AUDITIONS Woodland Theatre Presents
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The Lion King Audition Monologues
Audition Monologues Choose ONE of the monologues. This is a general call; the monologue you choose does not affect how you will be cast in the show. We are listening to the voice, character development, and delivery no matter what monologue you choose. SCAR Mufasa’s death was a terrible tragedy; but to lose Simba, who had barely begun to live... For me it is a deep personal loss. So, it is with a heavy heart that I assume the throne. Yet, out of the ashes of this tragedy, we shall rise to greet the dawning of a new era... in which lion and hyena come together, in a great and glorious future! MUFASA Look Simba. Everything the light touches is our kingdom. A king's time as ruler rises and falls like the sun. One day, Simba, the sun will set on my time here - and will rise with you as the new king. Everything exists in a delicate balance. As king, you need to understand that balance, and respect for all creatures-- Everything is connected in the great Circle of Life. YOUNG SIMBA Hey Uncle Scar, guess what! I'm going to be king of Pride Rock. My Dad just showed me the whole kingdom, and I'm going to rule it all. Heh heh. Hey, Uncle Scar? When I'm king, what will that make you? {beat} YOUNG NALA Simba, So, where is it? Better not be any place lame! The waterhole? What’s so great about the waterhole? Ohhhhh….. Uh, Mom, can I go with Simba? Pleeeez? Yay!!! So, where’re we really goin’? An elephant graveyard? Wow! So how’re we gonna ditch the dodo? ZAZU (to Simba) You can’t fire me. -
Disney Magic Becomes a Little Less Magical and a Little More
University of Hawai‘i at Hilo HOHONU 2019 Vol. 17 majority of Disney films often bequeath the antagonist of Disney Magic Becomes a Little the storyline with a non-American accent, exemplified Less Magical and a Little More by Shere Khan’s British accent in The Jungle Book. The protagonists of the films, like Mowgli in The Jungle Book, Discriminatory are almost always portrayed with the Standard American Kaleigh Anderson accent. It has been a common pattern within Disney’s animated features that characters who speak with non- Storytelling is a crucial part for humankind as well Standard American accents are portrayed as outsiders, as in oral history. Movie adaptations have also become and are selfish and corrupt with the desire to seek or a key ingredient in relaying certain messages to people obtain power. This analysis is clearly displayed in one of of all ages. However, children watching movies and Disney’s most popular animated feature films, The Lion absorbing stories are susceptible and systematically King. In this Hamlet-inspired tale, the main characters’ exposed to a standard (or specific) language ideology accents bring attention to which characters fall into by means of linguistic stereotypes in films and television the “good guy” versus “bad guy” stereotype. Simba, shows. These types of media specifically, provide a the prized protagonist in the film, and Nala, his love wider view on people of different races or nationalities interest, both speak Standard American dialects. Through to children (Green, 1997). Disney films, for instance, linguistic production, Simba’s portrayal as the Lion King are superficially cute, innocent and lighthearted, but translates an underlying message to children viewers through a deeper analysis , the details of Disney movies that characters who are portrayed as heroes or heroines provide, a severe, and discriminating image. -
Lion King Playbill
p ed b: al 9-1 t fm tt 1 E. Mo I Jso, A 7 1 I (8)9-2 I f ob .o Te a a le on o a t F¡ B£ O¥¦c M c & Lc b a t a m c a lc b b b En J & l m, m mi, Rr ar & T R j r i, & H z e i e mh b d o t b d¤¥ p §u©o d cª§ b J e To production of presented by Music and Lyrics by Elton John & Tim Rice Additional Music and Lyrics by Lebo M, Mark Mancina, Jay Rifkin, and Hans Zimmer Book by Roger Allers & Irene Mecchi Based on the Broadway production directed by Julie Taymor Music Adapted & Arranged and Additional Music & Lyrics and “Luau Hawaiian Treat: written byWill Van Dyke “It’s a Small World” written byRichard M. Sherman and Robert B. Sherman Musical Numbers ACT 1 Circle of Life Grasslands Chant The Lioness Hunt I Just Can’t Wait to Be King Be Prepared They Live In You The Stampede The Mourning Hakuna Matata ACT 2 Shadowland Can You Feel The Love Tonight He Lives In You Luau Hawaiian Treat Finale/Bows Crew Director: Elea Allen Assistant Directors: Sophie Ramsey & Abby Orr Music Director: Morgan Vermillion Costumer: Abi Mason Light Technician: Kenny Fields Sound Technician: Clair Pulliam Spot Lights: Will Allen & Evey Pulliam Fly Rail: Reid Rogers Cast Rafiki..................................................Abby Jayne Spades Mufasa........................................................Kade Vaughn Sarabi..........................................................Callie Reeves Zazu..........................................................Maggie Moyer Scar.......................................................Kayden Meredith Young Simba...........................................James -
Disney Bingo the Arc, Ocean County Chapter Virtual Recreation
Disney Bingo The Arc, Ocean County Chapter Virtual Recreation Elsa Winnie the Pooh Nemo Donald Duck Ariel Tinker Bell Goofy Belle Stitch Bambi Free Space Minnie Mouse Jasmine Pocahontas Mulan Buzz Lightyear Dumbo Daisy Duck Cinderella Simba Snow White Pluto Pinocchio Moana Mickey Mouse Disney Bingo The Arc, Ocean County Chapter Virtual Recreation Cinderella Simba Goofy Tinker Bell Elsa Bambi Moana Snow White Dumbo Minnie Mouse Free Space Mulan Donald Duck Jasmine Pinocchio Winnie the Pooh Belle Pocahontas Mickey Mouse Nemo Daisy Duck Buzz Lightyear Pluto Stitch Ariel Disney Bingo The Arc, Ocean County Chapter Virtual Recreation Buzz Lightyear Minnie Mouse Simba Bambi Elsa Cinderella Pinocchio Pocahontas Ariel Daisy Duck Free Space Tinker Bell Snow White Mickey Mouse Winnie the Pooh Donald Duck Dumbo Jasmine Stitch Moana Mulan Nemo Goofy Belle Pluto Disney Bingo The Arc, Ocean County Chapter Virtual Recreation Snow White Nemo Bambi Cinderella Donald Duck Winnie the Pooh Mickey Mouse Jasmine Pluto Mulan Free Space Daisy Duck Tinker Bell Pocahontas Buzz Lightyear Stitch Simba Minnie Mouse Dumbo Ariel Moana Pinocchio Belle Goofy Elsa Disney Bingo The Arc, Ocean County Chapter Virtual Recreation Mickey Mouse Belle Winnie the Pooh Ariel Elsa Snow White Stitch Daisy Duck Bambi Nemo Free Space Moana Jasmine Minnie Mouse Simba Pluto Pinocchio Pocahontas Tinker Bell Donald Duck Mulan Goofy Buzz Lightyear Cinderella Dumbo. -
How "The Lion King" Remake Is Different from the Animated Version by USA Today, Adapted by Newsela Staff on 07.29.19 Word Count 854 Level MAX
How "The Lion King" remake is different from the animated version By USA Today, adapted by Newsela staff on 07.29.19 Word Count 854 Level MAX Image 1. Mufasa (left) and Simba in a scene from Disney's animated "The Lion King" which was released in 1994. Photo by: Disney Studios How does Disney tell the story of a lion becoming king in 2019? Well, largely the same way it did in 1994. This time the movie studio is using photorealistic computer-generated imagery (CGI). Jon Favreau's remake of "The Lion King" (in theaters since July 19) brings Simba, Nala, Scar and the whole pride back to the big screen with new voice talent but much of the original plot intact. Fans of the animated classic get those moments they love: Simba's sneeze, the cub's presentation to the kingdom, Timon and Pumbaa's vulture-kicking entrance. Even much of the dialogue is identical to that of the 25-year-old movie. But there are some changes that add a half-hour of running time to the story. Here are a few notable updates, aside from the obvious fact that the animals no longer look like cartoons. Be prepared for a different version of Scar's sinister song, and for new Beyoncé music. This time, Scar (Chiwetel Ejiofor) doesn't so much croon "Be Prepared" as deliver his signature song like a dark, militaristic monologue. In place of a catchy chorus and humorous digs at hyenas This article is available at 5 reading levels at https://newsela.com. -
A Greener Disney Cidalia Pina
Undergraduate Review Volume 9 Article 35 2013 A Greener Disney Cidalia Pina Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the Environmental Sciences Commons Recommended Citation Pina, Cidalia (2013). A Greener Disney. Undergraduate Review, 9, 177-181. Available at: http://vc.bridgew.edu/undergrad_rev/vol9/iss1/35 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2013 Cidalia Pina A Greener Disney CIDALIA PINA Cidalia Pina is a isney brings nature and environmental issues to the forefront with its Geography major non-confrontational approach to programming meant for children. This opportunity raises awareness and is relevant to growing with a minor in environmental concerns. However this awareness is just a cursory Earth Sciences with Dstart, there is an imbalance in their message and effort with that of their carbon an Environmental footprint. The important eco-messages that Disney presents are buried in fantasy and unrealistic plots. As an entertainment giant with the world held magically concentration. This essay was captive, Disney can do more, both in filmmaking and as a corporation, to facilitate completed as the final paper for Dr. a greener planet. James Bohn’s seminar course: The “Disney is a market driven company whose animated films have dealt with nature Walt Disney Company and Music. in a variety of ways, but often reflect contemporary concerns, representations, and Cidalia learned an invaluable amount shifting consciousness about the environment and nature.” - Wynn Yarbrough, about the writing and research University of the District of Columbia process from Dr. -
Video Game Systems Uncovered
Everything You Ever Wanted To Know About... VIDEO GAMES But Never Dared To Ask! Introduction: 1 With the holidays quickly approaching the odds are you will be purchasing some type of video game system. The majority of U.S. households currently have at least one of these systems. With the ever changing technology in the video world it is hard to keep up with the newest systems. There is basically a system designed for every child’s needs, ranging from preschool to young adult. This can overwhelming for parents to choose a system that not only meets your child’s needs but also gives us the best quality system for our money. With the holidays coming that means many retailers will be offering specials on video game systems and of course the release of long awaited games. Now is also the time you can purchase systems in bundles with games included. Inside you will learn about all of these topics as well as other necessities and games to accompany to recent purchase. What you’ll find here: 2 In this ebook you will learn about console and portable video game systems, along with the accessories available. You will also find how many games each system has to offer. You will get an in depth look at the pro’s and con’s of each current system available in stores today, and the upcoming systems available in the near future. As a concerned parent you should also be aware of the rating label of the games and what the rating exactly means. -
Nintendo 64 Architecture
Nintendo 64 Architecture Dan Chianucci and Peter Muller Agenda ● Background ● Architectural Overview o Computational Units o Memory o Input and Output ● End of N64 Lifespan 2 History ● Video games in 1996 ● Features ● Notable games ● Improvements ● Influences 3 The Nintendo 64 Source: http://www.freepatentsonline.com/y2001/0016517.html 4 Overview of Components ● MIPS R4300i 64-bit processor ● MIPS Reality Coprocessor (RCP) o Reality Drawing Processor (RDP) o Reality Signal Processor (RSP) ● Memory ● I/O o Video o Audio o Controllers 5 Diagram Source: http://www.freepatentsonline.com/y2001/0016517.html 6 Diagram Source: http://www.freepatentsonline.com/y2001/0016517.html 7 MIPS R4300i ● 32-bit interface ● Five-stage pipeline ● 16KB instruction cache ● 8KB data cache ● 64-bit integer and floating point units ● Multiple clock rates for slower peripherals 8 MIPS R4300i Diagram Source: http://n64.icequake.net/mirror/www.white-tower.demon.co.uk/n64/ 9 Diagram Source: http://www.freepatentsonline.com/y2001/0016517.html 10 Diagram Source: http://www.freepatentsonline.com/y2001/0016517.html 11 Reality Coprocessor ● Handles audio and graphics o Separate hardware for each ● Used for high bandwidth algorithms ● Receives instruction from R4300i ● Connects to DACs for media output 12 Reality Coprocessor Diagram Source: http://n64.icequake.net/mirror/www.white-tower.demon.co.uk/n64/ 13 Diagram Source: http://www.freepatentsonline.com/y2001/0016517.html 14 Diagram Source: http://www.freepatentsonline.com/y2001/0016517.html 15 Diagram Source: http://www.freepatentsonline.com/y2001/0016517.html -
Real Life Locations That Inspired the Lion King Rekero
The real landscapes that inspired the Lion King – and 10 amazing ways to see them 2019/08/04, 18*46 Telegraph Travel’s safari expert Brian Jackman on the Kenyan plains which inspired Disney’s writers, his own fascinating lion encounters, and ten of the best lodges in Africa to have yours Why should lions have held the world in thrall since the dawn of history? As long ago as the seventh century BC, the Assyrian king Ashurbanipal had his royal palace at Nineveh decorated with magnificent bas-reliefs of lion-hunting scenes. In Ancient Rome, the walls of the Colosseum resonated to the roars of lions as gladiators fought to the death with the king of beasts. Closer to our own time, Sir Edwin Landseer’s four bronze lions were set to guard the statue of Nelson, the nation’s hero in Trafalgar Square, and even in my lifetime I have watched spear-carrying Maasai warriors loping over the savannah to prove their manhood on a ceremonial lion hunt. Celebrated in literature by the likes of Ernest Hemingway and Karen Blixen, lions have maintained their enduring hold on the national psyche, appearing on the shirts of the England football team and even entering our living rooms thanks to the popularity of TV wildlife documentaries such as The Big Cat Diary and Sir David Attenborough’s Dynasties series. But not since Born Free, Joy Adamson’s true-life saga of Elsa – the lioness she raised and returned to the wild – has anything gripped the public imagination like The Lion King. -
Amazing Animated ANIMALS Celebrate Disney’S Legacy of Memorable Animated Animal Characters, Including the King of Them All, the LION KING
Amazing Animated ANIMALS Celebrate Disney’s legacy of memorable animated animal characters, including the King of them all, THE LION KING. 1937 1950 1967 SNOW WHITE CINDERELLA THE JUNGLE BOOK AND THE SEVEN DWARFS Gus, Jaq and Lucifer Bagheera, King Louie, Snow White’s Forest Friends Kaa and Baloo and the Queen’s Raven 1951 ALICE IN WONDERLAND 1970 1940 Cheshire Cat, THE ARISTOCATS PINOCCHIO The White Rabbit Thomas O’Malley, Jiminy Cricket, and many more Duchess, Berlioz, Cleo and Figaro Toulouse and Marie. 1953 1940 PETER PAN 1973 FANTASIA Nana ROBIN HOOD Hyacinth Hippo, Ben Ali Gator, Robin, Maid Marian and friends Madame Upanova and many more 1955 LADY AND THE TRAMP 1977 1941 Lady, Tramp, all their dog friends THE RESCUERS DUMBO and Si & Am Bianca and Bernard Dumbo and Timothy Mouse 1959 1981 SLEEPING BEAUTY THE FOX AND 1942 Samson and Diablo THE HOUND BAMBI Tod and Copper Bambi, Thumper and 1961 the forest animals 101 DALMATIANS 1986 Pongo, Perdita THE GREAT MOUSE DETECTIVE 1949 and the pups Basil, Dr. Dawson and friends THE ADVENTURES OF ICHABOD AND MR. TOAD 1963 1988 J. Thaddeus Toad, Rat, Mole and THE SWORD IN THE STONE OLIVER & COMPANY Angus MacBadger Archimedes Oliver and the gang 1989 2003 2013 THE LITTLE BROTHER BEAR FROZEN MERMAID Kenai, Koda, Swen Flounder, Sebastian Rutt and Tuke and friends 2015 2004 THE GOOD DINOSAUR 1991 HOME ON THE RANGE Arlo and his dinosaur BEAUTY AND Maggie, Mrs. Caloway, Grace family and friends THE BEAST and their barnyard friends Philippe 2016 2005 ZOOTOPIA 1992 CHICKEN LITTLE Judy Hopps, ALADDIN -
The Lion King Monologues
THE LONE KING MONOLOGUES LAST WEEK – VOCAL SKILLS • Pace • Pitch • Power • Pause • Pronunciation THIS WEEK Monologues – VOCAL SKILLS • Space • Levels • Facial Expression • Body Language Zazu – The Lion King Oh, just look at you two. Little seeds of romance blossoming in the savannah. Your parents will be thrilled… what with your being betrothed and all. {trying to explain} Betrothed. Intended. Affianced. One day you two are going to be married! {beat} Well, sorry to bust your bubble, but you two turtle doves have no choice. It’s a tradition… going back generations. {beat} Oh, you can’t fire me. Only a king can do that. You’re not a king yet. And with an attitude like that, I'm afraid you’re shaping up to be a pretty pathetic king indeed. If this is where the monarchy is headed count me out! Out of service, out of Africa, I wouldn't hang about! Young Simba – The Lion King Hey Uncle Scar, guess what! I'm going to be king of Pride Rock. My Dad just showed me the whole kingdom, and I'm going to rule it all. Heh heh. I’m gonna be a mighty king so enemies beware. I’m working on my roar. Here, listen! Roar!! I can’t wait to be king! No one bossing me around… Free to play all day... Free to do it all my way! Hey, Uncle Scar? When I'm king, what will that make you? Mufasa – The Lion King Look Simba. Everything the light touches is our kingdom. A king's time as ruler rises and falls like the sun. -
JULY 13Th & 14Th, 2018
JULY 13th & 14th, 2018 ENMU-R Performing Arts Center Picture taking, video or audio recording of any part of the performance is strictly prohibited. THE LION KING JR is presented through special arrangement with MUSIC THEATRE INTERNATIONAL (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by ELTON JOHN and TIM RICE Additional Music and Lyrics by LEBO M, MARK MANCINA, JAY RIFKIN, and HANS ZIMMER Book by ROGER ALLERS and IRENE MECCHI Based on the Broadway production directed by JULIE TAYMOR Music Adapted & Arranged and Additional Music & Lyrics and “Luau Hawaiian Treat” written by WILL VAN DYKE “It’s a small world” written by RICHARD M. SHERMAN and ROBERT B. SHERMAN Directed by SUMMER SOUZA and SPENSER WILLDEN Music direction by CYDNI VANDIVER and BETHANY MUHR Choreography by SUMMER SOUZA Set design by TONY SOUZA Lighting design by SUMMER SOUZA, TONY SOUZA, and JOHN BITNER (asst.) Costume design by NANCY HEIN Props and Puppet design by SPENSER WILLDEN, KENDRICK DAVIS (asst.), JONAH GRAFF (asst.), and NICHOLAS FEATHERSTONE (asst.) Pumbaa and Zazu Puppets made available by ENMU-R Prop Artwork by MICHELE MASSEY and JAYDEN HELMSTETLER Hair and makeup design by SUMMER SOUZA, TONY SOUZA, CASEY BEDFORD, REBEKAH BITNER, KENDRICK DAVIS, MICHAEL SWEENEY and JAYDEN HELMSTETLER Youth Production Assistants: DEVON BULLOCK, CASEY BEDFORD, ZOE BEDFORD, BETHANY MUHR, KENDRICK DAVIS, JONAH GRAFF, JULIANNE MARTINEZ, JAYDEN HELMSTETLER, ROSE THORSTEAD, JESSICA LASTELLA, MIA HUDDLESTON, KYLEE CLEMENTS, and NANCY HEIN Way Way Off-Broadway Artistic Director – SUMMER SOUZA THE LION KING JR is presented through special arrangement with MUSIC THEATRE INTERNATIONAL (MTI).