2007 Effie Awards
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Faraone Ancient Greek Love Magic.Pdf
Ancient Greek Love Magic Ancient Greek Love Magic Christopher A. Faraone Harvard University Press Cambridge, Massachusetts London, England Copyright © 1999 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Second printing, 2001 First Harvard University Press paperback edition, 2001 library of congress cataloging-in-publication data Faraone, Christopher A. Ancient Greek love magic / Christopher A. Faraone. p. cm. Includes bibliographical references and indexes. ISBN 0-674-03320-5 (cloth) ISBN 0-674-00696-8 (pbk.) 1. Magic, Greek. 2. Love—Miscellanea—History. I. Title. BF1591.F37 1999 133.4Ј42Ј0938—dc21 99-10676 For Susan sê gfir Ãn seautá tfi f©rmaka Æxeiv (Plutarch Moralia 141c) Contents Preface ix 1 Introduction 1 1.1 The Ubiquity of Love Magic 5 1.2 Definitions and a New Taxonomy 15 1.3 The Advantages of a Synchronic and Comparative Approach 30 2 Spells for Inducing Uncontrollable Passion (Ero%s) 41 2.1 If ErÃs Is a Disease, Then Erotic Magic Is a Curse 43 2.2 Jason’s Iunx and the Greek Tradition of Ago%ge% Spells 55 2.3 Apples for Atalanta and Pomegranates for Persephone 69 2.4 The Transitory Violence of Greek Weddings and Erotic Magic 78 3 Spells for Inducing Affection (Philia) 96 3.1 Aphrodite’s Kestos Himas and Other Amuletic Love Charms 97 3.2 Deianeira’s Mistake: The Confusion of Love Potions and Poisons 110 3.3 Narcotics and Knotted Cords: The Subversive Cast of Philia Magic 119 4 Some Final Thoughts on History, Gender, and Desire 132 4.1 From Aphrodite to the Restless -
Evelyn De Morgan Y La Hermandad Prerrafaelita
Trabajo Fin de Grado Lux in Tenebris: Evelyn De Morgan y la Hermandad Prerrafaelita Lux in Tenebris: Evelyn De Morgan and the Pre- Raphaelite Brotherhood. Autor/es Irene Zapatero Gasco Director/es Concepción Lomba Serrano Facultad de Filosofía y Letras Curso 2018/2019 LUX IN TENEBRIS: EVELYN DE MORGAN Y LA HERMANDAD PRERRAFAELITA IRENE ZAPATERO GASCO DIRECTORA: CONCEPCIÓN LOMBA SERRANO HISTORIA DEL ARTE, 2019 ÍNDICE INTRODUCCIÓN - JUSTIFICACIÓN DEL TRABAJO…………………………………....1 - OBJETIVOS…………………………………………………………....2 - METODOLOGÍA……………………………………………………....2 - ESTADO DE LA CUESTIÓN………………………………………....3 - AGRADECIMIENTOS………………………………………………...5 LA ÉPOCA VICTORIANA - CONTEXTO HISTORICO…………………………………………….6 - EL PAPEL QUE DESEMPEÑABA LA MUJER EN LA SOCIEDAD…………………………………………………………….7 LA HERMANDAD PRERRAFAELITA…………………………………...10 EVELYN DE MORGAN - TRAYECTORIA E IDEOLOGÍA ARTÍSTICA……………………...13 - EL IDEAL ICÓNICO RECREADO…………………..……………....15 - LA REPRESENTACIÓN DE LA MUJER EN SU PRODUCCIÓN ARTÍSTICA...........................................................................................16 I. EL MUNDO ESPIRITUAL…………………………………...17 II. HEROÍNAS SAGRADAS…………………………………….21 III. ANTIBELICISTAS…………………………………………....24 CONCLUSIONES…………...……………………………………………….26 BIBLIOGRAFÍA Y WEBGRAFÍA…………………………………………28 ANEXOS….……………………………………………………………..........32 - REPERTORIOGRÁFICO…………………………………………….46 INTRODUCCIÓN JUSTIFIACIÓN DEL TRABAJO Centrado en la obra de la pintora Evelyn De Morgan (1855, Londres) nuestro trabajo pretende revisar su producción artística contextualizándola -
以『前拉菲爾派』為例 Representation of Shakespeare’S Women in Pre-Raphaelite Art
國立臺灣師範大學國際與社會科學學院歐洲文化與觀光研究所 碩士論文 Graduate Institute of European Cultures and Tourism College of International Studies and Social Sciences National Taiwan Normal University Master Thesis 莎士比亞女角的再現 - 以『前拉菲爾派』為例 Representation of Shakespeare’s Women in Pre-Raphaelite Art 許艾薇 Ivy Tang 指導教授﹕陳學毅 博士 Dr. Hsueh-I CHEN 中華民國 107 年 06 月 June 2018 Acknowledgement This thesis could not have been written without the assistance of and support from numerous individuals. First and foremost, I would like to thank Professor Hsueh-I Chen for his generous encouragement, consistent guidance, and full support for the completion of this project. I am hugely appreciative to Professor Chen for encouraging me when I faced doubts and questioned myself throughout the process. I am grateful for the guidance and assistance that Professor Dinu Luca provided in the early stages of this thesis. I am fortunate for his close attention and assistance throughout the shaping of this thesis. My appreciation also goes to my thesis committee members Professor Louis Lo and Professor Candida Syndikus, for their careful examination of my thesis. Their comments and advice helped me to consider new interdisciplinary approaches in the study. I thank Professor Lo for the guidance since undergraduate for whom had first introduced me to the study of Ophelia’s madness and representations. Professor Syndikus’s careful reading and probing questioning added depth and coherence to my thesis. This thesis has benefited from the above individual’s vast knowledge of literature, Shakespeare, British art, philosophical theories, Victorian studies, sensitive editing, insightful interpretations of paintings, and sensitive editing. Without the help of them, this thesis would not have been able to be completed. -
2017 Agency Family Tree
2017 GLOBAL AGENCY FAMILY TREE TOP 10 WPP OMNICOM Publicis Groupe INTERPUBLIC Dentsu HAVAS HAKUHODO DY MDC Partners CHEIL BlueFocus (Revenue US 17,067M) (Revenue US 15,417M) (Revenue US 10,252M) (Revenue US 7,847M) (Revenue US 7,126M) (Revenue US 2,536M) (Revenue US 2,282M) (Revenue US 1,370M) (Revenue US 874M) (Revenue US 827M) OGILVY GROUP WPP DIGITAL BBDO WORLDWIDE PUBLICIS COMMUNICATIONS MEDIABRANDS DENTSU INC. DENTSU AEGIS NETWORK HAVAS CREATIVE GROUP HAKUHODO HAKUHODO MDC PARTNERS CHEIL WORLDWIDE DIGITAL Ogilvy & Mather ACCELERATION BBDO Worldwide Publicis Worldwide Ansible Dentsu Inc. Other Agencies Havas Worldwide Hakuhodo Hakuhodo 6degrees Cheil Worldwide BlueDigital OgilvyOne Worldwide BLUE STATE DIGITAL Proximity Worldwide Publicis BPN DENTSU AEGIS NETWORK Columbus Arnold Worldwide ADSTAFF-HAKUHODO Delphys Hakuhodo International 72andSunny Barbarian Group Phluency Ogilvy CommonHealth Worldwide Cognifide Interone Publicis 133 Cadreon Dentsu Branded Agencies Copernicus Havas Health Ashton Consulting Hakuhodo Consulting Asia Pacific Sundae Beattie McGuinness Bungay Madhouse Ogilvy Government Relations F.BIZ Organic Publicis Activ Identity Dentsu Coxinall BETC Backs Group Grebstad Hicks Communications Allison + Partners McKinney Domob Ogilvy Public Relations HOGARTH WORLDWIDE Wednesday Agency Publicis Africa Group Initiative DentsuBos Inc. Crimson Room FullSIX Brains Work Associates Taiwan Hakuhodo Anomaly Cheil Pengtai Blueplus H&O POSSIBLE DDB WORLDWIDE Publicis Conseil IPG Media LAB Dentsu-Smart LLC deepblue HAVAS MEDIA GROUP -
Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and PM in the Light of Digital Socialism
tripleC 18(1): 146-186, 2020 http://www.triple-c.at The Utopian Internet, Computing, Communication, and Concrete Utopias: Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and P.M. in the Light of Digital Socialism Christian Fuchs University of Westminster, London, [email protected], http://fuchs.uti.at Abstract: This paper asks: What can we learn from literary communist utopias for the creation and organisation of communicative and digital socialist society and a utopian Internet? To pro- vide an answer to this question, the article discusses aspects of technology and communica- tion in utopian-communist writings and reads these literary works in the light of questions con- cerning digital technologies and 21st-century communication. The selected authors have writ- ten some of the most influential literary communist utopias. The utopias presented by these authors are the focus of the reading presented in this paper: William Morris’s (1890/1993) News from Nowhere, Peter Kropotkin’s (1892/1995) The Conquest of Bread, Ursula K. Le Guin’s (1974/2002) The Dispossessed, and P.M.’s (1983/2011; 2009; 2012) bolo’bolo and Kartoffeln und Computer (Potatoes and Computers). These works are the focus of the reading presented in this paper and are read in respect to three themes: general communism, technol- ogy and production, communication and culture. The paper recommends features of concrete utopian-communist stories that can inspire contemporary political imagination and socialist consciousness. The themes explored include the role of post-scarcity, decentralised comput- erised planning, wealth and luxury for all, beauty, creativity, education, democracy, the public sphere, everyday life, transportation, dirt, robots, automation, and communist means of com- munication (such as the “ansible”) in digital communism. -
The Top 100 Promotional Marketing Agencies
2013 LIST The Top 100 Promotional Marketing Agencies Now available in a new online searchable resource! PROMO’s Top Shops touts the top promotion agencies and gives a fl ash look into each chosen shop’s top skills, recent campaigns and contact information. Top Shops is compiled by PROMO’s editors and was delivered as a Special Resource Guide mailed with the September 2013 issue of Chief Marketer. The listing can also be found online in an easy-to-fi nd, searchable resource for promotion agencies, brand marketers and others seeking expert partners at chiefmarketer.com/ topshops2013 for 12 months. The resource is searchable by multiple categories, including core services, agency name, state and geographical region. Presented by: and Sponsored by: 1 » WWW.CHIEFMARKETER.COM 206INC AGENCY EA 2013 This agency is like the eight-year-old that it is, growing by leaps This boutique shop doubled the size of its client services depart- and bounds. Over the last three years, it has doubled in size to 40 ment to 15 employees and nearly doubled its office space (an employees with a big focus on digital, interactive and social exper- old cookie factory). It added a web developer to offer web devel- tise to fold into every integrated campaign. Employees start work opment, mobile apps and social media integrations. Agency EA with 15 vacation days in the bag and 40 hours a year to go off on also punched out two major events within five months for AOL—a a philanthropic endeavor of their choice. One group of volunteers national sales conference and digital event. -
Messe Frankfurt and Crain Communications Inc. Plan To
September 10, 2019 Messe Frankfurt and Crain Communications Kim Porter Tel. +1 770 984 8016 Inc. plan to organize first-ever Festival of [email protected] Motoring USA Messe Frankfurt, the world’s largest trade fair and event organizer with its own exhibition grounds, and Crain Communications, one of the world’s leading business-to-business media companies, will join forces to launch Festival of Motoring USA. A revolutionary event with both static and interactive content from mainstream, exotic and classic cars to off-road vehicles, Festival of Motoring USA will be anchored by leading automakers along with other industry-related companies. Adding to the strength of the event is Kinrara, Goodwood’s international event consultancy. Kinrara brings considerable expertise in creating sold-out motorsport events, such as the annual Festival of Speed in the UK – the benchmark in excellence in motorsport event production. The inaugural Festival of Motoring USA event will take place April 29- May 2, 2021, across the sprawling 750 acres at The Michelin Raceway Road Atlanta in Brasselton, Ga. Road Atlanta is recognized as one of North America’s most dynamic road courses. In the future, Festival of Motoring USA will expand to include additional North America locations. “We are pleased to be working alongside a powerhouse such as Crain Communications to bring this experiential event to the U.S.,” said Messe Frankfurt Inc. President and CEO, Konstantin von Vieregge. “Our combined competencies solidify our path to success and the realization of our vision to provide a high-energy, comprehensive automotive event that appeals to all motoring enthusiasts.” Festival of Motoring USA will be modelled after the highly successful Festival of Motoring Johannesburg in South Africa. -
Omnicom Group April 14, 2010 Karen Bonner
Omnicom Group April 14, 2010 Karen Bonner Kael Kristof Alexander Olson Omnicom Group Table of Contents Executive Summary............................................................................................3 Company Overview.............................................................................................5 History ...............................................................................................................5 Business Model.................................................................................................8 Competitive Analysis: Porter’s Five Forces ...................................................10 Overview .........................................................................................................10 Internal Rivalry ................................................................................................10 Entry & Exit .....................................................................................................11 Supplier Power................................................................................................12 Buyer Power....................................................................................................13 Substitutes & Complements ............................................................................13 Financial Analysis.............................................................................................15 Overview .........................................................................................................15 -
Mariana De John Everett Millais
REVISTA CÍRCULO CROMÁTICO Notas de Historia del Arte y Pintura Mariana de John Everett William Shakespeare. En “Medida por medida” Shakespeare nos presenta a la Millais joven Mariana, cuya dote se pierde en un naufragio y provoca que su prometido se Celia Ramiro Chulvi1 niegue a casarse con ella. Abandonada por Universitat de València su amado Ángelo, se sume en la tristeza y la soledad, viviendo aislada en una pequeña casa granero. Si bien Mariana acaba obteniendo su final feliz en la historia de Shakespeare, a los prerrafaelitas les interesa mucho más el momento álgido de su dolor. Millais, en esta como en otras ocasiones, se inspira directamente en los versos del poeta Lord Tennyson. Este poeta escribe poesías a partir de obras anteriores como historias de Shakespeare o leyendas artúricas, dándole el ambiente lánguido característico del Prerrafaelismo. John Everett Millais, Mariana, 1851. She only said: “My life is dreary, Óleo sobre madera, 59.7 cm x 49.5 cm. Tate Britain Museum. He cometh not”, she said. She said: “I am aweary, aweary, 2 John Everett Millais, miembro I would that I were dead!”.4 fundador de la Hermandad Prerrafaelita,3 exhibía en 1851 esta obra cuya Tennyson nos ofrece una Mariana protagonista nace entre las páginas de triste, desesperanzada y nostálgica. Anhela 1 Graduada en Historia del Arte por la Universitat 3 Prettejohn, Elisabeth, The Art of the Pre- de València, España. Redactora en La Cámara del Raphaelites, Princeton University Press, Arte, web de Historia del Arte. Contacto: Princeton, 2000. [email protected] 4 Publicado en 1830 en Poems, Chiefly Lyrical. -
64Th Annual Advertising Hall of Fame Induction Ceremony, His Remarks Will Be Directed to Two Young People in the Audience: His Grandchil- Dren, Ages 5 and 10
SPECIAL ADVERTISING SECTION OF ADVERTISING AGE By Nancy Giges Since its beginning in 1948, the American Advertising Federation’s Advertising Hall of Fame has honored the extraordinary achievements of advertising leaders, their signifi- cant professional contributions to the advertising industry and their personal contri- butions to society. For the 64th year, members of the advertising industry are gathering in New York to honor a class of seven individuals and one corporation being inducted into the pres- tigious Advertising Hall of Fame for their lifetime achievements. The inductees are: Rance Crain, president, Crain Communications Inc., and editor in chief, Advertising Age Bob Giraldi, president, Giraldi Media, and film director Philip H. Knight, co-founder and chairman, NIKE Inc. Shelly Lazarus, chairman emeritus, Ogilvy & Mather Byron E. Lewis Sr., founder and chairman emeritus, UniWorld Group Inc. Gerry Rubin, co-founder, RPA Bob Scarpelli, former chairman and chief creative officer, DDB Worldwide McDonald’s Corporation “It’s an all-star lineup: people who have broken new barriers, forged new ground,” says Draftfcb CEO-President Laurence Boschetto, chairman of this year’s Advertising Hall of Fame. “Everybody is brilliant in their own right.” April 29, 2013 Advertising Hall of Fame C1 Individuals selected have had exceptionally distinguished and extraordinary ca- legend is someone who inspires, who has consistently—year in and year out—dem- reers in the U.S. or for an American company abroad. They must meet four key crite- onstrated an exemplary track record of doing extraordinary things to make the in- ria: to have completed their primary careers or had careers spanning at least 35 years, dustry the best it can be,” he says. -
Adage's Media
Important to Important People 2019 MEDIA KIT 685 3rd Avenue Floor 10 New York, NY 10017 From the World Wars to the beer wars, advertising has always been the defining landmark of our cultural landscape. And if the economy is the engine of any society, then advertising is its fuel. From their first appearance in 1933 to their enduring presence on the American landscape, the Clydesdales symbolize Budweiser beer and America’s great industrial spirit. For the 2015 Grammys, Deutsch helped Target give more music to fans (instead of more commercials) when Imagine Dragons took the stage on a street in Las Vegas during a single four-minute commercial buy. The strategy was repeated in 2016 with a live music video for Gwen Stefani. Ad Age leads and fuels the industry responsible for shaping culture. Digital 4.5M+ 2M+ 752K page views unique monthly users newsletter registrants Social 968K+ 765K+ 813K+ Twitter followers Facebook followers LinkedIn followers with 181K in group Magazine 58K+ 24 10 subscribers issues per year fact packs and trend reports Events and 2,600+ 3,300+ 220+ honorifics event attendees awards and honorifics people, work and entries companies recognized With a highly qualified audience of industry movers and culture creators, Ad Age is important to important people. 1. Social numbers updated as of March 2019. 2. Average Ad Age magazine circulation (June 2018). 3. Digital metrics based on Omniture SiteCatalyst (2018 averages). Updated March 18, 2019 Editorial Calendar Print Issue Materials Issue Close Due Jan. 7 Dec. 13 Dec. 17 The Best Places to Work Issue Jan. -
DVD Spring 2020 Catalog This Catalog Lists Only the Newest Acquired DVD Titles from Spring 2020
Braille and Talking Book Library P.O. Box 942837 Sacramento, CA 94237-0001 (800) 952-5666 (916) 654-1119 FAX Descriptive Video Service (DVS) DVD Spring 2020 Catalog This catalog lists only the newest acquired DVD titles from Spring 2020. This is not a complete listing of all DVD titles available. Included at the end of this catalog is a mail order form that lists these DVD titles alphabetically. You may also order DVDs by phone, fax, email, or in person. Each video in this catalog is assigned an identifying number that begins with “DVD”. For example, DVD 0525 is a DVD entitled “The Lion King”. You need a television with a DVD player or a computer with a DVD player to watch descriptive videos on DVD. When you insert a DVD into your player, you may have to locate the DVS track, usually found under Languages or Set-up Menus. Assistance from a sighted friend or family member may be helpful. Some patrons have found that for some DVDs, once the film has begun playing, pressing the "Audio" button repeatedly on their DVD player's remote control will help select the DVS track. MPAA Ratings are guidelines for suitability for certain audiences. G All ages PG Some material may not be suitable for children PG-13 Some material may be inappropriate for children under 13 R Under 17 requires accompanying adult guardian Film not suitable for MPAA rating (TV show, etc.) Some Not Rated material may not be suitable for children. Pre-Ratings Film made before MPAA ratings. Some material may not be suitable for children.