ANONYMOUS Vigilantes EDWARD SNOWDEN Whistleblower
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Whistleblower & Vigilanten
WWW.HMKV.DE 419eater.com, !Mediengruppe Bitnik, Anonymous, Critical Art Ensemble, Cypherpunks, Lutz Dammbeck, DIS, Electronic Disturbance Theatre, Etoy, Omer Fast, Dominic Gagnon, Ted Kaczynski (a.k.a. Unabomber), LulzSec, Metahaven, Neo-Luddism, Netzpolitik / #Landesverrat, Trevor Paglen, Peng! Collective, Milo Rau / IIPM – International Institute of Political Murder, Clark Stoeckley, Tiqqun, UBERMORGEN, WikiLeaks, u. a. WHISTLEBLOWER & VIGILANTEN Figuren des digitalen Widerstands Unabomber Jesselyn Radack Anonymous Vigilant Menschenrechtsaktivistin Vigilanten Julian Assange Chelsea Manning Edward Snowden Hacker Whistleblowerin Whistleblower Ausstellungsführer Exhibition Guide WHISTLEBLOWER & EINLEITUNG Um 1996 begannen die ersten KünstlerInnen und Netzaktivist- VIGILANTEN Innen (wie Electronic Disturbance Theater und etoy), mittels „elek- tronischem zivilen Ungehorsam“ z. B. auf die zunehmende Kom- Figuren des digitalen Widerstands merzialisierung des Netzes hinzuweisen. Seitdem hat sich mit dem sogenannten „Internet Vigilantism“ (oder „Digilantism“) ein radikaler Online-Aktivismus entwickelt. Die Ausstellung fragt, was Hacktivis- ten, Whistleblower und (Internet-)Vigilanten verbindet. Wie sehen die Rechtsvorstellungen der unterschiedlichen Akteure aus? Gibt es Gemeinsamkeiten? Wer spricht und handelt für wen und im Sinne welches (höheren) Rechts? Ein Schwerpunkt der Ausstellung wird insbesondere auf den unterschiedlichen Rechtsvorstellungen und Selbstlegitimierungsstrategien liegen, mit denen die Akteure – seien es Aktivisten, Whistleblower, -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
The Art of Dissident Domesticity Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
The Art of Dissident Domesticity Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House Khadija von Zinnenburg Carroll, Michał Murawski, and Jesse Weaver Shipley What happens to domestic life when the state turns a troublesome sub- ject’s home into a prison, when an outlaw evading custody turns an extra- territorial space, such as an embassy, into a home? How is a foreign sov- ereign transformed into an imperial citizen- subject through exile, house arrest, and return? Exile and forced domesticity have long linked sover- eignty to the power to determine intimate life. Centuries- old practices of house arrest and diplomatic asylum have taken on new forms in recent decades in the wake of emerging surveillance technologies and changing relationships between information, territory, and sovereignty. This article examines two quite distinct, high- prole celebrity instances of what we call dissident domesticity. In the rst case, Prempeh I, the last sovereign king of Asante, is exiled by the British from his capital of Kumasi, in what is now Ghana, and placed under house arrest in the Seychelles to end a war of British imperial conquest. In the second case, WikiLeaks founder Julian Assange, the twenty- rst century’s iconic dissident, seeks asylum in the Ecuadorian embassy in London to avoid arrest and extradition. Prempeh’s exile on the edge of empire and Assange’s connement at its center show how the ght over the control of information, and those who circulate it, converges with the struggle for the control of territory, and those who police it, transverse it, and are trapped by it. -
False Statements and Defamations Concerning Julian Assange and Wikileaks
LEGAL COMMUNICATION: FALSE STATEMENTS AND DEFAMATIONS CONCERNING JULIAN ASSANGE AND WIKILEAKS Julian Assange has published the largest leaks in the history of the CIA, State Department, Pentagon, the U.S. Democratic Party, and the government of Saudi Arabia, among many others. Predictably, numerous falsehoods have been subsequently spread about WikiLeaks and its publisher. Falsehoods have been spread by third parties: media competitors, click-bait sites, political party loyalists, and by those linked to the governments WikiLeaks or Julian Assange are litigating or have litigated (U.K., U.S., Ecuador, Sweden), which seek his arrest (U.S., U.K.), expulsion (Ecuador), or who have formal criminal investigations against his publishing work (U.S., Saudi Arabia, Australia), or who have banned or censored WikiLeaks (Saudi Arabia, Turkey, China). Since Mr. Assange's unlawful isolation and gagging on March 28, 2018, the publication of false and defamatory claims about him has accelerated, perhaps because of an incorrect view that Mr. Assange, due to his grave personal circumstances, can no longer defend his reputation. These defamation efforts have reached a new nadir with the recent front page fabrication by Guardian newspaper, which falsely claimed that Julian Assange had multiple secret meetings with Trump campaign manager Paul Manafort, right down to a made up description of latter's pants at the fabricated meetings ("sandy coloured chinos") [see https://theintercept.com/2019/01/02/five-weeks-after-the-guardians-viral- blockbuster-assangemanafort-scoop-no-evidence-has-emerged-just-stonewalling/]. It is clear that there is a pervasive climate of inaccurate claims about WikiLeaks and Julian Assange, including purposeful fabrications planted in otherwise 'reputible' media outlets allegedly sourced to intelligence agencies. -
Isbjörnar Och Glaciärer Eller Oljemiljonärer?
Examensarbete 15 hp – Kandidatuppsats Medie- och kommunikationsvetenskap Isbjörnar och glaciärer eller oljemiljonärer? En kvalitativ fallstudie om hur Greenpeace arbetat med Anti-Branding som en del av deras kommunikationsstrategi mot Shell i kampanjen ”Save the Arctic!” Författare: Hannes Lövbacka Handledare: Anneli Ekelin Termin: VT15 Reklam, grafisk design och visuell kommunikation Nivå: Kandidat Abstract Author: Hannes Lövbacka Title: Isbjörnar och glaciärer eller oljemiljonärer? Location: Linnaeus University Language: Swedish Number of pages: 56 Anti-branding is a growing social movement as well as a communication strategy that criticize companies through redefining their brands and immaterial values by connecting negative associations to them. Although Anti-Branding is growing, research in the topic is scarce. Through a qualitative case study,based on three (3) Anti-Branding actions, a multimodal analysis and six (6) semi-structured interviews has been made to contribute research to the topic by examining how an organization can use Anti-Branding against a company to create change. The study show that various anti-branding actions in a multifaceted campaign is an efficient tool to create attention, awareness and involvement that lead to change. By utilizing the participatory culture of the this digital age organizations can use anti-branding efficiently by interacting with its publics to engage them to be co-creators of the anti-branding message and to be a part of the social movement and its culture. Nyckelord Strategisk kommunikation, aktivism, anti-branding, culture jamming, varumärkesmotstånd, varumärken, immateriella värden, påverkansarbete, detagarkultur, Tack Tack min handledare Anneli Ekelin för allt fantastiskt stöd du gett mig i denna uppsats och till alla intervjupersoner som med glädje och entusiasm delatagit i undersökningen. -
UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Cold War Comrades: Left-Liberal Anticommunism and American Empire, 1941-1968 Permalink https://escholarship.org/uc/item/2z1041sr Author Cushner, Ari Nathan Publication Date 2017 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ COLD WAR COMRADES: LEFT-LIBERAL ANTICOMMUNISM AND AMERICAN EMPIRE, 1941-1968 A dissertation presented in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY OF CONSCIOUSNESS with an emphasis in AMERICAN STUDIES by Ari. N. Cushner September 2017 The dissertation of Ari Nathan Cushner is approved: _________________________________ Professor Barbara Epstein, chair _________________________________ Professor Eric Porter _________________________________ Matthew Lasar, Ph.D. _____________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Ari N. Cushner 2017 CONTENTS ACKNOWLEDGEMENTS vii INTRODUCTION Cold War Liberalism and the American Century 1 Midcentury Left-Liberal Anticommunism 6 Sources 14 Original Contributions 16 Methods 19 Literature Review 25 McCarthyism and Left-Liberal Anticommunism 28 New York Intellectuals and Neoconservatism 38 Cold War Anticommunism and American Empire 43 Chapter Outline 45 CHAPTER ONE Tragedy of Possibility: From a People’s Century to Cold War Empire 47 Henry Wallace and the Popular Front 51 Free World Association 56 Union for Democratic Action 65 Cold War (and Critics) 68 The 1948 Election 78 End of the People’s Century 90 CHAPTER TWO Following The New Leader: Left-Liberal Anticommunist Routes 95 “The Real Center of Anti-Communist Thought and Activity” 97 Norman Thomas (1884-1968) 113 Sidney Hook (1902-1989) 123 Arthur Schlesinger Jr. -
"We Steal Secrets: the Story of Wikileaks"
Annotated Transcript of "We Steal Secrets" by Alex Gibney 11/2/14, 11:43 PM "We Steal Secrets: The Story of Wikileaks" The annotated transcript 19:00 GMT, May 23, 2013 Click here for the introductory note Note: The title ("We Steal Secrets: The Story TITLES of WikiLeaks") is false. It directly implies that WikiLeaks steals secrets. In fact, the statement is made by former CIA/NSA The film begins with opening credits in faux-digital director Michael Hayden in relation to the typeface against a black screen. activities of US government spies, not in relation to WikiLeaks. This an irresponsible TEXT FOCUS WORLD PRESENTS libel. Not even critics in the film say that WikiLeaks steals secrets. A JIGSAW/GLOBAL PRODUCE PRODUCTION AN ALEX GIBNEY FILM The film cuts to orbital footage of the Earth from a satellite, with occasional visual static interference, overlayed with stock news footage and news chatter about the Galileo launch. STOCK Newsreader: ...Thursday's scheduled launch of the shuttle Atlantis with this payload of radioactive plutonium... http://wikileaks.org/IMG/html/gibney-transcript.html Page 1 of 238 Annotated Transcript of "We Steal Secrets" by Alex Gibney 11/2/14, 11:43 PM Newsreader: ...a legal challenge with NASA worried what's going on in court tomorrow to help the shuttle Atlantis and its Gallileo spacecraft escape by unique... The stock footage gradually takes over, depicting protests at the launch. Placards read "BAN PLUTONIUM IN SPACE" and "NO PLUTONIUM IN MY TOWN." Screen shows footage of Gallileo and Atlantis at the launchpad. Text overlay reads "October 1989". -
Faking, Forging, Counterfeiting
Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) Faking, Forging, Counterfeiting Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) in collaboration with Simone Niehoff and Florencia Sannders Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Funded by the Elite Network of Bavaria as part of the International Doctoral Program MIMESIS. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3762-9. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 4.0 (BY-NC-ND) which means that the text may be used for non- commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contac- ting [email protected] © 2018 transcript Verlag, Bielefeld Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Cover concept: Maria Arndt, Bielefeld -
Encore the ANNUAL RESEARCH MAGAZINE of the ALEXANDER VON HUMBOLDT INSTITUTE for INTERNET and SOCIETY
encore THE ANNUAL RESEARCH MAGAZINE OF THE ALEXANDER VON HUMBOLDT INSTITUTE FOR INTERNET AND SOCIETY VOLUME 2014 encore THE ANNUAL RESEARCH MAGAZINE OF THE ALEXANDER VON HUMBOLDT INSTITUTE FOR INTERNET AND SOCIETY VOLUME 2014 EDITORIAL Jeanette Hofmann, Director of the Humboldt Institute for Internet and Society The Internet keeps evolving, and so does the Alexander von Humboldt Institute for Internet and Society (HIIG). The first tweet ever sent from our initial domicile in the Humboldt-Universität at Bebelplatz said: “office space launched, coffee, music and people still lacking”. That was in October 2011. Less than a year later, we had already expanded so much that our spacious office became too small to accommodate all of us. The research- ers had to move out and leave the management behind. Our new office at Hausvogteiplatz started with one single floor. Roughly three years later, we have almost taken over the whole building. The latest arrival at ‘HVP’ is our management team. While we are a bit sentimental about gradually abandoning the much beloved Bebelplatz office, we are very happy to have all HIIG people re-united under one roof. 2014 was a very busy year for us with a great many activities and results. In our second edition of encore, we are presenting again a cross section of our work. Unlike last year, however, we are highlighting three themes around Internet and society that proved to be particularly important for us. The ongoing revelations about pervasive surveillance on the Internet directly intersect with the Global Privacy Governance project of the research area Global Constitutional- ism. -
Deciphering Crypto-Discourse: Articulations of Internet Freedom in Relation to the State
Deciphering Crypto-Discourse: Articulations of Internet Freedom in Relation to the State Isadora Hellegren Department of Art History and Communication Studies McGill University, Montreal August 2016 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts in Communication Studies. © Isadora Hellegren 2016 DECIPHERING CRYPTO-DISCOURSE ii Abstract The understanding of what constitutes “Internet freedom” varies between countries and cultures. In Internet governance debates, a myriad of actors is invested in defining the meaning of “freedom” in relation to Internet-specific technologies. A central component in meaning-making processes about Internet-specific technologies and their functions is the constant negotiation of online rights, such as personal privacy and freedom of expression. In the process of these and other contestations over what should or should not constitute Internet freedom, this study explores how a specific community of participants in the Internet governance debate, namely public-key cryptography advocates, has constructed a discourse in which “crypto” (encryption software) serves as an enabler of freedom. While the design of “crypto” aims to render online communication illegible to anyone but its intended recipient(s), the representation of crypto serves as a battlefield in a larger discursive struggle to define the meaning of Internet freedom. This thesis investigates how crypto- advocates, and in particular Cypherpunks, have articulated crypto-discourse: a partially fixed construction of meaning that establishes a relationship between “crypto” and a negative conception of Internet freedom, in relation to the state. I argue that crypto-discourse excludes other possible positive meanings of Internet freedom. In so doing, the discourse removes responsibility from democratic states to secure online rights and freedoms for their citizens. -
University of Birmingham the Art of Dissident Domesticity
University of Birmingham The Art of Dissident Domesticity Carroll, Khadija; Murawski, Michal; shipley, jesse DOI: 10.1215/01642472-4223417 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Carroll, K, Murawski, M & shipley, J 2017, 'The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House ', Social Text, vol. 35, no. 4, pp. 113-152. https://doi.org/10.1215/01642472-4223417 Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
The Playful Citizen Civic Engagement in Civic Engagement a Mediatized Culture Edited Glas, by René Sybille Lammes, Michiel Lange, De Raessens,Joost and Imar Vries De
GAMES AND PLAY Raessens, and Vries De (eds.) Glas, Lammes, Lange, De The Playful Citizen The Playful Edited by René Glas, Sybille Lammes, Michiel de Lange, Joost Raessens, and Imar de Vries The Playful Citizen Civic Engagement in a Mediatized Culture The Playful Citizen The Playful Citizen Civic Engagement in a Mediatized Culture Edited by René Glas, Sybille Lammes, Michiel de Lange, Joost Raessens, and Imar de Vries Amsterdam University Press The publication of this book was made possible by the Utrecht Center for Game Research (one of the focus areas of Utrecht University), the Open Access Fund of Utrecht University, and the research project Persuasive gaming. From theory-based design to validation and back, funded by the Netherlands Organisation for Scientific Research (NWO). Cover illustration: Photograph of Begging For Change, MEEK (courtesy of Jake Smallman). Cover design: Coördesign Lay-out: Crius Group, Hulshout isbn 978 94 6298 452 3 e-isbn 978 90 4853 520 0 doi 10.5117/9789462984523 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2019 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Contents 1. The playful citizen: An introduction 9 René Glas, Sybille Lammes, Michiel de Lange, Joost Raessens, and Imar de Vries Part I Ludo-literacies Introduction to Part I 33 René Glas, Sybille Lammes, Michiel de Lange, Joost Raessens, and Imar de Vries 2.