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Vittorio De Sica, 1952
Université Inter-âge | Cycle Cinéma italien | Séance du 08/10/2018 / Cyrielle VINCENT ([email protected]) Umberto D. , Vittorio De Sica, 1952 Générique technique Générique artistique Réalisation : Vittorio De Sica Carlo Battisti : Umberto Domenico Ferrari Assis.Réalisateur : Luisa Alessandrini, Franco Maria-Pia Casilio : Maria, la servante Montemurro Lina Gennari : Antonia, la logeuse Scénario : Cesare Zavattini Memmo Carotenuto : le voisin de lit d’Umberto Musique : Alessandro Cicognini à l’hôpital Production : Giuseppe Amato, Rizzoli Film, Alberto Albani Barbieri : l’ami de la logeuse Produzioni De Sica Elena Rea : La soeur à l’hôpital Photographie : G.R. Aldo Autres acteurs : Ileana Simova, Pasquale Montage : Eraldo Da Roma Campagnola, Riccardo Ferri, Lamberto Mag- Décors : Virgilio Marchi giorani, De Silva Opérateur : Giuseppe Rotunno Son : Ennio Sensi Pays de production : Italie Sortie le 20 janvier 1952 (France) et le 10 oc- tobre 1952 (Italie) Noir et Blanc / Durée : 80 minutes Genre : Drame néoréaliste Dans ce dossier, les images n’ayant pas de légende sont extraites du film Umberto D. de De Sica. 1 Université Inter-âge | Cycle Cinéma italien | Séance du 08/10/2018 / Cyrielle VINCENT ([email protected]) Histoire du cinéma : le néo-réalisme italien Courant bien connu des cinéphiles, le particulièrement mis en avant par Renoir avec néo-réalisme italien a profondément marqué lequel plusieurs réalisateurs italiens ont tra- l’histoire du cinéma mondial. vaillé. Enfin, « néo » indique le coté novateur Ce mouvement s’inspire du réalisme, courant de ce nouvel élan du réalisme qui fait son ap- artistique et littéraire de la fin du XIXème siè- parition en Italie à la fin de la deuxième guerre cle qui, en réaction au romantisme, a cherché à mondiale. -
The Abyss (1989) James Cameron Algo Pasa En Las Vegas - What Happens in Vegas
Abyss - The Abyss (1989) James Cameron Algo pasa en Las Vegas - What Happens in Vegas... (2008) Tom Vaughan Alien, el octavo pasajero - Alien (1979) Ridley Scott Amadeus - Amadeus (1984) Milos Forman Amarcord (Mis recuerdos) (modelo 1 portada) - Amarcord (1973) Federico Fellini Amarcord (Mis recuerdos) (modelo 1 pag. 2 y 3) - Amarcord (1973) Federico Fellini Amarcord (Mis recuerdos) (modelo 2) - Amarcord (1973) Federico Fellini Annie Hall - Annie Hall (1977) Woody Allen Apolo 13 (Apolo XIII) - Apollo 13 (1995) Ron Howard Asesinato en el Orient Express (portada) - Murder on the Orient Express (1974) Sidney Lumet Asesinato en el Orient Express(páginas 2 y 3) - Murder on the Orient Express (1974) Sidney Lumet Babe, el cerdito valiente - Babe (1995) Chris Noonan Babel - Babel (2006) Alejandro G. Iñárritu Batman (portada) - Batman (1989) Tim Burton Batman (páginas 2 y 3) - Batman (1989) Tim Burton Batman y Robin - Batman & Robin (1997) Joel Schumacher La bella y la bestia - Beauty and the Beast (1991) Gary Trousdale, Kirk Wise Bitelchús (portada) - Beetlejuice (1988) Tim Burton Bitelchús (páginas 2 y 3) - Beetlejuice (1988) Tim Burton Caracter - Karakter (1997) Mike van Diem Casablanca - Casablanca (1943) Michael Curtiz Casanova - Il Casanova di Federico Fellini (1976) Federico Fellini El cazador - The Deer Hunter (1978) Michael Cimino Contact - Contact (1997) Robert Zemeckis Las cosas que nunca mueren - Blue Sky (1994) Tony Richardson Cumbres borrascosas - Wuthering Heights (1939) William Wyler Chinatown - Chinatown (1974) Roman Polanski De -
The 21St Hamptons International Film Festival Announces Southampton
THE 21ST HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SOUTHAMPTON OPENING, SATURDAY’S CENTERPIECE FILM AUGUST: OSAGE COUNTY, SPOTLIGHT AND WORLD CINEMA FILMS INCLUDING LABOR DAY, HER, THE PAST AND MANDELA: LONG WALK TO FREEDOM WILL FORTE TO JOIN BRUCE DERN IN “A CONVERSATION WITH…” MODERATED BY NEW YORK FILM CRITICS CIRCLE CHAIRMAN JOSHUA ROTHKOPF Among those expected to attend the Festival are: Anna Paquin, Bruce Dern, Ralph Fiennes, Renee Zellweger, Dakota Fanning, David Duchovny, Helena Bonham Carter, Edgar Wright, Kevin Connolly, Will Forte, Timothy Hutton, Amy Ryan, Richard Curtis, Adepero Oduye, Brie Larson, Dane DeHaan, David Oyelowo, Jonathan Franzen, Paul Dano, Ralph Macchio, Richard Curtis, Scott Haze, Spike Jonze and Joe Wright. East Hampton, NY (September 24, 2013) -The Hamptons International Film Festival (HIFF) is thrilled to announce that Director Richard Curtis' ABOUT TIME will be the Southampton opener on Friday, October 11th and that Saturday's Centerpiece Film is AUGUST: OSAGE COUNTY directed by John Wells. As previously announced, KILL YOUR DARLINGS will open the Festival on October 10th; 12 YEARS A SLAVE will close the Festival; and NEBRASKA is the Sunday Centerpiece. The Spotlight films include: BREATHE IN, FREE RIDE, HER, LABOR DAY, LOUDER THAN WORDS, MANDELA: LONG WALK TO FREEDOM, THE PAST and CAPITAL.This year the festival will pay special tribute to Oscar Award winning director Costa-Gavras before the screening of his latest film CAPITAL. The Festival is proud to have the World Premiere of AMERICAN MASTERS – MARVIN HAMLISCH: WHAT HE DID FOR LOVE as well as the U.S Premiere of Oscar Winner Alex Gibney’s latest doc THE ARMSTRONG LIE about Lance Armstrong. -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
Filmmuseummünchen Kino Am St.-Jakobs-Platz 1, 80331 München Vimeo.Com/Filmmuseummuenchen Online Montag 7
filmmuseummünchen Kino am St.-Jakobs-Platz 1, 80331 München vimeo.com/filmmuseummuenchen Online Montag 7. Juni 19 Uhr Jon Jost Vittorio De Sica Dienstag Vittorio D. Over Here IT 2009 | M. Canale, A. Morri | 93 min | OmeU 8. Juni 2007 | Jon Jost | 74 min | OF San Lorenzo 19 Uhr Vittorio De Sica Mittwoch 2009 | Jon Jost | 14 min | OF Maddalena … zero in condotta (Maddalena, 9. Juni fonischen Reservierungen. ein Mädchen mit Pfiff) IT 1940 | 79 min | OmeU 19 Uhr Vittorio De Sica Donnerstag Teresa Venerdì (Verliebte Unschuld) IT 1941 | Vittorio De Sica | 88 min | OmeU 10. Juni Online 19 Uhr Rumänisches Filmfestival Freitag Și atunci … ce e libertatea? (Und was … ist Freiheit?) RO 2020 | Andrei Zincă | 132 min | OmeU 11. Juni Jon Jost Speaking Directly 19 Uhr Vittorio De Sica Samstag 1973 | Jon Jost | 102 min | OF Un garibaldino al convento (Ein Garibaldiner im Kloster) 12. Juni Requiem IT 1942 | Vittorio De Sica | 86 min | OmeU 2018 | Jon Jost | 14 min | OF 19 Uhr Vittorio De Sica Sonntag I bambini ci guardano (Die Kinder sehen uns an) IT 1944 | Vittorio De Sica | 85 min | OmeU 13. Juni Online Montag 14. Juni 19 Uhr Vittorio De Sica Dienstag Jon Jost La porta del cielo (Das Tor zum Himmel) 15. Juni They Had It Coming IT 1945 | Vittorio De Sica | 88 min | OmU 2015 | Jon Jost | 83 min | OF 19 Uhr Vera x 3 Vittorio De Sica Mittwoch Sciuscià (Schuhputzer) 2000 | Jon Jost | 8 min | OF IT 1946 | Vittorio De Sica | 87 min | OmeU 16. Juni 19 Uhr Vittorio De Sica Donnerstag Ladri di biciclette (Fahrraddiebe) Online IT 1948 | Vittorio De Sica | 88 min | OmeU 17. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Ð'ð¸Ñ‚оñ€Ð¸Ð¾ Де Сикð° Филм ÑÐ
Виторио Де Сика Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Heart https://bg.listvote.com/lists/film/movies/heart-3699445/actors Il Boom https://bg.listvote.com/lists/film/movies/il-boom-1110092/actors Miracle in Milan https://bg.listvote.com/lists/film/movies/miracle-in-milan-1170844/actors The Condemned of Altona https://bg.listvote.com/lists/film/movies/the-condemned-of-altona-1406083/actors Un monde nouveau https://bg.listvote.com/lists/film/movies/un-monde-nouveau-1756571/actors The Roof https://bg.listvote.com/lists/film/movies/the-roof-1757561/actors Terminal Station https://bg.listvote.com/lists/film/movies/terminal-station-1779102/actors The Children Are Watching https://bg.listvote.com/lists/film/movies/the-children-are-watching-us-2526645/actors Us A Brief Vacation https://bg.listvote.com/lists/film/movies/a-brief-vacation-2656720/actors The Raffle https://bg.listvote.com/lists/film/movies/the-raffle-29532424/actors Anna of Brooklyn https://bg.listvote.com/lists/film/movies/anna-of-brooklyn-3547086/actors The Voyage https://bg.listvote.com/lists/film/movies/the-voyage-3796236/actors Le coppie https://bg.listvote.com/lists/film/movies/le-coppie-3828638/actors Lo chiameremo Andrea https://bg.listvote.com/lists/film/movies/lo-chiameremo-andrea-387468/actors Bread, Love and Andalusia https://bg.listvote.com/lists/film/movies/bread%2C-love-and-andalusia-3893167/actors Un garibaldino al convento https://bg.listvote.com/lists/film/movies/un-garibaldino-al-convento-4003827/actors It Happened in the Park https://bg.listvote.com/lists/film/movies/it-happened-in-the-park-4011833/actors Teresa Venerdì https://bg.listvote.com/lists/film/movies/teresa-venerd%C3%AC-524714/actors La porta del cielo https://bg.listvote.com/lists/film/movies/la-porta-del-cielo-609855/actors Umberto D. -
A Film by MICHAEL HANEKE East Coast Publicity West Coast Publicity Distributor IHOP BLOCK KORENBROT SONY PICTURES CLASSICS
A film by MICHAEL HANEKE East Coast Publicity West Coast Publicity Distributor IHOP BLOCK KORENBROT SONY PICTURES CLASSICS Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Lindsay Macik 853 7th Avenue, #3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax X FILME CREATIVE POOL, LES FILMS DU LOSANGE, WEGA FILM, LUCKY RED present THE WHITE RIBBON (DAS WEISSE BAND) A film by MICHAEL HANEKE A SONY PICTURES CLASSICS RELEASE US RELEASE DATE: DECEMBER 30, 2009 Germany / Austria / France / Italy • 2H25 • Black & White • Format 1.85 www.TheWhiteRibbonmovie.com Q & A WITH MICHAEL HANEKE Q: What inspired you to focus your story on a village in Northern Germany just prior to World War I? A: I wanted to present a group of children on whom absolute values are being imposed. What I was trying to say was that if someone adopts an absolute principle, when it becomes absolute then it becomes inhuman. The original idea was a children’s choir, who want to make absolute principles concrete, and those who do not live up to them. Of course, this is also a period piece: we looked at photos of the period before World War I to determine costumes, sets, even haircuts. I wanted to describe the atmosphere of the eve of world war. There are countless films that deal with the Nazi period, but not the pre-period and pre-conditions, which is why I wanted to make this film. -
1902 Cesare Zavattini Nasce a Luzzara
Cesare Zavattini – Cronologia dettagliata (a cura di Paolo Nuzzi) 1902 Cesare Zavattini nasce a Luzzara (Reggio Emilia) il 20 settembre, primo di cinque figli - seguiranno: Tina, Mario, Angela, Angelo - da Arturo (pasticciere) e Ida Giovanardi (figlia di "prestinai", ossia fornai); i genitori gestiscono un bar-albergo-ristorante di loro proprietà. 1908 Frequenta la prima elementare a Luzzara. Serve messa come chierichetto nella chiesa di San Giorgio. 1909 In settembre i genitori lo mandano a studiare a Bergamo, ospite della zia Silvia, figlia di un cugino di suo padre, che si prenderà cura di lui. Viene iscritto alla seconda elementare nella scuola Tassi. 1911 Assiste, al Teatro Nuovo di Bergamo, ad uno spettacolo del grande trasformista Leopoldo Fregoli. Ne resta affascinato, soprattutto quando l'artista mostra al pubblico il retroscena svelando I'ingegnoso meccanismo della rappresentazione. 1912 Prende in giugno la licenza elementare. A settembre si iscrive alla prima ginnasiale nella scuola Paolo Sarpi.1913Legge le dispense sul detective Nick Carter e con avidità i libri di Emilio Salgari. 1914 Dopo i primi mesi di guerra, partecipa a manifestazioni interventiste. 1915 I genitori danno in affitto il bar di Luzzara e si trasferiscono nel Lazio, a Segni Scalo (oggi Colleferro), per dirigere la mensa dell'industria chimica Bombrini-Parodi Delfino. 1917 Consegue la licenza ginnasiale. A settembre raggiunge nel Lazio i suoi genitori, che lo alloggiano a Roma presso un loro conoscente ferroviere. Viene iscritto al liceo classico, presso la scuola Umberto I. Affascinato dai teatri di varietà che frequenta "mattina, notte e sera", fa continue assenze a scuola e gironzola per le strade pieno di curiosità. -
Eventi E Notizie Anni 2002-2013
Archivio Zavattini – Eventi e notizie storiche 2002 # 2013 05/12/2013 LA STORIA DELL'ITALIA CONTEMPORANEA (1943-1963) ATTRAVERSO L'OPERA DI CESARE ZAVATTINI. E' uscito il volume di Consuelo Balduini "Miracoli e Boom. L’Italia dal dopoguerra al boom economico nell’opera di Cesare Zavattini" . Esso contiene, tra l’altro, un'introduzione (tit.:"Un matrimonio possibile: la Storia incontra il Cinema" ) del prof. Paolo Mattera, docente di Storia contemporanea all’Università degli studi Roma Tre. In essa il docente fa il punto su una tematica abbastanza insolita: l’uso del cinema – in particolare neorealista e, nella fattispecie, di quello tratto dai soggetti cinematografici zavattiniani - come fonte per la storia contemporanea. Si tratta del terzo volume della collana dell’editore Aliberti: 'Quaderni dell'Archivio Cesare Zavattini'.. La collana è un progetto dell'Archivio Cesare Zavattini-Centro studi e ricerche / Comune di Reggio Emilia / Biblioteca Panizzi. Il primo volume era apparso nel 2002, il secondo nel 2005, il terzo esce oggi come nuova serie , in una veste grafica completamente rinnovata e col supporto del Comitato scientifico dell'archivio zavattiniano. 20/09/2013 NEL MODENESE UN OMAGGIO A CESARE ZAVATTINI. Un omaggio a Cesare Zavattini, protagonista di stagioni indimenticabili (“la vita e l’arte secondo un uomo della Bassa”), si terrà questa sera 20 settembre a Spilamberto (MO), presso lo Spazio Eventi “L. Famigli” . L‘iniziativa viene attuata nell’ambito della nona edizione di Poesia Festival che si svolge nell’Unione Terre di Castelli e nei comuni di Castelfranco Emilia e Maranello dal 19 al 22 settembre. Si partirà alle 20.30 con lo spettacolo “Toni Ligabue”, una biografia in versi di Cesare Zavattini, interpretata dall’attore Vito. -
Derek De Lint
DEREK DE LINT Height: 1.86 cm Languages: Dutch, English Singing voice: baritone Training 1973 - 1975 Amsterdam Theatre Academy Film (selection) 2019 Lili director: Yfke van Berckelaer / Bleck Media 2018 Redbad director: Roel Reiné / producer: Farmhouse Film & TV 2016 The White King director: Alex Helfrecht, Jörg Tittel / producer: Oiffy 2016 Familieweekend director: Pieter van Rijn / producer: Eyeworks Film & TV Drama 2015 Admiral director: Roel Reiné / producer: Klaas de Jong, Roel Reiné Insensibles director: Juan Carlos Medina / producer: Les Films D'Antoine 2011 Nova Zembla director: Reinout Oerlemans / producer: Eyeworks 2008 The Letter for the King director: Pieter Verhoeff / producer: Eyeworks 2006 Black Book director: Paul Verhoeven / producer: Fu Works 2005 When a Stranger Calls director: Simon West / producer: Screen Gems / Davis Entertainment 2004 Moonlight Serenade director: Giancarlo Tallarico / producer: Independent 2003 The Big Charade director: Jesse McKeown / producer: Carwyn Jones 2002 Tom & Thomas director: Esmé Lammers / producer: First Floor Features 2001 Soul Assasin director: Laurence Malkin / producer: Fu Works 1998 Deep Impact director: Mimi Leder / producer: Paramount Pictures 1992 Escape from Nowhere director: Enzo Doria / producer: Summit Film 1991 Mountain of Diamonds director: Jeannot Szwarc / producer: Laser 1988 Stealing Heaven director: Clive Donner / producer: Amy International The Unbearable Lightness of Being director: Philip Kaufman / producer: The Saul Zaentz Company 1987 Three men and a Baby director: -
Images of Occupation in Dutch Film Wendy Burke
FRAMING WENDY BURKE FILM IMAGES OF OCCUPATION IN DUTCH FILM WENDY BURKE WENDY IMAGES OF OCCUPATION Memory, Myth, and the Cultural IN DUTCH FILM Legacy of War Images of Occupation in Dutch Film is the first book to examine Dr Wendy Burke is FILM IN DUTCH OF OCCUPATION IMAGES changing representations of the German wartime occupation of the Research Associate in Netherlands within Dutch feature films, with an emphasis on films Culture and Media at made a generation later, between 1962 and 1986. It explores the King’s College London. evolving role played by film within Dutch cultural memory and asks Her research considers film to what extent film can represent and assimilate the experiences and other media from an and collective legacies of war. As Dutch public opinion towards the interdisciplinary perspective with a focus on history and bleaker aspects of the 1940-1945 occupation – Jewish persecution, representing the past, identity the enemy, deprivations, resistance and collabo ration – altered over and memory, and cultural the post-war decades, so too shifted the presence – or absence – of legacies of war, occupation these themes in subsequent films. The historical trajectory of Dutch and trauma. recovery and reconstruction: political, economic, and, most complex of all, psychological, came to be revealed, often unconsciously, in the films of the period. Through detailed analyses of seven key film texts, from 1962’sDE OVERVAL, to Paul Verhoeven’s 1977 film SOLDAAT VAN ORANJE and Fons Rademakers’ DE AANSLAG from 1986, this book offers insights into pre viously under- explored connections between filmic images of occupation and parallel shifts in society’s perceptions about the war at the times the films were made.