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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
Singapore Chinese Orchestra Instrumentation Chart
Singapore Chinese Orchestra Instrumentation Chart 王⾠威 编辑 Version 1 Compiled by WANG Chenwei 2021-04-29 26-Musician Orchestra for SCO Composer Workshop 2022 [email protected] Recommendedabbreviations ofinstrumentnamesareshown DadiinF DadiinG DadiinA QudiinBb QudiinC QudiinD QudiinEb QudiinE BangdiinF BangdiinG BangdiinA XiaodiinBb XiaodiinC XiaodiinD insquarebrackets ˙ ˙ ˙ #˙ ˙ ˙ #˙ ˙ ˙ 2Di ‹ ˙ ˙ ˙ ˙ #˙ [Di] ° & ˙ (Transverseflute) & ˙ ˙ ˙ ˙ ¢ ˙ ˙ ˙ ˙ b˙ ˙ ˙ ˙ s˙ounds 8va -DiplayerscandoubleontheXiaoinForG(samerangeasDadiinForG) -ThischartnotatesmiddleCasC4,oneoctavehigherasC5etc. #w -WhileearlycompositionsmightdesignateeachplayerasBangdi,QudiorDadi, -8va=octavehigher,8vb=octavelower,15ma=2octaveshigher 1Gaoyin-Sheng composersareactuallyfreetochangeDiduringthepiece. -PleaseusethetrebleclefforZhonghupartscores [GYSh] ° -Composerscouldwriteonestaffperplayer,e.g.Di1,Di2andspecifywhentousewhichtypeofDi; -Pleaseusethe8vbtrebleclefforZhongyin-Sheng, (Sopranomouthorgan) & ifthekeyofDiislefttotheplayers'discretion,specifyatleastwhetherthepitchshould Zhongyin-GuanandZhongruanpartscores w soundasnotatedor8va. w -Composerscanrequestforamembranelesssound(withoutdimo). 1Zhongyin-Sheng -WhiletheDadiandQudicanplayanother3semitonesabovethestatedrange, [ZYSh] theycanonlybeplayedforcefullyandthetimbreispoor. -ForeachkeyofDi,thesemitoneabovethelowestpitch(e.g.Eb4ontheDadiinG)sounds (Altomouthorgan) & w verymuffledduetothehalf-holefingeringandisunsuitableforloudplaying. 低⼋度发⾳ ‹ -Allinstrumentsdonotusetransposednotationotherthantranspositionsattheoctave. -
Chinese Video Tape (3)
Chinese Video Tape (3) 3-1 "Gusuxing" – Dizi (transverse flute) with ensemble. Song is based on melodies from music found in Jiangsu province. Note the lyrical quality that depicts a teahouse and garden. Ensemble also features the erhu (bowed lute), sheng (mouth organ), yangqin (hammered zither), zheng (plucked zither with movable bridges), and pipa (plucked lute). 3-2 "Shimian maifu" - Pipa solo (Lute) – famous solo piece that depicts an ancient battle. Performance techniques include tremolo (plucking the strings quickly with alternating fingers), stopping the string with the fingernails, and striking the body of the instrument to depict the sounds of war. 3-3 "Erquan yingyue" - Erhu with yangqin (zither). Erhu was originally used only for accompanying the voice or in ensemble settings but since the 1900s become a solo instrument as well. 3-4 "Yuzhuo changwan" – Zheng (zither) solo – song depicting a fisherman singing in the evening. Note use of pitch bending by pressing the strings (called an) and vibrato (called rou). 3-5 "Chunjiang huayeuye" - ten part instrumental ensemble suite. Depicts the mood of a river flowing on a spring night. Other instruments include a dongxiao (end-blown flute), erhu, sheng, yangqin, zheng, and pipa. The lead instruments are the dongxiao and the pipa. 3-6 "Paixiongwu" – excerpt from theatre work, depicts men walking down the street beating their chests. Originally a folk dance, it eventually made its way into the theatre. Accompanied here by a paiban (clapper), erxian (fiddle), dongxiao (flute), sanxian (lute), pipa, xiangzhan (small gong), nangu (drum), and gujiao (small gong). Dancers use a sibao ( clappers ), ruan (large, plucked lute), yugu ( drum ), and erxian (fiddle). -
Chinese Knotting
Chinese Knotting Standards/Benchmarks: Compare and contrast visual forms of expression found throughout different regions and cultures of the world. Discuss the role and function of art objects (e.g., furniture, tableware, jewelry and pottery) within cultures. Analyze and demonstrate the stylistic characteristics of culturally representative artworks. Connect a variety of contemporary art forms, media and styles to their cultural, historical and social origins. Describe ways in which language, stories, folktales, music and artistic creations serve as expressions of culture and influence the behavior of people living in a particular culture. Rationale: I teach a small group self-contained Emotionally Disturbed class. This class has 9- 12 grade students. This lesson could easily be used with a larger group or with lower grade levels. I would teach this lesson to expose my students to a part of Chinese culture. I want my students to learn about art forms they may have never learned about before. Also, I want them to have an appreciation for the work that goes into making objects and to realize that art can become something functional and sellable. Teacher Materials Needed: Pictures and/or examples of objects that contain Chinese knots. Copies of Origin and History of knotting for each student. Instructions for each student on how to do each knot. Cord ( ½ centimeter thick, not too rigid or pliable, cotton or hemp) in varying colors. Beads, pendants and other trinkets to decorate knots. Tweezers to help pull cord through cramped knots. Cardboard or corkboard piece for each student to help lay out knot patterns. Scissors Push pins to anchor cord onto the cardboard/corkboard. -
Ref No Author Title Date Content ISBN 99409 33 Rope Ties and Chain
Ref No Author Title Date Content ISBN 99409 Hull, Burling 33 Rope Ties and Chain Releases Escapology/Magic - authorised update and reprint 99310 Unknown 70 Noeuds - epissures et amarrages de marine 1958 French text B/W line drawings 99481 Ref No Ref No 2006 Ref No 99398 Harvey, James Edward A Comprehensive Text of Turk's Head Knots 1997 Line drawings, formulae and diagrams 0-9587026-2-4 99403 Harvey, James Edward A Comprehensive Text of Turk's Head Knots 1997 Many formulae for tying Turk's Head Knots 0-9587026-2-4 99454 Scott, Harold A Guide to the Multi, SingleStrand Cruciform Turk's Head 2001 Turk's Head Crosses 99425 Morales, Lily Qualls A Labour of Love - Tatting Beyond the Basics 2002 Tatting instructions and patterns - black and white photographs 99489 Ref No Ref No 2012 99224 Franklin, Eric ABC of Knots (An) 1982 Scout Badge Series 0 85174 364 1 99281 Franklin, Eric ABC of Knots (An) 1986 B/W line drawings 0 85174 526 1 99375 Wolfe, Robert M. ABC's of Double Overhand Knot Tying, The 1996 Treatise on Ashley's, Hunter's Bend & Zeppelin Knot 99201 Kemp, Barry J Amarno Reports V 1989 Report by the Egypt Exploration Soc on basketry & cordage 99181 Halifax, John Amazing Universal Knot & the Distinctive Norfolk Knot 1990 loose leaf, typed 99406 Meikle, Jeffrey L. American Plastic 1995 Includes discussion on the naming of NYLON (Photocopy) 0-8135-2234-x 99410 Budworth, Geoffrey An intreaguing folder of Geoffrey's cuttings, photos and notes 99110 Barns, Stanley Anglers knots in gut and line 1951 B/w and colour drawings 99225 Barns, Stanley Anglers knots in gut and line 1951 B/w and colour drawings 99226 Hankey, Henry Archaeology: Artifacts & Artifiction 1985 SIGNED COPY 99370 Budworth, Geoffrey Archive Material Collection of photos, clippings etc. -
Knotting Matters 92
GUILD SUPPLIES BOOKS Geoffrey Budworth The Knot Book £4.99 Plaited Moebius Bends £2.50* Knotlore 2 - a miscellany of quotes from fact and fiction £2.50* Knot Rhymes and Reasons £1.50* The Knot Scene £2.00* Brian Field Breastplate Designs £3.50* Concerning Crosses £2.00* Eric Franklin Turksheads the Traditional Way £1.50* Nylon Novelties £2.00* Stuart Grainger Knotcraft £4.00* Ropefolk £1.30* Creative Ropecraft (Hardback - 3rd Ed.) £9.95 Knotted Fabrics (Hardback) £9.00 Colin Jones The DIY Book of Fenders £9.95 Harold Scott A Guide to the Multi, Single-Strand Cruciform Turk’s Head £4.00* Skip Pennock Decorative Woven Flat Knots £12.50* * Bulk purchases of these items are available at a discount - phone for details Supplies Secretary: Bruce Turley 19 Windmill Avenue, Rubery, Birmingham B45 9SP email: [email protected] Telephone: 0121 453 4124 Knot Charts Full set of 100 charts - £10.00 Individual charts - £0.20 Knotting Matters Guild Tie Some past editions available Long, dark blue with Guild logo Brian Field - contact the Secretary for in gold - £8.95 Breastplate Designs £3.50* details Concerning Crosses £2.00* Rubber Stamp IGKT Member, with logo Badges - all with Guild logo (excludes stamp pad) £4.00 Blazer Badge - £1.00 Enamel Brooch - £2.00 Windscreen Sticker - £1.00 Certificate of Membership Parchment membership scroll, signed by the President and Hon. Sec., for mounting or hanging - £2.50 Cheques payable to IGKT, or simply send your credit card details PS Don’t forget to allow for postage 2 Knotting Matters june 2006 3 Knotting Matters The Magazine of the International Guild of Knot Tyers Issue 92 - September 2006 www.igkt.net Except as otherwise indicated, copyright in Knotting Matters is reserved to the International Guild of Knot Tyers IGKT 2006. -
Download Article (PDF)
Advances in Social Science, Education and Humanities Research, volume 171 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017) Discussion on Western Region Music in Northern Zhou Dynasty Xing Tang School of Literature Northwest Minzu University Lanzhou, China Abstract—The Northern Zhou Dynasty (including Western Western and Eastern Han Dynasty, which include folk witch Wei Dynasty), as a dynasty that serve as a link between past and music dance, welcome God music, send God music, Xiangge future, should have its place in the cultural history. In the and other songs; Later music is the Western music after the Northern Zhou Dynasty, various cultures in Western Regions Han Dynasty and before Western Wei Dynasty, which include were closely interwoven. As one of the important representatives, game music, ritual music, custom music and so on; Current the music presented a wide range of sources with a large number music is the Western music in Northern Zhou Dynasty, due to of complicated compositions. These Western music has unique the large number of countries in the Western Regions and the style but also coexistence which has very close relationship with constant attacking and frequent destruction of the Western Northern Zhou’s music, so it has great influence to the music of Northern Zhou Dynasty and even the music of future Regions, so current music in fact refers to the remnants and integration of the music of different countries in different generations. historical periods in the Western Regions, which include Keywords—Northern Zhou Dynasty; Western Regions; music Shengming music, Tuozhi music and so on. -
99272 Celtic Art : Book 1 1980 B/W Line Drawings Bain, George
Ref No Author Title Date Content ISBN 99193 - Postcards (Set of 8) Various knots I G K T 99492 Ashley, Clifford W The Book of Knots 1944 First Edition "SIGNED" (Estimated value £300) 99144 Admiralty Manual of Seamanship Vol 1, 2 & 3 (1981 & 1983) 1979 99143 Admiralty Manual of Seamanship Vol I 1937 99144 Admiralty Manual of Seamanship Vol I 1979 99144 Admiralty Manual of Seamanship Vol I 1979 99143 Admiralty Manual of Seamanship Vol II 1932 99144 Admiralty Manual of Seamanship Vol II 1981 99451 Admiralty, The Manual of Seamanship Vol 1 (1951) 1951 99121 Admiralty, The Seaman's Pocket Book 1943 B/W line drawings 99176 Aldridge, George Making Solid Sennets B/W line drawings 99155 Asher, Harry New System of Knotting Vol 1 1986 B/W line drawings I G K T 99155 Asher, Harry New System of Knotting Vol 2 1986 B/W line drawings I G K T 99150 Ashley, Clifford W Ashley Book of Knots 1946 THE basic knotting reference book 99488 Ashley, Clifford W. The Sailor and his Knots 2012 Original published in "Sea Stories Magazine" 1925 - This copy 1 of 100 0 9515506 9 1 99363 Ashley, Clifford W. Yankee Whaler, The 1991 Reprint of Ashleys book on whaling 0 486 26854 3 99399 Avery, Derek E. The New Encylopedia of Knots 1998 Text and drawings - package c/w cord 0-86019-000-5 99272 Bain, George Celtic Art : Book 1 1980 B/W line drawings 99273 Bain, George Celtic Art : Book 2, 3, 4 & 6 1980 B/W line drawings 99374 Bakker Azn, A. -
Shih-Hui Chen (B
CMYK 80807-2 SHIH -HUI CHEN (b. 1962) SILVERGRAss & OTHER ORCHESTRAL WO RK S 1. Fantasia on the Theme of Guanglingsan (2014) 11:31 SHIH -HUI CHEN for Zheng and Chinese Orchestra ■ 廣陵散的迴響 SILVERGRASS Hsin-Fang Hsu, soloist; Little Giant Chinese Orchestra; Chih-Sheng Chen, conductor & OTHER ORCHESTRAL WORKS 2. A Plea to Lady Chang’e for Nanguan Pipa and Chamber Orchestra (2014) 9:09 推枕著衣— 南管新唱 Mei-Hui Wei, soloist; Loop 38; Jerry Hou, conductor Fantasia on the Theme of Plum Blossoms for String Orchestra (2011) 18:20 梅花操的迴響 3. I. Fantasia 暗香疏影 7:53 4. II. Ten Thousand Blooms 萬花競放 4:30 5. III. Plum Blossoms 釀雪爭春 5:56 National Taiwan Symphony Orchestra, Yao-Yu Wu, conductor 6. Concerto for Pipa and Chamber Orchestra (2002) 12:50 琵琶協奏曲 Wu Man, soloist; National Taiwan Symphony Orchestra; Yao-Yu Wu, conductor Silvergrass, for Cello and Chamber Orchestra (2016) 12:20 菅芒花大提琴協奏曲 7. I. Silvergrass 菅芒花 3:08 8. II. My Vegetarian and Sutra-chanting Grandmother 吃齋唸佛的老奶奶 3:34 9. III. Turtle Island 龜山島 2:07 10. IV. Guojun Is Not Coming Home to Dinner 國峻不回來吃飯 3:31 Wen-Sinn Yang, soloist; National Taiwan Symphony Orchestra; Yao-Yu Wu, conductor TT:64:42 New World Records, 20 Jay Street, Suite 1001, Brooklyn, NY 11201 Tel (212) 290-1680 Fax (646) 224-9638 [email protected] www.newworldrecords.org This compilation & © 2020 Anthology of Recorded Music, Inc.All rights reserved. Made in U.S.A. ntercultural composition is no longer a novelty. It has become a between her earlier modernist sensibility, with its rigorous control of familiar, even commonplace, phenomenon. -
San Diego Public Library New Additions May 2009 [April 1, 2009 – May 14, 2009]
San Diego Public Library New Additions May 2009 [April 1, 2009 – May 14, 2009] Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks, eBooks & eVideos 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/AALBORG Aalborg, Gordon. The horse tamer's challenge : a romance of the old west FIC/ADAMS Adams, Will, 1963- The Alexander cipher FIC/ADDIEGO Addiego, John. The islands of divine music FIC/ADLER Adler, H. G. The journey : a novel FIC/AGEE Agee, James, 1909-1955. A death in the family FIC/AIDAN Aidan, Pamela. Duty and desire : a novel of Fitzwilliam Darcy, gentleman FIC/AIDAN Aidan, Pamela. These three remain : a novel of Fitzwilliam Darcy, gentleman FIC/AKPAN Akpan, Uwem. Say you're one of them [MYST] FIC/ALBERT Albert, Susan Wittig. The tale of Briar Bank : the cottage tales of Beatrix Potter [MYST] FIC/ALBERT Albert, Susan Wittig. Wormwood FIC/ALBOM Albom, Mitch, 1958- The five people you meet in heaven FIC/ALLEN Allen, Jeffery Renard, 1962- Holding pattern : stories [SCI-FI] FIC/ALLSTON Allston, Aaron. Star wars : legacy of the force : betrayal FIC/AMBLER Ambler, Eric, 1909-1998. A coffin for Dimitrios FIC/AMIS Amis, Kingsley. Lucky Jim FIC/ANAYA Anaya, Rudolfo A. Bless me, Ultima FIC/ANAYA Anaya, Rudolfo A. The man who could fly and other stories [SCI-FI] FIC/ANDERSON Anderson, Kevin J., 1962- The ashes of worlds FIC/ANDERSON Anderson, Sherwood, 1876-1941. -
Nanyin Musical Culture in Southern Fujian, China : Adaptation and Continuity
Lim, Sau-Ping Cloris (2014) Nanyin musical culture in southern Fujian, China : adaptation and continuity. PhD Thesis. SOAS, University of London. http://eprints.soas.ac.uk/id/eprint/20292 Copyright © and Moral Rights for this PhD Thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This PhD Thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this PhD Thesis, full bibliographic details including the author, title, awarding institution and date of the PhD Thesis must be given e.g. AUTHOR (year of submission) "Full PhD Thesis title", name of the School or Department, PhD PhD Thesis, pagination. NANYIN MUSICAL CULTURE IN SOUTHERN FUJIAN, CHINA: ADAPTATION AND CONTINUITY Sau-Ping Cloris Lim Volume 1: Main Text Thesis submitted for the degree of Doctor of Philosophy 2014 Department of Music School of Oriental and African Studies University of London 1 DEDICATION Dedicated to the Heavenly Father DECLARATION 2 3 ABSTRACT This thesis is a study of the musical genre nanyin, one of the oldest and most prestigious living folk traditions preserved in southern Fujian (Minnan), China. As an emblem of Minnan ethnic identity, nanyin is still actively practised in the Southeast Asian Fujianese diaspora as well. Based on ethnographic investigations in Jinjiang County, this research explores multifaceted nanyin activities in the society at large. -
Knotchartsweb.Pdf
International Guild of Knot Tyers Knot Charts Table of Contents Back Mooring Hitch ............................................................................. 3 Back Splice - 3 Strand Rope ................................................................. 4 Basic Picture Frames ............................................................................ 5 Bead Puzzle .......................................................................................... 6 Bottle (or Jar) Sling .............................................................................. 7 Bowlines - Multiple .............................................................................. 8 Carrick Bend & Mat Variations ........................................................... 9 Celtic Knot Design ............................................................................. 10 Chain Splice ........................................................................................ 11 Chinese Lanyard Knot ........................................................................ 12 Circular Mat ........................................................................................ 13 Clove Hitch Variations ....................................................................... 14 Coach Whipping ................................................................................. 15 Common Whipping Variations ........................................................... 16 Connecting Knots ............................................................................... 17 Constrictor