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INSTITUTE of CURRENT WORLD AFFAIRS Hanover, NH 03755
INSTITUTE OF CURRENT WORLD_ AFFAIRS 23 Jalan AU5 C/3 Lembah Keramat Uln Kelang, Selangor Malaysia 20 September 1982 BEB-IO Groping Mr. Peter Bird Martin Institute of Current World Affairs Wheelock House West Wheelock Street Hanover, NH 03755 Dear Peter, Hijjas Kasturi is an architect. "For some time no," he says,"each of us has been try- ing in our various directions, to fiud Malaysian architec- ture. We haven't found it yet, and I think it will take at least another generation before anything is formalized. This is the beginning; a very exciting period, but one full of dis c ont inuit ies .-,' "we lack a charismatic leadership to define IVia!aysian architecture as Frank Lloyd Wright did at one time for Aer- ican architecture. We all come from diffe.rent architectural schools with different philosophies. There is no unity. Some architects only want to implement what they've learned abroad. Others think the inangkabau roof, 'Islaic' arches and other ornamentation are enough. Its a horrible misconception that these cons.titute Malaysian architecture. These are elements. Elements are superficial things. en you think in elements you will trap yourself and become artificial in your assess- ment and in your discipline. In my firm we are looking for semething deeper aan that. We are not always successful. But we are searching. We are groping. And we are very committed. I think one day we may make history." Heavy stuff coming from the founder and sole proprietor -of a seVenty-member architectural firm barely five years old this year, with most oi" its portfolio either on the drawing boards or under construction. -
Hijjas Kasturi and Harry Seidler in Malaysia
Proceedings of the Society of Architectural Historians, Australia and New Zealand 30, Open Papers presented to the 30th Annual Conference of the Society of Architectural Historians, Australia and New Zealand held on the Gold Coast, Queensland, Australia, July 2-5, 2013. http://www.griffith.edu.au/conference/sahanz-2013/ Amit Srivastava, “Hijjas Kasturi and Harry Seidler in Malaysia: Australian-Asian Exchange and the Genesis of a ‘Canonical Work’” in Proceedings of the Society of Architectural Historians, Australia and New Zealand: 30, Open, edited by Alexandra Brown and Andrew Leach (Gold Coast, Qld: SAHANZ, 2013), vol. 1, p 191-205. ISBN-10: 0-9876055-0-X ISBN-13: 978-0-9876055-0-4 Hijjas Kasturi and Harry Seidler in Malaysia Australian-Asian Exchange and the Genesis of a “Canonical Work” Amit Srivastava University of Adelaide In 1980, months after his unsuccessful competition entries for the Australian Parliament House and the Hong Kong Shanghai Bank headquarters, Harry Seidler entered into collaboration with Malaysian architect Hijjas (bin) Kasturi that proved much more fruitful. Their design for an office building for Laylian Realty in Kuala Lumpur was a departure from Seidler’s quadrant geometries of the previous decade, introducing a sinuous “S” profile that would define his subsequent work. Although never realised, Kenneth Frampton has described this project as a “canonical work” that was the “basic prototype for a new generation of medium to high-rise commercial structures.” But Seidler’s felicitous collaboration with Hijjas was evidently more than just circumstantial, arising from a longer term relationship that is part of a larger story of Australian-Asian exchange. -
Rejuvenating the Shophouse: Conservation of Historical Buildings in Penang’S Unesco World Heritage Site
Zahari Zubir et al., Int. J. of Herit. Archit., Vol. 2, No. 2 (2018) 335–346 REJUVENATING THE SHOPHOUSE: CONSERVATION OF HISTORICAL BUILDINGS IN PENANG’S UNESCO WORLD HERITAGE SITE ZAHARI ZUBIR, KOH JING HAO, NOR HAYATI HUSSAIN & PRINCE FAVIS ISIP School of Architecture, Building and Design, Taylor’s University, Malaysia. ABSTRACT Conservation of shophouses, the architectural heritage of the colonial past in Penang’s UNESCO World Heritage Site, is subjected to strict conservation regulations and guidelines imposed and en- forced by the local authority. The goal of the conservation effort is to add value to the dilapidated structures in order for them to remain relevant and economically viable while maintaining the his- torical essence of the site. Sadly, because of erroneous conservation treatments, many have failed to achieve the intended goals. This article explores the regulations and processes involved and the chal- lenges faced by building owners in conserving the shophouses. The significance of the study stem from the crucial need to deal with the issues involved in the conservation of heritage buildings within the rapid economic growth and transformation of Penang’s UNESCO World Heritage Site urban fabric. The study employs theoretical and analytical approaches as its methodology. This article dis- cusses the initiatives of three building owners in conserving shophouses into boutique hotel, museum and office, each originally of different purposes. Each of them applied adaptive reuse conservation strategy, with similar intention of rehabilitating the buildings for a more viable and current usage while maintaining their historical value and character. This article will serve as a reference for the local authorities, architects, designers, conservators and the public when embarking on projects of a similar nature in the future. -
Built Pedagogy Education Design Is a Specialised Field with Different
University of Melbourne New Building for the Faculty of Architecture, Building and Planning Expression of Interest Built Pedagogy Education design is a specialised field with different characteristics and benchmarks from other building types Paul Morgan Architects specializes in the design of university and TAFE buildings. A feature of the buildings is the idea of permeability: the activities of students and staff are revealed to passers-by. This animates the internal spaces and advertises the functions that occur within. It is about the ‘theatre’ of architecture, and can be seen in the Box Hill Institute Trade Facility and CGIT Learning Centre on this page. Advanced structural and servicing techniques are demonstrated in the proposed 6 Star Green Star Vicurban Chisholm project. Above top to bottom: VicUrban Chisholm, Completion TBC; CGIT Learning Centre, Leongatha, 2009; RMIT University, Hamilton, 2001 Above right top to bottom:Trades facility, Box Hill Institute of TAFE, 2006; CGIT Learning Centre, Warragul, 2007; Chisholm Institute Automotive and Logisitcs Centre, 2008 Far right: NMIT, Stage 1 Development, Epping, 2009 Right: Lecture Theatre, Victoria University of Technology, Werribee, 1997 PMA Education Clients Box Hill Institute Central Gippsland Institute of TAFE Chisholm Institute of TAFE Danang University Department of Education & Training Hue University Monash University Newman College Northern Melbourne Institute of TAFE RMIT TAFE RMIT University RMIT International University Vietnam Victoria University of Technology www.paulmorganarchitects.com -
The 1980S As (An Attempt In) the Decolonialization of Malaysian Art
The 1980s as (an Attempt in) the Decolonialization of Malaysian Art Sarena Abdullah Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 4, Number 1, March 2020, pp. 3-29 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2020.0002 For additional information about this article https://muse.jhu.edu/article/752969 [ Access provided at 27 Sep 2021 18:07 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. ARTICLES The 1980s as (an Attempt in) the Decolonialization of Malaysian Art SARENA ABDULLAH Abstract In Malaysia, the implementation of the National Culture Policy in the early 1970s reiterated the ethnic preference policy of the National Economic Policy (NEP). As a result, the subsequent 1971 National Culture Congress (NCC) and the Islamization Policy undertaken by the government in the late 1970s had great influence on art practices in Malaysia, especially during the 1980s. These policies could be seen as an official attempt to shape the Malaysian identity, especially in terms of visual art in post-Independence Malaysia. The first part of this article will discuss the indirect consequences of the 1971 National Culture Policy and several Islam-centred policies since the late 1970s and how several assertions were made through a few writings about Malaysian art: that only certain modern art forms, aligned with the rhetoric of national agendas, were produced and exhibited in the late 1970s until the mid- 1990s. This paper will problematize the assertion by discussing some disjuncture and inconsistencies in relation to this narrative of Malaysian art. -
The Restless Type Contemporary Expression of the Traditional Kampung House
issue #48 habitusliving.com 2. portrait # 53 alfway between Kuala Lumpur International Airport and the city, either from the freeway or the train, you will see on your left Hthe dynamically twisting Menara Telekom tower on the horizon. It dates from 2002 and, like many other buildings by Hijjas Kasturi Associates (HKA), it has helped define what modern Malaysian architecture aspires to be. The reason these buildings remain must- see architectural icons is because of how they express so clearly the values which drove them. At a time when so much Malaysian architecture tried to express national identity through vernacular revival pastiche, Hijjas pursued a “universal architecture” imbued with the essence of local tradition. Elegant in form and refined in detail, these buildings integrate with their urban context and are exemplars of sustainable tropical architecture. In the Region, Hijjas is comparable to Harry Seidler – whom he admires – in the way his buildings engage at ground level where they open up to create connection and make a high-rise building less overbearing. Hijjas’s ‘identity project’ also found expression in his own home, Rimbun Dahan, outside Kuala Lumpur where the house is a The restless type contemporary expression of the traditional kampung house. The 5.5 hectare property is also home to three re-assembled and restored kampung houses, part of a collection of accommodation and studios for visual and TEXT PAUL MCGILLICK | PORTRAIT CHARMAINE ZHENG performing artists from Malaysia, ASEAN countries and Australia who enjoy residencies offered by Hijjas and his wife Angela. Also part of the property are gardens including wetlands, an orchard and a forest of indigenous South East Asian trees selected for their medicinal, culinary and fragrant qualities. -
Decision About Registration of 12 Marawa Pl, Aranda) Notice 2008 (No 1
Australian Capital Territory Heritage (Decision about Registration of 12 Marawa Pl, Aranda) Notice 2008 (No 1) Notifiable Instrument NI 2008 – 421 made under the Heritage Act 2004 section 42 Notice of decision about registration 1. Revocation This instrument replaces NI2008 – 121 2. Name of instrument This instrument is the Heritage (Decision about Registration for 12 Marawa Pl, Aranda) Notice 2008 (No 1). 3. Registration details of the place Registration details of the place are at Attachment A: Register entry for 12 Marawa Pl, Aranda, 4. Reason for decision The ACT Heritage Council has decided that the 12 Marawa Pl, Aranda meets one or more of the heritage significance criteria at s 10 of the Heritage Act 2004. The register entry is at Attachment A. 5. Date of Registration 11 September 2008. The Secretary ACT Heritage Council GPO Box 158 CANBERRA ACT 2602 ………………….. Gerhard Zatschler Secretary ACT Heritage Council GPO Box 158, Canberra ACT 2602 11 September 2008 Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au AUSTRALIAN CAPITAL TERRITORY HERITAGE REGISTER For the purposes of s. 33 of the Heritage Act 2004, an entry to the heritage register has been prepared by the ACT Heritage Council for the following place: • 12 Marawa Place Block 6, Section 31 ARANDA DATE OF REGISTRATION Notified: 11 September 2008 Notifiable Instrument: NI2008–421 Copies of the Register Entry are available for inspection at the ACT Heritage Unit. For further information please contact: The Secretary ACT Heritage Council GPO Box 158, Canberra, ACT 2601 Telephone: 132281 Facsimile: (02) 6207 2229 Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au IDENTIFICATION OF THE PLACE • 12 Marawa Place, Block 6, Section 31, Suburb of Aranda, ACT. -
Australian Institute of Architects Annual Report 2016
Australian Institute of Architects Annual Report 2016 Architecture: stronger communities by design From the cover A City Transformed by Architectural Excellence Geelong City is emerging from difficult economic times unhelped by a poorly laid out 19th century civic centre. The award winning Geelong Library and Heritage Centre by ARM Architecture has revitalised the cultural precinct; providing function coupled to an iconic aesthetic. The design connects and enhances existing underutilised space providing multiple layers of value. This project clearly demonstrates how in this case, holistic design can transform the quaint concept of a ‘library’ into a vibrant and energised vertical village where the community can meet, collaborate, engage, learn and celebrate. The project’s pragmatic success is apparent in the record breaking visitor numbers that have exceeded all expectation. Geelong Library and Heritage Centre by ARM Architecture. Winner of the Sir Zelman Cowen Award for Public Architecture at the 2016 National Architecture Awards. Photographer: John Gollings 02 ANNUAL REPORT 2016 AUSTRALIAN INSTITUTE OF ARCHITECTS Contents Part One Introduction 04 National President's Report 06 Chief Executive Officer’s Report 08 Governance 10 Chapter Reports 12 Education 21 Advocacy 22 Membership 23 Awards and Prizes 24 Events and Conferences 26 Venice Biennale 28 Performance Indicators 30 All information contained in part one is correct as at 31 March 2017. Part Two – Financial Report Financial Summary 36 Financial Contents 38 AUSTRALIAN INSTITUTE OF ARCHITECTS ANNUAL REPORT 2016 03 Building a strong voice for architecture Architecture has a powerful impact on our nation and as Following images represent: our cities and regions continue to grow, so too does the 1. -
The Idealised Image of the Australian Home: a Myth in the Making
School of the Built Environment Department of Architecture and Interior Architecture The Idealised Image of the Australian Home: A Myth in the Making Irene (Oi Ling) Low This thesis is presented for the Degree of Doctor of Philosophy of Curtin University July 2015 Declaration To the best of my knowledge and belief, this thesis contains no material previously published by any other person, except where due acknowledgment has been made. This thesis contains no material that has been accepted for the award of any other degree or diploma in any university. Signature: …………………………………………. Date: ………………………. ii Abstract This thesis questions and challenges the idealised image of the Australian home in the context of architecture and the media. In the Australian public’s imagination, the house—as a social, cultural and architectural ideal—has a very important mythological role. This was especially true in the 1950s after World War II, when it was considered that a single-storey bungalow with its own garden and the constant presence of women in proper aprons, deftly wielding electrical appliances, were normative home ideals to which most Australians aspired. Stemming from a desire to expose and demystify the underlying idealisations of the Western home, this thesis questions the values and attitudes implicit in the variety of messages with which mass culture bombards society, with images that attempt to universalise and naturalise meanings and values. In a society avid for images, the concept of myth provides a basis for a critique of the ‘naturalising effect’ of ideology of the idealised image of the Western architectural home. By adopting the concept of myth as a theoretical position, this thesis speculates on the spectacle and images of the architecture, society and culture of the home. -
John Wardle Architects
Vision Magazine 1 V ISION John Wardle Architects Fairhaven House Shearer’s Quarters Nigel Peck Centre Vision Magazine 2 CONTENTS The Material Man John Wardle leads a talented multi-disciplinary practice. The firm’s latest residence perches above Fairhaven Beach and is their second project to win the prestigious Robin Boyd Award. 04 3 Twitter Blog Bruny Island Shearer’s Quarters A return visit to a house that hasn’t sagged under the weight of huge acclaim. A precursor to the Fairhaven House and equally tuned to its remarkable setting. 26 Nigel Peck Centre Covered by Vision in 2008 and virtually ageless with its fusion of technology and art to create an inspirational education environment. 38 Contents Vision Magazine 4 THE MATERIAL MAN 5 THE MATERIAL MAN STRAW POLL ARCHITECTS TO DISCOVER WHO AMONG THEIR RANKS THEY MOST ADMIRE AND THE PRACTICE OF JOHN WARDLE CONSISTENTLY RATES. THIS MIGHT SURPRISE WARDLE, BUT NOT SHREWD OBSERVERS OF A FIRM THAT HAS BUILT SUCH AN OUTSTANDING BODY OF WORK. HE ENJOYS AN UNUSUALLY HIGH PEER REPUTATION - RARE IN A BUSINESS FRAUGHT WITH NARROW ESCAPES, FINANCIAL STRUGGLES AND GLOVES-OFF SPARRING. The Fairhaven House, Victoria Architect: John Wardle Architects Principal Glass Provider: Viridian Principal Glazing Resource: Viridian ThermoTechTM E Double Glazed Units incorporating SunergyTM Images & Text: Peter Hyatt & Jennifer Hyatt The Material Man Right A para-glider swoops past the house that occupies a high ridge-line. Vision Magazine 8 9 Left Design clarity and delicacy have helped win Wardle Sheltered, plaudits, not least among them his second Robin north-facing courtyard. Boyd Award. -
Survey-Of-Post-War-Built-Heritage-In-Victoria-Stage-1-Heritage-Alliance-2008 Part2.Pdf (PDF File
Identifier House Other name Milston House (former) 027-086 Address 6 Reeves Court Group 027 Residential Building (Private) KEW Category 472 House LGA City of Boroondara Date/s 1955-56 Designer/s Ernest Milston NO IMAGE AVAILABLE Theme 6.0 Building Towns, Cities & the Garden State Sub-theme 6.7 Making Homes for Victorians Keywords Architect’s Own Significance Architectural; aesthetic References This butterfly-roofed modernist house was designed by Ernest P Goad, Melbourne Architecture, p 171 Milton, noted Czech-born émigré architect, for his own use. Existing Listings AHC National Trust Local HO schedule Local Heritage Study Identifier House Other name 027-087 Address 54 Maraboor Street Group 027 Residential Building (Private) LAKE BOGA Category 472 House LGA Rural City of Swan Hill Date/s c.1955? Designer/s Theme 6.0 Building Towns, Cities & the Garden State Sub-theme 6.7 Making Homes for Victorians Keywords Image: Simon Reeves, 2002 Significance Aesthetic References Probably a rare survivor of the 1950s fad for decorating John Belot, Our Glorious Home (1978) houses, gardens and fences with shells and ceramic shards. This “Domestic Featurism” was documented by John Belot in the 1970s, but few examples would now remain intact. The famous “shell houses” of Arthur Pickford at Ballarat and Albert Robertson at Phillip Island are both no longer extant. Existing Listings AHC National Trust Local HO schedule Local Heritage Study heritage ALLIANCE 146 Job 2008-07 Survey of Post-War Built Heritage in Victoria Identifier House Other name Reeve House (former) 027-088 Address 21a Green Gully Road Group 027 Residential Building (Private) KEILOR Category 472 House LGA City of Brimbank Date/s 1955-60 Designer/s Fritz Janeba NO IMAGE AVAILABLE Theme 6.0 Building Towns, Cities & the Garden State Sub-theme 6.7 Making Homes for Victorians Keywords Significance Architectural; References One of few known post-war commissions of this Austrian émigré, who was an influential teacher within Melbourne University’s School of Architecture. -
Expression of Interest
Expression of Interest Prepared for the University of Melbourne - New Building for the Faculty of Architecture Building and Planning by Architectus Architectus Melbourne Level 7, 250 Victoria Parade East Melbourne VIC 3002 Australia T +61 3 9429 5733 F +61 9 429 8480 [email protected] www.architectus.com.au 1.1 BUILT PEDAGOGY VISIBILITY “In 1994 when we were designing the Hammond residence which was in a remote location, we were advised we would need 22 solar panels to meet energy needs. Our clients could only afford two panels and so sold the majority of their appliances. The two panels proved more than enough + our clients had to buy new appliances to ‘use up’ the stored energy. The lesson is that an understanding of energy and operational requirements is necessary for all involved in creating built environments.” Lindsay Clare - Director Architectus By learning about the building’s operation through experience + monitoring as part of their studies all students can learn how a building works (passively, technically and socially), Year 1 about light and ventilation, Year 2 about water, Year 3 etc...... the building as a ‘learning laboratory’ - fostering engagement and ownership and presenting the opportunity to deliver an experiential landmark for the university and the community. University of the Sunshine Coast Chancellery - Concept Plan and covered ‘market place’ - with visual connections to central landscape and library beyond The purpose of the new building is to create an environment where people want to be, and where they want to learn - about designing, planning and making - within spaces that promote engagement, research exploration, collaboration, connection, testing and discovery.