Copy of Building the Building 2010 Revised Logo
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Tale of a Fish How Westminster Abbey Became a Royal Peculiar
The Tale of a Fish How Westminster Abbey became a Royal Peculiar For Edric it had been a bad week’s fishing in the Thames for salmon and an even worse Sunday, a day on which he knew ought not to have been working but needs must. The wind and the rain howled across the river from the far banks of that dreadful and wild isle called Thorney with some justification. The little monastic church recently built on the orders of King Sebert stood forlornly waiting to be consecrated the next day by Bishop Mellitus, the first Bishop of London, who would be travelling west from the great Minster of St Paul’s in the City of London. As he drew in his empty nets and rowed to the southern bank he saw an old man dressed in strange and foreign clothing hailing him. Would Edric take him across even at this late hour to Thorney Island? Hopeful for some reward, Edric rowed across the river, moaning to the old man about the poor fishing he had suffered and received some sympathy as the old man seemed to have had some experience in the same trade. After the old man had alighted and entered the little church, suddenly the building was ablaze with dazzling lights and Edric heard chanting and singing and saw a ladder of angels leading from the sky to the ground. Edric was transfixed. Then there was silence and darkness. The old man returned and admonished Edric for fishing on a Sunday but said that if he caste his nets again the next day into the river his reward would be great. -
Lambeth Palace Library Research Guide Biographical Sources for Archbishops of Canterbury from 1052 to the Present Day
Lambeth Palace Library Research Guide Biographical Sources for Archbishops of Canterbury from 1052 to the Present Day 1 Introduction .................................................................................................................... 3 2 Abbreviations Used ....................................................................................................... 4 3 Archbishops of Canterbury 1052- .................................................................................. 5 Stigand (1052-70) .............................................................................................................. 5 Lanfranc (1070-89) ............................................................................................................ 5 Anselm (1093-1109) .......................................................................................................... 5 Ralph d’Escures (1114-22) ................................................................................................ 5 William de Corbeil (1123-36) ............................................................................................. 5 Theobold of Bec (1139-61) ................................................................................................ 5 Thomas Becket (1162-70) ................................................................................................. 6 Richard of Dover (1174-84) ............................................................................................... 6 Baldwin (1184-90) ............................................................................................................ -
Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
The Bishop of London, Rt Revd Sarah Mullally, Is to Lead the Church
Tens of thousands of people coping with bereavement amid the coronavirus pandemic are to be remembered in prayers at a special national Church of England service from St Paul’s Cathedral to be broadcast this weekend. The Bishop of London, Rt Revd Sarah Mullally, is to lead the Church of England’s online weekly service on All Saints’ Day, marking the start of the season of remembrance. The service, of thanksgiving, hope and remembrance, with hymns and anthems from the choir of St Paul’s, will be broadcast on the Church of England’s Facebook page and YouTube channel at 9am on Sunday. In opening remarks, Bishop Sarah will speak of the Christian message of hope, in the face of the devastating impact of the coronavirus pandemic. She will say that God is with us in our pain and fear and that his love for us can never be destroyed. “We gather at a time of great uncertainty and challenge as the people of our world struggle to overcome a devastating pandemic that has cut short earthly lives, destroyed livelihoods, and separated us from the people and activities we enjoy. But we are not without hope,” she will say. “Through word, prayer, song and symbol, we are reminded that God’s love for us can never be destroyed. God is with us in our pain and fear and will lead us to a yet more glorious day.” The service will hear prayers read by the Dean of St Paul’s, Very Revd Dr David Ison, giving thanks for the lives of all those who have died and praying for all those who mourn their passing. -
The Bishop of London, Colonialism and Transatlantic Slavery
The Bishop of London, colonialism and transatlantic slavery: Research brief for a temporary exhibition, spring 2022 and information to input into permanent displays Introduction Fulham Palace is one of the earliest and most intriguing historic powerhouses situated alongside the Thames and the last one to be fully restored. It dates back to 704AD and for over thirteen centuries was owned by the Bishop of London. The Palace site is of exceptional archaeological interest and has been a scheduled monument since 1976. The buildings are listed as Grade I and II. The 13 acres of botanical gardens, with plant specimens introduced here from all over the world in the late 17th century, are Grade II* listed. Fulham Palace Trust has run the site since 2011. We are restoring it to its former glory so that we can fulfil our vision to engage people of all ages and from all walks of life with the many benefits the Palace and gardens have to offer. Our site-wide interpretation, inspired learning and engagement programmes, and richly-textured exhibitions reveal insights, through the individual stories of the Bishops of London, into over 1,300 years of English history. In 2019 we completed a £3.8m capital project, supported by the National Lottery Heritage Fund, to restore and renew the historic house and garden. The Trust opens the Palace and gardens seven days a week free of charge. In 2019/20 we welcomed 340,000 visitors. We manage a museum, café, an award-winning schools programme (engaging over 5,640 pupils annually) and we stage a wide range of cultural events. -
Westminster Abbey
Westminster Abbey EUCHARIST with the Ordination and Consecration of The Reverend Canon Dr Edward Condry, Canon Treasurer, Canterbury Cathedral, to be Bishop of Ramsbury in the Diocese of Salisbury by the Archbishop of Canterbury and other bishops St Matthew, Apostle and Evangelist Friday 2 1st September 2012 11.00 am Please join in singing the hymns and in saying the words printed in bold type . The church is served by a hearing loop. Users should turn their hearing aid to the setting marked T. Members of the congregation are kindly requested to refrain from using private cameras, video, or sound recording equipment. Please ensure that mobile phones, pagers, and other electronic devices are switched off. In the Jerusalem Chamber before the service, the Bishop-designate of Ramsbury takes the Oath of Allegiance to The Queen’s Majesty and the Oath of Due Obedience to the Archbishop of Canterbury, tendered to him by the Principal Registrar. The service is sung by the Choir of Westminster Abbey, conducted by James O’Donnell, Organist and Master of the Choristers. The organ is played by Robert Quinney, Sub-Organist. Setting: Missa Papae Marcelli Giovanni Pierluigi da Palestrina (c 1525–94) 2 Music before the service: Martin Ford, Assistant Organist, plays: Prelude and Fugue in C BWV 545 Johann Sebastian Bach (1685–1750) Ciacona in E minor Bux WV 160 Dietrich Buxtehude (c 1637–1707) Schmücke dich, o liebe Seele BWV 654 Johann Sebastian Bach Wie schön leuchtet der Morgenstern Dietrich Buxtehude Bux WV 223 Fugue in E flat BWV 552ii Johann Sebastian Bach The Procession of visiting Readers and Clergy moves to the South Transept . -
Queen's House Conference 2017 European Court Culture
Queen’s House Conference 2017 European Court Culture & Greenwich Palace, 1500-1750 RCIN405291, Royal Collection Trust/© Her Majesty Queen Elizabeth II, 2017 Thursday to Saturday, 20-22 April 2017 Location: National Maritime Museum and the Queen’s House, Greenwich Conference organisers: Janet Dickinson (University of Oxford), Christine Riding (Royal Museums Greenwich) and Jonathan Spangler (Manchester Metropolitan University). With support from the Society for Court Studies. For queries about the programme, please: [email protected] For bookings: call 020 8312 6716 or e-mail [email protected] Booking form: http://www.rmg.co.uk/see-do/exhibitions-events/queens-house- conference-2017 Thursday, 20 April 12.30–13.00 Registration 13.00–15.00 Introduction, conference organisers Jemma Field, Brunel University: Greenwich Palace and Anna of Denmark: Royal Precedence, Royal Rituals, and Political Ambition Karen Hearn, University College London): “‘The Queenes Picture therein’: Henrietta Maria amid architectural magnificence” Anna Whitelock, Royal Holloway, University of London: Title to be confirmed 15.00–15.30 Coffee and tea 15.30 17.00 Christine Riding, Royal Museums Greenwich: Private Patronage, Public Display: The Armada Portraits and Tapestries, and Representations of Queenship Natalie Mears, Durham University: Tapestries and paintings of the Spanish Armada: Culture and Horticulture in Elizabethan and Jacobean England Charlotte Bolland, National Portrait Gallery: The Armada Portrait of Elizabeth I 17.00–18.00 Keynote lecture Simon Thurley, Institute of Historical Research, London: Defining Tudor Greenwich: landscape, religion and industry 1 18.00–19.00 Wine reception in the Queen’s House, followed by dinner at restaurant in Greenwich, at own expense. -
Mellitus: First Bishop of London
Mellitus: First Bishop of London In the month when Easter falls I usually write on some aspect of Holy Week or Easter. This year I’m departing from custom in writing instead about Mellitus, the first Bishop of London, who is commemorated, as you will see from the Calendar of Common Worship, on 24 April. My particular prompt for writing about him this year was the fact that we are coming up to the anniversary of Sarah Mullaley’s consecration as the first female Bishop of London, and that made me think of Mellitus as London’s original ‘first’. Her cathedral is, of course, St Paul’s, the dedication of the London cathedral which goes back to the time of Mellitus in the early seventh century. When Pope Gregory the Great sent a mission to convert the old Roman province of Britannia in 597, it was headed by Augustine, who established his headquarters in Canterbury, near where he first landed. Gregory intended that there should be two archbishoprics, one in London, and one in York, reflecting the importance of these two towns when Britannia was a unified Roman province – information that was still known in Rome in Gregory’s day. What he did not know, however, was that sixth-century ‘Britannia’ (England) was no longer organised as a single entity but was made up of several small kingdoms, which of course complicated the mission enormously. An archbishopric was eventually established in York in the 730s, in the Kingdom of Northumbria (although there were bishops in the kingdom before that). But the archbishopric in the south remains to this day in Canterbury, honouring what local circumstances brought about under Augustine. -
GOSLING Pp01-13.V2:Layout 3
GOSLING_pp01-13.v2:Layout 3 21.07.2009 12:23 Uhr Seite 1 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 2 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 3 CLASSIC DESIGN FOR CONTEMPORARY INTERIORS With contributions by Stephen Calloway, Jean Gomm, Tim Gosling and Jürgen Huber Foreword by Tim Knox, Director, Sir John Soane’s Museum, London Photography by Ray Main PRESTEL MUNICH BERLIN LONDON NEW YORK GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 4 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 5 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 6 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 7 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 8 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 9 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 10 GOSLING_pp01-13.v2:Layout 3 21.07.2009 12:23 Uhr Seite 11 Foreword 13 1 The Classical Tradition 14 2 Space, Scale and Light 24 3 Commissioning 42 4 The Art and Craft of Luxury marquetry · mirror and glass · vellum · shagreen · leather lacquer · gilding · eglomise · inlays · accessories 52 5 The Art of Technology 170 6 Contemporary Design in Classic Interiors 192 Keepers of the Flame: Expert Craftsmen 216 Contributors 217 Selected Bibliography 218 Acknowledgements and Photo Credits 220 Index 221 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 12 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 13 Foreword direct link between today’s designers and craftsmen and their Acounterparts in the past is an important one. -
Section II: Summary of the Periodic Report on the State of Conservation, 2006
State of Conservation of World Heritage Properties in Europe SECTION II workmanship, and setting is well documented. UNITED KINGDOM There are firm legislative and policy controls in place to ensure that its fabric and character and Maritime Greenwich setting will be preserved in the future. b) The Queen’s House by Inigo Jones and plans for Brief description the Royal Naval College and key buildings by Sir Christopher Wren as masterpieces of creative The ensemble of buildings at Greenwich, an genius (Criterion i) outlying district of London, and the park in which they are set, symbolize English artistic and Inigo Jones and Sir Christopher Wren are scientific endeavour in the 17th and 18th centuries. acknowledged to be among the greatest The Queen's House (by Inigo Jones) was the first architectural talents of the Renaissance and Palladian building in England, while the complex Baroque periods in Europe. Their buildings at that was until recently the Royal Naval College was Greenwich represent high points in their individual designed by Christopher Wren. The park, laid out architectural oeuvres and, taken as an ensemble, on the basis of an original design by André Le the Queen’s House and Royal Naval College Nôtre, contains the Old Royal Observatory, the complex is widely recognised as Britain’s work of Wren and the scientist Robert Hooke. outstanding Baroque set piece. Inigo Jones was one of the first and the most skilled 1. Introduction proponents of the new classical architectural style in England. On his return to England after having Year(s) of Inscription 1997 travelled extensively in Italy in 1613-14 he was appointed by Anne, consort of James I, to provide a Agency responsible for site management new building at Greenwich. -
Shakespeare, Jonson, and the Invention of the Author
11 Donaldson 1573 11/10/07 15:05 Page 319 SHAKESPEARE LECTURE Shakespeare, Jonson, and the Invention of the Author IAN DONALDSON Fellow of the Academy THE LIVES AND CAREERS OF SHAKESPEARE and Ben Jonson, the two supreme writers of early modern England, were intricately and curiously interwoven. Eight years Shakespeare’s junior, Jonson emerged in the late 1590s as a writer of remarkable gifts, and Shakespeare’s greatest theatri- cal rival since the death of Christopher Marlowe. Shakespeare played a leading role in the comedy that first brought Jonson to public promi- nence, Every Man In His Humour, having earlier decisively intervened— so his eighteenth-century editor, Nicholas Rowe, relates—to ensure that the play was performed by the Lord Chamberlain’s Men, who had ini- tially rejected the manuscript.1 Shakespeare’s name appears alongside that of Richard Burbage in the list of ‘principal tragedians’ from the same company who performed in Jonson’s Sejanus in 1603, and it has been con- jectured that he and Jonson may even have written this play together.2 During the years of their maturity, the two men continued to observe Read at the Academy 25 April 2006. 1 The Works of Mr William Shakespeare, ed. Nicholas Rowe, 6 vols. (London, printed for Jacob Tonson, 1709), I, pp. xii–xiii. On the reliability of Rowe’s testimony, see Samuel Schoenbaum, Shakespeare’s Lives (Oxford, 1970), pp. 19–35. 2 The list is appended to the folio text of the play, published in 1616. For the suggestion that Shakespeare worked with Jonson on the composition of Sejanus, see Anne Barton, Ben Jonson: Dramatist (Cambridge, 1984), pp. -
British Christianity During the Roman Occupation
British Christianity during the Roman Occupation BY RICHARD VALPY FRENCH, D.C.L., LL.D., F.S.A. EXA.MfNING CHAPLAIN TO THE BISHOP OF LLANDAFP-, RURAL DEAN OF CAERLEON, RECTOR OF LLANMARTIN AND WILCRICK. PUBLISHED UNDER THE DIRECTION 01' THE TRACT COMMITTEE. !::iOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE, LONDON: NORTHUMBERLAND AVENUE, W.C.; 43 1 QUEEN VICTORIA STREET, E.C. BRIGHTON: 129, NORTH STREET. NEw YoRK: E. & J. B. YOUNG & CO. 1900 R1cHARn CLAY & Som;, LIMJTED, LONDON & BUNGAY. British · Christianity during the Roman Occupation THE object of this paper is to present an intelligible idea of Christianity in Britain during the Roman occupation; that is to say (speaking. roughly), during the first four centuries of th.e Christian era. The endeavour will be made to disentangle from a mass of legend, which Celtic patriotism or controversial zeal has hugged, the meagre scraps of real history for which we are indebted to foreign rather than to native historians. A bitter wail has reverberated from the first to the last of the writers of our soil, from the British Gildas of the sixth century to Professor Bright of to-day, that native contemporary records are non-existent, that the first planting of the faith is unknown.1 1 A really exhaustive study might take some such form as- Direct. Indirect (e.g. the study of Historical . the concurrent history of { Christianity in Ireland, Gaul, etc.). SOURCES Architectural. Monumental. Arch~ological Philological. { Paheographical. , Anthropological. Traditional-Folk-lore. 4 BRITISH CHRISTIANITY The plan here adopted is, to begin with the earliest available evidence of the settled condition of the British Church, namely, the, presence of three British bishops at the Synod of Arles (A.D.314).1 This will serve as a chronological point d'appui from which to proceed, first onward to the end of the proposed period, and then backward, till we arrive at the vanishing point of anything like British history, which we believe to be coin cident with the origin of British Christianity.