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Ken Lopez Bookseller Modern Literature 165 1 Lopezbooks.Com
MODERN LITERATURE 165 KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 1 LOPEZBOOKS.COM KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 2 KEN LOPEZ, Bookseller MODERN LITERATURE 165 51 Huntington Rd. Hadley, MA 01035 (413) 584-4827 FAX (413) 584-2045 [email protected] | www.lopezbooks.com 1. (ABBEY, Edward). The 1983 Western Wilderness Calendar. (Salt Lake City): (Dream Garden) CATALOG 165 — MODERN LITERATURE (1982). The second of the Wilderness calendars, with text by Abbey, Tom McGuane, Leslie Marmon Silko, All books are first printings of the first edition or first American edition unless otherwise noted. Our highest Ann Zwinger, Lawrence Clark Powell, Wallace Stegner, grade is fine. Barry Lopez, Frank Waters, William Eastlake, John New arrivals are first listed on our website. For automatic email notification about specific titles, please create Nichols, and others, as well as work by a number of an account at our website and enter your want list. To be notified whenever we post new arrivals, just send your prominent photographers. Each day is annotated with email address to [email protected]. a quote, a birthday, or an anniversary of a notable event, most pertaining to the West and its history and Books can be ordered through our website or reserved by phone or e-mail. New customers are requested to pay natural history. A virtual Who’s Who of writers and in advance; existing customers may pay in 30 days; institutions will be billed according to their needs. All major photographers of the West, a number of them, including credit cards accepted. Any book may be returned for any reason within 30 days, but we request notification. -
The Glass Case Modern Literature Published After 1900
The Glass Case Modern Literature Published After 1900 On-Line Only: Catalogue # 209 Second Life Books Inc. ABAA- ILAB P.O. Box 242, 55 Quarry Road Lanesborough, MA 01237 413-447-8010 fax: 413-499-1540 Email: [email protected] The Glass Case: Modern Literature Terms : All books are fully guaranteed and returnable within 7 days of receipt. Massachusetts residents please add 5% sales tax. Postage is additional. Libraries will be billed to their requirements. Deferred billing available upon request. We accept MasterCard, Visa and American Express. ALL ITEMS ARE IN VERY GOOD OR BETTER CONDITION , EXCEPT AS NOTED . Orders may be made by mail, email, phone or fax to: Second Life Books, Inc. P. O. Box 242, 55 Quarry Road Lanesborough, MA. 01237 Phone (413) 447-8010 Fax (413) 499-1540 Email:[email protected] Search all our books at our web site: www.secondlifebooks.com or www.ABAA.org . 1. ABBEY, Edward. DESERT SOLITAIRE, A season in the wilderness. NY: McGraw-Hill, (1968). First Edition. 8vo, pp. 269. Drawings by Peter Parnall. A nice copy in little nicked dj. Scarce. [38528] $1,500.00 A moving tribute to the desert, the personal vision of a desert rat. The author's fourth book and his first work of nonfiction. This collection of meditations by then park ranger Abbey in what was Arches National Monument of the 1950s was quietly published in a first edition of 5,000 copies ONE OF 10 COPIES, AUTHOR'S FIRST BOOK 2. ADAMS, Leonie. THOSE NOT ELECT. NY: Robert M. McBride, 1925. First Edition. -
The Futurist Moment : Avant-Garde, Avant Guerre, and the Language of Rupture
MARJORIE PERLOFF Avant-Garde, Avant Guerre, and the Language of Rupture THE UNIVERSITY OF CHICAGO PRESS CHICAGO AND LONDON FUTURIST Marjorie Perloff is professor of English and comparative literature at Stanford University. She is the author of many articles and books, including The Dance of the Intellect: Studies in the Poetry of the Pound Tradition and The Poetics of Indeterminacy: Rimbaud to Cage. Published with the assistance of the J. Paul Getty Trust Permission to quote from the following sources is gratefully acknowledged: Ezra Pound, Personae. Copyright 1926 by Ezra Pound. Used by permission of New Directions Publishing Corp. Ezra Pound, Collected Early Poems. Copyright 1976 by the Trustees of the Ezra Pound Literary Property Trust. All rights reserved. Used by permission of New Directions Publishing Corp. Ezra Pound, The Cantos of Ezra Pound. Copyright 1934, 1948, 1956 by Ezra Pound. Used by permission of New Directions Publishing Corp. Blaise Cendrars, Selected Writings. Copyright 1962, 1966 by Walter Albert. Used by permission of New Directions Publishing Corp. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1986 by The University of Chicago All rights reserved. Published 1986 Printed in the United States of America 95 94 93 92 91 90 89 88 87 86 54321 Library of Congress Cataloging-in-Publication Data Perloff, Marjorie. The futurist moment. Bibliography: p. Includes index. 1. Futurism. 2. Arts, Modern—20th century. I. Title. NX600.F8P46 1986 700'. 94 86-3147 ISBN 0-226-65731-0 For DAVID ANTIN CONTENTS List of Illustrations ix Abbreviations xiii Preface xvii 1. -
Kenneth Patchen Papers
http://oac.cdlib.org/findaid/ark:/13030/kt3r29q25b No online items Guide to the Kenneth Patchen Papers Processed by UCSC OAC Unit. The University Library Special Collections and Archives University Library University of California, Santa Cruz Santa Cruz, California, 95064 Email: [email protected] URL: http://library.ucsc.edu/speccoll/ © 2004 The Regents of the University of California. All rights reserved. Guide to the Kenneth Patchen MS 160 1 Papers Guide to the Kenneth Patchen Papers Collection number: MS 160 The University Library Special Collections and Archives University of California, Santa Cruz Santa Cruz, California Processed by: UCSC OAC Unit Date Completed: 2004 Encoded by: UCSC OAC Unit © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Kenneth Patchen papers, Date (bulk): 1929-1989, (bulk 1929-1972) Collection number: MS 160 Creator: Patchen, Kenneth Extent: 35 linear feet and 151 painted poems Repository: University of California, Santa Cruz. University Library. Special Collections and Archives Santa Cruz, California 95064 Abstract: This collection contains biographical material, correspondence, manuscripts, bound first editions, rare silkscreen and painted book editions, painted poems, works of art including illustrations, paintings, papier-mâché sculptures and decorated furniture, scrapbooks, photographs, slides, recordings, musical scores, and clippings documenting the creative work and literary spirit of Kenneth Patchen, as well as personal triumphs and struggles shared with his wife Miriam Patchen. Physical location: Stored in Special Collections & Archives: Advance notice is required for access to the papers. Language: English. Access Collection is open for research. Access to Series 6: Painted Poems is restricted due to physical condition. -
Catalogue #19
Back of Beyond Books proudly releases Catalogue #19. We continue to feature books and ephemera from the American West but you’ll also find numerous pages of Americana, Travel and Photographic material along with Explora- tion, Mining and Native Americana. We’ve also picked up small collections of Poetry and Art Books which have been fun to catalogue. Perhaps my favorite genre of Catalogue #19 are the 21 Promotional items from western states and communities. These colorful pamphlets, mostly from the early 20th century, would make any Chamber of Commerce proud. It’s always interesting to see what items sell quickly in each catalogue. I of- ten guess wrong so I’ll leave the decisions up to you. Several items of note, however, include: The best association copy known of Cormac McCarthy’s Blood Meridian--inscribed to Edward Abbey, a beautifully bright advertising poster for the ‘Field Self Discharging Rake’, a scarce promotional for the Salt River Valley of Arizona, a full-plate tintype from Volcano, California, and six large format albumen photographs depicting archaeological sites of Arizona and New Mexico by John K. Hillers. I’m also taken with the striking and rare Broadside for the Chicago, Burlington and Quincy Railroad, the very clean re- view copy of Rachel Carson’s Silent Spring and the atlas from the Pike Expe- dition published in 1810. Thanks to my staff at the store for working around the piles and boxes of books. If you’re ever in Moab our shop is open daily; please stop in. Sophie Tomkiewicz used the skills she learned at the Colorado Rare Books School in developing Catalogue #19 and Eric Trenbeath is our designer. -
Guide to the Papers of the Summer Seminar of the Arts
Summer Seminar of the Arts Papers Guide to the Papers of The Summer Seminar of the Arts Auburn University at Montgomery Library Archives and Special Collections © AUM Library TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2 Biographical Information 3-4 Scope and Content Note 5 Arrangement 5-6 Inventory 6-24 1 Summer Seminar of the Arts Papers Collection Summary Creator: Jack Mooney Title: Summer Seminar of the Arts Papers Dates: ca. 1969-1983 Quantity: 9 boxes; 6.0 cu. ft. Identification: 2005/02 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Summer Seminar of the Arts Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: Jack Mooney donated the collection to the AUM Library in May 2005. Processing By: Samantha McNeilly, Archives/Special Collections Assistant (2005). Copyright Information: Copyright not assigned to the AUM Library. Restrictions Restrictions on access: There are no restrictions on access to these papers. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. 2 Summer Seminar of the Arts Papers Biographical/Historical Information The Summer Seminar of the Arts was an annual arts and literary festival held in Montgomery from 1969 until 1983. The Seminar was part of the Montgomery Arts Guild, an organization which was active in promoting and sponsoring cultural events. Held during July, the Seminar hosted readings by notable poets, offered creative writing workshops, held creative writing contests, and featured musical performances. -
Imprint: Oregon 1935
Imprint:Oregon 1°A S Fall-Spring 1978-1979 °M z-i William Everson Waldport: an Interview with William Everson Introduction During World War II the problem of what to do with conscientious objectors who refused to engage in certain types of moreor less war-related work was resolved by the establishment of so-called ConscientiousObjectors Camps, more formallyCivilian Public Service Camps. They were sponsored by the "peace churches,"the Brethren, Mennonite and American Friends Service Committee. By 1945 there were more than 110 such camps and sub-camps throughout the United States. The origins and pur- poses of these camps are well described in the interview which follows. There were three such camps in Oregon: No. 21 (Cascade Locks) opened Dec. 5, 1941: No.56 (Waldport) opened Oct. 24, 1942: No.59 (Elkton) opened Nov.?, 1942. All were engaged in forest maintenance directed by the U. S. Forest Service or by the Oregon and California Revested Lands Administration, Such work consisted of tree planting, blister rust control, fire fighting and trail building, a continuation, essenti- ally, of work done formerly by the receniiy defunct Civilian Conservation Corps. In the usual manner of all such camps, the CO camps produced house organs, usual- ly weekly or monthly mimeographed newspapers. These papers were sponsoredand encouraged by the camp administration itself. winch regarded them as a harmless and even useful outlet for expression. There were, however, some exceptions tothis expec- tation. Among Oregon camps, for example, there wasa proliferation of camp newspapers out of Elkton. This may be partially explainedbythe fact that Elkton was operated as aheadquarters camp and sent contingentsto sub-camps located as far south as Kiam. -
The Perils and Rewards of Annotating Ulysses
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2013 Getting on Nicely in the Dark: The Perils and Rewards of Annotating Ulysses Barbara Nelson The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Nelson, Barbara, "Getting on Nicely in the Dark: The Perils and Rewards of Annotating Ulysses" (2013). Graduate Student Theses, Dissertations, & Professional Papers. 491. https://scholarworks.umt.edu/etd/491 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. GETTING ON NICELY IN THE DARK: THE PERILS AND REWARDS OF ANNOTATING ULYSSES By BARBARA LYNN HOOK NELSON B.A., Stanford University, Palo Alto, CA, 1983 presented in partial fulfillment of the requirements for the degree of Master of Arts in English The University of Montana Missoula, MT December 2012 Approved by: Sandy Ross, Associate Dean of The Graduate School Graduate School John Hunt, Chair Department of English Bruce G. Hardy Department of English Yolanda Reimer Department of Computer Science © COPYRIGHT by Barbara Lynn Hook Nelson 2012 All Rights Reserved ii Nelson, Barbara, M.A., December 2012 English Getting on Nicely in the Dark: The Perils and Rewards of Annotating Ulysses Chairperson: John Hunt The problem of how to provide useful contextual and extra-textual information to readers of Ulysses has vexed Joyceans for years. -
The Antiquarian Book Glossary
The Antiquarian Book Glossary Version 1.1 Books Tell You Why 1265 Chrismill Lane Mt. Pleasant, SC www.BooksTellYouWhy.com [email protected] (843) 849-0283 Contents Introduction..3 Glossary...4 Index...37 Additional Info...42 2 Introduction Thank you for your interest in Books Tell You Why and welcome to our Anti- quarian Book Glossary. We couldn’t be more pleased you’ve selected us as your source for information about rare book collecting, and we hope that this downloadable guide helps address your questions and concerns about the field of antiquarian books. The following glossary is designed to provide you with an entry-level resource for commonly used terms and concepts in the rare book world. While our aim is to offer as comprehensive a guide as possible, please note this docu- ment is merely a primer of rare book and manuscript collecting, and should be used as more of an introductory text rather than a definitive guide to the purchasing and collecting of rare books. For additional information and resources about our glossary, books, or ser- vices, please don't hesitate to: Visit us online at www.BooksTellYouWhy.com Contact us via email at [email protected] Call us at (800) 948-5563. Once again, thank you for your interest in Books Tell You Why. We wish you the best of luck in your collecting journey. 3 A ABAA The Antiquarian Booksellers’ Association of America was founded in 1949 to promote interest in rare books and foster collegial relations. They maintain the highest standards in the trade. -
Mapping Topographies in the Anglo and German Narratives of Joseph Conrad, Anna Seghers, James Joyce, and Uwe Johnson
MAPPING TOPOGRAPHIES IN THE ANGLO AND GERMAN NARRATIVES OF JOSEPH CONRAD, ANNA SEGHERS, JAMES JOYCE, AND UWE JOHNSON DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kristy Rickards Boney, M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by: Professor Helen Fehervary, Advisor Professor John Davidson Professor Jessica Prinz Advisor Graduate Program in Professor Alexander Stephan Germanic Languages and Literatures Copyright by Kristy Rickards Boney 2006 ABSTRACT While the “space” of modernism is traditionally associated with the metropolis, this approach leaves unaddressed a significant body of work that stresses non-urban settings. Rather than simply assuming these spaces to be the opposite of the modern city, my project rejects the empty term space and instead examines topographies, literally meaning the writing of place. Less an examination of passive settings, the study of topography in modernism explores the action of creating spaces—either real or fictional which intersect with a variety of cultural, social, historical, and often political reverberations. The combination of charged elements coalesce and form a strong visual, corporeal, and sensory-filled topography that becomes integral to understanding not only the text and its importance beyond literary studies. My study pairs four modernists—two writing in German and two in English: Joseph Conrad and Anna Seghers and James Joyce and Uwe Johnson. All writers, having experienced displacement through exile, used topographies in their narratives to illustrate not only their understanding of history and humanity, but they also wrote narratives which concerned a larger global ii community. -
The Annals of the Four Masters De Búrca Rare Books Download
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 142 Summer 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 142 Summer 2020 PLEASE NOTE 1. Please order by item number: Four Masters is the code word for this catalogue which means: “Please forward from Catalogue 142: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our cover illustration is taken from item 70, Owen Connellan’s translation of The Annals of the Four Masters. -
An Association Copy of Note: Willa Cather's Copy of Aucassin & Nicolete
An Association Copy of Note: Willa Cather’s copy of Aucassin & Nicolete From 1896 to 1906 the renown American writer and novelist, Willa Cather, resided in Pittsburgh, Pennsylvania. Twelve novels with now more or less familiar titles like O Pioneers! (1913), The Song of the Lark (1915), and Death comes for the Archbishop (1927) thrilled American readers. Long before her novels, however, there were more modest achievements such as her first and only book of poetry, April Twilights (1903), her first collection of short story fiction, The Troll Garden (1905) and her work as editor of Home Monthly, the magazine which brought her to Pittsburgh in the first place. In 1898 she began work at the Pittsburgh Daily Leader but then in 1901 she took a job teaching high school students in Pittsburgh. Teaching would not become her mainstay and by 1906 she was ready to move on to a job at McClure’s Magazine in New York City which eventually would lead to her becoming its managing editor. McClure’s was one of America’s most successful and popular literary magazines, and it was while in New York that Cather would meet her lifelong companion, Edith Lewis. But wait, we’re getting a bit ahead of ourselves. It’s those Pittsburgh years that are of the most direct concern for this brief essay. Willa Cather often referred to Pittsburgh as the “birthplace” of her writing career, and the very reason why the essay exists at all is because of a little book found from those natal literary years. We have to go back to September 18, 2012 when I came across the notice from an upper Mid-Western book dealer advertised a little Mosher book which he said was from Willa Cather’s library: Aucassin & Nicolete.