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Deutsche Nationalbibliografie 2015 T 10
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2015 T 10 Stand: 28. Oktober 2015 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2015 ISSN 1613-8945 urn:nbn:de:101-ReiheT10_2015-9 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Orfeo Euridice
ORFEO EURIDICE NOVEMBER 14,17,20,22(M), 2OO9 Opera Guide - 1 - TABLE OF CONTENTS What to Expect at the Opera ..............................................................................................................3 Cast of Characters / Synopsis ..............................................................................................................4 Meet the Composer .............................................................................................................................6 Gluck’s Opera Reform ..........................................................................................................................7 Meet the Conductor .............................................................................................................................9 Meet the Director .................................................................................................................................9 Meet the Cast .......................................................................................................................................10 The Myth of Orpheus and Eurydice ....................................................................................................12 OPERA: Then and Now ........................................................................................................................13 Operatic Voices .....................................................................................................................................17 Suggested Classroom Activities -
Uw Music
~~~ ~1~SC. ::z qq SCHOOL OF MUSIC UNIVERSITY of WASHINGTON JOl7 \-1'1 Opera Workshop: Mozart Scenes Instructors: Cyndia Sieden, Stephen Stubbs Stage direction ......................................... Cyndia Sieden, Unda Kitchen, Deanne Meek Assistant Stage director ........................................................................ Gemma Balinbin Musical direction .................................................................................... Stephen Stubbs Musical coaching ............................................................... Rhonda Kline, Cyndia Sieden Piano Accompaniment ........................................................................Andrew Romanick 7:30 PM January 14, 2017 Meany Studio Theater UW MUSIC 2016-17 SEASON b vl;;> 1F /1-/931 PROGRAM I f2~CYlf.U5" <;fVhi>s/51(2cLu" ~k LE NOllE DI FIGARO: 1786 The Marriage of Figaro takes place in the palace ofthe Count and Countess Almaviva. Figaro is the Valet to the Count and Susanna the maid and confidante of the Countess. The Count is a philanderer and has his eyes on Susanna. Prior to the opera he abolished the law of 'droit de seigneur', the right of the lord of the manorto take the virginity of a bride before the wedding, but with Susanna, about to get married, he plans to re-establish this law. This provides the emotional foundation for all the characters in the opera, leaving Figaro angry, Susanna confused and the Countess bereft, relying on her page, Cherubino to cheer her up. They are reduced to hatching a plot to obstruct the Count's plans and to humiliate him. Z 1. Act II Sc. 1: Duets (Figaro and Susanna) Susanna: Gemma Balinbin / J; 2-:;- Figaro: Jacob Caspe Figaro and Susanna are preparing their bedroom as their wedding is taking place later that day. Figaro takes measurements to see ifthe bed will fit, while Susanna is concerned by the position of the room, placed between those of the Countess and the Count convenient in Figaro's eyes but dangerous in Susanna/so She knows the Count has designs on her, and warns Figaro of this. -
George Frederick Bristow Im Magazin Klassik #7
200x307_mowo18_rk_stephansdom.qxp_Layout 1 10.10.17 17:13 Seite 1 magazin KLASSIK No. 7/Winter € 5,50 2017/ 18 MOZART WOCHE 2018 26. JÄNNER – 4. FEBRUAR www.mozarteum.at 26.01 PREMIERE 30.01., 02.02. jeweils 19.30, Haus für Mozart MOZART DIE ENTFÜHRUNG AUS DEM SERAIL KV 384 René Jacobs (Dirigent), Andrea Moses (Regie), Jan Pappelbaum (Bühne), Svenja Gassen (Kostüme), Olaf Freese (Licht), Akademie für Alte Musik Berlin, Salzburger Bachchor. Mit Robin Johannsen, Sunhae Im, Sebastian Kohlhepp, Julian Prégardien, David Steffens, Alban Berg S. 2 Musik für die Weihnachtsfeiertage S. 10 Peter Lohmeyer Konzerte Wissenschaft Museen Gottfried von Einem – zum 100. Geburtstag S. 12 Erinnerung an Rudolf Nurejew S. 16 Die Macht der Musik S. 31 fb communications Bei uns RADIO KLASSIK sind HÖRERREISE Musikalischer Höhepunkt BASKISCHES OPERNHAUS Private Banking im neuerbauten Palacio Euskalduna BILBAO 22.2. - 25.2.2018 Kunden DIE HAUPTSTADT DES BASKENLANDES – VON DER INDUSTRIERUINE ZUR LEBENDIGEN KULTURHAUPTSTADT. GEPLANTE HIGHLIGHTS herzlich Altstadt & Guggenheim Museum • • Busrundfahrt Baskenland: Besichtigung Gernika und die malerisch gelegene Kirche San Juan de Gaztelugatxe, willkommen. Getxo, der noble Vorort mit der ältesten Schwebefähre (Weltkulturerbe) Guggenheim Bilbao © Pixabay • Opernbesuch Palacio Euskalduna Richard Strauss Salome • Flug mit Austrian Airlines / Umstieg in Brüssel • Reiseleitung Dr. Helmut Pitsch / radio klassik Stephansdom PAUSCHALPREIS Suspention Bridge of Bizkaia © Basquetour inkl. Flug, 2xMittagessen, 1 Abendessen, Opernkarte, 3 ÜN Hotel Coliseo Bilbao, Tagesausflug Baskenland, Eintritt & Führung Guggenheim Museum, Altstadtführung Pauschalpreis pro Person im DZ EUR 1.295,– EZ EUR 1.405,– Zusätzliche Informationen: WWW.RADIOKLASSIK.AT San Juan de Gaztelugatxe © Basquetour PRIVATBANK SEIT 1832 Veranstalter: Mondial GmbH & Co. KG, Operng. -
LOC 2019-20 Issue 9 Queen of Spades-020420-NO ADS.Indd
LYRIC OPERA OF CHICAGO THETHE QUEEN THREE OF QUEENS SPADES 2019|20 SEASON In this issue Michael Cooper / Canadian Opera Company The Queen of Spades | pp. 16-32 6 WELCOME TO YOUR LYRIC 42 Program staff 8 From the Chairman and the 43 Ryan Opera Center contributors General Director 10 Board of Directors 44 THANK YOU FOR 12 Celebration: the 2020|21 YOUR SUPPORT Lyric season 46 Production sponsors 47 Aria Society 16 PERFORMANCES 59 Supporting our future — 18 Title page and cast endowments at Lyric 19 Introduction 60 Faces of Lyric 20 Artist profiles 63 Gift planning Opera Omaha/Proving Up 2018 24 Orchestra & Chorus 66 Corporate partners Here’s to Lyric’s 2020|21 season! | pp. 12-15 28 Opera notes 68 Annual individual 32 After the curtain falls and foundation support 74 Commemorative gifts 34 BEYOND THE STAGE 36 Lyric Unlimited – 76 THE COMPANY learning & creative engagement 76 Artistic roster 78 Lyric staff 40 RYAN OPERA CENTER 80 Backstage life 42 Ryan Opera Center alumni around the world Lyric Opera of Chicago | 2 Paid ad Lyric Opera of Chicago | 3 Since 1991 Gail McGrath Tahira Merchant You can view this program Publisher & President Graphic Designer on your mobile device at Sheldon Levin lyricopera.org/programs Publisher & Director Joy Morawez of Finance Accounting For advertising information LISA MIDDLETON A. J. Levin Willie Smith call 847-770-4620. To see Executive Editor Director of Operations Supervisor Operations our Terms and Conditions Earl Love relating to advertising ROGER PINES Rand Brichta Operations orders, visit our website at Editor Arnie Hoffman Wilfredo Silva performancemedia.us. -
Spoleto Festival Usa Program History 2017 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2017 – 1977 Spoleto Festival USA Program History Page 2 Table of Contents, Organized by Year 2017 .................................... 3 2016 .................................... 6 1996 .................................... 76 2015 .................................... 10 1995 .................................... 79 2014 .................................... 13 1994 .................................... 82 2013 .................................... 16 1993 .................................... 85 2012 .................................... 20 1992 .................................... 88 2011 .................................... 24 1991 .................................... 90 2010 .................................... 27 1990 .................................... 93 2009 .................................... 31 1989 .................................... 96 2008 .................................... 34 1988 .................................... 99 2007 .................................... 38 1987 .................................... 101 2006 .................................... 42 1986 .................................... 104 2005 .................................... 45 1985 .................................... 107 2004 .................................... 49 1984 .................................... 109 2003 .................................... 52 1983 .................................... 112 2002 .................................... 55 1982 .................................... 114 2001 ................................... -
Iron Sharpens Iron: Duets for Two Women in the Teaching/Instruction of Undergraduate Women
IRON SHARPENS IRON: DUETS FOR TWO WOMEN IN THE TEACHING/ INSTRUCTION OF UNDERGRADUATE WOMEN Laurissa Backlin, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2013 APPROVED: Lynn Eustis, Major Professor Richard Sparks, Committee Member Stephen Morscheck, Committee Member Jeffrey Snider, Chair of the Division of Vocal Studies Benjamin Brand, Director of Graduate Studies James C. Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Backlin, Laurissa. Iron Sharpens Iron: Duets for Two Women in the Teaching/Instruction of Undergraduate Women. Doctor of Musical Arts (Performance), August 2013, 61 pp., 30 figures, bibliography, 77 titles. Duet literature remains largely untapped as a pedagogical tool in the undergraduate voice studio. This dissertation examines the ways in which eight duets for female voices, although not written primarily for pedagogical use, may be used to teach four main areas of voice technique: intonation, vocal agility, legato singing, and dramatic skills. Duets are chosen primarily from the standard repertoire and are in English, German, French, Italian and Latin. The compositional styles range from the Baroque period through the 20th century. Genres include art song, oratorio, and opera. Each chapter focuses on one of the four vocal skills listed above, and includes examinations of two duets whose vocal writing (rhythm, tessitura, intervals, tempi, and text) make them appropriate candidates for pedagogical use in the improvement of that specific skill. Both male and female teachers of singing may utilize this project as a practical resource and model in how to use other duets, including those for other voice types, for similar purposes in their teaching studio. -
UW Opera Workshop Cyndia Sieden &Stephen Stubbs, Co-Directors
1ff\.'il SCHOOL OF MUSIC \':!.f\3 UNIVERSITY of WASHINGTON -l;\\ 6(6lB 3-~ UW Opera Workshop Cyndia Sieden &Stephen Stubbs, co-directors presents - L'enfant et les Sortileges An opera in one act by Maurice Ravel, with libretto by Colette 7:30 PM March 8, 2018 Meany Studio Theater UW MUSIC 2017-18 SEASON Lt9' WIth L'ENFANT fT LES SORTILtGES 1. The scene opens on a room in an old house, with awindow connected to a garden. There are armchairs and agrandfather clock, and acage with asquirrel is resting on atable. The remains of afire burn in the fireplace, near which acat is sleeping. It is afternoon and the Child, six or seven years old, is sitting at his desk and feeling very lazy. He complains that he does not want to do his homework; he wants to go out, to eat all the cakes, to pull the cat's tail, and to cut off the tail of the squirrel. He wants to growl at everyone and upset his mother. 2. The door opens and Maman enters with his tea. She asks if he has finished his homework, but he sulks and gives no reply. She sees that he has done nothing, and worse, has spattered ink on the carpet. When she asks him to promise to work, he defiantly answers by sticking out his tongue. As punishment, she leaves him tea with no sugar and only dry bread, telling him to stay there until dinnertime to consider what he has done wrong, and how he has hurt his mother. -
Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 ............................................................................................................................................................................. -
100 Jahre Deutsche Staatsphilharmonie Rheinland-Pfalz
100 Jahre Deutsche Staatsphilharmonie Rheinland-Pfalz Ein Auswahlverzeichnis der Stadtbibliothek Ludwigshafen Mit ihrer beeindruckenden Zahl an Einspielungen zählt die Deutsche Staatsphilharmonie Rheinland-Pfalz zu den besonders gut vertretenen Orchestern auf dem Tonträgermarkt. Einen großen Teil dieser CDs bietet die Stadtbibliothek Ludwigshafen zur Ausleihe an; in diesem Verzeichnis finden Sie alle Aufnahmen aus unserem Bestand. Dabei zeigt sich die ganze Bandbreite der Staatsphilharmonie, vom großen klassisch-romantischen Standardrepertoire wie Brahms oder Schumann über unzählige lohnenswerte Entdeckungen an weniger geläufigen Komponisten, kammermusikalischen Pretiosen bis hin zu Jazz und Filmmusik. Wir wünschen Ihnen viel Vergnügen beim Stöbern und (Wieder-)Hören. Stand: Juli 2019 Stadtbibliothek Ludwigshafen Zentralbibliothek Bismarckstraße 44-48, 67059 Ludwigshafen am Rhein Dienstag bis Freitag: 10 – 19 Uhr Samstag: 10 – 15 Uhr Telefon: 0621 504-2601 [email protected] Kinderbibliothek Im Bürgermeister-Ludwig-Reichert-Haus Bismarckstraße 44-48, 67059 Ludwigshafen am Rhein Dienstag bis Freitag: 13 – 19 Uhr Samstag: 10 – 15 Uhr Telefon: 0621 504-2603 [email protected] Aubert, Louis: Orchestral Works : Offrande, Cinéma, Dryade, Feuille d'images, Tombeau de Chateaubriand Marco Polo, 1994. - 1 CD + Beiheft (12 Seiten) Aufnahme: Ludwigshafen, 1989 Dirigent: Leif Segerstam Standort: Th Aube (Ebene 1.2) Baird, Tadeusz: Orchesterwerke & Konzerte Koch Classics, 2000. - 1 CD + Beiheft (12 Seiten) Enthält: Psychodrama. Szenen für Cello, Harfe und Orchester. Concerto lugubre. Canzona für Orchester. Konzert für Oboe und Orchester Solisten: Anne Leek, Oboe – Helga Storck, Harfe – Rainer Schmidt, Viola – Klaus Storck, Violoncello Dirigent: Peter Gülke Standort: Th Bair (Ebene 1.2) Barsotti, Marcel: Die Päpstin – original soundtrack Königskinder Music, 2009. - 1 CD + Beiheft Dirigent: Frank Strobel Standort: Td 6 Paepst (Ebene 3) Bayer, Josef: Die Puppenfee : Ballett in einem Akt BMG Ariola, 1981. -
Associació Wagneriana. Apartat Postal 1159. Barcelona 08080 Http
WAGNERIANA CATALANA Nº 32 ANY 2010 TEMA10: ALTRES TEMES TÍTOL: URFASSUNG (VERSIÓ ORIGINAL) ÒPERA ROMÀNTICA ALEMANYA EN VÍDEO / DVD (PRIMERA PART) AUTOR: Josep Maria Rota i Aleu ______________________ Aquest treball constitueix una bona guia de l’òpera romàntica alemanya des de Beethoven a Wagner, que el seu autor ha desitjat compartir amb tots els lectors de WAGNERIANA. Un article interessant i ben documentat que agradarà i interessarà sens dubte, als nostres lectors aficionats a les produccions d’obres originals respectuoses amb les indicacions dels seus autors. Per a completar la informació seguirà una segona part sobre el mateix tema d’autors posteriors a Wagner. L'aparició i, sobre tot, la difusió del DVD ha restituït els enregistraments d'òpera a la seva veritable dimensió. La placa de 78 rpm. va permetre les primeres audicions de fragments, que passaren al disc de 45 rpm. i després a l'LP de 33 rpm. La irrupció del CD digital va revolucionar el món de l'audiòfil, que es va gastar tot el que tenia en refer el seu arxiu en aquest nou format. Això servia per a la música de recital i concert, des d'una sonata de Beethoven a una simfonia de Bruckner, però no per a l'òpera o el ballet: escoltar una òpera en CD és com seguir un partit de futbol per la ràdio. Una òpera només escoltada transmet només una part del seu valor artístic; això que acabo de dir afecta de manera gradual, des de molt poc en determinats repertoris ( Bel canto ) fins a molt o moltíssim en d'altres (Wagner).