January 2021

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January 2021 The Evangelical Messenger January, 2021 Sunday Morning Worship Sharon United Methodist Church In – Person We are taking a break from in-person worship due to the current Covid-19 19980 Pleasant Lake Road situation. Please read the weekly email with Pastor Pete’s Ponderings for PO Box 543 updates on resuming in-person worship. For now, we hope you will Manchester, MI 48158 continue to worship with us in one of the following ways. 734-428-0996 FaceBook Search for the Sharon Church, Manchester, MI page to watch the live or Rev. Peter Harris –Pastor pre-recorded service at 10:30 am. [email protected] If you miss it, you can watch the recorded service later. cell phone: 734-323-6201 YouTube Sharon Stockard – Secretary A recording of the service will be posted to YouTube under Sharon UMC. [email protected] 734-428-0996 Website Video sermons from the past several Sundays can be Nancy Flint – Newsletter Editor found on the website. www.sharonumchurch.org [email protected] 734-417-3460 WEBSITE www.sharonumchurch.org FACEBOOK Sharon Church, Manchester, MI Come. Partner with God. Follow Jesus. Serve the Community Pastor’s Message Together. Getting a grand-child to let go of a favorite dress, shirt or jacket that has been out-grown is nearly impossible. A special toy, blanket or stuffed animal, anyone understands a reluctance to let go of those cherished items – I still have stuffed animals from my childhood, don’t you? But an article of clothing that is obviously too small to be worn anymore begs the question why anyone would hang onto such an item. Clothes can become too small for changing bodies! And it seems the same is true for our souls and walk of faith. Old attitudes, behaviors and even understandings of who God is and how much God loves us can become out-dated. What we once believed as a child concerning God doesn’t seem big enough to cope with become out-dated. What we once believed as a child concerning God doesn’t seem big enough to cope with all the complexities of our life today. St. Paul wrote: “When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me.” (1 Corinthians 13:11) Letting go of an old, comfortable, albeit childish way can be difficult. Old ways of believing and relating to God and others are known ways; ways that we have practiced so much they become ingrained in us to the extent we can’t imagine acting, thinking or believing any other way. Change is hard in any area of our lives whether it be how we relate to others, how we view our relationship with God, or how much our waistline has changed. If we’re going to change it will require us to say good-bye to some “old” ways, and for many, this feels like abandonment of a cherished part of our lives. God asks us to change. It’s true. Again and again, God invites us to risk letting go of the old ways of being and embrace the new life offered to us in Jesus Christ. If we are to follow the way of Jesus, there is only one thing we have to change: everything. And the Good News is that we can with the help of the Holy Spirit. More than 250 times in the Bible we hear how God either is doing something new or asking someone to do something new. Here is one such passage that pertains to our faith – Ephesians 4:21-24, (The Message) “(21) You leaned Christ! My assumption is that you have paid careful attention to him, been well instructed in the truth precisely as we have it in Jesus. (22) Since then, we do not have the excuse of ignorance, everything – and I do mean everything – connected with that old way of life has to go. It’s rotten through and through. Get rid of it! (23) And then take on an entirely new way of life – a God-fashioned life, (24) a life renewed from the inside and working itself into your conduct as God accurately produces his character in you.” There has been so much change since March, 2020. And, no doubt, more changes are coming in 2021. Some will be welcomed; some resisted; and some, even ignored for as long as we are able. Through all the changes, God is present offering strength, hope, peace, and His loving presence. Something new that will be offered in February-March of 2021 is an opportunity to join a small group and read through the New Testament. Look for details in this newsletter. May 2021 be filled with all the newness of Jesus Christ in these changing times! Pastor Pete Harris Thank you to everyone for making Christmas special for those in our community by filling Christmas stockings and “adopting a family” through the A special thank you to Pastor Pete, Richard Manchester Family Services program. Schaffer and Michelle McCalla! They have Also, thank you for your contributions for the Christmas gift for given many hours of their time over the past Pastor Pete and Jan. We are thankful for such a giving months and especially the Christmas season congregation. to bring us the on-line worship services. You Marlene Uphaus are all very much appreciated! Why Did the Magi Bring Gold, Frankincense and Myrrh? Medicinal uses of frankincense may help explain the gifts of the magi Biblical Archaeology Society Staff Were the gifts of the magi meant to save Jesus from the pain of arthritis? It’s possible, according to researchers at Cardiff University in Wales who have been studying the medical uses of frankincense. Since the early days of Christianity, Biblical scholars and theologians have offered varying interpretations of the meaning and significance of the gold, frankincense and myrrh that the magi presented to Jesus, according to the Gospel of Matthew (2:11). These valuable items were standard gifts to honor a king or deity in the ancient world: gold as a precious metal, frankincense as perfume or incense, and myrrh as anointing oil. In fact, these same three items were apparently among the gifts, recorded in ancient inscriptions, that King Seleucus II Callinicus offered to the god Apollo at the temple in Miletus in 243 B.C.E. The Book of Isaiah, when describing Jerusalem’s glorious restoration, tells of nations and kings who will come and “bring gold and frankincense and shall proclaim the praise of the Lord” (Isaiah 60:6). Although Matthew’s gospel does not include the names or number of the magi, many believe that the number of the gifts is what led to the tradition of the Three Wise Men. In addition to the honor and status implied by the value of the gifts of the magi, scholars think that these three were chosen for their special spiritual symbolism about Jesus himself—gold representing his kingship, frankincense a symbol of his priestly role, and myrrh a prefiguring of his death and embalming—an interpretation made popular in the well-known Christmas carol “We Three Kings.” Still others have suggested that the gifts of the magi were a bit more practical—even medicinal in nature. Researchers at Cardiff University have demonstrated that frankincense has an active ingredient that can help relieve arthritis by inhibiting the inflammation that breaks down cartilage tissue and causes arthritis pain. The new study validates traditional uses of frankincense as an herbal remedy to treat arthritis in communities of North Africa and the Arabian Peninsula, where the trees that produce this aromatic resin grow. Did the magi “from the East” know of frankincense’s healing properties when they presented it to young Jesus? January 6 is the feast day of Epiphany. An article from Wikipedia tells us of this day: “Epiphany (/ɪˈpɪfəni/ i-PIF-ə-nee) is a Christian feast day that celebrates the revelation (theophany) of God incarnate as Jesus Christ. “In Western Christianity, the feast commemorates principally (but not solely) the visit of the Magi to the Christ Child, and thus Jesus' physical manifestation to the Gentiles. It is sometimes called Three Kings' Day, and in some traditions celebrated as Little Christmas. Moreover, the feast of the Epiphany, in some denominations, also initiates the liturgical season of Epiphanytide. “Eastern Christians, on the other hand, commemorate the baptism of Jesus in the Jordan River, seen as his manifestation to the world as the Son of God. The spot marked by Qasr el Yahud in the West Bank, and Al- Maghtas in Jordan on the east bank, is considered to be the original site of the baptism of Jesus and the ministry of John the Baptist.” Chalking Your Door “Either on Twelfth Night (5 January), the twelfth day of Christmastide and eve of the feast of the Epiphany, or on Epiphany Day (6 January) itself, many Christians (including Anglicans, Lutherans, Methodists, Presbyterians and Roman Catholics, among others) chalk their doors with a pattern such as 20 ✝ C ✝ M ✝ B ✝ 20, with the numbers referring "to the calendar year (20 and 20, for instance, for this year, 2020); the crosses stand for Christ; and the letters have a two-fold significance: C, M and B are the initials for the traditional names of the Magi (Caspar, Melchior and Balthasar), but they are also an abbreviation of the Latin blessing Christus mansionem benedicat, which means, May Christ bless this house." 20 + C + M + B + 21 Worship Plans for 2021 How do we “know” God? The face of God comes into clearest focus in the life and person of Jesus Christ.
Recommended publications
  • We Three Kings of Orient Are a Sermon by Rev
    Carols of Christmas: We Three Kings of Orient Are A Sermon by Rev. Michael Scott The Dublin Community Church December 29, 2013 Matthew 2:1-15 In 1857, the U.S. Supreme Court issued its infamous Dred Scott decision, and the Illinois lawyer and former Congressman, Abraham Lincoln, denounced it as part of a Democratic plot to empower slaveholders. Within a few months, a young bachelor who was working as editor of the Church Journal in New York City set to work on his usual Christmas gift to his nieces and nephews. He was a creative soul who had already at the age of thirty-seven become a “clergyman, author, journalist, book illustrator, and designer of stained glass windows and other ecclesiastical objects.”1 So this year, he decided to write a carol that his little nephews and nieces could use in their annual family Christmas pageant. In December, he headed off on the annual horseback journey from New York to his father’s home near Burlington, Vermont for the holidays. I wonder if he may have traveled through Dublin en route. If so, he would have passed right by this newly constructed meeting house. His name was John Henry Hopkins, Jr., and his father, John Henry Hopkins, Sr. was the Episcopal Bishop of Vermont. He presented his gift to the family, the words and music for a carol called Three Kings of Orient. The children were thrilled with uncle Henry’s song. It made their family pageant a huge smash. Before long the carol had made its way into surrounding churches, and was published by Hopkins in 1863 in his collection, Carols, Hymns, and Songs.
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  • After Some Time, Three Wise Men, Also Known As Magi, Saw the Brilliant Star in the Sky That Rested Over Where Jesus Was Born
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  • Elijah Program 2006
    Grace Church in New York The Reverend J. Donald Waring, rector The Reverend Chase Danford, associate rector The Reverend Julia Macy Offinger, assistant rector Patrick Allen, organist and master of choristers The Choral Society and Orchestra of Grace Church in New York John Maclay, music director Tony Bellomy , associate conductor Friday, December 6, 2019, at 8:00 pm Saturday, December 7, 2019, at 3:00 pm Program CANITE TUBA (1590) Giovanni Pierluigi da Palestrina (c. 152 5–1594) THE THREE KINGS (1928) Healey Willan (188 0– 1968) HARK! THE HERALD-ANGELS SING* O MAGNUM MYSTERIUM Daniel Pinkham (192 3– 2006) from Christmas Cantata (1957) TE DEUM IN C, HOB. XXIIIC:2 (1799) Joseph Haydn (173 2–1809) THE SHEPHERD’S CAROL (2001) Bob Chilcott (b. 1955) KYRIE and GLORIA Felix Mendelssohn (180 9– 1847) ANGELS WE HAVE HEARD ON HIGH* from Die Deutsche Liturgie (1846) GOD REST YOU MERRY, GENTLEMEN* RICHTE MICH, GOTT, OP.78, NO. 2 (1844) Mendelssohn SANCTUS Mendelssohn PILGRIMS’ HYMN (1997) Stephen Paulus (194 9– 2014) from Die Deutsche Liturgie (1846) DONA NOBIS PACEM J.S. Bach from Mass in B Minor , BWV 232 (completed 1749) SANCTUS Johann Sebastian Bach (168 5– 1750) from Mass in B Minor , BWV 232 (completed 1749) HODIE CHRISTUS NATUS ES Jan Pieterszoon Sweelinck (156 2– 1621) from Cantiones sacrae (1619) In consideration of the performers and fellow audience members, please turn off all ES IST EIN ROS ENTSPRUNGEN (1609) Michael Praetorius (157 1– 1621) cellular phones, pagers and electronic devices upon entering the church. Parents and caregivers, please take restless children to the Chantry chapel IN DULCI JUBILO À 8 (1620) Samuel Scheidt (158 7– 1654) (entrance in the south transept) if they need to vocalize during the performance.
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  • Peter Saccio
    Great Figures of the New Testament Parts I & II Amy-Jill Levine, Ph.D. PUBLISHED BY: THE TEACHING COMPANY 4840 Westfields Boulevard, Suite 500 Chantilly, Virginia 20151-2299 1-800-TEACH-12 Fax—703-378-3819 www.teach12.com Copyright © The Teaching Company, 2002 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. Amy-Jill Levine, Ph.D. E. Rhodes and Leona B. Carpenter Professor of New Testament Studies Vanderbilt University Divinity School/ Vanderbilt University Graduate Department of Religion Amy-Jill Levine earned her B.A. with high honors in English and Religion at Smith College, where she graduated magna cum laude and was a member of Phi Beta Kappa. Her M.A. and Ph.D. in Religion are from Duke University, where she was a Gurney Harris Kearns Fellow and W. D. Davies Instructor in Biblical Studies. Before moving to Vanderbilt, she was Sara Lawrence Lightfoot Associate Professor and Chair of the Department of Religion at Swarthmore College. Professor Levine’s numerous publications address Second-Temple Judaism, Christian origins, Jewish-Christian relations, and biblical women. She is currently editing the twelve-volume Feminist Companions to the New Testament and Early Christian Literature for Continuum, completing a manuscript on Hellenistic Jewish narratives for Harvard University Press, and preparing a commentary on the Book of Esther for Walter de Gruyter (Berlin).
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  • Second Sunday of Christmastide Epiphany
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  • ELIJAH, Op. 70 (1846) Libretto: Julius Schubring English Translation
    ELIJAH, Op. 70 (1846) Libretto: Julius Schubring Felix Mendelssohn-Bartholdy (1809-1847) English Translation: William Bartholomew PART ONE The Biblical tale of Elijah dates from c. 800 BCE. "In fact I imagined Elijah as a real prophet The core narrative is found in the Book of Kings through and through, of the kind we could (I and II), with minor references elsewhere in really do with today: Strong, zealous and, yes, the Hebrew Bible. The Haggadah supplements even bad-tempered, angry and brooding — in the scriptural account with a number of colorful contrast to the riff-raff, whether of the court or legends about the prophet’s life and works. the people, and indeed in contrast to almost the After Moses, Abraham and David, Elijah is the whole world — and yet borne aloft as if on Old Testament character mentioned most in the angels' wings." – Felix Mendelssohn, 1838 (letter New Testament. The Qu’uran also numbers to Julius Schubring, Elijah’s librettist) Elijah (Ilyas) among the major prophets of Islam. Elijah’s name is commonly translated to mean “Yahweh is my God.” PROLOGUE: Elijah’s Curse Introduction: Recitative — Elijah Elijah materializes before Ahab, king of the Four dark-hued chords spring out of nowhere, As God the Lord of Israel liveth, before Israelites, to deliver a bitter curse: Three years of grippingly setting the stage for confrontation.1 whom I stand: There shall not be dew drought as punishment for the apostasy of Ahab With the opening sentence, Mendelssohn nor rain these years, but according to and his court. The prophet’s appearance is a introduces two major musical motives that will my word.
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  • We Three Kings
    2020 CHRISTMAS CELEBRATION: A NIGHT OF FAITH - Devotion Week 4 WE THREE KINGS When they saw the star, they rejoiced Jesus is The Perfect Light! exceedingly with great joy. We need HIS perfect Light, so we can let our Light shine! MATTHEW 2:10 Matthew 2:1-11 Now after Jesus was born in Bethlehem of Judea in the days of Herod the king, behold, magi from the east arrived in Jerusalem, saying, “Where is He who has been born King of the Jews? For we saw His star in the east and have come to worship Him.” When Herod the king heard this, he was troubled, and all Jerusalem with him. And gathering together all the chief priests and scribes of the people, he inquired of them where the Messiah was to be born. They said to him, “In Bethlehem of Judea; for this is what has been written by the prophet: ‘And you, Bethlehem, land of Judah, Are by no means least among the leaders of Judah; For from you will come forth a Ruler Who will shepherd My people Israel.’” Then Herod secretly called for the magi and determined from them the exact time the star appeared. And he sent them to Bethlehem and said, “Go and search carefully for the Child; and when you have found Him, report to me, so that I too may come and worship Him.” After hearing the king, they went on their way; and behold, the star, which they had seen in the east, went on ahead of them until it came to a stop over the place where the Child was to be found.
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  • Pope Francis Proclaims 2021 As the “Year of St Joseph”
    “Let us open the doors to the Spirit, let ourselves be guided by him, and allow God’s constant help to make us new men and women, inspired by the love of God which the Holy Spirit bestows on us. Amen” www.theucm.co.uk Spring 2021 Liverpool Metropolitan St Thomas Becket - Cathedral of Christ Reflection by Cardinal the King Vincent Nichols - Page 6 - Page 11 Pope Francis proclaims 2021 as the “Year of St Joseph” By Vatican News because “faith gives meaning to every event, however happy or sad,” In a new Apostolic Letter entitled Patris corde (“With a Father’s and makes us aware that “God can make flowers spring up from Heart”), Pope Francis describes Saint Joseph as a beloved stony ground.” Joseph “did not look for shortcuts but confronted reality father, a tender and loving father, an obedient father, an with open eyes and accepted personal responsibility for it.” For this accepting father; a father who is creatively courageous, a reason, “he encourages us to accept and welcome others as they are, working father, a father in the shadows. without exception, and to show special concern for the weak” (4). The Letter marks the 150th anniversary of Blessed Pope Pius IX’s A creatively courageous father, example of love declaration of St Joseph as Patron of the Universal Church. To Patris corde highlights “the creative courage” of St. Joseph, which celebrate the anniversary, Pope Francis has proclaimed a special “Year “emerges especially in the way we deal with difficulties.” “The of St Joseph,” beginning on the Solemnity of the Immaculate carpenter of Nazareth,” explains the Pope, was able to turn a problem Conception 2020 and extending to the same feast in 2021.
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  • Felix Mendelssohn Bartholdy Elijah (1846)
    Felix Mendelssohn Bartholdy Elijah (1846) Ex Cathedra XL Anniversary Choir Orchestra of the Age of Enlightenment Town Hall, Birmingham Saturday 18 October 2008 6.30pm The concert this evening is being recorded by BBC Radio 3 for broadcast in 2009 Welcome It gives me great pleasure to welcome you to the disappointment at the lack of melody on first hearing William Bartholomew. Faith in the City begins our imagined at the outset. Derek’s passion, intellect, first concert of Ex Cathedra’s 39th Season. This the work. Elijah is full of beautiful tunes, thrilling exploration of Jewish, Muslim and Christian music in musical intelligence, tenacity, thoroughness, performance of Mendelssohn’s great oratorio Elijah drama, and exciting orchestrations. January 2009, and the start of my short sabbatical stamina, emotional resilience, and experience are celebrates a collaboration between Ex Cathedra, (interesting word) exploring the Mediterranean basin truly inspiring. The edition is a remarkable Town Hall and the Orchestra of the Age of Mendelssohn wrote an intriguing sequence of three – Spain, Morocco, Egypt, Israel, Turkey and Italy. achievement and Derek has made a significant Enlightenment whom we welcome back for the oratorios – St Paul, Elijah and the unfinished One final thought about Elijah, the Old Testament contribution to Mendelssohn scholarship. second concert of Ex Cathedra’s 40th Anniversary Christus. He was accused of ‘oratorio-mongering’ prophet common to Judaism, Islam and Christianity, - Project. Elijah was commissioned by the city and yet Elijah is the high point of religious he was a lone voice standing up against greed, I am confident the Ex Cathedra XL Anniversary forefathers and received its first performance in this expression between Beethoven’s Mount of Olives immorality and poverty.
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  • Analysis of Compositions for Mixed Chorus As Selected by Directors in Minnesota for Use in Festivals for Adjudication
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1957 Analysis of compositions for mixed chorus as selected by directors in Minnesota for use in festivals for adjudication Robert Duane Mix The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Mix, Robert Duane, "Analysis of compositions for mixed chorus as selected by directors in Minnesota for use in festivals for adjudication" (1957). Graduate Student Theses, Dissertations, & Professional Papers. 1526. https://scholarworks.umt.edu/etd/1526 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. AN ANALYSIS OF COMPOSITIONS FOR MIXED CHORUS AS SELECTED BY DIRECTORS IN MINNESOTA FOR USE IN FESTIVALS FOR ADJUDICATION by Robert D. Mix B.A.; Luther College, 1953 Presented In partial fulfillment of the requirements for the degree of Master of Music in Music Education MONTANA STATE UNIVERSITY 1957 Approved by: Chair Dean, Graduate School^ 2 1 19$7 Date UMI Number: EP35340 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.
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  • Liszt and Christus: Reactionary Romanticism
    LISZT AND CHRISTUS: REACTIONARY ROMANTICISM A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Robert Pegg May 2020 Examining Committee Members: Dr. Maurice Wright, Advisory Chair, Music Studies Dr. Michael Klein, Music Studies Dr. Paul Rardin, Choral Activities Dr. Christine Anderson, Voice and Opera, external member © Copyright 2020 by Robert Pegg All Rights Reserved € ii ABSTRACT This dissertation seeks to examine the historical context of Franz Lizt’s oratorio Christus and explore its obscurity. Chapter 1 makes note of the much greater familiarity of other choral works of the Romantic period, and observes critics’ and scholars’ recognition (or lack thereof) of Liszt’s religiosity. Chapter 2 discusses Liszt’s father Adam, his religious and musical experiences, and his influence on the young Franz. Chapter 3 explores Liszt’s early adulthood in Paris, particularly with respect to his intellectual growth. Special attention is given to François-René, vicomte de Chateaubriand and the Abbé Félicité de Lamennais, and the latter’s papal condemnation. After Chapter 4 briefly chronicles Liszt’s artistic achievements in Weimar and its ramifications for the rest of his work, Chapter 5 examines theological trends in the nineteenth century, as exemplified by David Friedrich Strauss, and the Catholic Church’s rejection of such novelties. The writings of Charles Rosen aid in decribing the possible musical ramifications of modern theology. Chapter 6 takes stock of the movements for renewal in Catholic music, especially the work of Prosper Gueranger and his fellow Benedictine monks of Solesmes, France, and of the Society of Saint Cecilia in Germany.
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  • Felix Mendelssohn Bartholdy Sielminger Straße 51 Herr, Gedenke Nicht Op
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