The Full List of 2020 Semi-Final Round of Judging Hosts & Events
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Top 65 Women Business Influencers 04TOP 65 Women Business Influencers TABLE of Contents 01 Why
Top 65 Women Business influencers 04TOP 65 Women Business Influencers TABLE OF CONTENTs 01 Why . 3 02 Concept . 3 03 A Brief Disclaimer . 4 04 Top 65 Women Business Influencers . 5 The idea behind the creation of this list was simple; we wanted one unified document that ranked influencers based on the WHY same scale. Currently, if someone was interested that their rankings are the ultimate in answering the question of, rundown of who to follow. However, in “who are the top women business today’s hyper-data driven world, that’s influencers today?” they’d have an no longer acceptable. Consumers have extraordinarily difficult time coming grown hungrier for proof, as they’re 01 up with an accurate picture of the no longer willing to accept a list from field. Googling this question brings a reputable source with no rhyme or up a number of results . Some from reason to how it was compiled; and as Hubspot, Salesforce, Forbes, and other consumers ourselves, we were struck respectable outlets; however each of with the same problems . them suffers from a singular issue . These issues ultimately lead us None are organized in any discernible to create our own Top 65 Women way . They simply tell readers that Business Influencers list, which is their list is the most comprehensive ranked carefully by the same set of group of influencers assembled, and metrics across the board . During the creation of this list, the singular most important question we had to answer was, what’s the best indicator of an influencer? Unfortunately there’s no easy answer; CONCEPT arguments can be made for a wide variety of metrics. -
ARD-Produzentenbericht 2014
ARD-Produzentenbericht 2014 ARD-PRODUZENTENBERICHT 2014 ARD-PRODUZENTENBERICHT 2014 Inhalt Vorwort / Einleitung zum Produzentenbericht 2014 4 1. Welche Produktionen werden im Bericht berücksichtigt? 5 2. Abhängiger / unabhängiger Produzent 6 3. Darstellung nach Genres 7 4. Bestimmungen zur Auftragsvergabe 9 5. Auftrags-, Ko- und Mischproduktionen der ARD im Jahr 2014 10 5.1. Volumen an abhängige und unabhängige Produzenten 11 5.2. Aufteilung nach Genres 12 6. Übersichten zu den einzelnen ARD Landesrundfunkanstalten und der Degeto 6.1. Summe ARD Landesrundfunkanstalten und Degeto 14 6.2. Bayerischer Rundfunk 15 6.3. Hessischer Rundfunk 31 6.4. Mitteldeutscher Rundfunk 38 6.5. Norddeutscher Rundfunk 59 6.6. Radio Bremen 74 6.7. Rundfunk Berlin-Brandenburg 78 6.8. Saarländischer Rundfunk 87 6.9. Südwestrundfunk 93 6.10. Westdeutscher Rundfunk 107 6.11. Degeto 128 ARD-PRODUZENTENBERICHT 2014 Vorwort / Einleitung zum Produzentenbericht 2014 Im Jahr 2014 hat die ARD für mehr als 707 Millionen Euro Filme, Dokumentationen und Unterhaltungssendungen in Auftrag gegeben, mehr als zwei Drittel davon bei unabhängigen Produzenten. Wer hat wie viel wofür bekommen? Welche Schwerpunkte setzt die ARD bei ihren Auftragsproduktionen? Diese und viele andere, berechtigte Fragen möchten wir mit diesem Produzentenbericht aller Landesrundfunkanstalten und der Degeto Film GmbH beantworten. Das Geld, mit dem die Sendungen produziert werden, stammt überwiegend aus Beiträgen, die alle leisten – daher wollen wir auch möglichst transparent darlegen, wie wir die uns anvertrauten Gelder verwenden. Einzelne Sender der ARD berichten schon seit einigen Jahren, welche Aufträge an welche Produzenten gehen. Auf dieser Grundlage und in Beratung mit der „Allianz Deutscher Produzenten – Film & Fernsehen“ haben wir den ersten ARD-Produzentenbericht gestaltet – ein Überblick über Auftragsproduktionen, Koproduktionen und Mischproduktionen des Jahres 2014. -
About the Speakers
5-7 Oct 2013 – Bali, Indonesia PRESS (PRESS) CONTACT (CONTACT-OVERVIEW.HTML) Home (index.html) The Summit (about-overview.html) The Host Economy (host.html) Sponsors (sponsors.html) Registration (registration.html) Delegates (delegates.html) Summit Overview (about- Program Highlights Speakers About Previous Summits overview.html) (program.html) (about.html) About the Speakers The APEC CEO Summit will feature an exciting interactive program that covers the key issues affecting the Asia Pacific. As in past Summits, we look forward to the participation of many APEC Leaders taking part in the program. In addition, global states persons, thought leaders and CEO's of international companies will be taking part in robust and dynamic discussions. 'We anticipate the participation of the following APEC Leaders in the Summit program.' Speaker Line-up Tony Abbott Sebastián Piñera Xi Jinping Prime Minister Australia President of Chile President of China Susilo Bambang Yudhoyono Shinzō Abe Park Geun-Hye President of Indonesia Prime Minister of Japan President of Korea Najib Razak Enrique Peña Nieto John Key Prime Minister of Malaysia President of Mexico Prime Minister of New Zealand Ollanta Humala Benigno Aquino III Vladimir Putin President of Peru President of the Philippines President of Russia Lee Hsien Loong John Kerry Prime Minister of Singapore Secretary of State of the United States of America Business and Thought Leaders Cher Wang Christopher A. Viehbacher Dennis Nally Chairperson of HTC Corporation and Chief Executive Officer of Sanofi Chairman -
Directors and Senior Management
DIRECTORS AND SENIOR MANAGEMENT The following table sets forth certain information regarding our Directors and members of our senior management: Date of appointment as Director or Time of joining senior Name Age our Group management Position Roles and responsibilities Mr. LIU 43 June 2014 June 24, 2020 – Chairman of the Formulating the overall Xiaofeng Board corporate and business (劉小楓) June 24, 2020 – Executive strategies and overseeing the Director management and operation of June 24, 2020 – Chief executive our Group officer Ms. ZHANG 43 October 2014 June 24, 2020 – Executive Overseeing the sales and Qiuchen Director distribution of TV/web series (張秋晨) June 24, 2020 – Chief marketing and publicity and branding of officer our Group Mr. CHEN Chen 38 November 2014 June 24, 2020 – Executive Overseeing the financial (陳晨) Director operation and risk June 24, 2020 – Chief financial management and taking officer charge of departments of accounting, administration and government affairs of our Group Ms. ZHAI Fang 42 March 2017 June 24, 2020 – Executive Assisting in the daily operation (翟芳) Director and management and taking June 24, 2020 – Chief operating charge of the capital officer operation including June 24, 2020 – Joint company investment and financing of secretary our Group Mr. WANG 52 November 2018 June 24, 2020 – Non-executive Providing strategic advice and Xiaohui Director making recommendations on (王曉暉) financial management and business development to our Board – 259 – DIRECTORS AND SENIOR MANAGEMENT Date of appointment as Director or Time of joining senior Name Age our Group management Position Roles and responsibilities Mr. WANG Jun 42 May, 2020 June 24, 2020 – Non-executive Providing strategic advice and (汪駿) Director making recommendations on financial management and business development to our Board Mr. -
DICE Best Practice Guide.Pdf
BEST PRACTICE GUIDE Interactive Service, Frequency Social Business Migration, Policy & Platforms Acceptance Models Implementation Regulation & Business Opportunities BEST PRACTICE GUIDE FOREWORD As Lead Partner of DICE I am happy to present this We all want to reap the economic benefi ts of dig- best practice guide. Its contents are based on the ital convergence. The development and successful outputs of fi ve workgroups and countless discus- implementation of new services need extended sions in the course of the project and in conferences markets, however; markets which often have to be and workshops with the broad participation of in- larger than those of the individual member states. dustry representatives, broadcasters and political The sooner Europe moves towards digital switcho- institutions. ver the sooner the advantages of released spectrum can be realised. The DICE Project – Digital Innovation through Co- operation in Europe – is an interregional network We have to recognise that a pan-European telecom funded by the European Commission. INTERREG as and media industry is emerging. The search for an EU community initiative helps Europe’s regions economies of scale is driving the industry into busi- form partnerships to work together on common nesses outside their home country and to strategies projects. By sharing knowledge and experience, beyond their national market. these partnerships enable the regions involved to develop new solutions to economic, social and envi- It is therefore a pure necessity that regional political ronmental challenges. institutions look across the border and aim to learn from each other and develop a common under- DICE focuses on facilitating the exchange of experi- standing. -
First Media Partners with HBO GO to Offer Unlimited Access to All Available Content on HBO with One Subscription
PRESS RELEASE First Media partners with HBO GO to Offer Unlimited Access to All Available Content on HBO with One Subscription Jakarta, May 16th 2018 – First Media, a leader and pioneer in the cable TV industry and broadband Internet in Indonesia, presents HBO GO, an Internet-based service from HBO to bring the best mobile experience. HBO GO allows First Media customers to enjoy exclusive entertainment from HBO Originals: HBO series, HBO movies, documentaries, as well as Hollywood blockbusters through various devices (computers, tablets and smartphones). HBO GO is available for download from both the Google Play and the App Store, or visit the website at www.hbogoasia.com. "We are very excited to be the first partner in Indonesia to launch HBO GO on First Media. Aside from offering a vast array of premium channels, it is also our commitment to our subscribers to offer the best entertainment on the go (to be viewed anywhere and anytime) which includes the best of HBO Originals: HBO series, HBO movies, documentaries, as well as Hollywood blockbusters,” said Meena Kumari Adnani, Executive Vice President of Content Development and Business Affairs at First Media. Based on SVOD Report Statista 2018 the penetration of users Streaming video on demand (SVOD) accessed through the internet in Indonesia in 2018 reached 3.7% and is predicted to reach 7.9% by 2022. Internet access from mobile device users, by 2017, 28.78% of the population accesses the internet via mobile devices and is expected to reach 38.22% by 2021 (Mobile internet Statista 2017). This shows the growing trend of accessing internet video content via mobile. -
The Global Antibiotics Crisis
“Antimicrobial resistance is a global crisis – a slow motion tsunami. The situation is bad, and getting worse.“ Margaret Chan, WhO DireCtOr-general A film by michAel Wech The GlobAl AnTibioTics crisis International Documentary Film Festival www.amr-film.com A BROADVIEW PICTURES FILM A co-productioN witH ZDF IN cooperAtioN witH ARTE witH THE support OF HESSENFILM FILM- UND MEDIENSTIFTUNG NRW A FILM BY MICHAEL WECH A LEOPOLD HOESCH productioN „RESISTANCE FIGHTERS – THE GLOBAL ANTIBIOTICS CRISIS“ ciNEMAtogrAPHY BY JOHANNES IMDAHL, BVK SVEN KIESCHE edited BY MICHAEL SCHEFFOLD Music ANDREAS LUCAS souNddesigN & re-recordiNG MIXer OLIVER ACHATZ desigN & titLes GROSSE8 productioN MANAger KAROLINE NOTH ISABELL WEIHING ArcHive reseArcHer KIRBY WELCKER coLor grAdiNG MAURICE LANGEHEIN productioN coNtroLLer BETTINA KLUGE coMMissioNING editor MARTIN PIEPER (ZDF/ARTE) creAtive rroducer PETER WOLF directed BY MICHAEL WECH produced BY LEOPOLD HOESCH A Production ANTIMICROBIAL RESISTANCE FIGHTERS THE GOLBAL ANTIBIOTICS-CRISIS a co-production with In cooperation with With the support of A film by Michael Wech Produced by Leopold Hoesch Documentary I 98 Minutes I 4K INHALTSVERZEICHNIS Press Note The Protagonists Interviews and Facts Locations (selection) Interview with director Michael Wech Profile Michael Wech | Director Profile Leopold Hoesch | BROADVIEW Pictures GmbH | Producer The Crew | Technical Details | Contact 1 | 1 6 PRESS NOTE „Antimicrobial resistance is a global crisis – a slow motion tsunami. The situation is bad, and getting worse." Margaret Chan, former WHO Director-General, September 2016 In September 2019, global leaders will meet again in New York holding high-level meetings to discuss the growing resistance to antibiotics worldwide. The filming of “Antimicrobial Resistance Fighters” started in 2016 when the United Nations agreed on common guidelines in the health sector. -
News Release
News Release Contacts: Samantha Koh Pixelmetrix Corporation (+65) 547-4935 [email protected] 7th January 2002 For immediate release HBO Asia selects Pixelmetrix to efficiently manage Signal Integrity and Quality of Service 7th January 2002 – The Pixelmetrix Corporation DVStation™ Monitoring Platform has been selected by Asia’s leading entertainment provider, HBO Asia, to manage its Signal Integrity and Quality of Service of its digital broadcast facilities. The DVStation Quality Monitor Module (QMM) —a single-ended, real time Picture/Audio Quality system —will provide HBO Asia’s channels with real-time evaluation of video compression quality and audio signals. Impairments such as MPEG block noise, black out and freeze frame can be quickly identified. Additionally, HBO Asia will also make use of DVStation’s Transport Stream Processor (TSP) to provide visibility of current services, bandwidth occupancy, and basic health of the network. The advanced, fault tolerant system architecture combined with the unique automatic Service Content Validation feature of DVStation enables 24/7 real-time identification of any discrepancies between the actual broadcast and expected broadcast – for example missing services, components, subtitles, or language characteristics. Operators are quickly notified of exceptions allowing timely corrective action. “At HBO Asia, quality of our signals is key. Thus, an important criteria why we selected the Pixelmetrix DVStation was because it was the only system that could display service ID and service names contained within our transport stream,” said Mr. Vincent Teo, Senior Vice President, Technology and Operations, HBO Asia. “In addition to having a proven product that could meet our business’s needs, Pixelmetrix has a dedicated team that provides excellent technical support. -
C Ntentasia 11-24 July 2016 Page 2
11-24 JuLY 2016 ! s r a ye 2 0 C 016 g 1 NTENT - Celebratin www.contentasia.tv l www.contentasiasummit.com PCCW’s Viu pushes into MAIN COLOR PALETTE 10 GRADIENT BG GRADIENT R: 190 G: 214 B: 48 premiumR: 0 G: 0 B: 0 Take the green and the blue Take the green and the blue C: 30 M: 0 Y: 100 K: 0 C: 75 M: 68 Y: 67 K: 90 from the main palette. from the main palette. Opacity: 100% Opacity: 50% R: 0 G: 80 B: 255 R: 138 G: 140 B: 143 Blending Mode: Normal Blending Mode: Hue C: 84 M: 68 Y: 0 Singapore K: 0 C: 49 goesM: 39 Y: 38 live K: 3 with unlimited downloads & multiple pay points Uncontrollably Fond PCCW Media has added premium ver- sions of its Viu OTT platform to its offering in Singapore, supporting Singtel’s first bid to delink mobile video and set-top box TV subscriptions as well as offering a paid direct-to-consumer option. The full story is on page three HBO Asia kicks off Chinese martial arts FIRST AND EXCLUSIVE originals slate SAME DAY AS THE U.K. Brand New Season Mainland co-production Premieres Aug 28 Sundays & Mondays 10:30am (9:30am JKT/BKK) anthology confirmed Primetime Encore Sundays, Mondays & Thursdays 9pm (8pm JKT/BKK) HBO Asia has confirmed a slate of Chi- nese martial arts action TV features with prolific mainland Chinese producer, Chi- For carriage inquiries, please contact [email protected] na Movie Channel (CMC). ©2016 FremantleMedia & Simco Ltd. -
Se Bilaga 1 Tillstånd Att Sända Tv Och Sökbar Text-Tv
1/13 Dnr 19/02700 m.fl. BESLUT 2020-02-18 PARTER Se bilaga 1 SAKEN Tillstånd att sända tv och sökbar text-tv __________________ BESLUT Ansökningar om tillstånd som beviljas Myndigheten för press, radio och tv beviljar tillstånd att sända tv och sökbar text-tv för de programtjänster som anges i uppställningen nedan. Förutsättningarna för sändningarna framgår av respektive programtjänsts villkorsbilaga. De anmälda beteckningarna för programtjänster som omfattas av svensk jurisdiktion godkänns. För övriga programtjänster registreras beteckningen. Programtjänstens beteckning Villkors- Dnr Tillståndshavare Inom parentes anges bilaga sändningskvalitet 19/03283 Al Jazeera Media Network Al Jazeera English (sd) tv2020:1 19/03201 Axess Publishing AB Axess (sd) tv2020:2 19/03204 BBC Studios Distribution Ltd BBC Earth (sd) tv2020:3 19/03209 BBC Global News Ltd BBC World News (sd) tv2020:4 19/03237 C More Entertainment AB C More First (sd) tv2020:5 19/03241 C More Entertainment AB C More Fotboll & Stars HD (hd) tv2020:6 19/03242 C More Entertainment AB C More Golf & SF-kanalen (sd) tv2020:7 19/03240 C More Entertainment AB C More Hockey & Hits (sd) tv2020:8 19/03243 C More Entertainment AB C More Live (sd) tv2020:9 19/03238 C More Entertainment AB C More Series (sd) tv2020:10 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | -
1-Tuesday-Hbo-Presentation-Content
Content Rights in Latin America and the Caribbean Addressing Piracy By Javier Figueras Caribbean Pay TV Landscape ✓ The HBO Latin America Group has been operating in the Caribbean since 1991. ✓ Today HBO has a good distribution of our premium and basic network’s channel in over 28 island and over 31 operators. ✓ Many past anti piracy actions resulted in the overall benefit for the Caribbean territories, operators, programmers and the consumer. ( Bahamas, Jamaica, Cayman, Dominica & Antigua). ✓ Caribbean operators technically advanced and well-structured platforms has allowed for the roll out of our digital valued added services including OD, VODe, HBO GO, and live streaming of most of our channel for our current linear subscribers and content for OTT. Types of Piracy ✓ Internet Piracy Streaming from Site The use of Internet Streaming Devices ✓ Retransmission of US networks that includes content acquired by our basic networks CBS, NBC, ABC etc. ✓ Retransmission Piracy (900K subscribers in Caribbean and Central America) ✓ Grey Market Piracy ✓ Under Reporting (1.7 M subscribers in Caribbean and Central America) Consequences ✓ Piracy often goes hand in hand with organized crime ▪ Drug trafficking. ▪ Weapon trafficking. ▪ Money Laundry. ✓ Affects the Industry ▪ Intellectual Property Theft has accounted for losses of USD 6.5 Billion in the Pay TV Market in Latin America. ▪ Pay TV Providers lost revenue: Intellectual Property Theft, excluding online piracy, accounts for an annual loss of revenue for of USD 167 million in Central America and the Caribbean. ✓ Affects the Consumer ▪ Consumers pay for a service that might not last. ▪ Quality is usually poor. ▪ Pirated site and/or illegal IPTV services often contain viruses, malware or other malicious software. -
10 Essential Posts from Linkedin Marketing Influencers
’ is the holiday season in Marketing Land, where snow-covered content is crafted and planned. As marketers bundle and prepare for next year, thought leaders share their wisdom and cheer. So gather ye round for a story (or ten) and enjoy these glad tidings from your friends at LinkedIn. As 2013 comes to a close, we look back at our 10 favorite Influencer Marketing posts of the year. This timeless collection represents a mere sampling of the thousands of articles shared by our LinkedIn Influencers. Enjoy it on your tablet, mobile phone or laptop while roasting chestnuts on an open fire. As an added bonus, snuggle up and check out the final pages to learn how you, as a marketer, can best utilize the Influencer channels for inspiration, education, and content curation. Happy Holidays from LinkedIn Marketing Solutions! Jason Miller Senior Content Marketing Manager, Marketing Solutions 10 Essential Posts from LinkedIn Marketing Influencers 1 The Biggest Marketing Lesson from Chipotle’s ‘Scarecrow’ Video (and It’s Not to ‘Start with a Billion Dollars’) by Ann Handley Last week, the fast-food company Chipotle released a new marketing program, “The Scarecrow,” which depicts a kind of creepy, dystopian world that makes a heart-wrenching statement about the sorry state of industrial food production. In less than a week after its release on Wednesday, 9/11, the video had attracted 3.1 million views on YouTube, almost 20,000 likes, and more than 4,000 comments. It was picked up by countless media sources (Slate, the Christian Science Monitor, NPR). If it’s not the most poignant moment I’ve ever seen in marketing, I don’t know what is.