Portable Entertainment (8-37):Layout 1 3/18/09 1:43 PM Page 8
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
13 Cool Things You Can Do with Google Chromecast Chromecast
13 Cool Things You Can Do With Google Chromecast We bet you don't even know half of these Google Chromecast is a popular streaming dongle that makes for an easy and affordable way of throwing content from your smartphone, tablet, or computer to your television wirelessly. There’s so much you can do with it than just streaming Netflix, Hulu, Spotify, HBO and more from your mobile device and computer, to your TV. Our guide on How Does Google Chromecast Work explains more about what the device can do. The seemingly simple, ultraportable plug and play device has a few tricks up its sleeve that aren’t immediately apparent. Here’s a roundup of some of the hidden Chromecast tips and tricks you may not know that can make casting more magical. Chromecast Tips and Tricks You Didn’t Know 1. Enable Guest Mode 2. Make presentations 3. Play plenty of games 4. Cast videos using your voice 5. Stream live feeds from security cameras on your TV 6. Watch Amazon Prime Video on your TV 7. Create a casting queue 8. Cast Plex 9. Plug in your headphones 10. Share VR headset view with others 11. Cast on the go 12. Power on your TV 13. Get free movies and other perks Enable Guest Mode If you have guests over at your home, whether you’re hosting a family reunion, or have a party, you can let them cast their favorite music or TV shows onto your TV, without giving out your WiFi password. To do this, go to the Chromecast settings and enable Guest Mode. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
1322X USB Dongle Reference Manual
1322x USB Dongle Reference Manual Document Number: 1322xUSBRM Rev. 1.5 11/2010 How to Reach Us: Information in this document is provided solely to enable system and software implementers to use Freescale Semiconductor products. There are no express or implied copyright licenses granted Home Page: hereunder to design or fabricate any integrated circuits or integrated circuits based on the information www.freescale.com in this document. E-mail: Freescale Semiconductor reserves the right to make changes without further notice to any products [email protected] herein. Freescale Semiconductor makes no warranty, representation or guarantee regarding the suitability of its products for any particular purpose, nor does Freescale Semiconductor assume any USA/Europe or Locations Not Listed: Freescale Semiconductor liability arising out of the application or use of any product or circuit, and specifically disclaims any Technical Information Center, CH370 and all liability, including without limitation consequential or incidental damages. “Typical” parameters 1300 N. Alma School Road that may be provided in Freescale Semiconductor data sheets and/or specifications can and do vary Chandler, Arizona 85224 +1-800-521-6274 or +1-480-768-2130 in different applications and actual performance may vary over time. All operating parameters, [email protected] including “Typicals”, must be validated for each customer application by customer’s technical experts. Freescale Semiconductor does not convey any license under its patent rights nor the rights Europe, Middle East, and Africa: of others. Freescale Semiconductor products are not designed, intended, or authorized for use as Freescale Halbleiter Deutschland GmbH Technical Information Center components in systems intended for surgical implant into the body, or other applications intended to Schatzbogen 7 support or sustain life, or for any other application in which the failure of the Freescale Semiconductor 81829 Muenchen, Germany product could create a situation where personal injury or death may occur. -
Desconstruindo O Moulin Rouge – O Espectador Por Trás Das Cortinas De Veludo
Desconstruindo o Moulin Rouge – o espectador por trás das cortinas de veludo Adriana Amaral∗ Índice elemento (a primeira frase do filme)1 para le- vantar as questões que perpassam o corpus 1 Adentrando um antro de perdição 1 deste artigo: 2 Experimentando o modelo semiótico Quem é o receptor modelo de um produto em um filme prêt-a-porter 2 cultural tão híbrido e multifacetado quanto 3 Desconstruindo o Moulin Rouge 4 Moulin Rouge? Que tipo de inferências são 4 Considerações finais – Versão remix 9 necessárias para que seja estabelecido um 5 Bibliografia 10 pacto de leitura entre o autor e o receptor modelo do filme, a partir de sua leitura ver- bal, imagética e sonora? Que tipo(s) de re- 1 Adentrando um antro de ferências tornam o jogo semiótico proposto perdição pelo autor mais facilmente reconhecível pelo leitor? Que tipo de inversão ocorre na es- “The story is about love. The woman I love trutura técnica/estética do filme em relação is dead.” a outros filmes do gênero musical? De que maneira pode-se afirmar que Moulin Rouge Estas duas sentenças, datilografadas em possui uma estética da desconstrução? uma máquina de escrever antiga aparecem É importante expor que essa trilha pelo na primeira seqüência de Moulin Rouge – bosque da ficção2 de Baz Luhrmann (Aus- um amor em vermelho (Moulin Rouge, Baz trália, 1962) pode nos levar a um uso ou a Luhrmann, 2001). Assim como, o tradici- uma interpretação do texto, e aí podemos fi- onal Era uma vez remete crianças e adultos car tão confusos e perdidos quanto a perso- às estruturas narrativas das fábulas, ela fun- nagem Christian (Ewan McGregor) quando ciona basicamente como isca para o receptor 1 formalizar o pacto ficcional com o autor mo- Para Eco (1994, p. -
Comparison of Selected Media Devices
COMPARISON OF SELECTED MEDIA DEVICES Please confirm specs before purchasing Additional models are also available Pricing will vary by seller Apple TV Roku Streaming Roku Premier Google Amazon Fire Amazon Fire 4th Gen Stick Plus Chromecast Stick TV Box Box Box Stick Price $149 32GB, $199 $50 $100 $35 $40 $90 (estimated) 64GB Resolution 1080p 1080p 1080p, 4K Ultra 1080p 1080p 1080p, 4K Ultra (max) HD HD Connections HDMI HDMI HDMI HDMI HDMI HDMI USB-C MicroSD microSD USB Wired Yes No Yes No No Yes networking Remote Remote with Siri Remote + Roku Point Anywhere Uses Smartphone, Yes with voice Yes with voice Control voice commands app Remote with tablet or computer search search; optional headphone jack game controller voice search available Local Storage 32GB, 64GB None microSD None 8GB 8GB internal expand to 128GB w/SD See reverse for reviews by CNET.COM (content has been edited to meet space restrictions) Information compiled by Computer Club of Rossmoor Visit us at www.caccor.com Reviews by CNET.COM (content has been edited to meet space restrictions) Apple TV Roku Streaming Roku Premier Plus Google Amazon Fire Amazon Fire 4th Gen Box Stick Box Chromecast Stick Stick TV Box Good Apple TV lets you The Roku Streaming The Roku Premiere+ Chromecast is a cheap Fire Stick can access Fire TV can access stream all the video Stick is a lightning fast, can access more TV wireless video dongle thousands of streaming thousands of streaming content in the iTunes inexpensive device to shows and movies in that streams content to apps. -
GTW 270 Series Frequently Asked Questions
GTW 270 Series Frequently Asked Questions How do I pair my GTW 270 Hybrid with my gaming platform via the dongle? Upon arrival the dongle is already paired with the earbuds. To pair your GTW 270 Hybrid with your gaming platform, please follow the instructions below. 1. Open lid to power on earbuds 2. Plug the dongle and power on your gaming platform. Please use the accessory extension cable for PC or PS4. 3. The dongle will light purple when it automatically connects to your earbuds In case you reset your paired device list, please follow the instructions below. 1. Have both earbuds in the closed charge case, then open the lid. 2. Press and hold the charge case button to initiate pairing. The LEDs pulse red and blue. 3. Plug the dongle into the USB port of your gaming platform of choice. Use the extension cable to connect it to a USB-A port for PC. Press and hold the dongle button to initiate pairing. Why doesn’t the microphone work on my GTW 270 Hybrid when I am using the aptX low latency connection via dongle? aptX low latency only supports the playback channel, which is why the GTW 270 Hybrid is not suited for competitive/online multiplayer games such as Fortnite or CS:GO. For the GTW 270 Hybrid, we strived to have full immersion in experiential games. This is something that will only be possible through the aptX codec which has higher bandwidth, resulting in supporting only the single audio channel without having the microphone functionality. -
Record V15.03
Tops in their field It’s ‘Star’ time Early show PRE-SORTED Insurance professionals ‘Nashville Star’ 2006 tour Students meet pre-dawn call FIRST CLASS MAIL U.S. POSTAGE PAID inducted into Hall of Fame rolling into Murphy Center to help with CBS production MURFREESBORO TN PERMIT NO. 16 see page 3 see page 5 see page 7 a publication for the Middle Tennessee State University community Aug. 14, 2006 • Vol. 15/No. 3 IN BRIEF LEARN MORE ABOUT LEARNING Project seeks young voters AT LT&ITC OPEN HOUSE AUG. 25 by Lisa L. Rollins The non-partisan project’s nation- levels—an increase of more than Find out more about the Learning, al organizers said they hope to regis- 4 million more voters,” he added. Teaching and Innovative Technologies TSU will participate again ter 350,000 young voters in 2006. The AASCU’s sign-up campaign Center’s services and upcoming semi- this fall in the American is coordinated by Younger Voter nars at an open house on Friday, Aug. Democracy Project, a multi- Strategies, a Washington, D.C.-based 25. The LT&ITC is inviting faculty, M project of the Graduate School of campus initiative designed to create a department chairs and deans to the heightened understanding of civic Political Management at George event in its new space in Peck Hall 106 engagement among undergraduates, Washington University. It provides from 3 p.m. until 4:30 p.m. Refreshments according to Dr. Mark Byrnes, profes- parties, candidates and consultants will be served. The LT&TIC is a partner- sor, political science. -
Service Manual: (D480/D479), Color Controller Type E-3100, Color
Color Controller: E-3100/5100 (Machine Codes: D480/D479) SERVICE MANUAL October 2008 Subject to change Safety Information When using this machine, the following safety precautions should always be followed. Safety During Operation In this manual, the following important symbols are used: Indicates a potentially hazardous situation which, if instructions are not followed, could result in death or serious injury. Indicates a potentially hazardous situation which, if instructions are not followed, may result in minor or moderate injury or damage to property. • Connect the power cord directly into a wall outlet and never use an extension cord. • Disconnect the power plug (by pulling the plug, not the cable) if the power cable or plug becomes frayed or otherwise damaged. • To avoid hazardous electric shock, do not remove any covers or screws other than those specified in this manual. • Turn off the power and disconnect the power plug (by pulling the plug, not the cable) if any of the following occurs: • 1) You spill something into the machine. • 2) You suspect that your machine needs service or repair. • 3) The external housing of your machine has been damaged. • Protect the machine from dampness or wet weather, such as rain and snow. • Unplug the power cord from the wall outlet before you move the machine. While moving the machine, you should take care that the power cord will not be damaged under the machine. • When you disconnect the plug from the wall outlet, always pull the plug (not the cable). • Risk of explosion if battery is replaced by an incorrect type. • Dispose of used batteries according to the instructions. -
Most Requested Songs of 2020
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2020 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Cupid Cupid Shuffle 4 Journey Don't Stop Believin' 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Usher Feat. Ludacris & Lil' Jon Yeah 7 Walk The Moon Shut Up And Dance 8 V.I.C. Wobble 9 Earth, Wind & Fire September 10 Justin Timberlake Can't Stop The Feeling! 11 Garth Brooks Friends In Low Places 12 DJ Casper Cha Cha Slide 13 ABBA Dancing Queen 14 Bruno Mars 24k Magic 15 Outkast Hey Ya! 16 Black Eyed Peas I Gotta Feeling 17 Kenny Loggins Footloose 18 Bon Jovi Livin' On A Prayer 19 AC/DC You Shook Me All Night Long 20 Spice Girls Wannabe 21 Chris Stapleton Tennessee Whiskey 22 Backstreet Boys Everybody (Backstreet's Back) 23 Bruno Mars Marry You 24 Miley Cyrus Party In The U.S.A. 25 Van Morrison Brown Eyed Girl 26 B-52's Love Shack 27 Killers Mr. Brightside 28 Def Leppard Pour Some Sugar On Me 29 Dan + Shay Speechless 30 Flo Rida Feat. T-Pain Low 31 Sir Mix-A-Lot Baby Got Back 32 Montell Jordan This Is How We Do It 33 Isley Brothers Shout 34 Ed Sheeran Thinking Out Loud 35 Luke Combs Beautiful Crazy 36 Ed Sheeran Perfect 37 Nelly Hot In Herre 38 Marvin Gaye & Tammi Terrell Ain't No Mountain High Enough 39 Taylor Swift Shake It Off 40 'N Sync Bye Bye Bye 41 Lil Nas X Feat. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930 Permalink https://escholarship.org/uc/item/9mv8w2t2 Author Navitski, Rielle Edmonds Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930 By Rielle Edmonds Navitski A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel (chair) Professor Natalia Brizuela Professor Mary Ann Doane Professor Mark Sandberg Spring 2013 Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930 © 2013 by Rielle Edmonds Navitski Abstract Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930 by Rielle Edmonds Navitski Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair This dissertation examines the role of new visual reproduction technologies in forging public cultures of sensationalized violence in two rapidly modernizing nations on the periphery of industrial capitalism. I trace parallel developments in the production and reception of silent crime and adventure film in Brazil's First Republic and in revolutionary and post-revolutionary Mexico, at a moment when industrialization and urbanization were reshaping daily experience without eliminating profound social inequalities. Re-evaluating critical frameworks premised on cinema’s relationship to the experience of modernity in the industrialized U.S. and Western Europe, I argue that these early twentieth-century cultures of popular sensationalism signal the degree to which public life in Mexico and Brazil has been conditioned by violence and social exclusion linked to legacies of neo-colonial power. -
ユーザーズマニュアル Ver. 1.4JP 本デバイスには、COWON Mediacenter - Jetaudioソフトウェアやユーザーガ イドなどの各種の便利なファイルが含まれています。 本デバイスの使用を開始する前に、今後それらのファイルを参照するために PCにバックアップしてください。
ユーザーズマニュアル ver. 1.4JP 本デバイスには、COWON MediaCenter - JetAudioソフトウェアやユーザーガ イドなどの各種の便利なファイルが含まれています。 本デバイスの使用を開始する前に、今後それらのファイルを参照するために PCにバックアップしてください。 + 著作権情報 この度はCOWON製品をお買い上げいただき、ありがとうございます。 DIGITAL PRIDEのコンセプトにようこそ 本マニュアルにはプレーヤーに関する情報と、安全に関する助言が記載されています。 このマニュアルの内容を熟知のうえ製品をご使用になりますとデジタルライフをより楽しむことができます。 COWONのホームページ + S9および他のCOWON製品の詳細につきましてはhttp://www.cowonjapan.comをご覧ください。 + ホームページから最新情報を入手でき、最新のファームウェアを無料でダウンロードすることができます。 + 初めてご使用になるお客様のために、FAQとオンラインユーザーガイドをご提供しています。 + 弊社のホームページから、ご使用の製品の裏面にあるシリアル番号を入力して会員登録を行ってください。 + 登録会員は、顧客のニーズにあわせたオンラインコンサルテーションや、Eメールによる最新ニュースやイベント通知を受けることが できます。 + 著作権情報 一般 + COWONは、(株)コウォンシステムの登録商標です。 + 製品に関する情報は(株)コウォンシステムが著作権を所有しており、このマニュアルの一部または全部を無断で配布することは法律で禁じら れています。 +(株)コウォンシステムはレコード、ビデオおよびゲームの関連法令を遵守しています。 お客様についても、当該法令を遵守していただけます ようお願いいたします。 + 弊社ホームページ(www.cowonjapan.com)から会員登録してください。 会員登録していただくと、会員限定のさまざまな特典を受けられます。 + このマニュアルに記載された図表、写真、および製品仕様は予告なく変更される可能性があります。 BBE関連 + BBE Sound, Inc社のライセンス(USP4638258、5510752および5736897)により製造されています。 + BBEおよびBBEのロゴは、BBE Sound, Inc社の登録商標です。 All rights reserved by COWON SYSTEMS, Inc. + 内容 ご使用の前に 8 製品使用時の注意事項 パッケージの内容 各部品の名称 電源接続/充電g PCへの接続/PCからの切断 ファームウェアのアップグレード 基本的な使用方法 16 ボタン 画面 ブラウザ 音楽モード 動画モード ラジオ(FMラジオ)モード レコーダーモード ドキュメント(テキストビューア)モード 画像(画像ビューア)モード Flashモード ユ ー ティリティモ ード + 内容 設定モード - 28 JetEffect 2.0 画面 時刻 音楽 ビデオ 録音 Bluetooth システム 追加説明 34 製品仕様 COWON MediaCenter - JetAudioによる動画ファイルの変換 トラブ ル シュー ティング 40 ご使用の前に + 製品使用時の注意事項 お客様による製品の誤用、およびマニュアルに記載された規定およびガイドラインに従わないことによる破損または不具合について は、COWONは何ら責任を負わないものとします。 + 本マニュアルに記載されている目的以外には本製品を使用しないでください。 + マニュアル、製品パッケージ材料、付属品等を扱う際には怪我をしないように注意してください。 -
Fabricando Ou Produzindo Popstars? a Revelação De Tensões Do Circuito Musical a Partir De Um Reality Show Musical Heitor Da L
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXVIII Congresso Brasileiro de Ciências da Comunicação – Rio de Janeiro, RJ – 4 a 7/9/2015 Fabricando ou produzindo Popstars? A revelação de tensões do circuito musical a partir de um reality show musical1 Heitor da Luz SILVA2 UniFOA - Centro Universitário Fundação Oswaldo Aranha, Volta Redonda, RJ Resumo O artigo foca-se em uma análise do reality Popstars tendo como objetivo mais específico dissecar algumas das implicações de um programa como este procurar revelar, a partir da mediação do formato televisivo, a forma como a indústria fonográfica elabora os típicos “produtos de marketing” mais bem pré-concebidos pela sua racionalidade para o mercado. As seguintes questões traduzem a problemática com a qual se procurou trabalhar: a) Que valores são colocados em cena pelos diferentes atores sociais do circuito musical sobre essa forma de transformação de amadores em artistas profissionais mediada pelo formato televisivo de um reality como Popstars?; b) Quais as tensões que podem ser percebidas diante da revelação do processo racional promovido pela indústria da música diante da TV para os espectadores que desejam serem transformados em futuros consumidores de um produto musical em formação? Palavras-chave: Indústria da Música; Reality Show Musical; Televisão. Introdução O trabalho possui como objetivo geral contribuir para a discussão das relações entre TV e indústria musical no Brasil, pouco exploradas pelo campo acadêmico, a partir de um gênero televisivo recente na história do meio dedicado a promover de modo bastante particular a interação entre estes dois setores midiáticos: o reality show musical. Pensando a partir do “modelo de promessa”,3 proposto pelo pesquisador François Jost (2004) para compreender a comunicação televisual a partir da ideia de gênero,4 o reality show musical, como um gênero televisivo, é fruto de um conjunto de programas que agencia e negocia constantemente os seus sentidos entre os produtores e os espectadores.