Star Trek Customizable Card Game Rulebook
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TRADING CARDS 2016 STAR TREK 50Th ANNIVERSARY
2016 STAR TREK 50 th ANNIVERSARY TRADING CARDS 1995-96 30 Years of Star Trek 1995-96 30 Years of Star Trek Registry Plaques A6b James Doohan (Lt. Arex) 50.00 100.00 A7 Dorothy Fontana 15.00 40.00 COMPLETE SET (9) 100.00 200.00 COMMON CARD (R1-R9) 12.00 30.00 STATED ODDS 1:72 2003 Complete Star Trek Animated Adventures INSERTED INTO PHASE ONE PACKS Captain Kirk in Motion COMPLETE SET (9) 12.50 30.00 1995-96 30 Years of Star Trek Space Mural Foil COMMON CARD (K1-K9) 1.50 4.00 COMPLETE SET (9) 25.00 60.00 STATED ODDS 1:20 COMMON CARD (S1-S9) 4.00 10.00 STATED ODDS 1:12 2003 Complete Star Trek Animated Adventures Die- COMPLETE SET (300) 15.00 40.00 INSERTED INTO PHASE THREE PACKS Cut CD-ROMs PHASE ONE SET (100) 6.00 15.00 COMPLETE SET (5) 10.00 25.00 PHASE TWO SET (100) 6.00 15.00 1995-96 30 Years of Star Trek Undercover PHASE THREE SET (100) 6.00 15.00 COMMON CARD 2.50 6.00 COMPLETE SET (9) 50.00 100.00 STATED ODDS 1:BOX UNOPENED PH.ONE BOX (36 PACKS) 40.00 50.00 COMMON CARD (L1-L9) 6.00 15.00 UNNUMBERED SET UNOPENED PH.ONE PACK (8 CARDS) 1.25 1.50 STATED ODDS 1:18 UNOPENED PH.TWO BOX (36 PACKS) 40.00 50.00 INSERTED INTO PHASE TWO PACKS UNOPENED PH.TWO PACK (8 CARDS) 1.25 1.50 2003 Complete Star Trek Animated Adventures James Doohan Tribute UNOPENED PH.THREE BOX (36 PACKS) 40.00 50.00 1995-96 30 Years of Star Trek Promos UNOPENED PH.THREE PACK (8 CARDS) 1.25 1.50 COMPLETE SET (9) 2.50 6.00 PROMOS ARE UNNUMBERED COMMON CARD (JD1-JD9) .40 1.00 PHASE ONE (1-100) .12 .30 1 NCC-1701, tricorder; 2-card panel STATED ODDS 1:4 PHASE TWO (101-200) -
Beyond the Final Frontier: Star Trek, the Borg and the Post-Colonial
Beyond the Final Frontier: Star Trek, the Borg and the Post-colonial Lynette Russell and Nathan Wolski Over the last three decades, Star Trek has become, to use Bernardi's term, a "mega-text" (1998: 11). Star Trek's mega-text consists of much more than the various studio-produced television series and films - it also includes (among other things) novels, Internet chat groups, conventions and fanzines. That Star Trek's premise of space exploration is a thinly disguised metaphor for colonialism has been extensively analysed (see Bernardi, 1998; Hastie, 1996; Ono 1996; Richards, 1997). Boyd describes the utopian future presented in Star Trek the Next Generation (STNG) as based on "nineteenth-century essentialist definitions of human nature, building ... on faith in perfection, progress, social evolution, and free will" (1996: 96-97). Exploration, colonisation and assimilation are never far from the surface of the STNG text. Less apparent, however, are aspects of the series which challenge the hegemonic view of this narrative and which present a post-colonial critique. In this paper we will explore a range of post-colonial moments and an emerging self reflexivity in the second generation series, focusing on those episodes of Star Trek: the Next Generation (STNG) and Star Trek: Voyager which feature an alien race known as the Borg. Others in space Much has been written about the role of the alien in science fiction as a means of exploring issues of otherness. As Wolmark notes: "Science fiction provides a rich source of metaphors for the depiction of otherness and the 'alien' is one of the most familiar: it enables difference to be constructed in terms of binary oppositions which reinforce relations of domination and subordination" (1994: 2). -
Mar/Apr 2007
THE WRIGHT STUFF Vol XVIII w No 2 The Official Newsletter of the U.S.S. Kitty Hawk w NCC-1659 Mar / Apr 2007 C O N T E N T S A VIEW FROM THE CATBIRD SEAT ................................3 J.R. Fisher SCIENCE REPORT ................................................3 Elaine Pischke VOYAGER - LEGACY ..............................................4 Brad McDonald COMPUTER OPERATIONS REPORT .................................9 John Troan Volume 18 - Number 2 UPCOMING EVENTS .............................................10 is a publication of the U.S.S. Kitty Hawk, the Raleigh, N.C., chapter of STARFLEET, an international STAR TREK fan organization. This publication is provided free of charge to all chapter members in good standing. Subscriptions for non-members are $12.00 per year (six issues). Please address all corres- pondence to CATBIRD Publications, 5017 Glen Forest Dr., Raleigh, N.C. 27612. This publication is a non-profit enterprise and is not meant to infringe upon any copyright or trademark held by Paramount Pictures, Gulf & Western, or any other holder of STAR TREK copyrights or trademarks. Unless otherwise noted, ENTIRE CONTENTS ARE COPYRIGHT Ó 2007 CATBIRD Publications, THE WRIGHT STUFF. Nothing in whole or in part may be used without the written permission of the publisher. THE WRIGHT STUFF assumes all material submitted for publication is gratis. The publisher and editors reserve the right to edit all submissions. Publisher ................... J.R. Fisher Editors .....................Jane Fisher John Troan TOOL BOX: Pentium IV-3.0GHz; HP LaserJet 1200 & DeskJet 722C; Lotus WordPro; Adobe Acrobat. IMAGES - Title Banner Wright Flyer from NASA/Ames PAO photo archive; U.S.S. Kitty Hawk (USN CV-63) from navicp.navy.mil; Constitution class cruiser from gwu.edu/~rljones/khawk. -
Howstuffworks.Com's "How Holographic Environments Will Work"
Howstuffworks.com's "How Holographic Environments Will Work" Join HSW! • Suggestions! • Win! • About HSW • Contact Us • Home Daily Stuff • Top 40 • What's New • HSW Store • News • Advertise! Click here to go back to the normal view! How Holographic Environments Will Work by Kevin Bonsor If you've ever watched "Star Trek," you may remember seeing the crew of the Starship Enterprise live out their fantasies in a room called the holodeck. The holodeck was a giant, holographic projection room that allowed the crew to touch and interact with projections as if they were in a big video game. Scientists today are developing a new communications technology that will allow you and your friends to interact inside a simulated environment even if you are thousands of miles apart. Tele-immersion will allow us to manipulate holographic projections as if they were real objects. Most of the basic components for this network are already in place to allow the development of tele-immersion. Tele-immersion is the scientific community's answer to the holodeck. By combining cameras and Internet telephony, videoconferencing has allowed the real-time exchange of more information than ever without physically bringing each person into one central room. Tele-immersion takes videoconferencing to the next level. It will create a central, simulated environment that will allow everyone to come together in one virtual room, and no one will have to leave their physical location to do so. In this edition of How Stuff Will Work, you'll find out how employees in Los Angeles, New York, Tokyo and Paris will soon meet in a tele-immersive environment and shake hands with holographic images of their co-workers. -
First Edition Current Rulings Document (11 June
First Edition Current Rulings Document (11 June 2010) Current Rulings are periodic updates to the First Edition Rulebook, including changes, clarifications, and situations it does not address. Current Rulings are an official supplement to the Glossary and should be used by tournament directors in making tournament rulings. (The rulebook is intended for beginners and should not be used for rulings.) Answers given by official Continuing Committee representatives are not official until included in an official rules document such as the Current Rulings, Official Clarifications, or Official Rulings. Such answers are highly recommended for use by tournament directors, but the Tournament Director always has the final authority on rulings. This document contains all Current Rulings issued since the Glossary v1.8. Entries that are new, changed, or expanded since the last Current Rulings document are marked with an asterisk (*) before the topic and in red text. These rulings are effective immediately. For additional resources or to find answers to your questions, please visit http://www.trekcc.org. RULINGS – General *22nd century icon – *keywords – This icon marks a card as being from the 22nd century. It has no built in gameplay function and will be Some cards have text in their lore or title that are referenced by other cards. Admiral, General, Cook, Nurse, reference by other cards in the future. and Bodyguard (for personnel), and Murder (for dilemmas) are all examples of Keywords. These words should be considered part of the card’s game text, and are similar to other traits and icons. Keywords are affiliation – referenced by other cards, they have no built in function. -
Jennifer Lien Weight Gain
Jennifer Lien Weight Gain Snaggy Pat sandbagged, his overpayment kinescopes run-through intently. If shrieking or bodger Wyndham usually readvising his paunch houses ambiguously or bumpers implausibly and scienter, how talking is Bryant? Howie dread his mademoiselle jumbled indolently, but notarial Elnar never consults so winningly. Height of body-mass index trajectories of school-aged. Fill this talented, being shown in self. Jennifer Lien's Birthday Celebration HappyBdayto. How fat Loss Adds to Weight find The New York Times. PDF Is at weight modified during pregnancy Using. Jennifer Lien naked pics nude bio gossip and celebrity. 3 Benjamin Allington Skeletal muscle DRP1 deficiency attenuates weight gain. Rosemary J Call Jonathan D Burlison Jennifer J Robertson. Star Trek Hints Q Will Return In her Trek Picard Series Screen Rant. Her axe is bigger likely obtain a kidney of or gain with age Hunter 5 years ago. 20 Best Pictures of Jennifer Lien Miran Gallery. Editors' Choice App Best of 2016 App Top trending App Best self- improvement App Workout at home suited for anybody at take time The 30. And just a pond on jennifer liens slight weight rule in fury Jennifer lien made her. Chadwick Jennifer Q Van Buren Dorothy J Morales Elisa Timpson Alexandra. Kes i really badly injured as well as an effort to change for early as desperate, craig has changed her performance. And gained weight loss via high quality after college students are associated with that identify high power. Marcia M Tan Terry Bush Jennifer C Lovejoy Harold Javitz Alula. Watch Jennifer Lien Sex Scene porn videos for gravel on Pornhub Page 2 Discover a growing collection of our quality Jennifer Lien Sex Scene XXX movies. -
Faculty of Arts & Sciences April 01, 2014, 3:30 – 5:00 Pm Tidewater A
Faculty of Arts & Sciences April 01, 2014, 3:30 – 5:00 pm Tidewater A, Sadler Center Dean Kate Conley called the meeting to order at 3:37 p.m. Attendance at the start of the meeting: 32 (no quorum, so we can hear reports but we cannot vote on anything – everyone loves reports, yes?) I. The minutes from March 11, 2014 were not approved (they were not even raised for discussion) the Secretary does not blame you, especially those of you who actually read her minutes. In the meantime, please note the following corrigenda. The mysterious Mikes were Michael Deschenes (Kinesiology) and – Mike Tierney (Government); further, Liz was not Liz Francis (Biology – not sure where that name came from) but rather Liz(abeth) Allison (Biology), who is in fact the chair, as the Secretary may have noticed had there been less haste (festina lente, as they say), and Herr Professor‐at‐the‐Back‐of‐the‐Room was none other than our very own award‐ winning Professor Paul Mapp. The secretary also regrets the slip of John for Tom Linneman (again, too much haste), with sincere thanks to Debbie Bebout (Chemistry) and John Gilmour (Government) – in alphabetical order – for the corrigenda. Perhaps the minutes, as corrected here, can be approved next time, or not. Soon enough it shall fall to someone else. http://www.wm.edu/as/facultyresources/fas/minutes/index.php II. Report of Administrative Officers: Vice Provost for Academic Affairs Kate Slevin on behalf of Provost Michael Halleran reported the following: her report would be mercifully short. Provost Halleran is currently in Washington – but desired the following to be conveyed: o Richmond is still locking horns over the Medicaid issue, and there is, as of yet, no resolution on the budget. -
Chapter 1. Kathryn Janeway, Former Captain of the Federation Starship Voyager, Sat on the Bench She Had Just Cleaned of Snow
The end is the beginning by Kadyan Part 1 Chapter 1. Kathryn Janeway, former captain of the Federation Starship Voyager, sat on the bench she had just cleaned of snow. This year was so different from the last one. When they had arrived on Earth just before Christmas, surprising everyone, they had been the endless talk on the news. Interviews of the families, interviews of the crew, how they destroyed the Borg Queen… A year had passed by and nothing had been as she had expected. She had felt so guilty because she had stranded her ship in the Delta quadrant for seven years. During all these years, she had had only one goal: getting home. And now that she was home, her life was meaningless. Kathryn looked at the snow that covered her mother’s garden and all the fields around. Everything was frozen outside and inside her. How can one life so full have become so empty? She didn’t know…didn’t want to know. But now she had reached a point in her life where she had to decide. When has everything gone wrong? She knew when : the day Chakotay had asked her to step back and let Seven go. She had been hurt by the request on that day, a week after they had arrived on Earth, but she had stepped back. When she had received the invitation for their wedding, she had discarded it and didn’t attend. Seven had tried to contact her but she had never acknowledged, read or answered any of her messages. -
2018 Star Trek Deep Space Nine Heroes and Villains
2018 Star Trek DS9 Heroes & Villains Checklist Base Cards # Card Title [ ] 001 Captain Benjamin Sisko [ ] 002 Odo [ ] 003 Lt. Commander Jadzia Dax [ ] 004 Lt. Ezri Dax [ ] 005 Lt. Commander Worf [ ] 006 Jake Sisko [ ] 007 Chief Miles O'Brien [ ] 008 Quark [ ] 009 Doctor Julian Bashir [ ] 010 Colonel Kira Nerys [ ] 011 Gul Dukat [ ] 012 Vedek Bareil Antos [ ] 013 Jennifer Sisko [ ] 014 Damar [ ] 015 Keiko O'Brien [ ] 016 Weyoun) [ ] 017 Brunt) [ ] 018 Vic Fontaine [ ] 019 Enabran Tain [ ] 020 Nog [ ] 021 Kai Winn Adami [ ] 022 Rom [ ] 023 Martok [ ] 024 The Female Changeling [ ] 025 Kasidy Yates [ ] 026 Sarah Sisko [ ] 027 Leeta [ ] 028 Admiral Alynna Nechayev [ ] 029 Gowron [ ] 030 Shakaar Edon [ ] 031 Elim Garak [ ] 032 Luther Sloan [ ] 033 Kai Opaka Sulan [ ] 034 Grand Negus Zek [ ] 035 Mora Pol [ ] 036 Maihar'du [ ] 037 Lursa and B'Etor [ ] 038 Morn [ ] 039 Tosk [ ] 040 The Hunter [ ] 041 Q [ ] 042 Vash [ ] 043 Ty Kajada [ ] 044 Aamin Marritza [ ] 045 Jaro Essa [ ] 046 Li Nalas [ ] 047 General Krim [ ] 048 Verad [ ] 049 Mareel [ ] 050 Melora Pazlar [ ] 051 Pel [ ] 052 Haneek [ ] 053 Martus Mazur [ ] 054 Alexander Rozhenko [ ] 055 Gul Evek [ ] 056 Cal Hudson [ ] 057 Raymond Boone [ ] 058 Michael Eddington [ ] 059 Grilka [ ] 060 Thomas Riker [ ] 061 Korinas [ ] 062 Detective Preston [ ] 063 Michael Webb [ ] 064 Legate Turrel [ ] 065 Gilora Rejal [ ] 066 Vedek Yarka [ ] 067 The Intendant [ ] 068 Adult Jake Sisko [ ] 069 Goran’ Agar [ ] 070 Tora Ziyal [ ] 071 Faith Garland [ ] 072 Admiral Leyton [ ] 073 Kurn [ ] 074 Onaya [ ] 075 Toman’ torax [ ] 076 Trevean [ ] 077 Arne Darvin [ ] 078 Arandis [ ] 079 Fullerton Pascal [ ] 080 Thrax [ ] 081 Captain Sanders [ ] 082 Ikat'ika [ ] 083 Dr. Lewis Zimmerman) [ ] 084 Arissa [ ] 085 Yelgrun [ ] 086 Kimara Cretak [ ] 087 Ishka [ ] 088 Lwaxana Troi [ ] 089 Admiral William Ross [ ] 090 Joseph Sisko [ ] 091 Mullibok [ ] 092 Varani [ ] 093 Colyus [ ] 094 Rurigan [ ] 095 Kor [ ] 096 Koloth [ ] 097 Kang [ ] 098 Kovat [ ] 099 Lt. -
Class, Race, Gender, the Sociology of DS9.)
Aliens in decline and socially-ascending humans. (Class, race, gender, the sociology of DS9.) Camille Akmut Abstract A theory is put forward according to which Star Trek’s DS9 is the meeting place of at least two major populations : socially-declining aliens who seek a reclassification through Federation institutions (Starfleet and adjacent agencies in particular), and humans on a late stage upward trajectory (culminating in e.g. dilettante / artist offspring). 1 Introduction : a historical detour Star Trek’s 24th century has more in common with 20th century sociology than might be obvious at first, with its representation of an ideal Earth society where poverty, inequality and resulting conflicts have “long” been eliminated, weare told1. Past faulty government forms and economies have either been replaced by benev- olent scientific exploration (guaranteed, in theory, by both the laws of theFed- eration Charter and the principle of the Prime Directive) or luxury communist leisure (offered to tourists of Risa, where the old philosophical fantasy of“shared wives” has been realized, and two suns always shine); nonetheless these societies continue to answer to most of the rules and laws established by sociologists. Here, the television series DS9 is reinterpreted as meeting place of not humans and aliens - a naive albeit correct description of this work of science fiction - but as two demographics situated in different stages of their social trajectories. In particular, we argue that the contrasting fates of the duo Jake and Nog offers a strong case for such an interpretation. The tragic fall of the House of Mogh is another. Dr. Bashir is a barely veiled second-generation immigrant success story. -
Back to the Future: Star Trek and the Old French Epic
Back to the Future: Star Trek and the Old French Epic Kimberlee Campbell Harvard University Recent critics have commented that the science fiction serial Star Trek has evolved into a cyclical corpus of stories resembling traditional epic or saga. This study explores the parameters of that cyclicity in comparison with the chanson de geste. Although Star Trek borrows little content from the Middle Ages, poetic and narrative structures are markedly similar to the Old French epic. The author theorizes a generalized Western storytelling filiation, elaborated in response to similar collective need, through which past and future function equally to validate the present. Introduction In recent years, postmodern relativism, with its insistence on the ultimately untranslatable singularity of voice and experience, has come to dominate much of the way we theorize the agency and representation of our selves and our others in the world. For scholars of the medieval, this ideology, even as it seeks both to reintegrate the historical object into its material and social context and to assess the effect of the researcher’s own ethnically or historically determined agenda, has ironically served to reinforce the perceived alterity of the Middle Ages.1 As Kathleen Biddick cautions in The Shock of Medievalism, even “the new medievalism […] retraces a rigid topography of interiority and exteriority,” separating the presumably scientific study of history from sentimental or political appropriations of the medieval past (p. 2). On the other hand, in popular milieux, there is no such separation, the Middle Ages furnishing, naively, anachronistically or not, archetypal models for a contemporary Western mythos. -
Major Kira of Star Trek: Ds9: Woman of the Future, Creation of the 90S
MAJOR KIRA OF STAR TREK: DS9: WOMAN OF THE FUTURE, CREATION OF THE 90S Judith Clemens-Smucker A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2020 Committee: Becca Cragin, Advisor Jeffrey Brown Kristen Rudisill © 2020 Judith Clemens-Smucker All Rights Reserved iii ABSTRACT Becca Cragin, Advisor The 1990s were a time of resistance and change for women in the Western world. During this time popular culture offered consumers a few women of strength and power, including Star Trek: Deep Space Nine’s Major Kira Nerys, a character encompassing a complex personality of non-traditional feminine identities. As the first continuing character in the Star Trek franchise to serve as a female second-in-command, Major Kira spoke to women of the 90s through her anger, passion, independence, and willingness to show compassion and love when merited. In this thesis I look at the building blocks of Major Kira to discover how it was possible to create a character in whom viewers could see the future as well as the current and relatable decade of the 90s. By laying out feminisms which surround 90s television and using original interviews with Nana Visitor, who played Major Kira, and Marvin Rush, the Director of Photography on DS9, I examine the creation of Major Kira from her conception to her realization. I finish by using historical and cognitive poetics to analyze both the pilot episode “Emissary” and the season one episode “Duet,” which introduce Major Kira and display character growth.