Herausragende GITARRIST(IN)EN
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Guitar Center Partners with Eric Clapton, John Mayer, and Carlos
Guitar Center Partners with Eric Clapton, John Mayer, and Carlos Santana on New 2019 Crossroads Guitar Collection Featuring Five Limited-Edition Signature and Replica Guitars Exclusive Guitar Collection Developed in Partnership with Eric Clapton, John Mayer, Carlos Santana, Fender®, Gibson, Martin and PRS Guitars to Benefit Eric Clapton’s Crossroads Centre Antigua Limited Quantities of the Crossroads Guitar Collection On-Sale in North America Exclusively at Guitar Center Starting August 20 Westlake Village, CA (August 21, 2019) – Guitar Center, the world’s largest musical instrument retailer, in partnership with Eric Clapton, proudly announces the launch of the 2019 Crossroads Guitar Collection. This collection includes five limited-edition meticulously crafted recreations and signature guitars – three from Eric Clapton’s legendary career and one apiece from fellow guitarists John Mayer and Carlos Santana. These guitars will be sold in North America exclusively at Guitar Center locations and online via GuitarCenter.com beginning August 20. The collection launch coincides with the 2019 Crossroads Guitar Festival in Dallas, TX, taking place Friday, September 20, and Saturday, September 21. Guitar Center is a key sponsor of the event and will have a strong presence on-site, including a Guitar Center Village where the limited-edition guitars will be displayed. All guitars in the one-of-a-kind collection were developed by Guitar Center in partnership with Eric Clapton, John Mayer, Carlos Santana, Fender, Gibson, Martin and PRS Guitars, drawing inspiration from the guitars used by Clapton, Mayer and Santana at pivotal points throughout their iconic careers. The collection includes the following models: Fender Custom Shop Eric Clapton Blind Faith Telecaster built by Master Builder Todd Krause; Gibson Custom Eric Clapton 1964 Firebird 1; Martin 000-42EC Crossroads Ziricote; Martin 00-42SC John Mayer Crossroads; and PRS Private Stock Carlos Santana Crossroads. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
Blues in the Blood a M U E S L B M L E O O R D
March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz. -
May 2008AAJ-NY.Qxd
NEW YORK May 2008 | No. 73 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com AHMAD JAMAL IT'S MAGIC Vince Giordano • George Garzone • Les Disques Victo • Dizzy’s Club • Event Calendar NEW YORK May is significant in the history of Miles Davis. Not only is the 26th the late trumpeter’s birthday but many of his most enduring works were New York@Night recorded during this month, including the Charlie Parker All-Stars (1948); the 4 Miles Davis-Tadd Dameron Quintet’s run in Paris (1949), most of the Workin’, Steamin’ and Relaxin’ triumvirate by the quintet with John Coltrane (1956), Miles Interview: Vince Giordano Ahead and At Carnegie Hall, both with the Gil Evans Orchestra (1957 and 1961 6 by Michael Hittman respectively); and the bulk of Miles in the Sky (1968). Now in May 2008, another chapter to the Miles Legacy will be written with an ambitious concert at Town Artist Feature: George Garzone Hall May 9th, “Miles From India”. A companion concert to a just-released album 7 by Matthew Miller of the same name, the concert brings together musicians who played with the legend throughout his career as well as a number of classical Indian musicians for Label Spotlight: Les Disques Victo what is billed as a “cross-cultural summit meeting”. Our Encore this month, 8 by Kurt Gottschalk guitarist Pete Cosey, is participating in what is sure to be a monumental event. But, as is typical for New York, the happenings don’t stop happening there. Club Profile: Dizzy’s Club Pianist Ahmad Jamal (Cover) brings his trio to Blue Note in a pre-release by Laurel Gross celebration of his first new album in three years, It’s Magic (Birdology-Dreyfus), due out in June. -
“O Holy Night”
“O Holy Night” From the CD “A Christmas Guitar Celebration” Guitar Lesson & Tabs http://adamrafferty.com © Copyright 2012 Crescent Ridge Publishing “O Holy Night” Guitar Lesson and Tabs Introduction December 21, 2012 Greetings! I hope this finds you well. I can’t believe Christmas is just a few days away. I’ve not had much time lately for lessons & tabs because of a heavy touring schedule...but gosh darn it...I was determined to get YOU a FREE tab just in time for the Holidays... About the Song I never really sang this hymn much as a young boy in Episcopal school, but in coming up with songs for the Christmas CD, this was suggested by many fans & listeners. When I came to know that many people sing this song in worship on Christmas Eve, I figured it would evoke a lot of emotion. That’s why I have tabbed it out for you... You can listen to the song online via SOUNDCLOUD...as well, feel free to download & share it! https://soundcloud.com/adamrafferty/o-holy-night-solo-fingerstyle Tricky Spots in the Arrangement The trickiest thing, in general about this arrangement is that it is a 3 part piece - meaning, a melody, a bass and some inner parts of chords. Playing cleanly, holding notes for their full value - and making it smooth are the goals. Particularly tricky is what you’ll encounter in measures 37, 38 39 - where the left hand pinky has to do a lot of sliding. If you have trouble with the LOW G in measure 38, just leave it out & use your open G string. -
Vitamin E Blues
Vitamin E Blues Version 2.0 (NEW - Updated With all the Blues Riffs and Licks...) Composed & Arranged by Adam Rafferty Copyright © 2015 Crescent Ridge Publishing and Adam Rafferty Table of Contents Intro to Version 2.0 Page 1 Your Plan of Attack Page 1 Changes Made Since the Original Video and Tab Page 3 Here’s The Original Lesson from 2008 Page 3 Updated 2015 - Practice Tips Page 9 Vitamin E Blues - Tabs & Notation Page 13 by Adam Rafferty © 2015 Adam Rafferty and Crescent Ridge Publishing, LLC All rights Reserved. (No part of this PDF , images, and concepts may be duplicated, or redistributed by any means and is punishable by law.) [email protected] http://studywithadam.com http://adamrafferty.com 1 Vitamin E Blues Intro to Version 2.0 (Updated With all the Blues Riffs and Licks...) Greets Gang! I can’t believe it’s been 7 years since the first “Vitamin E Blues” tab I offered on my main website http://adamrafferty.com. I am still on tour, riding the trains, pumping out concerts and TABS for you! The original “Vitamin E Blues” PDF was just blues chorus #1 (the theme) because I didn’t want to scare the pants off students. When you actually see ALL the black dots written out (musical notes - but in NY we call it fly poop) on the page - it can be VERY intimidating. Don’t be scared though, the ideas are simple once you see and understand what’s happening - so I will break it down for you, step by step. I have now launched http://studywithadam.com where I have a full video walkthrough of Vitamin E Blues (be sure to check out the FREE 14 day trial if you are not a yet member...) Since I offer these videos to students online, it was high time to create tabs for the full version. -
Funky Fingerstyle Guitar Mit Adam Rafferty Fr
Funky Fingerstyle Guitar mit Adam Rafferty Fr. 12.10.2018 ab 19:00 Begrüßung, Essen & Session Sa. 13.10.2018 10:00 – 13:00 & 14:00 – 16:30 Uhr So. 14.10.2018 10:30 –14:30 Uhr Sa. 13.10.2018 20:30 Uhr Konzert mit Adam Rafferty (Workshop Teilnehmer auf freiwilliger Basis) Adam Rafferty Adam Rafferty ist in New York City geboren und aufgewachsen. Seine meiste Zeit verbringt er „on the road“ und gibt Konzerte und Gitarren- workshops auf der ganzen Welt. Musik für andere Menschen zu spielen ist meine größte Leidenschaft. Ich liebe es aber auch, engagierten Menschen Musik beizubringen und ihnen zu „Aha“ Erlebnissen zu verhelfen. Manchmal tragen diese musikalischen Einsichten sogar zur Entwicklung der Persönlichkeit bei. Musik zu unterrichten ist meine zweite große Leidenschaft. An diesem Wochenende kann ich meinen beiden Leidenschaften mit euch zusammen nachgehen! Ich freue mich auf Euch! Kontakt: Joanna Scott Douglas www.scott-douglas.de Email: [email protected] Tel: 04702 835 9002 Workshop Beschreibung: Adam zeigt in diesem Gitarrenworkshop seine Geheimnisse des „Groove“. Du wirst eine bestimmte afrikanische Trommelsequenz lernen, die dein Rhythmusgefühl verändern und in alles, was du bereits auf der Gitarre spielen kannst, neues Leben hauchen wird. Du wirst mit zwei Solostücken von Adam beginnen und daran lernen, wie Fingerstyle- Arrangements mit Melodie, Bass und Begleitung aufgebaut werden. Kurzbiographie Mit 6 Jahren hat Adam Rafferty angefangen, Gitarre zu spielen. Sein erster Lehrer war Woody Mann, bei dem er kleine Fingerpicking Blues Tabs von Reverend Gary Davis, Blind Blake und anderen gelernt hat. Wie viele Gitarristen, ist auch er durch eine Phase mit Rock und Klassik gegangen, bevor er dann tief in den Jazz eintauchte. -
Jazz Guitarists
List of Jazz Guitarists 1. Blake Aaron 2. Eivind Aarset 3. Rez Abbasi 4. John Abercrombie 5. Paul Abler 6. Steve Abshire 7. Morris Acevedo 8. Bernard Addison 9. Steve Adelson 10. Dan Adler 11. Ron Affif 12. Noel Akchote 13. Jan Akkerman 14. Odd Steinar Albrigtsen 15. Howard Alden 16. Johnny Alegre 17. Oscar Alemán 18. Glenn Alexander 19. Neal Alger 20. Laurindo Almeida 21. Peter Almqvist 22. Frode Alnæs 23. Leonardo Amuedo 24. Chuck Anderson 25. Tuck Andress 26. John Anello Jr 27. Michael Anthony 28. Ron Anthony 29. Marc Antoine 30. Bruce Arnold 31. Irving Ashby 32. Dave Askren 33. Badi Assad 34. Gustavo Assis-Brasil 35. Chet Atkins 36. Erich Avinger B 37. Elek Bacsik 38. Mike Baggetta 39. Derek Bailey (the most radical) 40. Sheryl Bailey (blazing style, need to check out) 41. Bob Bain 42. Clint Baker 43. Duck Baker 44. Matt Balitsaris 45. Dave Barbour 46. A Spencer Barefield 47. Danny Barker 48. Everett Barksdale 49. Junior Barnard 50. George Barnes 51. Jeff Barone 52. Carl Barry 53. John Basile 54. Frode Barth 55. Billy Bauer 56. Billy Bean 57. Gerry Beaudoin 58. Jeff Beck 59. Joe Beck 60. David Becker 61. Jean-Marc Belkadi 62. Robert Bell 63. Roni Ben-Hur 64. George Benson 65. Rolf Berg 66. Gonzalo Bergara 67. Chris Bergson 68. Randy Bernsen’s 69. Peter Bernstein 70. Gene Bertoncini 71. Mads Berven 72. Skeeter Best 73. Ed Bickert 74. Brian Blade 75. Jack Bland 76. Michael Bocian 77. Pascal Bokar 78. Paul Bollenback 79. Luiz Bonfá 80. Perry Botkin Sr 81. -
31 Jahre Club Passage.Pdf
31⅔ JAHRE CLUB PASSAGE 2011 - 2017 31⅔ Jahre CLUB PASSAGE Ein Rückblick auf das Wachsen und Bestehen einer Dresdner Kultureinrichtung Dokumentation der Jahre 2011 - 2017 2011 - 2017 Vorbemerkungen Anknüpfend an unsere Broschüre „20 Jahre CLUB PASSAGE“ von 2006 Das mag das Publikum, das mögen auch unsere Künstler – also soll es und den Ergänzungsband „20+5 Jahre“ aus dem Jahr 2011 erhält der auch so sein… geschätzte, interessierte Leser nunmehr einen Rückblick auf die ver- Wir blicken zurück auf gute Jahre. Vieles hat sich prima entwickelt, gangenen sechs ⅔ Jahre ab 2011. Nun, warum gab es dieses Heft nicht z.B. das GitarrenSommerCamp. Wir spielen seit 2015 digitales Kino, zum 30. Jubiläum, wie es sich gehört? Wird der eine oder andere fra- gefördert von Bund, Land und Stadt. Wir sind aktuell mit unseren gen. Warum erst jetzt? Hattet ihr keine Lust oder habt ihr es vergessen Kinoangeboten, die Bildqualität ist bestechend. Kinder tanzen in vier oder gar getrödelt? Kursen wöchentlich, bald sollen es fünf oder sechs sein. Es muss per- Nein, ein Gespenst geht um. Es ist das Gespenst der Verunsicherung, spektivisch noch eine bessere räumliche Möglichkeit geben, damit der das sich auf die Gedanken legt. Nun ist klar, dass sich ETWAS ändern Saal dafür nicht jedes Mal komplett „entmöbelt“ werden muss, um ihn wird, nämlich der Leiter des Hauses. Der alte geht in Rente, ein neuer drei Stunden später wieder für die nächste Veranstaltung einzuräumen. wird kommen. Und der wird das gut machen. Und: Sicher gibt es reichlich private Veranstalter, die „unsere“ Künst- Aber der alte will es noch aufschreiben, was unter seiner Fuchtel pas- ler auch engagieren. -
Ilgiszletter 93024-0240 December 1996 V01
P.O. BOX 24-O Ojar, Calif. ilgiszletter 93024-0240 December 1996 V01. I5 Na 12 On Your Own several more. (Though it is a big company with multiple labels, Fantasy is the only major label without intemational conglomerate ownership.) It is ever more obvious that if good music, and indeed good art in Those days are gone. general, is to survive, it will have to be through distribution apart The situation is paralleled in the Broadway musical theater, from the major conglomerates that now control them. which presents reworked masterpieces such as Show Boat or the The successes of the jazz education movement over the course trash of Andrew Lloyd Webber. of the past three decades have been remarkable. But it has long There are similar problems in book publishing, which is not troubled thoughtful teachers in the field that the colleges and surprising; much ofthat industry is owned by the same conglomer- universities have been turning out thousands on thousands of ates that own the major record companies. I musicians with the highest professional credentials and no placeto The formidable bassist Anthony Cox, after six years of life in work. The problem is that the system has been training musicians New York, recording and touring with Elvin Jones, John Faddis, bi hasn’t been training the audience. With the gradual exclusion Geri Allen, Dewey Redman, and others, returned to Minneapolis, l forms of good music fiom America’s radio stations, this where he grew up, to live. In an interview with writer Tom natural medium of education — so incredibly effective in the Surowicz, published in the Wmter 1997 issue of the magazine 1930s and ’40s '— has played a constantly diminishing role in Midwest Jazz, Cox expressed dismay with a narrow and conformist American musical life. -
Gitarrist(In)En
GITARRIST(IN)EN Die ReihenFolge meiner GitarrenVorlieben: A-Gitarre - FingerStyle & Picking > 55 KonzertGitarre - Klassik etc. > 49 E-Gitarre - Jazz > 45 A & E-Gitarre - Blues > 21 E-Gitarre - Rock / Pop > 53 __________________________________________ Meine ganz persönliche BestenListe: +++ Mein TOP Favorit = herausragend ++ Einer meiner TOP Favoriten = sehr gut + Einer meiner Favoriten = gut __________________________________________ Die Liste funktioniert so: Zuerst ist der VorName aufgelistet, dann erst der NachName, nach der die Liste sortiert ist. __________________________________________ RollingStone Magazin Die besten Gitarristen aller Zeiten http://www.rollingstone.de/suche/?searchString=gitarristen&from=01.01.1900&to=01.01.2100&pub=rls&src=all&src=wbs&src=pct&sortBy=score&filter= __________________________________________ Noch mehr Gitarristen auf Wiki... http://de.wikipedia.org/wiki/Liste_von_Gitarristen __________________________________________ Ein ganz großes RiesenDankeschön an die freundlichen Helfer: Rolf Bauerfeind Jürgen Kastl Nadeshda - Moderatorin des GitarreSpielen.net Simon Puhlmann Ansbert Rodeck Hakan Sanlimeral und all die Anderen die lieber ungenannt bleiben möchten... __________________________________________ Schreib mir, wenn Dir ein Gitarrist fehlt, oder welchen Du wichtig findest – mit einer kurzen Begründung. Sehr hilfreich wäre auch ein Link zu einem möglichst charakteristischen Stück von dem Selben. Und was ganz wichtig ist, Du kennst die Musik des Gitarreros und seine StilRichtung. Stand Heute: 223 Gitarristinnen/Gitarristen