Voices of the Violet Crown: Moving Beyond the Interview in This Issue by Susan Burneson, Coordinator, Voices of the Violet Crown, Austin, Texas
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August 2007 Issue I Was Now Playing Hotel to Three Reporters from Tokyo of Southwestern Archivist
The Newsletter of the Dialogue: Oral History Section Volume 3, Issue 2 Summer 2007 Society of American Archivists FROM THE CHAIR Chicago is just around the corner! tion, and the interviewer/interviewee relationship. The upcoming SAA meeting will be Stephen Sloan from the University of Southern Mis- a great opportunity for learning new sissippi and Mark Cave from the Historic New Orleans things, sharing ideas, and connecting Collection will discuss their efforts to document with other archivists. the aftermath of Hurricane Katrina with oral history interviews. This will be followed by a presentation Of the programs and sessions offered this year, several from Nancy Freeman of the National Wildlife Research are relevant to oral history. Fred Calabretta is teaching Center and Janet Bishop of Colorado State University a pre-conference workshop on using oral histories in on the interviewer/interviewee relationship and other publications, programs, and other forms of outreach context issues associated with doing oral history. on Sunday, August 26. In session 101 on Thursday, August 30, Studs Terkel’s impact on the practice of We will also be holding an election for the steering oral history through his conversations with America committee. Three positions are available: Vice-Chair/ will be discussed (see page 10 of this newsletter for Chair-Elect, and two members each with a 2007-2009 more information). Also of interest is the Privacy and term. More information about the candidates can be Confidentiality Roundtable meeting on Wednesday, found on pages 2-3 of this newsletter. We will distrib- August 29, where the privacy issues involved in digi- ute ballots at the meeting, so be prepared to vote. -
History of Science Society Annual Meeting San Diego, California 15-18 November 2012
History of Science Society Annual Meeting San Diego, California 15-18 November 2012 Session Abstracts Alphabetized by Session Title. Abstracts only available for organized sessions. Agricultural Sciences in Modern East Asia Abstract: Agriculture has more significance than the production of capital along. The cultivation of rice by men and the weaving of silk by women have been long regarded as the two foundational pillars of the civilization. However, agricultural activities in East Asia, having been built around such iconic relationships, came under great questioning and processes of negation during the nineteenth and twentieth centuries as people began to embrace Western science and technology in order to survive. And yet, amongst many sub-disciplines of science and technology, a particular vein of agricultural science emerged out of technological and scientific practices of agriculture in ways that were integral to East Asian governance and political economy. What did it mean for indigenous people to learn and practice new agricultural sciences in their respective contexts? With this border-crossing theme, this panel seeks to identify and question the commonalities and differences in the political complication of agricultural sciences in modern East Asia. Lavelle’s paper explores that agricultural experimentation practiced by Qing agrarian scholars circulated new ideas to wider audience, regardless of literacy. Onaga’s paper traces Japanese sericultural scientists who adapted hybridization science to the Japanese context at the turn of the twentieth century. Lee’s paper investigates Chinese agricultural scientists’ efforts to deal with the question of rice quality in the 1930s. American Motherhood at the Intersection of Nature and Science, 1945-1975 Abstract: This panel explores how scientific and popular ideas about “the natural” and motherhood have impacted the construction and experience of maternal identities and practices in 20th century America. -
Celebrating the Oral History Class of 2016 the 20152016 School Year Re
Newsletter June 2016 Contents: From the Director Oral History in Action From the Archives News About OHC Coming Up Helen Gahagan Douglas interviewed by OHC in the 1970s From the Director From the Director: Celebrating the Oral History Class of 2016 The 20152016 school year recently wrapped up at the Oral History Center with what has become a new and thriving tradition: the annual Oral History Graduation! In late April or early May over the past four years, we have hosted our very commencement ceremony in which we celebrate the oral histories completed over the past year. This special event gives us an opportunity to thank our interviewees Three Narrators from our Rosie the Riveter for the often considerable time they Oral History Project at our recent event give to our projects and to the sponsors who make those projects possible. This year we were especially honored to have many of our interviewees in attendance... [Read more] Back to Top Oral History in Action Welcome to Todd Holmes, Our Newest Historian / Interviewer We are proud to announce the arrival of a new interviewer at the Oral History Center, Todd Holmes. Todd is joining us from the Bill Lane Center for the American West at Stanford University, where he was a researcher and Affiliated Scholar. Todd completed his PhD from Yale University, where he studied the political history of California and its impact on national politics in the late20th century. [Read more] Todd Holmes, OHC Historian/Interviewer Exploring Law and Educational Finance Reform: Jack Coons and Stephen Sugarman Few intellectual partnerships have been as durable and productive as the one forged between Berkeley Law professors Jack Coons and Stephen Sugarman over the past half century. -
OHA Fall09.Qxd:OHA Fall09 7/28/09 1:14 PM Page 1
OHA Fall09.qxd:OHA Fall09 7/28/09 1:14 PM Page 1 Fall 2009 Volume XLIII Number 2 oral history association newsletter 2009 OHA conference theme: “Moving Beyond the Interview” A Preview DEADLINE EXTENDED FOR PROPOSALS By Michael Frisch, OHA President-Elect Oral historians interested in presenting at the International Oral History Association’s On behalf of Program Co-Chairs Alicia Rouverol and Mark Tebeau, I’m pleased conference in Prague next July have until to preview the exciting OHA fall meeting planned for the Galt House Hotel in Sept. 6 to submit proposals. The confer- Louisville, Ky., Oct. 14-18. The complete program is available on the OHA web- ence is July 7-11, 2010. Proposals may www.oralhistory.org site, . be submitted in English or Spanish. Our theme is “Moving Beyond the Interview” — “doing some- thing” with the interviews oral historians collect. As it happens, oral Further information is available online at historians in Kentucky have been working this theme intensively, www.ioha2010prague.cz or from the Appalachian coalfields to the multicultural complexi- www.iohanet.org ty of Louisville, from bluegrass music to the world of Kentucky bluegrass horse farms and racing. Kentucky is the only state with a formal Oral History Commission, guid- In this issue ing ambitious projects in communities across the state. In short, in Louisville OHA comes to a city, From the president . 2 region and state that perfectly match our Farm, ranch museum updates theme and that provide a wealth of resources to enrich the meeting experi- catalog . 3 ence. Every OHA meeting offers local Oral history book wins three and regional connection, but this relation- major awards . -
Columbia University Center Fororal History
Columbia University Center for Oral History TEN-YEAR REPORT “The great strength of oral history is its ability to record memories in a way that honors the dignity and integrity of ordinary people.” —Mary Marshall Clark, Director, Columbia Center for Oral History Letter from the Director .............................. 1 CCOH Mission and History ............................ 3 Research ........................................ 5 September 11, 2001, Oral History Projects . 5 After the Fall, CCOH Director Book . 7 Apollo Theater Oral History Project . 7 Guantánamo Bay Oral History Project Video Interviews in London, England . 8 Atlantic Philanthropies Oral History Project . 8 Council on Foreign Relations Oral History Project . 9 Elizabeth Murray Oral History of Women in the Visual Arts . 9 Guantánamo Bay Oral History Project . 9 Rule of Law Oral History Project . 10 United Nations Intellectual History Project . 10 Biographical Interviews . 10 John W. Kluge (1914–2010) . 10 William T. Golden (1909–2007) . 11 Robert P. DeVecchi . 11 Archive ......................................... 13 Oral History Collections Portal . 13 CCOH’s New Website . 13 Digital Exhibitions . 14 Preservation . 15 Education ........................................ 17 Oral History Master of Arts . 17 Summer Institute . 17 Workshops and Events . 19 Conference Presentations . 21 Consultations . 21 Oral History Training for Educators and Human Rights Activists . 22 Online Outreach . 22 Publications ...................................... 23 Staff, Supporters, and Advisory Board .................... 25 Staff and Interviewers . 25 Advisory Committee . 26 Supporters . 27 Contact Us ............................ inside back cover 1 Letter from the Director Ten years ago, in June 2001, I was named director of the Oral History Research Office . Having worked for some years at Columbia, I knew my way around and looked forward to some time to plan the future . -
The Effects of Variables in Oral History: Palm Beach County, Florida
THE EFFECTS OF VARIABLES IN ORAL HISTORY: PALM BEACH COUNTY, FLORIDA by Lise M. Steinhauer A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2010 Copyright by Lise M. Steinhauer 2010 ii ACKNOWLEDGEMENTS In 2004 I earned a bachelor’s degree in English at Florida Atlantic University, where Kitty Oliver introduced me to oral history. Her two courses resulted in my essay in Multicultural Reflections on “Race and Change,” ed. Kitty Oliver (Boca Raton: Bordighera Press, 2006). During two internships in Public History with the Historical Society of Palm Beach County (HSPBC), I learned a more traditional style of oral history under Debi Murray, the director of research and archives. With encouragement from Professor Oliver, I pursued this degree in Liberal Studies to combine history and communications knowledge and skills relevant to a career in oral history. This gratifying art clearly combined my three passions: history, research, and writing. When Hurricane Katrina devastated New Orleans in 2005, at Kitty Oliver’s suggestion, I interviewed evacuees who had been displaced to an equestrian center in Boynton Beach. My work has also included oral histories for the HSPBC, the Boca Raton Historical Society, and private clients; fifty interviews with analysis for a nonprofit’s strategic planning; he Docent Training Manual and Notables exhibit for the Richard and Pat Johnson Historical Museum of Palm Beach County; and the research and text for the HSPBC Web site, Palm Beach County History Online. -
Hidden Stories, Contested Truths: the Craft of Oral History
Hidden Stories, Contested Truths: The Craft of Oral History 47th Annual Meeting of the Oral History Association Oklahoma City, Oklahoma | October 9–13, 2013 Sponsors Local Arrangements Committee WELCOME American University Larry O’Dell, Oklahoma History Center Center for Oral and Public History, Tanya Finchum, Oklahoma State University California State University, Fullerton We are delighted to welcome you to the 47th Annual Meeting of the Oral History Association. This year’s theme, “Hidden George Kaiser Family Foundation Stories, Contested Truths: The Craft of Oral History,” reminds us of the ongoing importance of our work and the diversity HISTORY® of ways the craft is practiced. OHA’s first-ever visit to Oklahoma City and the historic Skirvin Hilton Hotel promises new Institute for Oral History, Baylor University OHA Leadership opportunities for learning about the rich and unique landscapes, communities, and history of this region. The theme Institute of Oral History, University of Texas at El Paso resonated with researchers around the globe as speakers and presenters will represent North and South America, Europe, Asia, Madelyn Campbell Annual Meeting Speaker Fund President – Mary Larson, Oklahoma State University and Oceania, along with nearly every corner of the U.S. Oklahoma Oral History Research Program, Vice President/President-Elect – Stephen Sloan, Oklahoma State University Baylor University Our special events will ground you in the history of the region, showcase a musical performance based on oral histories, Oral History Program, Department of History, First Vice President – Paul Ortiz, University of Florida challenge historical memory and memorialization, and highlight an internationally acclaimed storyteller and recording College of Arts & Sciences, University of North Texas Executive Director – Cliff Kuhn, Georgia State University artist. -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
Sccopland on The
THE UNITED STATES ARMY FIELD BAND SOLDIERS’ CHORUS The Legacy of AARON COPLAND Washington, D.C. “The Musical Ambassadors of the Army” he Soldiers’ Chorus, founded in 1957, is the vocal complement of the T United States Army Field Band of Washington, DC. The 29-member mixed choral ensemble travels throughout the nation and abroad, performing as a separate component and in joint concerts with the Concert Band of the “Musical Ambassadors of the Army.” The chorus has performed in all fifty states, Canada, Mexico, India, the Far East, and throughout Europe, entertaining audiences of all ages. The musical backgrounds of Soldiers’ Chorus personnel range from opera and musical theatre to music education and vocal coaching; this diversity provides unique programming flexibility. In addition to pre- senting selections from the vast choral repertoire, Soldiers’ Chorus performances often include the music of Broadway, opera, barbershop quartet, and Americana. This versatility has earned the Soldiers’ Chorus an international reputation for presenting musical excellence and inspiring patriotism. Critics have acclaimed recent appearances with the Boston Pops, the Cincinnati Pops, and the Detroit, Dallas, and National symphony orchestras. Other no- table performances include four world fairs, American Choral Directors Association confer- ences, music educator conven- tions, Kennedy Center Honors Programs, the 750th anniversary of Berlin, and the rededication of the Statue of Liberty. The Legacy of AARON COPLAND About this Recording The Soldiers’ Chorus of the United States Army Field Band proudly presents the second in a series of recordings honoring the lives and music of individuals who have made significant contributions to the choral reper- toire and to music education. -
Music of New Orleans a Concert in Honor of Vivian Perlis
Music of New Orleans A Concert in Honor of Vivian Perlis Society for American Music 45th Annual Conference New Orleans, Louisiana 22 March 2019 George and Joyce Wein Jazz & Heritage Center 7:00 p.m. Sarah Jane McMahon, soprano Peter Collins, piano The Society for American Music is delighted to welcome you to the fourth Vivian Perlis Concert, a series of performances of music by contemporary American composers at the society’s annual conferences. We are grateful to the Virgil Thomson Foundation, the Aaron Copland Fund, and to members of the Society for their generous support. This concert series honors Vivian Perlis, whose publications, scholarly activities, and direction of the Oral History of American Music (OHAM) project at Yale University have made immeasurable contributions to our understanding of American composers and music cultures. In 2007 the Society for American Music awarded her the Lifetime Achievement Award for her remarkable achievements. The George and Joyce Wein Jazz & Heritage Center is an education and cultural center of the New Orleans Jazz & Heritage Foundation, the nonprofit that owns the New Orleans Jazz & Heritage Festival. It is a 12,000-square foot building that boasts seven music instruction classrooms for the Heritage School of Music, a recording studio, and a 200-seat auditorium. Additionally, a large collection of Louisiana art graces the walls of the center, creating an engaging environment for the educational and cultural activities in the building. The auditorium was designed by Oxford Acoustics. It can be adapted to multiple uses from concerts to theatrical productions to community forums and workshops. The room’s acoustics are diffusive and intimate, and it is equipped with high-definition projection, theatrical lighting and a full complement of backline equipment. -
From the Instructor
FROM THE INSTRUCTOR As any American schoolchild knows, Abraham Lincoln rose from his humble birth in a log cabin to lead the country through its violent Civil War and proclaim the emancipation of slaves. Most of us are less familiar, though, with America’s musical heritage. By exploring the overlapping terrain of these two seemingly unrelated fields, Lucas Lavoie’s final essay for WR 100 “Lincoln and His Legacy” comments simultaneously on Lincoln, America’s twentieth-century musical heritage, and what it means to be an American. In an exemplary synthesis of different disciplines—history, music, biography, political rhetoric—Lucas shows us how different genres can speak to one another and, if we listen carefully, to us, too. Moving beyond the facts of Lincoln’s remarkable life and times—subjects of the earlier writing in the course—this assignment asks students to trace the ways that later generations have used Lincoln’s legacy. Lucas’s discoveries in Mugar Library of several musical scores from the twentieth century initiated a deeper examination of the historical issues that prompted these compositions and their relevance to Lincoln’s speeches and writings. By analyzing and comparing works of Charles Ives, Aaron Copland, and Vincent Persichetti, Lucas’s essay argues that these composers at critical moments in history used Lincoln in musical forms to demonstrate a shared ideal of American democracy. One important virtue to recognize in this essay is its deft command of the language for analyzing music. Even for those who may not be music scholars, Lucas’s clear explanations of musical examples allow readers to follow his points of comparison. -
The Myth of Nuclear Deterrence’’
A THREE-PART DEBATE PART I A CRITICAL EXAMINATION OF ‘‘THE MYTH OF NUCLEAR DETERRENCE’’ Derrin Culp [Editor’s note: The Nonproliferation Review presents here a debate in three parts, featuring a critique by Derrin Culp of Ward Wilson’s 2008 award-winning article ‘‘The Myth of Nuclear Deterrence,’’ a response from Wilson, and a finally a closing counter from Culp. We invite readers to join the debate via letters to the editor ([email protected]).] Several years ago, Ward Wilson presented in this journal a wide-ranging challenge to what every generation of national security scholars and practitioners since the end of World War II has been taught about nuclear weapons. He asserted that nuclear deterrence amounts to far less than its proponents have claimed and provocatively suggested that nuclear deterrence is a myth. Relying upon both empirical and theoretical objections to nuclear deterrence, he concluded that its failures were clear-cut and indisputable, whereas its successes were speculative. Yet in spite of a flourishing trade in scholarly articles, think tank reports, blog posts, and opinion pieces concerning nuclear deterrence, nobody*including nuclear weapons scholars*has ventured more than a limited critique of Wilson’s essay. There are, however, serious shortcomings in Wilson’s arguments*deficiencies that make his essay an unpersuasive brief against nuclear deterrence. Wilson’s thesis could be correct. His arguments, however, are unlikely to persuade any skeptical members of Congress, upon whom future progress in arms control