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Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
History Preserved in Names: Delhi Urban Toponyms of Perso-Arabic
History preserved in names: Delhi urban toponyms of Perso-Ara bic origin Agnieszka Kuczkiewicz-Fraś Toponyms [from the Greek topos (τόπος) ‘place’ and ónoma (δνομα) ‘name’] are often treated merely as words, or simple signs on geographical maps of various parts of the Earth. How ever, it should be remembered that toponyms are also invaluable elements of a region’s heritage, preserving and revealing differ ent aspects of its history and culture, reflecting patterns of set tlement, exploration, migration, etc. They are named points of reference in the physical as well as civilisational landscape of various areas. Place-names are an important source of information regard ing the people who have inhabited a given area. Such quality results mainly from the fact that the names attached to localities tend to be extremely durable and usually resist replacement, even when the language spoken in the area is itself replaced. The in ternal system of toponyms which is unique for every city, when analysed may give first-rate results in understanding various features, e.g. the original area of the city and its growth, the size and variety of its population, the complicated plan of its markets, 5 8 A g n ie s z k a K u c z k ie w ic z -F r a ś habitations, religious centres, educational and cultural institu tions, cemeteries etc. Toponyms are also very important land-marks of cultural and linguistic contacts of different groups of people. In a city such as Delhi, which for centuries had been conquered and in habited by populaces ethnically and linguistically different, this phenomenon becomes clear with the first glance at the city map. -
Khanan: - Khan-I- Khanan Means Khan Among the Khans Or the Greatest Khan
Chapter 04 Akbar Class: 12th Khan-i- Khanan: - Khan-i- Khanan means Khan among the Khans or the greatest Khan. Akbar had bestowed this title upon his teacher and guardian Bairam Khan who had served him during the first four crucial years of his reign i.e. 1556-1569 A. D. Qanungo: - ‘Qanungo’ were local revenue officers who were conversant with the measurement of land, actual produce, state of cultivation and local prices etc. They were always ready to supply the government with useful information. Kirori: - Kirori were the revenue officials appointed by Akbar to collect revenue. They were responsible for the collection of a crore dams or Rs. 250,000. That is why they were called Kirors. They also checked their facts and figures supplied by the Qanungo. Bigha: - A ‘Bigha’ was a measurement of land used for fixing the state’s demand in the produce. The size and the kind of land held by a peasant was recorded in ‘bighas’. The revenue payable was fixed on the basis of average produce thereupon. Zabti: - The system of measurement and assessment of revenue based on actual size of the holding and the type of productivity was called Zabti. This system, which was first introduced by Raja Todar Mal under Sher Shah Suri was later on adopted by Akbar with some modifications. Dahsala: - 'Dahsala' was the system of revenue assessment based on figures of the last ten years. It was introduced by Akbar in 1580 A.D. It was calculated on the average produce and prices of different crops during the last ten years. -
The Age of Akbar
CHAPTER 3 THE AGE OF AKBAR MUGHAL THEORIES OF KINGSHIP AND STATE POLITY Akbar is generally recognized as the greatest and most capable of the Mughal rulers. Under him Mughal polity and statecraft reached maturity; and under his guidance the Mughals changed from a petty power to a major dynastic state. From his time to the end of the Mughal period, artistic production on both an imperial and sub-imperial level was closely linked to notions of state polity, religion and kingship. Humayun died in 1556, only one year after his return to Hindustan. Upon hearing the call to prayers, he slipped on the steep stone steps of the library in his Din-Panah citadel in Delhi. Humayun's only surviving son and heir- apparent, Akbar, then just fourteen years of age, ascended the throne and ruled until 1605 the expanding Mughal empire. Until about 1561, Akbar was under the control of powerful court factions, first his guardian, Bhairam Khan, and then the scheming Maham Anga, a former imperial wet-nurse. Between about 1560 and 1580, Akbar devoted his energies to the conquest and then the con- solidation of territory in north India. This he achieved through battle, marriage, treaty and, most significantly, administrative reform. Concurrent with these activities, Akbar developed an interest in religion that, while initially a personal concern, ultimately transformed his concept of state. Many of the policies he adopted, such as the renunciation of the poll-tax (jiziya) for non- Muslims, had a solid political basis as well as a personal one, for Akbar, much more than his Mughal predecessors, saw every advantage in maintaining good relations with the Hindu majority. -
1 'Inhabited Pasts: Monuments, Authority and People in Delhi, 1912
‘Inhabited Pasts: Monuments, Authority and People in Delhi, 1912 – 1970s’ Abstract This article considers the relationship between the official, legislated claims of heritage conservation in India and the wide range of episodic and transitory inhabitations which have animated and transformed the monumental remains of the city, or rather cities, of Delhi. Delhi presents a spectrum of monumental structures that appear variously to either exist in splendid isolation from the rush of every day urban life or to peek out amidst a palimpsest of unplanned, urban fabric. The repeated attempts of the state archaeological authorities to disambiguate heritage from the quotidian life of the city was frustrated by bureaucratic lapse, casual social occupations and deliberate challenges. The monuments offered structural and spatial canvases for lives within the city; providing shelter, solitude and the possibility of privacy, devotional and commercial opportunity. The dominant comportment of the city’s monuments during the twentieth century has been a hybrid monumentality, in which the jealous, legislated custody of the state has become anxious, ossified and ineffectual. An acknowledgement and acceptance of the hybridity of Delhi’s monuments offers an opportunity to re-orientate understandings of urban heritage. Key words: heritage, bureaucracy, Delhi, India, monuments, AMPA 1905, urbanism, urban biography, Archaeological Survey of India. In September 2001, the Archaeological Survey of India in Delhi ruled against displays of romantic affection between couples at three large, landscaped monuments under its custody: Safdarjung’s Tomb, the Purana Qila and Lodhi Gardens. Without specifying quite how the ban would be enforced, A. C. Grover, the Survey’s media officer, warned against what he described as the ‘abuse’ of national 1 heritage by romantically demonstrative couples.1 This desire to impose codes of public conduct at Delhi’s monuments was not unprecedented. -
February 18, 2014 (Series 28: 4) Satyajit Ray, CHARULATA (1964, 117 Minutes)
February 18, 2014 (Series 28: 4) Satyajit Ray, CHARULATA (1964, 117 minutes) Directed by Satyajit Ray Written byRabindranath Tagore ... (from the story "Nastaneer") Cinematography by Subrata Mitra Soumitra Chatterjee ... Amal Madhabi Mukherjee ... Charulata Shailen Mukherjee ... Bhupati Dutta SATYAJIT RAY (director) (b. May 2, 1921 in Calcutta, West Bengal, British India [now India]—d. April 23, 1992 (age 70) in Calcutta, West Bengal, India) directed 37 films and TV shows, including 1991 The Stranger, 1990 Branches of the Tree, 1989 An Enemy of the People, 1987 Sukumar Ray (Short documentary), 1984 The Home and the World, 1984 (novel), 1979 Naukadubi (story), 1974 Jadu Bansha (lyrics), “Deliverance” (TV Movie), 1981 “Pikoor Diary” (TV Short), 1974 Bisarjan (story - as Kaviguru Rabindranath), 1969 Atithi 1980 The Kingdom of Diamonds, 1979 Joi Baba Felunath: The (story), 1964 Charulata (from the story "Nastaneer"), 1961 Elephant God, 1977 The Chess Players, 1976 Bala, 1976 The Kabuliwala (story), 1961 Teen Kanya (stories), 1960 Khoka Middleman, 1974 The Golden Fortress, 1973 Distant Thunder, Babur Pratyabartan (story - as Kabiguru Rabindranath), 1960 1972 The Inner Eye, 1972 Company Limited, 1971 Sikkim Kshudhita Pashan (story), 1957 Kabuliwala (story), 1956 (Documentary), 1970 The Adversary, 1970 Days and Nights in Charana Daasi (novel "Nauka Doobi" - uncredited), 1947 the Forest, 1969 The Adventures of Goopy and Bagha, 1967 The Naukadubi (story), 1938 Gora (story), 1938 Chokher Bali Zoo, 1966 Nayak: The Hero, 1965 “Two” (TV Short), 1965 The (novel), 1932 Naukadubi (novel), 1932 Chirakumar Sabha, 1929 Holy Man, 1965 The Coward, 1964 Charulata, 1963 The Big Giribala (writer), 1927 Balidan (play), and 1923 Maanbhanjan City, 1962 The Expedition, 1962 Kanchenjungha, 1961 (story). -
R E – I N T E R P R E T I N G L E G a C Y O F M E H R a U
REINTERPRETING LEGACY OF MEHRAULI THESIS Submitted in partial fulfilment of the Requirements for the award of the degree Of BACHELORS OF ARCHITECTURE By SHUBHAM MEHTA SCHOOL OF ARCHITECTURE GALGOTIAS UNIVERSITY GREATER NOIDA UTTAR PRADESH RE-INTERPRETING LEGACY OF MEHRAULI Shubham Mehta Bachelor of architecture 5th year, X semester Guide: Ar. Ruchi Arora 1 CANDIDATE DECLARATION I hereby certify that the work that is being presented in this dissertation, entitled “REINTERPRETING LEGACY OF MEHRAULI” in partial fulfilment of the requirements for the award of the Bachelors of Architecture submitted to the School of Architecture of the Galgotias University Greater Noida, India, is an authentic record of my work carried out during the period December 2018 to May 2019, under the guidance of prof. Ar. Ruchi , Associate Professor of School of Architecture, Galgotias University, Greater Noida. The matter embodied in this has not been submitted for the award of any other degree. Place: Greater Noida Shubham Mehta Date: Enrollment No. 1421101033 CERTIFICATE This is to certify that the above mentioned statement made by the candidate is correct to the best of my knowledge. Thesis Guide Thesis Co-ordinator Ar. Ruchi Ar. Ruchi Associate Professor School of Architecture Galgotias University Greater Noida, U.P India Dean SOA Prof. Atul Setia Reinterpreting legacy of Mehrauli 2 ACKNOWLEDGEMENT The culmination of this THESIS on the “REINTERPRETING CREMATORIUM AND ITS PRECINCTS” has brought me one step closer to the completion of the Bachelors of Architecture. The dissertation has led me to the acquisition of specialized and state of the art knowledge, required for the development of my dissertation thesis, and it was also an opportunity to improve my lecture presentation performance and research skills. -
How to Cite Complete Issue More Information About This Article
Revista Científica Arbitrada de la Fundación MenteClara ISSN: 2469-0783 [email protected] Fundación MenteClara Argentina Basu, Ratan Lal Tagore-Ocampo relation, a new dimension Revista Científica Arbitrada de la Fundación MenteClara, vol. 3, no. 2, 2018, April-September 2019, pp. 7-30 Fundación MenteClara Argentina DOI: https://doi.org/10.32351/rca.v3.2.43 Available in: https://www.redalyc.org/articulo.oa?id=563560859001 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Tagore-Ocampo relation, a new dimension Ratan Lal Basu Artículos atravesados por (o cuestionando) la idea del sujeto -y su género- como una construcción psicobiológica de la cultura. Articles driven by (or questioning) the idea of the subject -and their gender- as a cultural psychobiological construction Vol. 3 (2), 2018 ISSN 2469-0783 https://datahub.io/dataset/2018-3-2-e43 TAGORE-OCAMPO RELATION, A NEW DIMENSION RELACIÓN TAGORE-OCAMPO, UNA NUEVA DIMENSIÓN Ratan Lal Basu [email protected] Presidency College, Calcutta & University of Calcutta, India. Cómo citar este artículo / Citation: Basu R. L. (2018). « Tagore-Ocampo relation, a new dimension». Revista Científica Arbitrada de la Fundación MenteClara, 3(2) abril-septiembre 2018, 7-30. DOI: 10.32351/rca.v3.2.43 Copyright: © 2018 RCAFMC. Este artículo de acceso abierto es distribuido bajo los términos de la licencia Creative Commons Attribution-Non Commercial (by-cn) Spain 3.0. Recibido: 23/05/2018. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
New Bulletin July.Cdr
INFORMATION & CULTURAL AFFAIRS DEPARTMENT GOVT. OF WEST BENGAL N A N D A N - Bulletin A monthly publication of the West Bengal Film Centre JULY, 2019 NANDAN, WEST BENGAL FILM CENTRE, 1/1 A.J.C. BOSE ROAD, KOLKATA -7000020 Nandan, West Bengal Film Centre was opened on 2nd September, 1985 under the aegis of the Department of Information & Cultural Affairs, Government of West Bengal for promotion of lm and lm culture. In the words of Late Satyajit Ray, the eminent lm maker from Bengal and the rst Chairman of Nandan; “the Centre would concern itself with all aspects of cinema”. Functions : As an art house for release of quality lms and organising lm festivals, retrospectives, children's lm shows, documentaries etc. to serve the requirements of Film clubs/ Societies for their screenings and other programmes and regular screenings of movies at Nandan I & II auditoriums. Objective : Nandan concentrates on cinema as a subject of study and as a cultural movement and endeavours to preserve cinema of signicance in its archives. Its library is constantly being enriched with collection of books and periodicals on cinema which is open to all lm lovers. Nandan is a State Government funded lm promotion centre and runs under the policy direction and supervision of an Advisory Committee. MAHANAYAK SAMMAN 2019 AWARDEES Best Child Actor : JASHOJEET BANERJEE Best Producer : 1. SVF ENTERTAINMENT PVT. LTD. (Adventures of Jojo) 2. ACROPOLIS ENTERTAINMENT Best Make up Artist : RAM CHANDRA RAJAK PVT. LTD. (Nagar Kirtan) Best Actress : TANUJA MUKHERJEE Best Costume Designer : GOBINDA MONDAL (Sonar Pahar) (Nagar Kirtan) Best Actor : RITWICK CHAKRABORTY Best Director : KAUSHIK GANGULY (Nagar Kirtan) (Nagar Kirtan) Best Screenplay : SRIJIT MUKHERJEE Best Film : EK JE CHILO RAJA (Ek Je Chhilo Raja) Director - Srijit Mukherjee Best Music Director : PRASEN (PRASENJIT MUKHERJEE) Producer - SVF ENTERTAINMENT PVT. -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai. -
English Medium with Regional Language Telugu
TSDEECET 2017 Result List - Medium - (English Medium with Regional Language Telugu) CANDIDATE_ID HALLTICKET_NO CANDIDATE_NAME TOTAL_SCORE GENDER COMMUNITY_ID RANK_MEDIUM_WISE QUALIFY_STATUS 61031000 12000101 NAYAKINI NIRONICA 44 F BC-C 1280 QUALIFIED 61033000 12000103 BEERELLI SHIVAKUMAR CHARY 26 M BC-B NQ 61014000 12000105 BEGARI SUSHMA SWARAJ 51 F SC 414 QUALIFIED 61016000 12000106 MANGALI BHAVANI 52 F BC-A 363 QUALIFIED 61019000 12000109 DUDHANKAR DEVI 44 F BC-D 1349 QUALIFIED 61011100 12000111 GOLUSUGARI SUMANA SUPRIYA 27 F SC 5643 QUALIFIED 61002100 12000112 NANDIPETA BHARATH KUMAR 35 M BC-B 3942 QUALIFIED 61005100 12000116 KORE DIVYA 35 F SC 4115 QUALIFIED 61015100 12000117 DASA SOWMYA 32 F BC-B NQ 61025100 12000118 B SHIVANI 58 F BC-A 111 QUALIFIED 61037100 12000119 KELUTH MOHAN 32 M ST 4742 QUALIFIED 61017200 12000124 K JYOTHI 31 F SC 4994 QUALIFIED 61040300 12000126 S PRAVALIKA 31 F BC-A NQ 61005300 12000129 REDDY PRANITHA 43 F BC-D 1526 QUALIFIED 61025300 12000131 ARDHABOINA MAMATHA 38 F BC-D 2854 QUALIFIED 61006300 12000132 MOSALI KRISHNA MOHAN 34 M SC 4403 QUALIFIED 61007300 12000133 VELLUTLA SUSHMITHA 30 F SC 5180 QUALIFIED 61010400 12000135 CHENNABOINA KALYANI 34 F BC-D NQ 61020400 12000136 B SHAILAJA 39 F SC 2738 QUALIFIED 61012400 12000137 MD AFROZ 40 M BC-E 2326 QUALIFIED 61003400 12000139 KOTHAGADI SRILATHA 29 F BC-B NQ 61023400 12000140 N SOWMYA 31 F ST 4920 QUALIFIED 61018400 12000141 T SWATHI 28 F BC-D NQ 61000500 12000143 AMRUTHA 43 F BC-B 1520 QUALIFIED 61022500 12000145 E KAVITHA 32 F BC-B NQ 61003500 12000146