Frederik Magle Biography and Timeline 2016.Pages
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ADBOU Skeletal List
Updated 17-03-2011 ADBOU Skeletal List Museum Place Type Year of Use of Number of Approx. number excavation cemetery graves comming- led bones ASR 1015 Ribe Grey Friar City Monastery 1993 1200-1560 915 City Cemetery 2008 1000-1700 113 373 ASR 13 Ribe Lindegården Vikings 2009 900-1000 10 7 ASR 1727 Ribe 1 FHM Aarhus Cathedral City Cemetery 1995-2002 1100-1800 197 3880/4330 FHM 3970 Nordby Rural Cemetery 1996 1050-1250 126 109 FHM 4461 Vestergade 3 City Cemetery 2003 18 FHM 4633 Aarhus Vor Frue City Cemetery 2005 43 Tvillum Rural Cemetery 2009 5 FHM 4985 Brattingborg, Samsø Rural Cemetery 2008 28 159 HAM 2843 Nybøl Rural Cemetery 1994 1100- 70 HAM 3702 Haderslev Cathedral City Cemetery 1998 -1800 20 HAM 5081 Haderslev Cathrdral City Cemetery 2010 -1800 17 HOM 1046 Sejet Rural Cemetery 2006 1150-1574 435 194 Monastery church, HOM 1272 City Cemetery 2007-2008 1600-1800 221 281 Horsens Ole Worms gade, HOM 1649 City Cemetery 2008-2009 1100-1500 578 686 Horsens JAH 1-77 Sct. Michael, Viborg City Cemetery 1979 1000-1529 285 215 JAH 2-79/ Viborg Cathedral Domkirke 1975-1981 1000-1800 120 1-81/2-80 JAH 2-84 Frederiksgade, Århus City Monastery 1984 1450-1560 22 JAH 3-80 Skt. Oluf, Århus City Cemetery 1981 -1700 90 a VKH 1201 Tirup/Bygholm Rural Cemetery 1984 1150-1350 574 46 VKH 1586 Vejle Klostergade City Cemetery 1985 1200 23 VSM 29F Faldborg Rural Cemetery 1994 1100-1600 80 VSM 804E/ 843C/806F/85 Sct. Mathias. Viborg City Cemetery 1994-1999 1100-1529 280 5F/906F VSM 902F Skt. -
CVR-Nr. 41666161 Titel: Grand Nordic Festival · Lyriksaloner · Projektperiode: 2
ANSØGNING · Københavns Kommunes Festivalpulje Ansøger: OrdSelskabet · Kunstnerisk leder: Martha Elias · c/o Det Poetiske Bureau. Fælledvej 13. 2200 København N [email protected] · CVR-nr. 41666161 Titel: Grand Nordic Festival · LyrikSaloner · Projektperiode: 2. februar 2022 - 30. november 2024 Årets emne, 2021: J·ORD · Spillested: Unitarernes Hus · Dag Hammerskjölds Allé 30. 2100 København Ø Projektbeskrivelse Grand Nordic Festival er en international festival, der præsenterer tilskuerne for en række arrangementer, hvor poesi og musik mødes i direkte, analog dialog med hinanden. I 2021 fylder festivalen 3 år. Der er planlagt 9 koncerter over tre dage i september 2021 med primært danske og nordiske talenter. Festivalen har et årligt emne. I 2021 er emnet J·ORD. Emne: I en tid hvor Moder Jord er sat ud af kurs, klimaspørgsmål udgør et uomgængeligt faktum og magtstrukturerne udfordres, sætter kulturprojektet sig for at gribe mennesket med kunsten som ramme. På baggrund heraf med fokus på sameksistens, fællesskab og kunstnersamarbejder byder vi tilskuerne ind til interaktionen på tværs af kunstarter under et årligt emne. I 2021 er temaet J·ORD, ord med rødder i jorden. Her tiltræder musikkens toner og poesiens ordkraft, der samlet finder et fælles sprog for at hylde dialogen. Med J·ORD som emne stilles fokus på klimakrise samtidigt med, at ”ord” som konceptbegreb fremhæves gennem digtekunst. I årene 2022, 2023 og 2024 forbliver dialogens kunst kernedelen for festivalens udtryk og formforståelse, det er OrdSelskabets mål med festivalen at understrege ”ordets” kraft. I løbet af foråret '22 (hvis finansiering og covid tillader det) ønsker vi at igangsætte skriveværksteder og kunstværksteder for alle - med særligt fokus på udsatte unge. -
Nikolaj Znaider Remarquables Et Restitués Grâce Aux Techniques Les Plus Modernes De L’Enregistrement Haute-Définition
LSO Live captures exceptional performances from the finest musicians using the latest high-density recording technology. The result? Sensational sound quality and definitive interpretations combined with the energy and emotion that you can only experience live in the concert hall. LSO Live lets everyone, everywhere, feel the excitement in the world’s greatest music. For more information visit lso.co.uk LSO Live témoigne de concerts d’exception, donnés par les musiciens les plus Nikolaj Znaider remarquables et restitués grâce aux techniques les plus modernes de l’enregistrement haute-définition. La qualité sonore impressionnante entourant ces interprétations d’anthologie se double de l’énergie et de l’émotion que seuls les concerts en direct peuvent offrit. LSO Live permet à chacun, en toute circonstance, de vivre cette passion intense au travers des plus grandes oeuvresdu répertoire. Pour plus d’informations, rendez vous sur le site lso.co.uk LSO Live fängt unter Einsatz der neuesten High-Density Aufnahmetechnik außerordentliche Darbietungen der besten Musiker ein. Das Ergebnis? Sensationelle Klangqualität und maßgebliche Interpretationen, gepaart mit der Energie und Violin Concertos Nos 4 & 5 Gefühlstiefe, die man nur live im Konzertsaal erleben kann. LSO Live lässt jedermann an der aufregendsten, herrlichsten Musik dieser Welt teilhaben. Wenn Sie mehr erfahren möchten, schauen Sie bei uns herein: lso.co.uk LSO0807 Wolfgang Amadeus Mozart (1756–1791) Track list Violin Concerto No 4 in D major, K218 (1775) Mozart Violin Concerto No 4 in D major, K218 Violin Concerto No 5 in A major, K219 (1775) 1 I. Allegro 8’37’’ 2 II. Andante cantabile 6’20’’ Nikolaj Znaider conductor / violin 3 III. -
CRC-Booklet 32S2
A little more than 30 years ago, most western audiences’ knowledge of contemporary Chinese music rested upon two works: The “Yellow River” Piano Concerto and the “Butterfly Lovers” Violin Concerto. Indeed, 30 years ago, these were the only two works permitted to be per- formed for western audiences. But everything changed after the death of Mao and the end of the Cultural Revolution. As a result of the economic reforms instituted by Deng Xiaoping, China was suddenly thrust upon the world’s stage and when the universities reopened in 1977 (most were closed for the duration of the Cultural Revolution), there was a manic drive for China to take her place in the modern world. The past 30 years have witnessed one of the most phenomenal episodes in human history: fol- lowing Deng’s reforms and the subsequent opening up of China, the entirety of 20th century western cultural innovations were suddenly made available to China’s artists and musicians. From Isaac Stern’s pioneering visit to China in 1979, to the later cultural exchanges that brought over many of the West’s most progressive composers and artists to lecture and teach (including George Crumb and Alexander Goehr), the country’s young composers were all at once exposed to the totality of 20th century western music, from Debussy (a composer whose music was detested by Madame Mao), to John Cage! It was during this cultural melee, that the Central Conservatory in Beijing reopened. Students from around the country who had been “sent down” to work in China’s rural areas during the Cultural Revolution rushed to Beijing to be considered for admission. -
Our View from City Tower
Our view from City Tower A sustainable and grandiose building overlooking Aarhus. Welcome to the top of City Tower, which is Aarhus’s tallest and most prominent commercial building with a fantastic view. The construction of the building was completed in the summer of 2014. In August 2014, our 130 Aarhus employees moved into the premises totalling 4,500 m2 and occupying the 14th, 15th, 16th and 22nd floors of the building. City Tower spans a total of 34,000 m2 divided on 25 floors – the two bottom floors housing the cellar and the under- ground parking area. In addition to Bech-Bruun, City Tower also accommodates the employer Hans Lorenzen, the Comwell Hotel and the audit and consultancy firm Deloitte. World-class sustainable building amusement park Tivoli Friheden, the City Tower is the very first commercial Moesgaard Museum and Marselisborg building in Aarhus to meet the strict Palace. 2015 requirements for energy rating 1. To the east: The Port of Aarhus The building’s energy rating indicates The Port of Aarhus is among Denmark’s how many kWh are spent annually on largest commercial harbours and heating, ventilation, cooling and hot spans the horizon to the east. water per m2. At City Tower, integrated solar power cells have for example In 2013, 6,100 ships called at the Port, been installed on the south face, sup- and each year approx. 8m tonnes of plying energy to the building annually cargo pass through the Port of Aarhus. generating up to 180,000 kWh. The Port of Aarhus has a terminal for cruise ships, and the passenger ferry City Tower has also been granted the Mols-Linien also docks here. -
TOKE MØLDRUP, Curriculum Vitae ______
TOKE MØLDRUP, Curriculum Vitae ____________________________________ • Born: 1980 Birthplace: Aarhus, Denmark • Languages: Danish, English, German /Academic education 1995-1999 Royal Academy of Music, Aarhus. Professor Harro Ruijsenaars 1999-2000 Diploma, Royal Danish Academy of Music, Copenhagen. Professor Morten Zeuthen, Professor Tim Frederiksen (chamber music) 2001-2003 Soloist Class at the Royal Danish Academy of Music, Copenhagen. Professor Morten Zeuthen, Professor Tim Frederiksen (chamber music) 2004-2006 Konzerteksamen, Hochschule für Musik, Karlsruhe. Professor Martin Ostertag /Private studies 2007-2010 Private studies with professor Valter Dešpalj, Academy of Music, University of Zagreb 2000-2001 Private studies with professor Hans Jensen, Northwestern University School of Music (now Bienen School of Music - Northwestern University) /Important masterclasses 2000 Reichenau with The Amadeus Quartet and the Alban Berg Quartet 2000 Royal Danish Academy of Music, with David Geringas 2003 Royal Danish Academy of Music, with György Kurtag 2004 Royal Danish Academy of Music, with Yo-Yo Ma 2005 Kronberg Masterclasses with Ralf Kirschbaum 2006 London Masterclasses with Ralf Kirschbaum 2006 Open Strings Masterclasses, Lolland, with Valter Dešpalj /Selected prizes and grants 2000 The Jakob Gade's Grant 2002 The Harbye Grant 2003 Grand Prize at the 4th Melbourne International Chamber Music Competition (Paizo Quartet) 2006 First Prize Danish String Competition 2007 First Prize at European Broadcast Unionʼs New Talent Competition in Bratislava -
118 the MANITOU MESSENGER. Jack-Knife, So—What Could I Do -I
118 THE MANITOU MESSENGER. jack-knife, so—what could I do -I had to architecture is a minglemangle of different buy one, but to avoid scandal I gave it contrarietys." away to a lad who could not be suspected "The Ponton over Limfjorden is 9221, of knowing anything of its crooked ways, ells long, 22-J foots broad." and got a regular Sunday-school-boy arti "Frederiksborg castle at Hilleroed is cle as soon as 1 got to New York. heaved on holms in the sea, builded in Odense is the capital of the island of three wings united by a gallery." Fyen or Fun en. It is a small, quiet, old That will do! Please note that I am not place, and all the buildings, including the responsible for anything within quotation palace, belong to the Liliputian order of marks, except the faithful transcription of architecture. One could easily lay his the unique original. hand on the tiled roofs, and 1 almost felt Copenhagen prides itself especially on like a giant walking about on the streets. its exposition and on the Tivoli (which I Therefore, when the customs officers de believe is a Danish corruption of English manded three kroner duty, my first im deviltry, a belief which is founded, not on pulse was to refuse (and back my refusal, any slipshod theories like Grimms' Law, if necessary), but on reflection I found but on a careful comparison of solid facts). that a little country like Denmark might Tivoli is a popular resort for amusement. need this help towards maintaining her Both sexes congregate there to eat and standing army. -
Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No
Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No. 3 JNUL Officially Becomes The National Library of Israel ELHANAN ADL E R On November 26, 2007, The Knesset enacted the “National Li- assistance of the Yad Hanadiv foundation, which previously brary Law,” transforming the Jewish National and University contributed the buildings of two other state bodies: the Knesset, Library (JNUL) at The Hebrew University’s Givat Ram campus and the Supreme Court. The new building will include expanded into the National Library of Israel. reading rooms and state-of-the-art storage facilities, as well as The JNUL was founded in 1892 by the Jerusalem Lodge of a planned Museum of the Book. B’nai B’rith. After the first World War, the library’s ownership The new formal status and the organizational change will was transferred to the World Zionist Organization. With the enable the National Library to expand and to serve as a leader opening of the Hebrew University on the Mount Scopus campus in its scope of activities in Israel, to broaden its links with simi- in 1925, the library was reorganized into the Jewish National and lar bodies in the world, and to increase its resources via the University Library and has been an administrative unit of the government and through contributions from Israel and abroad. Hebrew University ever since. With the founding of the State The law emphasizes the role of the Library in using technology of Israel the JNUL became the de facto national library of Israel. -
Missing a Beat
Missing a Beat Bridging Ireland's Orchestral Gaps A Review of Orchestral Provision in Ireland Review of Orchestral Provision in Ireland 1 Introductory note from The Arts Council/An Chomhairle Ealaíon This note introduces the Report 'Missing a Beat: bridging Ireland's orchestral gaps', from the perspective of the Arts Council. In response to feedback gathered during a major consultation process (2005), in the resulting document, Partnership for the Arts, the Arts Council undertook to “examine national orchestral needs and develop appropriate responses”1. This led to commissioning a review of orchestral provision in late 2007. Much of the primary research was undertaken during 2008 and 2009. The resulting report 'Missing a Beat, Bridging Ireland's Orchestral Gaps' written by Fergus Sheil, was finalised in November 2010. A postscript to the original report was written by the author in May 2012, in order to reflect developments since the original report was completed. This postscript is now appended to the original document. The report offers an overview and analysis of issues affecting orchestral provision in Ireland. It draws upon a wide range of examples of international practice to illustrate what it regards as 'gaps' and to highlight the potential that may exist for development within Ireland. Beyond its usefulness as an important reference document, the report has the potential to stimulate both further dialogue and practical cooperation amongst a broad range of stakeholders within the music sector. In this regard, the report itself notes and anticipates the need for the music sector to develop new models of practice. Embracing such an approach may prove to be essential in terms of ensuring the longer term development and sustainability of orchestral music provision in Ireland. -
The Israel Philharmonic Orchestra
January 1987 Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium The Israel Philharmonic Orchestra Founded in 1936 by Bronislaw Huberman Music Director : Zubin Mehta FESTIVE JUBILEE SEASON THE ISRAEL PHILHARMONIC ORCHESTRA Founded in 1936 by Bronislaw Huberman • Music Director: Zubin Mehta The Fredric R. Mann Auditorium • P.O.Box 11292, 61112 Tel-Aviv; Telephone (03) 295092 The 51st Season / 1986-7 Festive Jubilee Season Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel, Mr. Chaim Herzog Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium January 1987 At 8.30 p.m. PUBLIC MANAGEMENT BOARD: Mr. D. Ben-Meir, Mr. A. Duizin Mr. Y. Ettinger, Mr. B. Gal-Ed, Mr. M.B. Gitter, Dr. A. Goldenberg, Mrs. A. Harris, Mr. P. Jacobi, Judge A.F. Landau (Chm'n), Mr. A. Levinsky, Mr. Z. Litwak*, Mr. Y. Mishori*, Mr. M. Neudorfer, Mr. Y. Oren, Mr. Y. Pasternak*, Mr. J. Pecker, Judge L.A. Rabinowitz, Mr. A. Shalev, Mr. N. Wolloch. (• IPO Management members) THE IPO FOUNDATION - Founding Members: Abba Eban (Chairman), David Blass, Yona Ettinger, Dr. Amnon Goldenberg, M.B. Gitter, Lewis Harris, Ernst Japhet, Y. Macht, Joseph Pecker, Raphael Recanati. Dr. Dapnna Schachner (Dir. Gen.) AMERICAN FRIENDS OF THE IPO: Zubin Mehta (Hon. Ch'mn); Fredric R. Mann (Pres.); Norman Bernstein, Itzhak Perlman (Vice Pres.); Susan B. -
The St. Louis Symphony Orchestra and Music Director Stéphane Denève Announce Fall Programming for the 2021/2022 Season
FOR IMMEDIATE RELEASE [June , ] Contacts: St. Louis Symphony Orchestra: Eric Dundon [email protected], C'D-*FG-D'CD National/International: NiKKi Scandalios [email protected], L(D-CD(-D(MD THE ST. LOUIS SYMPHONY ORCHESTRA AND MUSIC DIRECTOR STÉPHANE DENÈVE ANNOUNCE FALL PROGRAMMING FOR THE 2021/2022 SEASON Highlights of offerings from September 17-December 5, 2021, include: • The return of full orchestral performances led by Music Director Stéphane Denève at Powell Hall featuring repertoire spanning genre and time that celebrates the resilience of the human spirit. • Denève opens the classical season with two programs at Powell Hall. The season opener includes the first SLSO performances of Jessie Montgomery’s Banner and Anna Clyne’s Dance alongside Pyotr Ilyich Tchaikovsky’s Symphony No. 4. In his second weeK, Denève leads the SLSO in the string orchestra version of Caroline Shaw’s Entr’acte, Charles Ives’ The Unanswered Question, Christopher Rouse’s Rapture, and Sergei Rachmaninoff’s Piano Concerto No. 3 with pianist Yefim Bronfman. • The SLSO and Denève continue their deep commitment to music and composers of today, performing works by Thomas Adès, Karim Al-Zand, William Bolcom, Jake Heggie, James Lee III, Jessie Montgomery, Caroline Shaw, Carlos Simon, Outi Tarkiainen, Joan Tower, and the U.S. premiere of Anna Clyne’s PIVOT. • Other highlights of Denève’s fall programs include performances of Ludwig van Beethoven’s Symphony No. 5, Dmitri ShostaKovich’s Symphony No. 5, and collaborations with pianist VíKingur Ólafsson in his first SLSO appearance and violinist Nikolaj Szeps-Znaider. • The highly anticipated return of the free Forest Park concert, which welcomes thousands of St. -
Victor Stanislavsky Is Hailed As One of the Most Outstanding Young Israeli Pianists Today
Victor Stanislavsky is hailed as one of the most outstanding young Israeli pianists today. His international career has taken him to many countries in Europe, north and south America, China, South Korea and Australia. In the past concert season, he has given over 70 performances as a soloist, recitalist and a chamber musician to critical acclaim. As an avid chamber musician he has collaborated with such artists as violinists Christian Tetzlaff and David Garrett, cellist Gary Hoffman and Soprano Chen Reis. His major festival appearances include “Ravinia” (Chicago), “Meet in Beijing”, “Shanghai piano Festival” and the “Israel Festival”. Mr. Stanislavsky has performed in prestigious venues including Carnegie Hall and the 92Y in New-York, Chicago Arts Center, Bass performance hall in Fort Worth, Berlin Philharmonie, the Concertgebouw in Amsterdam, St. Martin in the Fields Church in London, “Tsarytsino” Palace in Moscow, National Performing Arts Center in Beijing, Forbidden City concert hall in Beijing, Shanghai Conservatory, Qintai Grand Theater in Wuhan, Harbin Opera House and the Seoul Arts Center to name a few. In addition he regularly performs in all the major concert halls in Israel. He performed as a soloist with Milan’s Symphony Orchestra, China’s National Symphony Orchestra, China’s national Ballet Symphony Orchestra, KBS Symphony orchestra of South Korea and others as well as with leading orchestras in Israel collaborating with such conductors as Yoel Levi, Jose Maria Florencio, Kainen Johns, Li Xincao, Uri Segal, Gil Shohat and many others. Mr. Stanislavsky holds both bachelors and masters degrees summa cum laude, in music performance from the Buchmann-Mehta School of Music at Tel-Aviv University, where he studied with Mr.