TPTV Schedule August 30Th to September 5Th Date Time Programme Synopsis Mon 30 00:00 Checkpoint 1956
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Spy Films, American Foreign Policy, and the New Frontier of the 1960S
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses Spring 2019 Bondmania: Spy Films, American Foreign Policy, and the New Frontier of the 1960s Luke Pearsons Central Washington University, [email protected] Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Cultural History Commons, History of Gender Commons, Political History Commons, and the United States History Commons Recommended Citation Pearsons, Luke, "Bondmania: Spy Films, American Foreign Policy, and the New Frontier of the 1960s" (2019). All Master's Theses. 1202. https://digitalcommons.cwu.edu/etd/1202 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. BONDMANIA: SPY FILMS, AMERICAN FOREIGN POLICY, AND THE NEW FRONTIER OF THE 1960s __________________________________ A Thesis Presented to The Graduate Faculty Central Washington University ___________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts History ___________________________________ by Luke Thomas Pearsons May 2019 CENTRAL WASHINGTON UNIVERSITY Graduate Studies We hereby approve the thesis of Luke Thomas Pearsons Candidate for the degree of Master of Arts APPROVED FOR THE GRADUATE FACULTY ______________ _________________________________________ Dr. Stephen Moore, Committee Chair ______________ _________________________________________ Dr. Daniel Herman ______________ _________________________________________ Dr. Chong Eun Ahn ______________ _________________________________________ Dean of Graduate Studies ii ABSTRACT BONDMANIA: SPY FILMS, AMERICAN FOREIGN POLICY, AND THE NEW FRONTIER OF THE 1960s by Luke Thomas Pearsons May 2019 The topic of this thesis are spy films that were produced during the Cold War, with a specific focus on the James Bond films and their numerous imitators. -
Talking Heads Alan Bennett Thora Hird
Talking heads alan bennett thora hird Talking Heads is a series of dramatic monologues written for BBC television by British playwright Alan Bennett. Julie Walters, Patricia Routledge and Thora Hird appear as different characters in both series. The show was produced by Innes Summary · Cast and crew · Episodes · Nominations and awards. Great actress. Thank you Thora Hird - thank you Alan Bennet - thank you Ken Doh. I don't really understand. Waiting for the Telegram | Alan Bennett Talking Heads | Alan Bennett . A Cream Cracker under the Settee. meanwhile at Thora Hirds warden controlled flat, playwright and author of talking heads, Alan Bennett has. Main image of Thora Hird and Alan Bennett for Hird, this time placing her centre stage in the two monologues that closed each series of Talking Heads (BBC. A monologue by Alan Bennett, starring Thora Hird as an independent old lady who has a fall that decides her future. Drama monologue written by Alan Bennett, starring Dame Thora Hird. Violet's long life includes two telegrams, both from the monarch. Awaiting. Alan Bennett at the BBC [DVD] by John Normington DVD £ The likes of Thora Hird, Patricia Routledge, Maggie Smith and Julie Walters deliver a. Talking Heads - The Complete Talking Heads: Thora Hird, Alan Bennett, Maureen Lipman, Maggic Smith: : LOVEFiLM By Post. Drama · Six monologues tell the stories of six different repressed souls: a man dominated by his With Alan Bennett, Stephanie Cole, Thora Hird, Patricia Routledge. Six monologues tell the stories of six different repressed souls: a man. Obituary: Thora Hird, a much-loved actor whose performances this time for Alan Bennett's Talking Heads monologue, Waiting For The. -
1 Introducing American Silent Film Comedy: Clowns, Conformity, Consumerism
Notes 1 Introducing American Silent Film Comedy: Clowns, Conformity, Consumerism 1. This speech has often been erroneously quoted (not least by Adam Curtis in his 2002 documentary The Century of the Self ) as ‘You have taken over the job of creating desire and transformed people into constantly moving happi- ness machines’ – a tremendously resonant phrase, but not one which actually appears in the text of Hoover’s speech. Spencer Howard of the Herbert Hoover Presidential Library attributes the corrupted version to a mis-transcription several decades later. 2. The title of his 1947 essay. His key writings in the 1920s were Crystallizing Public Opinion (1923) and Propaganda (1928). 3. Of course, not all responded sympathetically to the film’s vicious racist message. The NAACP mounted a particularly effective campaign against the film, which was banned in several states and sparked mass protests in others. For the full story see Melvyn Stoke, D.W. Griffith’s ‘The Birth a Nation’, Oxford: Oxford University Press, 2008. 4. CPI titles made in 1917/18 include America’s Answer, Under Four Flags and Pershing’s Crusaders – distributors who wanted the new Fairbanks or Pickford picture would be forced to take a CPI release as well. 2 A Convention of Crazy Bugs: Mack Sennett and the US’s Immigrant Unconscious 1. The temptation, here, is to regard Sennett’s name and the Keystone brand as being broadly synonymous, but one should remember that Sennett started off, first, as an actor and then, as a director at Biograph in 1909; the Key- stone Company was set up by Adam Kessel and Charles Baumann in 1912 (Sennett was never the owner). -
Noel Drewe Collection Film 178D5
Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37. -
Learnaboutmovieposters.Com September 2016
LearnAboutMoviePosters.com September 2016 Ed-i-torial Part 2: The Neverending Story I got a call last week from one of our sponsors. The first words out of his mouth (before hello) was, “when is that damned book coming out?” Yes, it was due out in September… but NO, we’re pushing for mid to end of October. You remember the Ed-i-torial on this last month (if you don’t – go to the LAMP archive and read…. it’s important!!) We covered the various ways artists were used; the initial studio art departments; the ad-agency process for creating posters; design vs. finished posters; studios removing signatures; logo and title art; and comps and unused art. Right after that, I announced that to help show problem areas, we were creating a Title Index!! What a GREAT idea! Well – I compiled and re-sorted the current two thousand nine hundred and forty one titles in the book. And after glancing over it, my first thought was “WHAT THE HELL WAS I THINKING!!” This has to be the stupidest idea EVER just before going to press! I thought I would find a few duplicates and be able to quickly resolve them. THERE WERE DOZENS AND DOZENS OF THEM!! We now are over 100 artists or their families that we are in direct contact with. So, I started going through them and emailing various artists to figure out whose was whose and sorting out the two thousand four hundred and thirty poster images to go with the titles. Now we’re getting, “oh, yes, I forgot to give you this one,” and every other change you can think of. -
10243.Prologue.Pdf
Prologue September 1941 In hollywood it was a difficult time. Though film attendance was at an all-time high—that year eighty-five million tickets were sold each week—the major studios were under attack. The war in Europe and Asia had led to a decline in foreign markets, the House Un-American Activities Com- mittee was investigating the alleged involvement of several prominent actors with communism, and a Senate commission accused Hollywood of war- mongering by making films that promoted U.S. intervention in the overseas conflict. Moreover, the Federal Communications Commission had allowed regular commercial television broadcasting to begin on July 1, 1941, panick- ing those in Hollywood who saw the new medium as potentially formidable competition.1 Louella, too, had struggled that year. In the spring, Orson Welles’s Citizen Kane, a scathing attack on her employer, William Randolph Hearst, had been released in theaters across the nation. Americans watched Welles’s onscreen portrayal of a manipulative, megalomaniacal Hearst, and they read in na- tional publications about Louella’s conniving attempts to suppress the film. The New York Times and Newsweek described Louella as a vicious opponent of free speech who used her power to carry out her employer’s tyrannical wishes. Shortly afterward, the Screen Actors’ Guild launched an attack on her, publicly condemning her refusal to pay actors who appeared on her radio show and calling her an enemy of the film industry. Though Louella’s world- wide readership of nearly twenty million was more than triple that of her pri- mary rival, Hedda Hopper, pundits predicted that it would not be long until Hopper surpassed her and became the new first lady of Hollywood. -
Newsletter 01/09 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/09 DIGITAL EDITION Nr. 243 - Januar 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/09 (Nr. 243) Januar 2009 editorial Hallo Laserdisc- und DVD-Fans, zwischen zwei Double Features (ein Hallo Laser Hotline Team, liebe Filmfreunde! Film vor Mitternacht, der zweite da- aus Eurem letzten Editorial (Newsletter Nr. 242) meine ich herauszuhören ;-) , dass der Herzlich willkommen zur ersten Ausga- nach) oder dem überlangen gewöhnliche Sammler von Filmen, Musik und be unseres Newsletters im Jahre 2009! AUSTRALIA, den Theo fachmännisch was auch immer, irgendwann auf den Down- Allen unseren guten Vorsätzen für das so aufbereitete, dass es kurz vor Mit- load via Internet angewiesen sein wird. Ich neue Jahr zum Trotz leider wieder mit ternacht eine Pause gab. Immerhin fan- denke (hoffe), nein! Ich verstehe alle Be- fürchtungen, dennoch, solange unsere Gene- etwas Verspätung. Alte Gewohnheiten den sich für alle Filmpakete auch Zu- ration lebt, wird es runde Scheiben geben! los zu werden ist eben nicht so einfach. schauer – wenn auch nicht sehr viele. Glaubt mir! Aber es gilt natürlich wie immer unser Doch aller Anfang ist schwer. Hier wird Das Internet ist im Access-Bereich bei der Leitspruch: “Wir arbeiten daran!” Ein sicherlich bei der nächsten Silvester- doppelten Maximalrate von DVD angelangt, dennoch tun sich alle VOD (video on Gutes hat die kleine Verspätung je- Film-Party die Mundpropaganda zu demand)- Dienste extrem schwer. -
TELEVISION in the 1960'S. in TERMS of TELEVISION the 1960'S Was an Exceptional Era for Broadcasting Innovation and Ex- Cite
TELEVISION IN THE 1960’S. IN TERMS OF TELEVISION the 1960’s was an exceptional era for broadcasting innovation and ex- citement. Since its inception in the late 1920’s by American Philo Taylor Farnsworth aged 21 who was brought up in a home with no electricity until he was 14, the first electronic television began to grow in popu- larity across the english speaking world. John Reith ( 1889 - 1971 ) was the founder of the BBC. He was the first general manager when it was set up as the British Broadcasting Company in 1922, and he was its first Director General when it be- came a public broadcasting corporation in 1927. A towering man in every sense of the word he fought off the politicians’ attempts to influence the BBC whilst offering the British people programmes to “ EDUCATE, INFORM AND ENTERTAIN “ By the early 1950’s TELEVISION began its special role as a focus point for a shared nation culture - a national pride - and it all began with the Queen’s Coronation. Elizabeth 11 was crowned in Westmin- ster Abbey on June 2nd 1953. At that time fewer than 2 million homes had televisions, and these were mainly grouped around large conurbations , London, Birmingham, Manchester, Cardiff and Glasgow. In the build up to the day 526, 000 sets were sold as Coronation fever swept the country and although there was only 2.5 millions sets in Britain , somehow 20 million people managed to watch the event. My survey says that many families 58% acquired a TV for the Coronation, one of my contributors as a young boy helped his Dad construct a television for the occasion, and those houses without a telly were invited to friends or neighbours to watch. -
The Historic New Orleans Collection Quarterly Newspaper, Both of Which Advanced and A
VOLUME XXXV The Historic New Orleans NUMBER 4 Collection Quarterly FALL 2018 Shop online at www.hnoc.org/shop LARGER THAN LIFE: Oversized Ephemera of the Big Screen EVENT CALENDAR EXHIBITIONS & TOURS For more information on any of the following events, please email [email protected]. All exhibitions are free unless otherwise noted. CURRENT New Orleans Arts and Culture Coalition’s African Heritage of New Orleans: 300 Years in the Making, hosted by The Historic New Orleans Collection Through December 8, 2018 THE BUCCANEER SCREENING Laura Simon Nelson Galleries Join THNOC in celebrating the 60th anniversary of the 400 Chartres Street adventure filmThe Buccaneer. Starring Yul Brynner and Charlton Heston, it tells the tale of how privateer Jean Laffite Preview exhibition for Art of the City: helped Andrew Jackson win the Battle of New Orleans. Postmodern to Post-Katrina, presented by Wednesday, September 19, 6–8 p.m. The Helis Foundation Williams Research Center, 410 Chartres Street Through December 2018 Free for THNOC members, $5 for non-members. For 533 Royal Street reservations, visit www.hnoc.org. French Quarter Museum Association welcome FRANCISCO BOULIGNY LECTURE center Felipe Fernández-Armesto, professor of history at the University of Notre Dame, will explore Through December 2018 the history of the Spanish monarchy during Louisiana’s colonial era. The Collection would 533 Royal Street like to thank the Embassy of Spain in Washington, DC, for its generous support of this year’s For more information, visit Bouligny lecture. www.frenchquartermuseums.com. Thursday, October 11, 6–7 p.m. PERMANENT Williams Research Center, 410 Chartres Street Louisiana History Galleries Free for THNOC members, $10 for non-members. -
Qatar Files Lawsuit Against Currency Manipulators
BUSINESSBU | 01 SPORT | 12 CorCorruptionru is most Al Duhail and Al comcommon form of Ain share points occupational in four-goal fraud in Mena thriller Tuesday 9 April 2019 | 4 Sha'baan 1440 www.thepeninsula.qa Volume 24 | Number 7856 | 2 Riyals New Ooredoo tv Google, Android, Android TV, Chromecast and other related marks Your hero for family entertainment and logos are trademarks of Google LLC. Qatar files lawsuit Prime Minister meets IPU President against currency manipulators QNA A lawsuit was filed Qatar but also to domestic and DOHA against Banque international investors. Their actions were deliber- The State of Qatar yesterday Havilland in London ately designed (and intended) to announced that it has filed legal for its role in force Qatar to take measures to proceedings in New York and designing a plan counter this financial market London taking actions against to attack Qatar's manipulation. The defendants financial institutions that in the New York legal action engaged in manipulation of the currency and its directed their manipulative Qatari Riyal, bonds issued by the financial markets. conduct at New York by among State of Qatar, and related It also named other things, submitting fraud- financial instruments, the Vladimir Bolelyy, ulent quotes to foreign exchange Government Communications platforms based in New York, to Office said in a statement an individual at the manipulate New York-based yesterday. bank as defendant. indices, and disrupt financial Prime Minister and Interior Minister H E Sheikh Abdullah bin Nasser bin Khalifa Al Thani met yesterday with the President of the Inter-Parliamentary Union (IPU), Gabriela Cuevas Barron, on the occasion A lawsuit was filed against Suits against First markets in New York, where sig- Banque Havilland in London for nificant Qatari assets are held of convening the 140th General Assembly of the Inter-Parliamentary Union in Doha. -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole. -
Gay's the Word
Press Information Full casting and extra performances announced! The Finborough Theatre is now FULLY AIR CONDITIONED Part of the Finborough Theatre's Celebrating British Music Theatre series Evergreen Theatrical Productions Ltd in association with Neil McPherson for the Finborough Theatre presents Ivor Novello’s GAY’S THE WORD The Happiest Musical of the Year! Book and Music by Ivor Novello Lyrics by Alan Melville Book Adapted by Richard Stirling by special permission of Samuel French Ltd on behalf of the Ivor Novello Trustees Directed and Choreographed by Stewart Nicholls Music Direction by Ben Stock with Frank Barrie, James Bentham, Helena Blackman, Anna Brook-Mitchell, Daniel Cane, Valerie Cutko, Sophie-Louise Dann, Amy Hamlen, Doreen Hermitage, James Irving, Josh Little, Lindsey Nicholls, Eileen Page, Jonny Purchase, Myra Sands, Elizabeth Seal, Sophie Simms, Paul Slack, Sebastian Smith The Finborough Theatre's acclaimed 'Celebrating British Music Theatre' series follows its sell-out success Perchance to Dream with Ivor Novello’s last and wittiest musical. Gay’s the Word opens a strictly limited run of seven Sunday and Monday performances on Sunday, 5 February 2012 (Press Night: Monday, 6 February 2012 at 7.30pm). This is the first professional revival of the 1951 smash hit, which starred Dame Cicely Courtneidge. Novello sends up his own Ruritanian extravagances in this backstage musical comedy. Former stage star Gay Daventry opens a drama school and finds that what is needed to get her back on top is, to name the show's hit song, Vitality! Other numbers include If Only He'd Looked My Way (subsequently recorded by Frank Sinatra), Bees Are Buzzin’ and the enchanting On Such A Night As This, all combining Novello’s melodic talent with Alan Melville’s sharp wit.