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We Three Kings of Orient Are a Sermon by Rev
Carols of Christmas: We Three Kings of Orient Are A Sermon by Rev. Michael Scott The Dublin Community Church December 29, 2013 Matthew 2:1-15 In 1857, the U.S. Supreme Court issued its infamous Dred Scott decision, and the Illinois lawyer and former Congressman, Abraham Lincoln, denounced it as part of a Democratic plot to empower slaveholders. Within a few months, a young bachelor who was working as editor of the Church Journal in New York City set to work on his usual Christmas gift to his nieces and nephews. He was a creative soul who had already at the age of thirty-seven become a “clergyman, author, journalist, book illustrator, and designer of stained glass windows and other ecclesiastical objects.”1 So this year, he decided to write a carol that his little nephews and nieces could use in their annual family Christmas pageant. In December, he headed off on the annual horseback journey from New York to his father’s home near Burlington, Vermont for the holidays. I wonder if he may have traveled through Dublin en route. If so, he would have passed right by this newly constructed meeting house. His name was John Henry Hopkins, Jr., and his father, John Henry Hopkins, Sr. was the Episcopal Bishop of Vermont. He presented his gift to the family, the words and music for a carol called Three Kings of Orient. The children were thrilled with uncle Henry’s song. It made their family pageant a huge smash. Before long the carol had made its way into surrounding churches, and was published by Hopkins in 1863 in his collection, Carols, Hymns, and Songs. -
After Some Time, Three Wise Men, Also Known As Magi, Saw the Brilliant Star in the Sky That Rested Over Where Jesus Was Born
After some time, three Wise Men, also known as magi, saw the brilliant star in the sky that rested over where Jesus was born. The three wise men traveled from where to find the newborn king? 1) From western Europe 2) From northern Israel near Damascus 3) From a distant eastern country* During the Wise Men's' trip, Herod the King of Judah met with the wise men and told them to come back and let him know where the Baby King was so that he could: 1) Go worship him as well* 2) Send his army to protect the family 3) Go and arrest the family The wise men bearing gifts continued to Bethlehem and found Jesus right where the star pointed. Which of these statements is true: 1) Gold was not valuable at that time but myrrh was a valuable spice. 2) Myrrh was used as an anointing oil, frankincense as a perfume, and gold as a valuable* 3) Gold was valuable, but myrrh and frankincense were largely unused A group of men called the magi certainly existed in Jesus’ time. What was their area of expertise: 1) Interpretation of prophecy 2) Astrology 3) Counsellors to kings who made predictions 4) All of the above* 5) None of the above From the second verse of We Three Kings – fill in the blanks: Born a king on ___________ __________ (Bethlehem's plain) Gold I bring to ____________ __________(crown Him again) King forever, __________ _____________ (ceasing never) Over us _______ _______ ________ (all to reign) What did the Western church settle on for the Wise Men names? 1) Raphael, Gabriel and Michael 2) Gabriel, Uriel and Raziel 3) Balthasar, Melchior and Caspar or Gaspar* From the song “Do You Hear What I hear, fill in the blanks: Said the shepherd boy to the ______ _________(mighty king) Do you know what I know In your __________ _______ (palace wall) mighty king Do you know what I know A child, a child _________ ________ _____ _______ (shivers in the cold) Let us bring him ___________ ___ _________ (silver and gold) Epiphany or Three Kings’ Day is also often called Little Christmas. -
Elijah Program 2006
Grace Church in New York The Reverend J. Donald Waring, rector The Reverend Chase Danford, associate rector The Reverend Julia Macy Offinger, assistant rector Patrick Allen, organist and master of choristers The Choral Society and Orchestra of Grace Church in New York John Maclay, music director Tony Bellomy , associate conductor Friday, December 6, 2019, at 8:00 pm Saturday, December 7, 2019, at 3:00 pm Program CANITE TUBA (1590) Giovanni Pierluigi da Palestrina (c. 152 5–1594) THE THREE KINGS (1928) Healey Willan (188 0– 1968) HARK! THE HERALD-ANGELS SING* O MAGNUM MYSTERIUM Daniel Pinkham (192 3– 2006) from Christmas Cantata (1957) TE DEUM IN C, HOB. XXIIIC:2 (1799) Joseph Haydn (173 2–1809) THE SHEPHERD’S CAROL (2001) Bob Chilcott (b. 1955) KYRIE and GLORIA Felix Mendelssohn (180 9– 1847) ANGELS WE HAVE HEARD ON HIGH* from Die Deutsche Liturgie (1846) GOD REST YOU MERRY, GENTLEMEN* RICHTE MICH, GOTT, OP.78, NO. 2 (1844) Mendelssohn SANCTUS Mendelssohn PILGRIMS’ HYMN (1997) Stephen Paulus (194 9– 2014) from Die Deutsche Liturgie (1846) DONA NOBIS PACEM J.S. Bach from Mass in B Minor , BWV 232 (completed 1749) SANCTUS Johann Sebastian Bach (168 5– 1750) from Mass in B Minor , BWV 232 (completed 1749) HODIE CHRISTUS NATUS ES Jan Pieterszoon Sweelinck (156 2– 1621) from Cantiones sacrae (1619) In consideration of the performers and fellow audience members, please turn off all ES IST EIN ROS ENTSPRUNGEN (1609) Michael Praetorius (157 1– 1621) cellular phones, pagers and electronic devices upon entering the church. Parents and caregivers, please take restless children to the Chantry chapel IN DULCI JUBILO À 8 (1620) Samuel Scheidt (158 7– 1654) (entrance in the south transept) if they need to vocalize during the performance. -
Peter Saccio
Great Figures of the New Testament Parts I & II Amy-Jill Levine, Ph.D. PUBLISHED BY: THE TEACHING COMPANY 4840 Westfields Boulevard, Suite 500 Chantilly, Virginia 20151-2299 1-800-TEACH-12 Fax—703-378-3819 www.teach12.com Copyright © The Teaching Company, 2002 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. Amy-Jill Levine, Ph.D. E. Rhodes and Leona B. Carpenter Professor of New Testament Studies Vanderbilt University Divinity School/ Vanderbilt University Graduate Department of Religion Amy-Jill Levine earned her B.A. with high honors in English and Religion at Smith College, where she graduated magna cum laude and was a member of Phi Beta Kappa. Her M.A. and Ph.D. in Religion are from Duke University, where she was a Gurney Harris Kearns Fellow and W. D. Davies Instructor in Biblical Studies. Before moving to Vanderbilt, she was Sara Lawrence Lightfoot Associate Professor and Chair of the Department of Religion at Swarthmore College. Professor Levine’s numerous publications address Second-Temple Judaism, Christian origins, Jewish-Christian relations, and biblical women. She is currently editing the twelve-volume Feminist Companions to the New Testament and Early Christian Literature for Continuum, completing a manuscript on Hellenistic Jewish narratives for Harvard University Press, and preparing a commentary on the Book of Esther for Walter de Gruyter (Berlin). -
Second Sunday of Christmastide Epiphany
SECOND SUNDAY OF CHRISTMASTIDE *Invocation Prayer EPIPHANY SUNDAY Song of Praise #233 “We Three Kings” Kings of Orient JANUARY 3, 2021 WE HEAR THE WORD OF THE LORD WE GATHER IN THE PRESENCE OF GOD Old Testament Reading Isaiah 60:1-6 Prelude New Testament Reading Ephesians 3:1-12 Welcome, Announcements & Greeting Time Brice Smith *Gospel Reading Matthew 2:1-12 Opening #229 “The First Noel” CANTIQUE DE NOËL Responsorial #236 “As with Gladness Men of Old” DIX *Call to Worship rd The feast day of your birth resembles you, Lord, because it Children’s Message (3 Grade and younger to Junior Church) brings joy to all humanity. Invitation to Giving our Tithes, Gifts, and Offerings & Prayer Old people and infants alike enjoy your day. Your day is celebrated from generation to generation. Message “The Revelation of God: A Star, A Word, A Child” Kings and emperors may pass away, and the festivals to The Reverend Doctor Ivan E. Greuter, Senior Minister commemorate them soon lapse. But your festival will be remembered till the end of time. THE SERVICE OF THE TABLE OF THE LORD Your day is a means and a pledge of peace. Invitation to the Lord’s Table – We practice open communion. All At your birth, heaven and earth were reconciled; persons who profess faith in Jesus Christ are invited to partake of Since you came from heaven to earth on that day you forgave this memorial meal. You do not need to be a member of this church our sins and wiped away our guilt. -
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring English Translation
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring Felix Mendelssohn-Bartholdy (1809-1847) English Translation: William Bartholomew PART ONE The Biblical tale of Elijah dates from c. 800 BCE. "In fact I imagined Elijah as a real prophet The core narrative is found in the Book of Kings through and through, of the kind we could (I and II), with minor references elsewhere in really do with today: Strong, zealous and, yes, the Hebrew Bible. The Haggadah supplements even bad-tempered, angry and brooding — in the scriptural account with a number of colorful contrast to the riff-raff, whether of the court or legends about the prophet’s life and works. the people, and indeed in contrast to almost the After Moses, Abraham and David, Elijah is the whole world — and yet borne aloft as if on Old Testament character mentioned most in the angels' wings." – Felix Mendelssohn, 1838 (letter New Testament. The Qu’uran also numbers to Julius Schubring, Elijah’s librettist) Elijah (Ilyas) among the major prophets of Islam. Elijah’s name is commonly translated to mean “Yahweh is my God.” PROLOGUE: Elijah’s Curse Introduction: Recitative — Elijah Elijah materializes before Ahab, king of the Four dark-hued chords spring out of nowhere, As God the Lord of Israel liveth, before Israelites, to deliver a bitter curse: Three years of grippingly setting the stage for confrontation.1 whom I stand: There shall not be dew drought as punishment for the apostasy of Ahab With the opening sentence, Mendelssohn nor rain these years, but according to and his court. The prophet’s appearance is a introduces two major musical motives that will my word. -
We Three Kings
2020 CHRISTMAS CELEBRATION: A NIGHT OF FAITH - Devotion Week 4 WE THREE KINGS When they saw the star, they rejoiced Jesus is The Perfect Light! exceedingly with great joy. We need HIS perfect Light, so we can let our Light shine! MATTHEW 2:10 Matthew 2:1-11 Now after Jesus was born in Bethlehem of Judea in the days of Herod the king, behold, magi from the east arrived in Jerusalem, saying, “Where is He who has been born King of the Jews? For we saw His star in the east and have come to worship Him.” When Herod the king heard this, he was troubled, and all Jerusalem with him. And gathering together all the chief priests and scribes of the people, he inquired of them where the Messiah was to be born. They said to him, “In Bethlehem of Judea; for this is what has been written by the prophet: ‘And you, Bethlehem, land of Judah, Are by no means least among the leaders of Judah; For from you will come forth a Ruler Who will shepherd My people Israel.’” Then Herod secretly called for the magi and determined from them the exact time the star appeared. And he sent them to Bethlehem and said, “Go and search carefully for the Child; and when you have found Him, report to me, so that I too may come and worship Him.” After hearing the king, they went on their way; and behold, the star, which they had seen in the east, went on ahead of them until it came to a stop over the place where the Child was to be found. -
Pope Francis Proclaims 2021 As the “Year of St Joseph”
“Let us open the doors to the Spirit, let ourselves be guided by him, and allow God’s constant help to make us new men and women, inspired by the love of God which the Holy Spirit bestows on us. Amen” www.theucm.co.uk Spring 2021 Liverpool Metropolitan St Thomas Becket - Cathedral of Christ Reflection by Cardinal the King Vincent Nichols - Page 6 - Page 11 Pope Francis proclaims 2021 as the “Year of St Joseph” By Vatican News because “faith gives meaning to every event, however happy or sad,” In a new Apostolic Letter entitled Patris corde (“With a Father’s and makes us aware that “God can make flowers spring up from Heart”), Pope Francis describes Saint Joseph as a beloved stony ground.” Joseph “did not look for shortcuts but confronted reality father, a tender and loving father, an obedient father, an with open eyes and accepted personal responsibility for it.” For this accepting father; a father who is creatively courageous, a reason, “he encourages us to accept and welcome others as they are, working father, a father in the shadows. without exception, and to show special concern for the weak” (4). The Letter marks the 150th anniversary of Blessed Pope Pius IX’s A creatively courageous father, example of love declaration of St Joseph as Patron of the Universal Church. To Patris corde highlights “the creative courage” of St. Joseph, which celebrate the anniversary, Pope Francis has proclaimed a special “Year “emerges especially in the way we deal with difficulties.” “The of St Joseph,” beginning on the Solemnity of the Immaculate carpenter of Nazareth,” explains the Pope, was able to turn a problem Conception 2020 and extending to the same feast in 2021. -
Felix Mendelssohn Bartholdy Elijah (1846)
Felix Mendelssohn Bartholdy Elijah (1846) Ex Cathedra XL Anniversary Choir Orchestra of the Age of Enlightenment Town Hall, Birmingham Saturday 18 October 2008 6.30pm The concert this evening is being recorded by BBC Radio 3 for broadcast in 2009 Welcome It gives me great pleasure to welcome you to the disappointment at the lack of melody on first hearing William Bartholomew. Faith in the City begins our imagined at the outset. Derek’s passion, intellect, first concert of Ex Cathedra’s 39th Season. This the work. Elijah is full of beautiful tunes, thrilling exploration of Jewish, Muslim and Christian music in musical intelligence, tenacity, thoroughness, performance of Mendelssohn’s great oratorio Elijah drama, and exciting orchestrations. January 2009, and the start of my short sabbatical stamina, emotional resilience, and experience are celebrates a collaboration between Ex Cathedra, (interesting word) exploring the Mediterranean basin truly inspiring. The edition is a remarkable Town Hall and the Orchestra of the Age of Mendelssohn wrote an intriguing sequence of three – Spain, Morocco, Egypt, Israel, Turkey and Italy. achievement and Derek has made a significant Enlightenment whom we welcome back for the oratorios – St Paul, Elijah and the unfinished One final thought about Elijah, the Old Testament contribution to Mendelssohn scholarship. second concert of Ex Cathedra’s 40th Anniversary Christus. He was accused of ‘oratorio-mongering’ prophet common to Judaism, Islam and Christianity, - Project. Elijah was commissioned by the city and yet Elijah is the high point of religious he was a lone voice standing up against greed, I am confident the Ex Cathedra XL Anniversary forefathers and received its first performance in this expression between Beethoven’s Mount of Olives immorality and poverty. -
Analysis of Compositions for Mixed Chorus As Selected by Directors in Minnesota for Use in Festivals for Adjudication
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1957 Analysis of compositions for mixed chorus as selected by directors in Minnesota for use in festivals for adjudication Robert Duane Mix The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Mix, Robert Duane, "Analysis of compositions for mixed chorus as selected by directors in Minnesota for use in festivals for adjudication" (1957). Graduate Student Theses, Dissertations, & Professional Papers. 1526. https://scholarworks.umt.edu/etd/1526 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. AN ANALYSIS OF COMPOSITIONS FOR MIXED CHORUS AS SELECTED BY DIRECTORS IN MINNESOTA FOR USE IN FESTIVALS FOR ADJUDICATION by Robert D. Mix B.A.; Luther College, 1953 Presented In partial fulfillment of the requirements for the degree of Master of Music in Music Education MONTANA STATE UNIVERSITY 1957 Approved by: Chair Dean, Graduate School^ 2 1 19$7 Date UMI Number: EP35340 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Liszt and Christus: Reactionary Romanticism
LISZT AND CHRISTUS: REACTIONARY ROMANTICISM A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Robert Pegg May 2020 Examining Committee Members: Dr. Maurice Wright, Advisory Chair, Music Studies Dr. Michael Klein, Music Studies Dr. Paul Rardin, Choral Activities Dr. Christine Anderson, Voice and Opera, external member © Copyright 2020 by Robert Pegg All Rights Reserved € ii ABSTRACT This dissertation seeks to examine the historical context of Franz Lizt’s oratorio Christus and explore its obscurity. Chapter 1 makes note of the much greater familiarity of other choral works of the Romantic period, and observes critics’ and scholars’ recognition (or lack thereof) of Liszt’s religiosity. Chapter 2 discusses Liszt’s father Adam, his religious and musical experiences, and his influence on the young Franz. Chapter 3 explores Liszt’s early adulthood in Paris, particularly with respect to his intellectual growth. Special attention is given to François-René, vicomte de Chateaubriand and the Abbé Félicité de Lamennais, and the latter’s papal condemnation. After Chapter 4 briefly chronicles Liszt’s artistic achievements in Weimar and its ramifications for the rest of his work, Chapter 5 examines theological trends in the nineteenth century, as exemplified by David Friedrich Strauss, and the Catholic Church’s rejection of such novelties. The writings of Charles Rosen aid in decribing the possible musical ramifications of modern theology. Chapter 6 takes stock of the movements for renewal in Catholic music, especially the work of Prosper Gueranger and his fellow Benedictine monks of Solesmes, France, and of the Society of Saint Cecilia in Germany. -
Felix Mendelssohn Bartholdy Sielminger Straße 51 Herr, Gedenke Nicht Op
Mendelssohn Bartholdy Das geistliche Vokalwerk · Sacred vocal music · Musique vocale sacrée Carus Alphabetisches Werkverzeichnis · Works listed alphabetically Adspice Domine. Vespergesang op. 121 25 Hymne op. 96 19, 27 Abendsegen. Herr, sei gnädig 26 Ich harrete des Herrn 30 Das geistliche Vokalwerk · The sacred vocal works · La musique vocale sacrée 4 Abschied vom Walde op. 59,3 33 Ich weiche nicht von deinen Rechten 29 Die Stuttgarter Mendelssohn-Ausgaben · The Stuttgart Mendelssohn Editions Ach Gott, vom Himmel sieh darein 15 Ich will den Herrn preisen 29 Les Éditions Mendelssohn de Stuttgart 8 Allein Gott in der Höh sei Ehr 26 Jauchzet dem Herrn in A op. 69,2 28 Orchesterbegleitete Werke · Works with orchestra · Œuvres avec orchestre Alleluja (aus Deutsche Liturgie) 26, 27 Jauchzet dem Herrn in C 30 Amen (aus Deutsche Liturgie) 26, 27 Jauchzet Gott, alle Lande 29 – Die drei Oratorien · The three oratorios · Les trois oratorios 11 Auf Gott allein will hoffen ich 26 Jesu, meine Freude 17 – Die fünf Psalmen · The five psalms · Les cinq psaumes 13 Aus tiefer Not schrei ich zu dir op. 23,1 27 Jesus, meine Zuversicht 30 – Die acht Choralkantaten · The eight chorale cantatas · Les huit cantates sur chorals 15 Ave Maria op. 23,2 27 Jube Domne 31 – Lateinische und deutsche Kirchenmusik · Latin and German church music Ave maris stella 24 Kyrie in A (aus Deutsche Liturgie) 26, 27 Musique sacrée latine et allemande 19 Beati mortui / Selig sind op. 115,1 25 Kyrie in c 31 Werke für Solostimme · Works for solo voice · Œuvres pour voix solo 24 Cantique pour l’Eglise Wallonne 26, 31 Kyrie in d 21 Christe, du Lamm Gottes 15 Lasset uns frohlocken op.