Mangal Centre for Media and Alternative Communication Tel.: 91-11-2649 8106, 2649 8977 www.cmaconline.org email: [email protected] Printed and Published by Raj Liberhan on behalf of: India Habitat Centre Lodhi Road, New Delhi 110003 Email: [email protected] Tel.: 91-11-4366 2024-25; Fax: 91-11-2468 2010-11 Printed at Archana, www.archanapress.com IHC 2009 ContentsContents 5 Director’s Note: Raj Liberhan, IHC 6 Note on Collaboration: Chandrika Grover Ralleigh, Head, Pro Helvetia, India 7 Curatorial Note: Dr. Alka Pande, IHC 9 Editorial Note: Prof. Dr. Nils Röller, ZHDK Essays 12 The Fickleness of Novelty: Shuddhabrata Sengupta 17 A reflection on perspective in art, science and digital media: Karan Sher Singh 22 Celebrating with anti-coagulants Ten Years of SHIBEN: Abhishek Hazra 26 Old Language in a New World: Alice Cicolini 31 New Media Art and its Obsolete Present: Shukla Sawant 35 New Media interventions from Bangalore: Suresh Jayaram 42 The New Music of New Media in India: Shankar Barua 48 The Way Things Go: Vilém Flusser 50 Programmes as space for thought?: Tabea Lurk 65 Variantology and Archaeology of the Media: Siegfried Zielinski 67 The Myth is the
    [Show full text]