No.691 (August Issue)
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Antique Japanese Swords for Sale
! Antique Japanese Swords For Sale As of October 24, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho 17th Eisho (1520) ¥2,400,000 5 A ‘FUYUHIRO’ TACHI 71.6 NTHK Kanteisho Tenbun (1532~1555) ¥1,200,000 6 A TADAKUNI KATANA 65.3 NBTHK Hozon Jokyo (1684~1688) ¥1,150,000 7 A MORIIE KATANA 71.0 NBTHK Hozon Eisho (1504~1521) ¥1,050,000 HOLD A TAKAHIRA KATANA 69.7 Tokubetsu Kicho 5th Kanai (1628) 9 A NOBUHIDE KATANA 72.1 NTHK Kanteisho 2nd Bunkyu (1862) ¥2,500,000 10 A KIYOMITSU KATANA 67.6 NBTHK Hozon 2nd Eiroku (1559) ¥2,500,000 SOLD A KANEUJI KATANA 69.8 NTHK Kanteisho Kyoho (1716~1735) ¥2,000,000 12 A NAOTSUNA KATANA 61.8 NTHK Kanteisho Oei (1394~1427) ¥600,000 13 A YOSHIKUNI KATANA 69.0 Keian (1648~1651) -
Sino-Japanese Interactions Through Rare Books
Timelines and Maps Sino-Japanese Interactions Through Rare Books English Version © Keio University Timelines and Maps East Asian History at a Glance Books are part of the flow of history. But it is not only about Japanese history. Many books travel over the sea time to time for several reasons and a lot of knowledge and information comes and go with books. In this course, you’ll see books published in Japan as well as ones come from China and Korea. Let’s take a look at the history in East Asia. You do not have to remember the names of the historical period but please refer to this page for reference. Japanese History Overview This is a list of the main periods in Japanese history. This may be a useful reference as we proceed in the course. Period Name of Era Name of Era - mid-3rd c. CE Yayoi 弥生 mid-3rd c. CE - 7th c. CE Kofun (Tomb period) 古墳 592 - 710 Asuka 飛鳥 710-794 Nara 奈良 794 - 1185 Heian 平安 1185 - 1333 Kamakura 鎌倉 Nanboku-chō 1333 - 1392 (Southern and Northern Courts period) 南北朝 1392 - 1573 Muromachi 室町 1573 - 1603 Azuchi-Momoyama 安土桃山 1603 - 1868 Edo 江戸 1868 - 1912 Meiji 明治 Era names (Nengō) in Edo Period There were several era names (nengo, or gengo) in Edo period (1603 ~ 1868) and they are sometimes used in the description of the old books and materials, especially Week 2 and Week 4. Here is the list of the era names in Edo period for your convenience; 1 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University Timelines and Maps Start Era name English Start Era name English 1596 慶長 Keichō 1744 延享 Enkyō -
Guts and Tears Kinpira Jōruri and Its Textual Transformations
Guts and Tears Kinpira Jōruri and Its Textual Transformations Janice Shizue Kanemitsu In seventeenth-century Japan, dramatic narratives were being performed under drastically new circumstances. Instead of itinerant performers giving performances at religious venues in accordance with a ritual calendar, professionals staged plays at commercial, secular, and physically fixed venues. Theaters contracted artists to perform monthly programs (that might run shorter or longer than a month, depending on a given program’s popularity and other factors) and operated on revenues earned by charging theatergoers admission fees. A theater’s survival thus hinged on staging hit plays that would draw audiences. And if a particular cast of characters was found to please crowds, producing plays that placed the same characters in a variety of situations was one means of ensuring a full house. Kinpira jōruri 金平浄瑠璃 enjoyed tremendous though short-lived popularity as a form of puppet theater during the mid-1600s. Though its storylines lack the nuanced sophistication of later theatrical narra- tives, Kinpira jōruri offers a vivid illustration of how theater interacted with publishing in Japan during the early Tokugawa 徳川 period. This essay begins with an overview of Kinpira jōruri’s historical background, and then discusses the textualization of puppet theater plays. Although Kinpira jōruri plays were first composed as highly masculinized period pieces revolving around political scandals, they gradually transformed to incorporate more sentimentalism and female protagonists. The final part of this chapter will therefore consider the fundamental characteristics of Kinpira jōruri as a whole, and explore the ways in which the circulation of Kinpira jōruri plays—as printed texts— encouraged a transregional hybridization of this theatrical genre. -
Some Observations on the Weddings of Tokugawa Shogunâ•Žs
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
The History of Nihonbashi Uogashi
— Unearthing the Four-Hundred-Year History of a Wholesale Fish Market — The History of Nihonbashi Uogashi Part 2: The Popularity of Fish in Edo By Issei Tomioka A book titled, Edo Hanjoki, by Terakado Seiken (1796–1868) that described the manners and customs of the people of Edo near the end of the Edo period (1603–1867), notes that the people loved fish so much that they said their bones would fall apart if they went without fish for three days. Several tens of thousands of fish were consumed each day. This book also depicted, in a humorous man- ner, the dynamic way in which the Uogashi, or wholesale fish market, handled their sea of fish. Originally, the Uogashi began as a way to supply fish to the shogunate. As it developed, however, the fish-eating culture of Edo flourished. Let’s take a look at the fish-eating culture that bloomed in Edo through events that took place in the Uogashi. Tokugawa Ieyasu Loved have been, “Bring me good fish.” The establishment of the Fish Uogashi as a way to supply fish to the shogunate may have Shortly after Mori Magoemon’s been the result of Ieyasu’s fondness for fish. group of fishermen from Tsukuda Illustrations village, on the northern shore of The Uncompensated Supply of Fish to the Kazan Mori (Property of the Wholesales Osaka bay, started net fishing in the Shogunate Co-operative of Tokyo Fish Market) sea near Edo, they began catching a How was fish supplied to the shogunate? An old chronicle of small, thin fish with a hollyhock the Uogashi, Nihonbashi Uoichiba Enkaku Kiyo, states that in pattern on its body that they had response to an order, Uogashi wholesalers supplied 200 fresh never seen before. -
Introduction to Japanese Swods Ⅲ HAMON Jul
Apr. 17 (Sat) ～ Introduction to Japanese Swods Ⅲ HAMON Jul. 11 (Sun) ,2021 List of Works No. Designation Type Inscription Size(cm) Province Period Collection Appreciation of Hamon Patterns (Basics) 1 □ Wakizashi Signed Echigo-no-kami KANESADA 54.5 Settsu Early Edo Period(17th century) Private collection Komidare End of Heian - Beginning of Kamakura The Japanese Sword 2 〇 Tachi Signed TOMONARI saku 96.05 Bizen Period (12-13th century) Museum The Japanese Sword 3 〇 Tachi Signed SANEKAGE 79.2 Hōki End of Heian Period (12th century) Museum Suguha Sōshū jū TSUNAHIRO 4 □ Tachi Signed Tenbun 17 nen boshin 2 gatsujitsu 77.9 Sagami Late Muromachi Period (1548) Private collection (attached) Kawa tsutsumi tetsuzukuri tachi-goshirae 5 〇 Tachi Signed UNJI 74.1 Bizen End of Kamakura Period (14th century) Private collection Chōji The Japanese Sword 6 Katana Unsigned ICHIMONJI 66.4 Bizen Mid-Kamakura Period (13th century) ※1 Museum The Japanese Sword 7 ◎ Tachi Unsigned Fukuoka ICHIMONJI 77.1 Bizen Mid-Kamakura Period (13th century) ※2 Museum (Gold inlay The Japanese Sword 8 Katana SUKEZANE 72.1 Bizen Mid-Kamakura Period (13th century) inscription) Museum Bizen Osafune jū Yokoyama SUKEKANE saku The Japanese Sword 9 Katana Signed Genji 1 nen 8 gatsujitsu 72.4 Bizen End of Edo Period (1864) Museum Tomonari 58 dai mago Notare Tsuda Echizen-no-kami SUKEHIRO The Japanese Sword 10 Katana Signed 71.1 Settsu Early Edo Period (1667) Kanbun 7 nen 8 gatsujitsu Museum 11 ■ Wakizashi Unsigned Attributed to MASAMUNE 57.5 Sagami End of Kamakura Period(14th century) -
The History of Merrymaking In
The 50th anniversary of the Suntory Foundation for the Arts Styles of Play: The History of Merrymaking in Art ● = National Treasure ◎ = Important Cultural Property June 26 to August 18, 2019 Suntory Museum of Art = Now on View ○ = Important Art Object 6/26 7/17 7/24 7/31 ▼▼▼ ▼▼▼ ▼▼▼ ▼▼▼ No. Title Artist Period Collection 7/15 7/22 7/29 8/18 Section 1: The World of “Customs, Month by Month”: Play as Part of Life 7/10 ～ ◎ scene change 1 Customs, Month by Month, Throughout the Twelve Months of the Year Momoyama period, 16th-17th century Hoshun Yamaguchi Memorial Hall 2 Customs, Month by Month Edo period, 17th century Suntory Museum of Art 3 Precious Children's Games of the Five Festivals Torii Kiyonaga Edo period, dated Kansei 7-8 (1795-1796) Suntory Museum of Art Section 2: The Origins of Enjoyment: Cultivated Pleasures to Relish with All Five Senses scene Painting by Sumiyoshi Jyokei, 4 The Tale of Genji Edo period, 17th century Suntory Museum of Art change inscription by Sono Motoyoshi 5 Suma and Hashihime, Scenes from the Tale of Genji Tosa school Edo period, 17th century Suntory Museum of Art 6 The Tale of Joruri Muromachi period, 16th century Suntory Museum of Art 7 Sugoroku Game Board with Floral Design in Maki-e Edo period, 19th century Kyoto National Museum scene 8 Tsurezure-gusa (Essays in Idleness) Kaiho Yusetsu Edo period, 17th century Suntory Museum of Art change 9 Customs (Japanese and Chinese Amusements) Edo period, 17th century Private Collection scene 10 Fan Papers Decorated with Amusements Edo period, 17th century Hosomi -
SINO-JAPANESE TRADE in the EARLY TOKUGAWA PERIOD By
SINO-JAPANESE TRADE IN THE EARLY TOKUGAWA PERIOD KANGO, COPPER, AND SHINPAI by YUN TANG B.A., Jilin University, 1982 M.A., Jilin University, 1985 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1995 ©Yun Tang, 1995 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date AoriLny?. ,MC DE-6 (2/88) ABSTRACT This thesis surveys Sino-Japanese relations in the early Tokugawa period with a specific focus on transactions in the major commodity--copper--between the two countries. The main purpose of the research is to investigate the bilateral contact in the early Tokugawa, the evolution of the copper trade, the political events involved with the trade, and to reexamine the significance of sakoku (seclusion) policy of Japan from a Chinese perspective. This thesis first explores the efforts of the shogunate from 1600 to 1625 towards reopening the kango or tally trade with China which had been suspended in the previous Muromachi period. -
Name and Fame Material Objects As Authority, Security, and Legacy
4 Name and Fame Material Objects as Authority, Security, and Legacy Morgan Pitelka In 1603 the reigning emperor elevated Tokugawa Ieyasu to the office of shogun, confirming his decisive military victory over opponents in 1600 and his subse- quent, and far-reaching, assumption of governing prerogatives (from assigning landholdings to minting coins). Preceded by a fulsome courtship of imperial favor with gifts and ritual deference, the appointment led to both the amplified administrative initiatives and ceremonial performances that might secure a fragile peace. Ieyasu tacked back and forth between the imperial capital of Kyoto and his shogunal headquarters in Edo, working all political channels to build support for his regime. Backing mattered, particularly because the teenage heir of his for- mer lord—Toyotomi Hideyoshi, who first brought union to the warring states— remained with his mother at Osaka castle as a rallying point for doubters and the disaffected. A potential division in fealty compounded the dangers of a nascent rule. Ieyasu took the precaution, consequently, of resigning the office of shogun in 1605. Surprising for a hungry ruler still establishing his mandate, the decision was prudent for a would-be dynast. Succession tormented the houses of the warring states (1467–1603). Indeed, it was contests over the headship of three leading families that had provoked the opening hostilities of the Ōnin war in Kyoto and then tangled all provinces in violence. And, again and again, throughout the ordeals upending the Ashikaga shogunate and the very premises of medieval rule, problems over heirs shaped the course of conflict. Not least in Ieyasu’s immediate memory. -
An Early Seventeenth-Century Japanese Textile in the Metropolitan Museum of Art
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1998 An Early Seventeenth-Century Japanese Textile in the Metropolitan Museum of Art Joyce Denney Metropolitan Museum of Art Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Denney, Joyce, "An Early Seventeenth-Century Japanese Textile in the Metropolitan Museum of Art" (1998). Textile Society of America Symposium Proceedings. 161. https://digitalcommons.unl.edu/tsaconf/161 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. An Early Seventeenth-Century Japanese Textile in the Metropolitan Museum of Art by Joyce Denney As a site seminar at the Metropolitan Museum of Art, a rare early seventeenth-century Japanese robe (kosode) in the Museum's collection (see ill.) was examined in depth. The sumptuous complexity of the textile from which the robe was made was analyzed, with emphasis on the textile's makers and their methods as well as the markets of the period. The ground fabric, a white float-patterned plain-weave silk, was probably produced in China. During this period Chinese silk was highly prized in Japan; nevertheless, this imported cloth was then highly embellished. The textile was resist-dyed in irregularly bordered bands that alternate in color-blue and white. On the robe's white bands hundreds of small seashells were embroidered in polychrome silk floss-giving the robe its informal nickname, "the seashell kosode." The light blue bands were decorated with gold leaf that outlines and gives interior details of the textile's repeating woven floral design. -
33. Zaozan (Zaosan))
(33. Zaozan (Zaosan)) 33. Zaozan (Zaosan) Continuously Monitored by JMA Latitude: 38°08'37" N, Longitude: 140°26'24" E, Elevation: 1,841 m (Kumanodake) (GSI Measuring Point) Overview of Zaozan (Zaosan). Taken from Zao Town on November 27, 2011 by the Japan Meteorological Agency. Summary Zaozan (Zaosan) is a basalt-andesite stratovolcano group, of which volcanic activity started with subaqueous eruption of the basaltic magma approximately 1 million to 700 thousand years ago. It was dormant for roughly 300,000 years, and then approximately 400,000 to 100,000 years ago many andesitic lava flows were discharged from multiple eruption centers, forming the peaks which make up the upper half of the volcanic edifice, such as Kumanodake (the highest peak) and Kattadake, forming the basic structure of the volcano. Approximately 30,000 years ago a caldera roughly 2 km in diameter was formed at the summit. At the same time, explosive activity involving basaltic andesite magma began, continuing intermittently even until today. Goshikidake is a post-caldera pyroclastic cone (or tuff cone) which formed within the caldera above. It has been active since approximately 2,000 years ago, and is the site of Okama crater lake (360 m in diameter, also known as Goshikinuma). Many records exist of eruptions at Okama within history. The eruptions which caused damage occurred at both inside and outside of Okama. Many of these eruptions were accompanied by lahars. Fumaroles are located in several areas, such as the new fumaroles to the northeast of Okama. The SiO2 content is between 51.3 and 64.1 wt %. -
An Outline of the Territorial Dispute Over Takeshima*
This article was translated by JIIA from Japanese into English as part of a research project sponsored by the Government of Japan to promote academic studies on the rule of law. JIIA takes full responsibility for the translation of this article. To obtain permission to use this article beyond the scope of your personal use and research, please contact JIIA by e-mail ([email protected]) Citation: Rule of Law Series, Japan Digital Library (March 2015), http://www2.jiia.or.jp/en/digital_library/rule_of_law.php An Outline of the Territorial Dispute over Takeshima* Takashi Tsukamoto Evidence shows that in the 17th century economic activities were carried out by Japanese people on Takeshima, which Japan officially incorporated into Shimane Prefecture in 1905. Although the Japanese administration thereof was temporarily suspended during the postwar occupation, the sovereignty of Japan over the island was subsequently confirmed during the preparation of the Peace Treaty. In 1952, Korea placed the island within the so-called Syngman Rhee Line, which gave rise to a dispute between Japan and Korea over the attribution of the island. From 1954 onward, Korea has been stationing armed personnel on the island, and thereby de facto occupying it. Korea calls Takeshima as Dokdo. It alleges that the Usando that appears in ancient Korean books since the 15th century refers to Takeshima, and that the 1900 ordinance provided Takeshima (Seokdo) was within the administrative area of Ulleungdo. Also, it claims that the Japanese govern- ment determined in 1877 that Takeshima was not Japanese territory. This paper outlines the historical developments relating to the territorial dispute over Takeshima by dividing it into 21 chronological sections.