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1:00 PM - - - - - - - - - - - - - - - - - - - - - - - - - 1:00 PM Gottschalk: Grand Scherzo, Op 57 Alan Mandel, p Vox - CD3X-3033 (3) Run Time: 05:04 - - - Local Break - - - 1:05 PM Saint-Saëns: Symphony #2 in a, Op 55 Ulster Orch, Yan-Pascal Tortelier Chandos - CHAN-8822 Run Time: 20:58 - - - Local Break - - - 1:27 PM Delius: "Scherzo" English Northern Philharmonia, David Lloyd-Jones Naxos - 8.553535 Run Time: 05:50 - - - 1:33 PM Castelnuovo-Tedesco: Scherzino (1935) Simca Heled, vc MMG - MCD-10051 Run Time: 04:17 - - - Local Break - - - 1:37 PM Haydn: "Scherzando" #3 in D, H II:35 Vienna Haydn Sinfonietta, Manfred Huss Koch - 3-1443-2 Run Time: 09:00 - - - 1:46 PM Mendelssohn: "Scherzo a capriccio" in f-sharp Shura Cherkassky, p Ivory Classics - 70904 Run Time: 06:26 - - - 2:00 PM - - - - - - - - - - - - - - - - - - - - - - - - - 2:00 PM Handel: Overture in d (Chandos Anthem #2) Black Dyke Mills Band, Peter Parkes Chandos - CHAN-4507 Run Time: 05:48 - - - Local Break - - - 2:05 PM Elgar: "Falstaff" (Symphonic Study in c), Op 68 BBC Sym Orch, Sir Andrew Davis Teldec - 98436-2 Run Time: 35:21 - - - Local Break - - - 2:42 PM L Mozart: Two-Horn Concerto in E-Flat Dvorak Chamber Orch, Petr Altrichter Bedrich Tylsar, fh Supraphon - 110769-2 Run Time: 12:49 - - - Local Break - - - 3:00 PM - - - - - - - - - - - - - - - - - - - - - - - - - 3:00 PM Grainger: "My Robin is to the Greenwood Gone" (1912) English Chamber Orch, Benjamin Britten Lon - 425159-2 Run Time: 05:35 - - - Local Break - - - 3:05 PM Gershwin: Fantasy on themes from "Porgy and Bess" Judith Cohen, p Capstone - CPS-8715 Run Time: 18:26 - - - Local Break - - - 3:25 PM Dvarionas: Violin Concerto in b Hague Residentie Orch, Neeme Järvi Vadim Gluzman, v Bis - CD-1822 Run Time: 29:44 - - - Local Break - - - 4:00 PM - - - - - - - - - - - - - - - - - - - - - - - - - 4:00 PM Schubert: Serenade, "Zögernd leise," D 920 Marcus Creed Harmonia Mundi - HMC-901669 Run Time: 05:32 - - - Local Break - - - 4:05 PM Mozart: Symphony #28 in C, K 200 Orch, Bruno Walter Sony - SMK-64473 Run Time: 17:37 - - - Local Break - - - 4:24 PM Prokofiev: Ballet, "On the Dnieper," Op 51 "Prelude" Monte Carlo Phil, James DePreist Koch - 3-7349-2 Run Time: 03:37 - - - 4:28 PM Prokofiev: "Scythian" Suite, Op 20 "Night" London Sym Orch, Antal Dorati Mer - 432753-2 Run Time: 05:46 - - - 4:33 PM Prokofiev: "The Tale of the Stone Flower," Op 118 Prologue Bolshoi Theatre Orch, Gennady Rozhdestvensky Russian Disc - RDCD-11022 Run Time: 05:57 - - - Local Break - - - 4:39 PM Prokofiev: "Cinderella," Op 87 Mazurka Scottish National Orch, Neeme Järvi Chandos - CHAN-8939 Run Time: 05:53 - - - 4:45 PM Prokofiev: "Romeo and Juliet" Suite #1, Op 64b #6, "Romeo and Juliet" (Balcony Scene) Royal Scottish National Orch, Neeme Järvi Chandos - CHAN-8940 Run Time: 08:24 - - - Local Break - - - .

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The Musical Partnership of Sergei Prokofiev And
THE MUSICAL PARTNERSHIP OF SERGEI PROKOFIEV AND MSTISLAV ROSTROPOVICH A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT FOR THE DEGREE MASTER OF MUSIC IN PERFORMANCE BY JIHYE KIM DR. PETER OPIE - ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA DECEMBER 2011 Among twentieth-century composers, Sergei Prokofiev is widely considered to be one of the most popular and important figures. He wrote in a variety of genres, including opera, ballet, symphonies, concertos, solo piano, and chamber music. In his cello works, of which three are the most important, his partnership with the great Russian cellist Mstislav Rostropovich was crucial. To understand their partnership, it is necessary to know their background information, including biographies, and to understand the political environment in which they lived. Sergei Prokofiev was born in Sontovka, (Ukraine) on April 23, 1891, and grew up in comfortable conditions. His father organized his general education in the natural sciences, and his mother gave him his early education in the arts. When he was four years old, his mother provided his first piano lessons and he began composition study as well. He studied theory, composition, instrumentation, and piano with Reinhold Glière, who was also a composer and pianist. Glière asked Prokofiev to compose short pieces made into the structure of a series.1 According to Glière’s suggestion, Prokofiev wrote a lot of short piano pieces, including five series each of 12 pieces (1902-1906). He also composed a symphony in G major for Glière. When he was twelve years old, he met Glazunov, who was a professor at the St.
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Program Notes by Dr
Pittsburgh Symphony Orchestra 2016-2017 Gala Concert September 17, 2016 MANFRED HONECK, CONDUCTOR GIL SHAHAM, VIOLIN DMITRI SHOSTAKOVICH Festive Overture, Opus 96 SERGEI PROKOFIEV “Masks” from Romeo and Juliet, Opus 64a CLAUDE DEBUSSY Clair de Lune Orch. Arthur Luck FELIX MENDELSSOHN Scherzo from the Incidental Music to Shakespeare’s A Midsummer Night’s Dream, Opus 61 RICHARD STAUSS “Moonlight Scene” from Capriccio, Opus 85 EDVARD GREIG “In the Hall of the Mountain King” from Peer Gynt ARAM KHACHATURIAN Suite from Masquerade I. Waltz IV. Romance V. Galop FRITZ KREISLER Praeludium and Allegro Orch. Clark McAlister FRITZ KREISLER Liebesleid Orch. André Kostelanetz FRITZ KREISLER Schön Rosmarin Orch. André Kostelanetz PABLO DE SARASATE Fantasy on Bizet’s Carmen for Violin and Orchestra, Opus 25 Mr. Shaham Sept. 17, 2016, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA DMITRI SHOSTAKOVICH (1906-1975) Festive Overture, Opus 96 (1954) Among the grand symphonies, concertos, operas and chamber works that Dmitri Shostakovich produced are also many occasional pieces: film scores, tone poems, jingoistic anthems, brief instrumental compositions. Though most of these works are unfamiliar in the West, one — the Festive Overture — has been a favorite since it was written in the autumn of 1954. Shostakovich composed it for a concert on November 7, 1954 commemorating the 37th anniversary of the Russian Revolution, but its jubilant nature suggests it may also have been conceived as an outpouring of relief at the death of Joseph Stalin one year earlier. One critic suggested that the Overture was “a gay picture of streets and squares packed with a young and happy throng.” As its title suggests, the Festive Overture is a brilliant affair, full of fanfare and bursting spirits.
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Sergei Prokofiev
Sergei Prokofiev Sergei Sergeyevich Prokofiev (/prɵˈkɒfiɛv/; Russian: Сергей Сергеевич Прокофьев, tr. Sergej Sergeevič Prokof'ev; April 27, 1891 [O.S. 15 April];– March 5, 1953) was a Russian composer, pianist and conductor. As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard works as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet – from which "Dance of the Knights" is taken – and Peter and the Wolf. Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, and nine completed piano sonatas. A graduate of the St Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915 Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev – Chout, Le pas d'acier and The Prodigal Son – which at the time of their original production all caused a sensation among both critics and colleagues. Prokofiev's greatest interest, however, was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev's one operatic success during his lifetime was The Love for Three Oranges, composed for the Chicago Opera and subsequently performed over the following decade in Europe and Russia.
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RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works Occupying a vast land mass that has long been a melting pot of home-spun traditions and external influences, Russia’s history is deeply encrypted in the orchestral music to be found in this catalogue. Journeying from the Russian Empire through the Soviet era to the contemporary scene, the music of the Russian masters covers a huge canvas of richly coloured and immediately accessible works. Influences of folklore, orthodox liturgy, political brutality and human passion are all to be found in the listings. These range from 19th-century masterpieces penned by ‘The Mighty Five’ (Balakirev, Rimsky-Korsakov, Mussorgsky, Borodin, and Cui) to the edgy works of Prokofiev and Shostakovich that rubbed against the watchful eye of the Soviet authorities, culminating in the symphonic output of one of today’s most noted Russian composers, Alla Pavlova. Tchaikovsky wrote his orchestral works in a largely cosmopolitan style, leaving it to the band of brothers in The Mighty Five to fully shake off the Germanic influence that had long dominated their homeland’s musical scene. As part of this process, they imparted a thoroughly ethnic identity to their compositions. The titles of the works alone are enough to get the imaginative juices running, witness Borodin’s In the Steppes of Central Asia, Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh, and Mussorgsky’s St John’s Night on the Bare Mountain. Supplementing the purely symphonic works, instrumental music from operas and ballets is also to be found in, for example, Prokofiev’sThe Love for Three Oranges Suite, Shostakovich’s four Ballet Suites, and Stravinsky’s Firebird Suite.
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Dance Brochure
Boosey & Hawkes Music Publishers Limited Dance 2006 Edition Also see www.boosey.com/downloads/dance06icolour.pdf Figure drawings for a relief mural by Ivor Abrahams (courtesy Bernard Jacobson Gallery) The Boosey & Hawkes catalogue contains many of the most significant and popular scores in the dance repertoire, including original ballets (see below) and concert works which have received highly successful choreographies (see page 9). To hear some of the music, a free CD sampler is available upon request. Works written as ballets composer work, duration and scoring background details Andriessen Odyssey 75’ Collaboration between Beppie Blankert and Louis Andriessen 4 female singers—kbd sampler based on Homer’s Odyssey and James Joyce’s Ulysses. Inspired by a fascination with sensuality and detachment, the ballet brings together the ancient, the old and the new. Original choreography performed with four singers, three dancers and one actress. Argento The Resurrection of Don Juan 45’ Ballet in one act to a scenario by Richard Hart, premiered in 1955. 2(II=picc).2.2.2—4.2.2.1—timp.perc:cyms/tgl/BD/SD/tamb— harp—strings Bernstein The Dybbuk 50’ First choreographed by Jerome Robbins for New York City Ballet 3.3.4.3—4.3.3.1—timp.perc(3)—harp—pft—strings—baritone in 1974. It is a ritualistic dancework drawing upon Shul Ansky’s and bass soli famous play, Jewish folk traditions in general and the mystical symbolism of the kabbalah. The Robbins Dybbuk invites revival, but new choreographies may be created using a different title. Bernstein Facsimile 19’ A ‘choreographic essay’ dedicated to Jerome Robbins and 2(II=picc).2.2(=Ebcl).2—4.2.crt.2.1—timp.perc(2)— first staged at the Broadway Theatre in New York in 1946.
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Prokofiev, Sergey (Sergeyevich)
Prokofiev, Sergey (Sergeyevich) (b Sontsovka, Bakhmutsk region, Yekaterinoslav district, Ukraine, 11/23 April 1891; d Moscow, 5 March 1953). Russian composer and pianist. He began his career as a composer while still a student, and so had a deep investment in Russian Romantic traditions – even if he was pushing those traditions to a point of exacerbation and caricature – before he began to encounter, and contribute to, various kinds of modernism in the second decade of the new century. Like many artists, he left his country directly after the October Revolution; he was the only composer to return, nearly 20 years later. His inner traditionalism, coupled with the neo-classicism he had helped invent, now made it possible for him to play a leading role in Soviet culture, to whose demands for political engagement, utility and simplicity he responded with prodigious creative energy. In his last years, however, official encouragement turned into persecution, and his musical voice understandably faltered. 1. Russia, 1891–1918. 2. USA, 1918–22. 3. Europe, 1922–36. 4. The USSR, 1936–53. WORKS BIBLIOGRAPHY DOROTHEA REDEPENNING © Oxford University Press 2005 How to cite Grove Music Online 1. Russia, 1891–1918. (i) Childhood and early works. (ii) Conservatory studies and first public appearances. (iii) The path to emigration. © Oxford University Press 2005 How to cite Grove Music Online Prokofiev, Sergey, §1: Russia: 1891–1918 (i) Childhood and early works. Prokofiev grew up in comfortable circumstances. His father Sergey Alekseyevich Prokofiev was an agronomist and managed the estate of Sontsovka, where he had gone to live in 1878 with his wife Mariya Zitkova, a well-educated woman with a feeling for the arts.
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'Classical Music for Children' Catalogue
Classical Music for Children LOURFUL GUIDE TO TH YOUR CO E ORCHESTRA BOOKS Those Amazing Musical Instruments by Genevieve Helsby ! From the cello to the bassoon, the tuba to the timpani, Those Amazing Musical Instruments! NEW takes you on an exciting musical tour! In a revised edition, including access to a brand new, exclusive website, this vibrant, colourful, comprehensive and unique book is a rich exploration of orchestral instruments. Learn about the character of each instrument, how it is constructed and played, which instruments go well together, and hear how they all sound! With featured guide, conductor Marin Alsop, you’ll even know your heckelphone from your sackbut and your tom-tom from your tam-tam – all by spending hours of fun with words, pictures and music tracks. Watch Video Trailer Key Features: • Revised edition, with updated cover design and a brand new website. • Features world-renowned conductor ISBN 978-1-78198-358-4 Marin Alsop. Format: Softback • Author Genevieve Helsby has also 176 pages written My First Classical Music Book, My First Orchestra Book and Publication Date: My First Piano Book, all of which © Grant Leighton 7 May 2021 9 781781 983584 have sold thousands of copies. • Covers all major sections of the orchestra. BOOK + WEBSITE • Every instrument can be heard on its own and with other instruments, with access to the exclusive website. • Follows huge success of the previous edition (Meet the Instruments of the Orchestra! in the UK and Those Amazing Musical Instruments! in the US). ALSO AVAILABLE My First My First My First Classical Music Book Piano Book Orchestra Book ISBN: 978-1-84379-118-8 ISBN: 978-1-78198-029-3 ISBN: 978-1-84379-770-8 162 CLASSICAL MUSIC FOR CHILDREN It's never too early to start on the life-long, magical journey of discovery in the world of classical music.
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London Symphony Orchestra
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Sergei Prokofiev: a Catalogue of the Orchestral Music
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ONYX4139.Pdf
4139_itunes_book_V1_. 30/09/2014 15:49 Page 1 4139_itunes_book_V1_. 30/09/2014 15:49 Page 2 SERGEI PROKOFIEV (1891–1953) Symphony no.2 in D minor op.40 Sinfonie Nr. 2 d-moll · Symphonie no2 en ré mineur 1 I Allegro ben articolato 11.51 2 II Tema – Andante 1.56 3 Variation I: L’istesso tempo 2.22 4 Variation II: Allegro non troppo 2.57 5 Variation III: Allegro 2.23 6 Variation IV: Larghetto 4.49 7 Variation V: Allegro con brio 2.41 8 Variation VI: Allegro moderato 6.25 Sinfonietta in A op.5/48 Sinfonietta A-dur · Sinfonietta en la majeur 9IAllegro giocoso 5.32 10 II Andante 5.07 11 III Intermezzo: Vivace 2.55 12 IV Scherzo: Allegro risoluto 2.56 13 V Allegro giocoso 4.54 Symphony no.1 in D op.25 ‘Classical’ Sinfonie Nr. 1 D-dur „Klassische“ · Symphonie no1 en ré majeur « Classique » 14 I Allegro 4.32 15 II Larghetto 4.08 16 III Gavotta: Non troppo allegro 1.37 17 IV Finale: Molto vivace 4.18 18 Autumnal Sketch Herbstskizze · Esquisse automnale 7.32 Total timing: 79.29 Bournemouth Symphony Orchestra Kirill Karabits 4139_itunes_book_V1_. 30/09/2014 15:49 Page 3 Introduction by Kirill Karabits My intention is to explore the development of Prokofiev’s symphonic style from his lesser- known early works, written when he was still living with his family in Sontsovka, today’s After recording the Symphonies nos. 3 & 7, this is our next volume in our cycle of Donbass region of Ukraine.
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At Zoellner Pennsylvania Youth Ballet Ballet Guild of the Lehigh Valley with the Southside Sinfonietta
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Ballet the Sound of Ballet
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