DOCSLIB.ORG

Summer Recital Series

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Summer Recital Series SUMMER RECITAL SERIES The Met’s annual Summer Recital Series features six performances in parks throughout all five boroughs, starting June 11 at SummerStage in Central Park. The Summer Recital Series is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, and in collaboration with the Department of Parks and Recreation. Major funding has also been provided by The Elizabeth B. McGraw Foundation, in honor of Mrs. McGraw. Bill de Blasio, Mayor, City of New York Tom Finkelpearl, Commissioner, Cultural Affairs Mitchell J. Silver, Commissioner, Parks and Recreation Heather Lubov, Executive Director, City Parks Foundation CORY14 WEAVER / MET OPERA MON JUN 11 | 8 PM Central Park SummerStage ROSSINI “Largo al factotum della città” MANHATTAN from Il Barbiere di Siviglia JOSHUA HOPKINS PUCCINI “Che gelida manina” from La Bohème WED MARIO CHANG JUN 13 | 7 PM DVORˇ ÁK “Měsíčku na nebi hlubokém” Brooklyn Bridge Park (Song to the Moon) from Rusalka Pier 1 LATONIA MOORE BROOKLYN BIZET “Au fond du temple saint” from Les Pêcheurs de Perles Latonia Moore MARIO CHANG SOPRANO JOSHUA HOPKINS Mario Chang BIZET “Parle-moi de ma mère” from Carmen TENOR LATONIA MOORE MARIO CHANG Joshua Hopkins BARITONE BELLINI “Ah! per sempre io ti perdei” from I Puritani Dan Saunders JOSHUA HOPKINS PIANO PUCCINI “O mio babbino caro” from Gianni Schicchi Mary Jo Heath LATONIA MOORE HOST MOZART “Bei Männern” from Die Zauberflöte Program subject to change LATONIA MOORE JOSHUA HOPKINS The photographing, audio recording, or videotaping of DONIZETTI “Una furtiva lagrima” this performance is prohibited. from L’Elisir d’Amore Yamaha is the Official Piano of MARIO CHANG the Metropolitan Opera. PUCCINI “Addio, mio dolce amor” from Edgar LATONIA MOORE INTERMISSION 16 PUCCINI “O Mimì, tu più non torni” from La Bohème MARIO CHANG JOSHUA HOPKINS CATALANI “Ebben … ne andrò lontana” from La Wally LATONIA MOORE MOZART “Deh vieni alla finestra” from Don Giovanni JOSHUA HOPKINS VERDI “Ella mi fu rapita! … Parmi veder le lagrime” from Rigoletto MARIO CHANG VERDI “Parigi, o cara” from La Traviata LATONIA MOORE MARIO CHANG RODGERS “If I Loved You” from Carousel LATONIA MOORE JOSHUA HOPKINS VIVES “Por el humo se sabe donde está el fuego” from Doña Francisquita MARIO CHANG LEHÁR “Meine Lippen, sie küssen so heiß” from Giuditta LATONIA MOORE RODGERS “Some Enchanted Evening” from South Pacific JOSHUA HOPKINS 17 THU VERDI “Questa o quella”from Rigoletto JUN 21 | 7 PM GERARD SCHNEIDER Clove Lakes Park MOZART “Hai già vinta la causa … STATEN ISLAND Vedrò mentr’io sospiro” from Le Nozze di Figaro ADRIAN TIMPAU LEONCAVALLO “Qual fiamma avea nel guardo … SAT Stridono lassù” from Pagliacci JUN 23 | 3 PM GABRIELLA REYES DE RAMÍREZ Williamsbridge Oval DONIZETTI “Tran, tran, tran, tran … BRONX In guerra ed in amor” from L’Elisir d’Amore GABRIELLA REYES DE RAMÍREZ GERARD SCHNEIDER WED ADRIAN TIMPAU VERDI “Dio, che nell’alma infondere” JUN 27 | 7 PM from Don Carlo Jackie Robinson Park GERARD SCHNEIDER MANHATTAN ADRIAN TIMPAU PUCCINI “Tu che di gel sei cinta” from Turandot FRI GABRIELLA REYES DE RAMÍREZ TCHAIKOVSKY “Ya vas lyublyu” (Yeletsky’s Aria) JUN 29 | 7 PM from The Queen of Spades Socrates Sculpture Park ADRIAN TIMPAU QUEENS GOUNOD “Salut! demeure chaste et pure” from Faust Gabriella Reyes GERARD SCHNEIDER de Ramírez MOZART SOPRANO “Là ci darem la mano” from Don Giovanni Gerard Schneider GABRIELLA REYES DE RAMÍREZ ADRIAN TIMPAU TENOR TCHAIKOVSKY “Kuda, kuda, kuda vy udalilis” Adrian Timpau (Lenski’s Aria) from Eugene Onegin BARITONE GERARD SCHNEIDER Dan Saunders FLOYD “Ain’t it a pretty night” from Susannah PIANO GABRIELLA REYES DE RAMÍREZ Program subject to change WAGNER “O du, mein holder Abendstern” from Tannhäuser The photographing, audio ADRIAN TIMPAU recording, or videotaping of this performance is prohibited. PUCCINI “O soave fanciulla” from La Bohème Yamaha is the Official Piano GABRIELLA REYES DE RAMÍREZ of the Metropolitan Opera. GERARD SCHNEIDER 20 THE ARTISTS Mario Chang TENOR (Guatemala City, Guatemala) UPCOMING Alfredo in La Traviata at Washington National Opera and Atlanta Opera, and Corrado in Verdi’s Il Corsaro in concert in Frankfurt. MET APPEARANCES Arturo in Lucia di Lammermoor, Nemorino in L’Elisir d’Amore, the Italian Singer in Der Rosenkavalier, and the Fourth Esquire in Parsifal (debut, 2013). CAREER HIGHLIGHTS He is a graduate of the Met’s Lindemann Young Artist Development Program and a member of the ensemble at Oper Frankfurt, where his performances have included the title roles of Werther and Roberto Devereux, the Italian Singer in Capriccio and Der Rosenkavalier, the Duke in Rigoletto, Lenski in Eugene Onegin, Edgardo in Lucia di Lammermoor, Cassio in Otello, and Rodolfo in La Bohème. Other recent credits include Ismaele in Nabucco and Rodolfo at LA Opera, Edgardo at the Santa Fe Opera, and Alfredo at North Carolina Opera. Joshua Hopkins BARITONE (Pembroke, Canada) UPCOMING Figaro in Il Barbiere di Siviglia at the Glimmerglass Festival, Harry Bailey in Jake Heggie’s It’s a Wonderful Life at San Francisco Opera, Valentin in Faust at Washington National Opera, and Dr. Malatesta in Don Pasquale at Pittsburgh Opera. MET APPEARANCES Mercutio in Roméo et Juliette, Schaunard in La Bohème, Cecil in Maria Stuarda, and Ping in Turandot (debut, 2009). CAREER HIGHLIGHTS Recent performances include Guglielmo in Così fan tutte at Lyric Opera of Chicago, Figaro at the Norwegian National Opera, Dr. Falke in Die Fledermaus and Olivier in Capriccio at the Santa Fe Opera, the title role of Don Giovanni at Utah Opera, Papageno in Die Zauberflöte at the Canadian Opera Company, Harry Bailey in the world premiere of It’s a Wonderful Life at the Dallas Opera, and the Count in Le Nozze di Figaro at Washington National Opera. 21 THE ARTISTS (CONTINUED) Latonia Moore SOPRANO (Houston, Texas) UPCOMING Serena in Porgy and Bess at Dutch National Opera and the title role of Tosca at Washington National Opera. MET APPEARANCES The title role of Aida (debut, 2012) and Cio-Cio-San in Madama Butterfly. CAREER HIGHLIGHTS She has sung Aida in Buenos Aires, Zurich, and Tokyo; at the Polish National Opera, English National Opera, Opera Australia, Pittsburgh Opera, Cincinnati Opera, Michigan Opera Theatre, San Diego Opera, and Dallas Opera; and in concert in Bergen, Norway, and at Ravinia Festival. Other recent credits include Tosca at Opera Australia and New York City Opera; Desdemona in Otello in Bergen; Fidelia in Puccini’s Edgar in Dortmund, Germany; Cio-Cio-San at San Diego Opera and in Hamburg; Liù in Turandot at Covent Garden; and Liù, Mimì in La Bohème, and Cio-Cio-San in Dresden. Gabriella Reyes de Ramírez SOPRANO (Meriden, Connecticut) UPCOMING The Priestess in Aida for her house debut, Nella in Gianni Schicchi, and the First Lady in The Magic Flute at the Met. CAREER HIGHLIGHTS She is a member of the Met’s Lindemann Young Artist Development Program and was a grand finalist in the 2017 Metropolitan Opera National Council Auditions. Recent credits include the First Lady in excerpts of Die Zauberflöte with the Los Angeles Philharmonic; Beethoven’s Symphony No. 9 with the New Haven Symphony Orchestra; the Countess in Le Nozze di Figaro, the title role of Tobias Picker’s Emmeline, and the soprano soloist in Philip Glass’s Hydrogen Jukebox with the Boston University Opera Institute; and the Princess in Montsalvatge’s El Gato con Botas with OperaHub. Dan Saunders PIANIST (New York, New York) CAREER HIGHLIGHTS He joined the Met’s music staff in 1985 and has performed with many of the world’s leading singers, including Jessye Norman, Kiri Te Kanawa, Kathleen Battle, Marilyn Horne, Tatiana Troyanos, Isabel Leonard, Dmitri Hvorostovsky, Sir Thomas Allen, Nathan Gunn, and Gerald Finley, among others. He has performed at Carnegie Hall, the Kennedy Center, Paris’s Opéra Bastille, San Francisco Opera, London’s Wigmore Hall, and the White House, as well as at the Salzburg, Tanglewood, Ravinia, and Santa Fe Chamber Music Festivals. He has also been featured on Live from Lincoln Center, The Today Show, The Tonight Show, and The Late Show with David Letterman and can be heard on the Sony, Denon, and Newport Classics labels. 22 Gerard Schneider TENOR (Melbourne, Australia) UPCOMING Mozart in Rimsky-Korsakov’s Mozart and Salieri and Ivan Likov in The Tsar’s Bride at the Bard SummerScape Festival; the First Guard in Die Zauberflöte, the Prince in Rusalka, and the Shepherd in Szymanowski’s King Roger in Frankfurt; and the title role of Faust at Opera Omaha. CAREER HIGHLIGHTS During the 2018–19 season, he will become a member of the ensemble at Oper Frankfurt. Recent credits include Nicias in Thaïs at Minnesota Opera, Arturo in Bellini’s La Straniera at Washington Concert Opera, Prince Dimitri in Alfano’s Risurrezione with Wexford Festival Opera, Rossini’s Stabat Mater with North Carolina’s Chamber Orchestra of the Triangle, Boris in Kát'a Kabanová with Juilliard Opera, Romeo in Sutermeister’s Romeo und Julia in Frankfurt and Alzenau, the title role of Idomeneo at Ireland’s Kilkenny Arts Festival, and Osaka in Mascagni’s Iris at the Bard SummerScape Festival. Adrian Timpau BARITONE (Nisporeni, Moldova) UPCOMING Jim Larkens in La Fanciulla del West for his house debut and Moralès in Carmen at the Met. CAREER HIGHLIGHTS He is a member of the Met’s Lindemann Young Artist Development Program and a graduate of Opernhaus Zürich’s Opernstudio, where his roles included Schaunard in La Bohème and Le Dancaïre in Carmen. Other recent credits include Escamillo in Carmen at Opera Philadelphia and the Moldova National Opera, in Szczecin, Poland, and Thessaloniki, Greece, and in concert with the Queensland Symphony Orchestra; Vaughan Williams’s Dona Nobis Pacem at New York’s Saint Thomas Church; Eustachio in Donizetti’s L’Assedio di Calais at the Glimmerglass Festival; and Robert in Iolanta, the title role of Eugene Onegin, and Prince Yeletsky in The Queen of Spades at the Moldova National Opera.
Load more

Recommended publications
  • Christian Badea Conductor
    CHRISTIAN BADEA CONDUCTOR The Romanian Foundation for Excellence in Music Christian Badea - President www.frem.ro Christian Badea has received exceptional acclaim throughout his career, which encompasses prestigious engagements in the foremost concert halls and opera houses of Europe, North America, Asia and Australia. Equally dividing his time between symphony and opera conducting, Christian Badea has appeared as a frequent guest in the major opera houses of the world. At the Metropolitan Opera in New York he conducted 167 performances in a wide variety of repertoire, including many of the MET international broadcasts. Among the opera houses where Christian Badea has guest conducted, are the Vienna State Opera, the Royal Opera House of Covent Garden in London, the Bayerische Staatsoper in München, the Staatsoper in Hamburg, the Deutsche Oper am Rhein in Düsseldorf, the Grand Théâtre de Genève, the Théâtre Royal de la Monnaie in Brussels, the Netherlands Opera in Amsterdam, the Royal Opera theaters in Copenhagen and Stockholm, the Oslo Opera, the Teatro Regio in Torino and the Teatro 1 Christian Badea at the Metropolitan Opera - New York Comunale in Bologna, the Opera National de Lyon and in North America - the opera companies of Houston, Dallas, Toronto, Montreal and Detroit. In recent years, Christian Badea has received great acclaim for his work at the Budapest State Opera (Tannhäuser, Der fliegende Holländer and Parsifal) , the Sydney Opera with new productions of Tosca, La bohème, Die tote Stadt, Otello and Falstaff, Oslo Opera – a new production of Tannhäuser, collaborating with stage director Stefan Herheim and Goteborg Opera – a new Don Carlo and Turandot.
    [Show full text]
  • Don Giovanni Sweeney Todd
    FALL 2019 OPERA SEASON B R AVO Don Giovanni OCTOBER 19-27, 2019 Sweeney Todd NOVEMBER 16-24, 2019 2019 Fall Opera Season Sponsor e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. Choose one from each course: FIRST COURSE Caesar Side Salad Chef’s Soup of the Day e Whitney Duet MAIN COURSE Grilled Lamb Chops Lake Superior White sh Pan Roasted “Brick” Chicken Sautéed Gnocchi View current menus DESSERT and reserve online at Chocolate Mousse or www.thewhitney.com Mixed Berry Sorbet with Fresh Berries or call 313-832-5700 $39.95 4421 Woodward Ave., Detroit e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket.
    [Show full text]
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • Music Director Riccardo Muti Appoints Jessie Montgomery As Cso Mead Composer-In-Residence for 2021-24
    For Immediate Release: Press Contacts: April 20, 2021 Eileen Chambers CSOA, 312-294-3092 Glenn Petry 21C Media, 212-625-2038 MUSIC DIRECTOR RICCARDO MUTI APPOINTS JESSIE MONTGOMERY AS CSO MEAD COMPOSER-IN-RESIDENCE FOR 2021-24 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) is pleased to announce the appointment of composer, violinist and educator Jessie Montgomery as its next Mead Composer-in- Residence. A winner of both the Sphinx Medal of Excellence and the ASCAP Foundation’s Leonard Bernstein Award, Montgomery has emerged as one of the most compelling and sought-after voices in new music today. Appointed by Music Director Riccardo Muti, she will begin her three-year tenure on July 1, 2021, and will continue in the role through June 30, 2024. Described as “turbulent, wildly colorful and exploding with life” (Washington Post), Montgomery’s music includes such frequently performed works as Banner (2014), Starburst (2012) and Strum (2006; rev. 2012), which have collectively been programmed almost 500 times to date, with more than 100 live and virtual performances of Starburst in the past year alone. As Mead Composer-in-Residence, she will receive commissions to write three new orchestral works for the Chicago Symphony Orchestra, one to premiere during each of her three seasons in the role. In addition, she will curate MusicNOW, the CSO’s annual contemporary music series, and will receive commissions for a number of new chamber pieces to premiere in the series’ 2022-23 and 2023-24 seasons. MusicNOW will also present the Chicago premieres of some of her existing works. Founded in 1998, MusicNOW strives to bring Chicago audiences the widest possible range of today’s new music.
    [Show full text]
  • In Santa Cruz This Summer for Special Summer Encore Productions
    Contact: Peter Koht (831) 420-5154 [email protected] Release Date: Immediate “THE MET: LIVE IN HD” IN SANTA CRUZ THIS SUMMER FOR SPECIAL SUMMER ENCORE PRODUCTIONS New York and Centennial, Colo. – July 1, 2010 – The Metropolitan Opera and NCM Fathom present a series of four encore performances from the historic archives of the Peabody Award- winning The Met: Live in HD series in select movie theaters nationwide, including the Cinema 9 in Downtown Santa Cruz. Since 2006, NCM Fathom and The Metropolitan Opera have partnered to bring classic operatic performances to movie screens across America live with The Met: Live in HD series. The first Live in HD event was seen in 56 theaters in December 2006. Fathom has since expanded its participating theater footprint which now reaches more than 500 movie theaters in the United States. We’re thrilled to see these world class performances offered right here in downtown Santa Cruz,” said councilmember Cynthia Mathews. “We know there’s a dedicated base of local opera fans and a strong regional audience for these broadcasts. Now, thanks to contemporary technology and a creative partnership, the Metropolitan Opera performances will become a valuable addition to our already stellar lineup of visual and performing arts.” Tickets for The Met: Live in HD 2010 Summer Encores, shown in theaters on Wednesday evenings at 6:30 p.m. in all time zones and select Thursday matinees, are available at www.FathomEvents.com or by visiting the Regal Cinema’s box office. This summer’s series will feature: . Eugene Onegin – Wednesday, July 7 and Thursday, July 8– Soprano Renée Fleming and baritone Dmitri Hvorostovsky star in Tchaikovsky’s lushly romantic masterpiece about mistimed love.
    [Show full text]
  • Leonard Bernstein
    Leonard Bernstein Arias and Barcarolles (Bright Sheng version) 1988 31 min for mezzo and baritone, strings and percussion Orchestrated with the assistance of Bright Sheng perc(2):xyl/glsp/vib/small cym/small SD/large SD/chimes/small BD/ tamb/tgl/crotales/small tam-t/police whistle/small wdbl/large wdbl/ small susp.cym/TD-strings Availability: This work is available from Boosey & Hawkes for the world Arias and Barcarolles (Bruce Coughlin version) Leonard Bernstein photo © Susech Batah, Berlin (DG) Leonard Bernstein, arranged by Bruce Coughlin 1988, arr. 1993 31 min VOICE(S) AND ORCHESTRA arranged for mezzo-soprano, baritone and chamber orchestra 1(=picc).1(=corA).1(=Ebcl,asax).1-2.1.0.0-perc(2):timp/SD/low tom-t/ 1600 Pennsylvania Avenue trap set(hi-hat cym/ride cym/BD)/cyms/susp.cym/low gong/crot/ slapstick/rainstick/auto brake dr/police whistle/tamb/tgl/wdbl/ Selections for concert performance glsp/xyl/vib-strings(8.8.6.6.3 or 1.1.1.1.1) 1976 Availability: This work is available from Boosey & Hawkes for the world for solo voice and orchestra Bernstein's Blues Availability: This work is available from Boosey & Hawkes for the world Leonard Bernstein, arranged by Sid Ramin 2003 14 min 1600 Pennsylvania Avenue a suite of four songs arranged for voice and orchestra: Ain't Got No Tears Take Care of this House Left, Lonely Me, Screwed On Wrong, Big Stuff 1976 4 min 2.2.2.2.asax.tsax.barisax-2.2.2.1-timp-perc(trap set)-gtr-pft-strings for voice and orchestra Availability: This work is available from Boosey & Hawkes for the world 1.1.2.bcl.1-2.2.2.1-perc(2):timp/xyl/bells-harp-guitar-pft-strings
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • Musica Lirica
    Musica Lirica Collezione n.1 Principale, in ordine alfabetico. 891. L.v.Beethoven, “Fidelio” ( Domingo- Meier; Barenboim) 892. L.v:Beethoven, “Fidelio” ( Altmeyer- Jerusalem- Nimsgern- Adam..; Kurt Masur) 893. Vincenzo Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Aragall- Zaccaria; Abbado) 894. V.Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Monachesi.; Abbado) 895. V.Bellini, “Norma” (Caballé- Domingo- Cossotto- Raimondi) 896. V.Bellini, “I Puritani” (Freni- Pavarotti- Bruscantini- Giaiotti; Riccardo Muti) 897. V.Bellini, “Norma” Sutherland- Bergonzi- Horne- Siepi; R:Bonynge) 898. V.Bellini, “La sonnanbula” (Sutherland- Pavarotti- Ghiaurov; R.Bonynge) 899. H.Berlioz, “La Damnation de Faust”, Parte I e II ( Rubio- Verreau- Roux; Igor Markevitch) 900. H.Berlioz, “La Damnation de Faust”, Parte III e IV 901. Alban Berg, “Wozzeck” ( Grundheber- Meier- Baker- Clark- Wottrich; Daniel Barenboim) 902. Georges Bizet, “Carmen” ( Verret- Lance- Garcisanz- Massard; Georges Pretre) 903. G.Bizet, “Carmen” (Price- Corelli- Freni; Herbert von Karajan) 904. G.Bizet, “Les Pecheurs de perles” (“I pescatori di perle”) e brani da “Ivan IV”. (Micheau- Gedda- Blanc; Pierre Dervaux) 905. Alfredo Catalani, “La Wally” (Tebaldi- Maionica- Gardino-Perotti- Prandelli; Arturo Basile) 906. Francesco Cilea, “L'Arlesiana” (Tassinari- Tagliavini- Galli- Silveri; Arturo Basile) 907. P.I.Ciaikovskij, “La Dama di Picche” (Freni- Atlantov-etc.) 908. P.I.Cajkovskij, “Evgenij Onegin” (Cernych- Mazurok-Sinjavskaja—Fedin; V. Fedoseev) 909. P.I.Tchaikovsky, “Eugene Onegin” (Alexander Orlov) 910. Luigi Cherubini, “Medea” (Callas- Vickers- Cossotto- Zaccaria; Nicola Rescigno) 911. Luigi Dallapiccola, “Il Prigioniero” ( Bryn-Julson- Hynninen- Haskin; Esa-Pekka Salonen) 912. Claude Debussy, “Pelléas et Mélisande” ( Dormoy- Command- Bacquier; Serge Baudo). 913. Gaetano Doninzetti, “La Favorita” (Bruson- Nave- Pavarotti, etc.) 914.
    [Show full text]
  • The 28Th Edition of Aria
    The newsletter of the Kiri Te Kanawa Foundation ISSUE 28 | DECEMBER 2019 Dame Kiri comments … My seventy-fifth birthday year has been incredibly busy and filled with memorable moments, but when they told me about the move to attach my name to the Concert Hall in the Aotea Centre it took me by complete surprise. Looking back on those 75 years, for me, this has to be the high point of all the high points! 2019 has been another very interesting year for me – full of surprises and memorable experiences, interesting musical projects and lots of contact with young singers being supported by the Foundations. There is so much good news to report – from the UK Foundation’s 12-monthly report, Manase Latu taking out the Australian Singing Competition with Samson Setu CREDIT JOHN SWANNELL close behind and the appointment of two new trustees. Our current singers in the UK are also continuing to Welcome to the 28th perform and study well. edition of Aria I know you will enjoy this 28th edition of Aria. Featured in this issue . Finally I want to thank my Trustees in New Zealand and Gala Concert honours Dame Kiri 2 the UK for their untiring efforts to achieve our goals and News in brief 3 to wish them, all our enthusiastic supporters and the New UK Trustees 4 singers we are currently helping, a very Happy Christmas UK Foundation reflects 4 and New Year! on a busy year Dame Kiri and the Trustees of the Kiri Te Kanawa Foundations extend their very best wishes for a very happy Christmas to all our supporters and their families and the singers that the Foundations are privileged to work with and support.
    [Show full text]
  • We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
    Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible.
    [Show full text]
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • La Sonnambula 3 Content
    Florida Grand Opera gratefully recognizes the following donors who have provided support of its education programs. Study Guide 2012 / 2013 Batchelor MIAMI BEACH Foundation Inc. Dear Friends, Welcome to our exciting 2012-2013 season! Florida Grand Opera is pleased to present the magical world of opera to the diverse audience of © FLORIDA GRAND OPERA © FLORIDA South Florida. We begin our season with a classic Italian production of Giacomo Puccini’s La bohème. We continue with a supernatural singspiel, Mozart’s The Magic Flute and Vincenzo Bellini’s famous opera La sonnam- bula, with music from the bel canto tradition. The main stage season is completed with a timeless opera with Giuseppe Verdi’s La traviata. As our RHWIEWSRÁREPI[ILEZIEHHIHERI\XVESTIVEXSSYVWGLIHYPIMRSYV continuing efforts to be able to reach out to a newer and broader range of people in the community; a tango opera María de Buenoa Aires by Ástor Piazzolla. As a part of Florida Grand Opera’s Education Program and Stu- dent Dress Rehearsals, these informative and comprehensive study guides can help students better understand the opera through context and plot. )EGLSJXLIWIWXYH]KYMHIWEVIÁPPIH[MXLLMWXSVMGEPFEGOKVSYRHWWXSV]PMRI structures, a synopsis of the opera as well as a general history of Florida Grand Opera. Through this information, students can assess the plotline of each opera as well as gain an understanding of the why the librettos were written in their fashion. Florida Grand Opera believes that education for the arts is a vital enrich- QIRXXLEXQEOIWWXYHIRXW[IPPVSYRHIHERHLIPTWQEOIXLIMVPMZIWQSVI GYPXYVEPP]JYPÁPPMRK3RFILEPJSJXLI*PSVMHE+VERH3TIVE[ILSTIXLEX A message from these study guides will help students delve further into the opera.
    [Show full text]