noteswww.samro.org.za

THREE SISTAS WHO ARE DOIN’ IT FOR THEMSELVES SAMRO- LICENSED VENUES, MUSIC VENUES OF NOTE MOSHITO

TRIBUTE EDITION notes9EDITION notesCONTENTS

CONTENTS

1. SAMRO & VENUESSAMRO- LICENSED VENUES, MUSIC MESSAGE VENUES OF NOTE FROM THE CEO 3.CULTURE Uptam is maio quis volori secerferum sa consenis dolor si 5.MAIN FEATURE STORY TO BE SEND veressequi santis ese nis sene ad etus earchil ipieniet ipsam que maximi, odiciature eicae. Nam et modit qui nos nim repero 6.MUSIC INDUSTRY ROUND UP THE SECRET TO event aborerfero torum facid etur? Eque veni berrovita voluptibus SUREFIRE SUCCESS simint miliqui autem architiis ipicien imoluptat. 7.IP FEATURE THE TRADITIONAL KNOWLEDGE BILL Legal Rentemp osanderitis a nonsendentem ne prendebit molo bersped maximpo restium rem et odis aute net dolupta APPLYING TO PROTECT MEMBERS RIGHTS adia volendi tatur, occus. Daee cor sum, secatecatem. Ita dictatis sam, quo etur aspe eligeniae. Nem re entem velendisciis perio. Et et plignam unt aut volenimolor sit, simusae coneceat et, inctur, con poreic te eatendit im volor maio. Ut qui aut endam dis .SAMROLLegacy Feature – alitam es voluptate plab ilitatu sdaerspe occum velibus num ea verum inis sapitis eniae. Ut faciati oreprep elicabo. 8 Siva Devar 9 Eque nost, cus quia arit, volecab orerchi ligentor simenderi qui nonsecaes volorro etur reic temquos doluptat hitiaepe sam, seculparum quae. Est maximol uptatur, iust ut et pliquo te quos nimiliqui beatempor min porehen Feature- MAKE MUSIC YOUR BUSINESS AT MOSHITO dusanda eperum non corporporrum is es suntur maxim eum cupti consendic tentur? 9.NEWS BOOSTING TOMORROWS MUSICIANS TODAY One

Nick Motsatse 10.SENA CATCHING UP WITH PAST WINNERS

Samro Editorial Team SAMRO Notes- Spring Issue

Editorial Team

Vanessa PerumalProject Management Rami Nhlapo Writer Romy TitusWriter Nadia NeophytouWriter Zama NyuswaWriter Christina KennedySubs/Writer Yavi Madurai Editor Contributors Roshni Moonsammy Music promoter’s perspective for international breakthrough NomaHlubi Simamane Hair and Make-up- Lesley Whitby using Mac Fashion Stylist’s- Kim Berell and Zanalee Van der Westerhuizen Clothing- Purple Dress from Jo Borkett Teal Dress from Kluk CGDT Green Dress from Kluk CGDT

SAMRO notesSAMRO AND VENUES 00 AND VENUES >>

GET SAVVY WITH YOUR PLAYLISTS Seize the opportunity to extract maximum value from your creative work by making sure your SAMRO status works for you

CREDITS OF PICSANDCREDITS PICCREDITS OF PIC World Cup fever has come to a rather abrupt end – and, while it would be perfectly acceptable to think that live music venues were among the businesses that scored big-time during the event, that is not necessarily the case.

Many such businesses experienced a lull during this time because the patrons who would normally frequent these joints were, in fact, getting festive at the official and unofficial fan parks and sports bars. Grant van Zyl, the owner of SAMRO-licensed live music venue Tanz Café in Fourways, Johannesburg, says, “The World Cup was not great for our business as Tanz Café is known for its live music, and not for showing sporting events. We are personally glad it’s over! We have noticed a huge increase in turnover since it has finished.” The positive spinoff is that some live music venues have enjoyed even more business now that soccer fever has worn off – it’s as if people are all soccered out, so to speak, and are seeking out live entertainment, and especially music. Live music venues are now using this opportunity to gear up their marketing drives and special promotions. So, with this in mind, now is the time for musicians to jump on the bandwagon. In fact, there are numerous ways in which revenue streams can be built and maintained through royalties, and using SAMRO-licensed venues is one. By simply understanding how SAMRO can work for you and keeping your focus on business, you can reap the benefits.

On an international level, musicians and composers have benefited from royalties as consistent revenue streams, through their organisations (such as the Performing Right Society in the UK), because they are aware of their membership benefits, as much

CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONCAPTIONS CAPTIONS CAPTIONS CAPTIONS C notesSAMRO AND VENUES 00 notesSAMRO AND VENUES 00 as they are about protecting their music from being SAMRO’S used illegally. it. Their music is licensed; therefore, they must receive TIPS FOR royalties no matter where their song is used. It’s a “SAMRO cannot protect the musician’s creation from symbiotic relationship. MONITORING YOUR abuse and being used illegally if the musician is not MUSIC VENUES a member of SAMRO. By becoming a member, the SAMRO Regional Sales Manager Alan Gustafson states musician authorises SAMRO to protect and license the MUSIC’S USAGE emphatically, “The venue needs to be licensed to play use of his or her works. The musician will, in turn,

background or live music on its premises.” receive royalties from SAMRO for the amount of times NOTE OF NOTE Remember that even though a SAMRO- the works were used,” Gustafson reiterates I He adds that “by being a member of SAMRO and licensed venue may say it is registered with playing at these venues, the musician is then ensuring SAMRO, that doesn’t necessarily mean it has TANZ CAFÉ MERCURY LIVE kept up with paying its monthly fees. So, it that there is no infringement of his rights or anybody 43 DE VILLIERS STREET, ZONNEBLOEM, CAPE else’s rights by only ever using venues that are legally is important to always check with SAMRO THE BUZZ SHOPPING CENTRE, WITKOPPEN ROAD, licensed to host him/her or play his/her music. They whether the venue is legit or not. FOURWAYS (011 658-0277 / WWW.TANZCAFE.CO.ZA) TOWN (021 465-2106 / WWW.MERCURYL.CO.ZA) are also guaranteed royalties from the performance, but Make sure that the playlist you submit to this is ONLY when the member submits the playlist of There’s something for everyone at the massive, top- SAMRO is detailed. In other words, give the full This large, multi-functional, award-winning venue has, songs performed at the event.” class live music venue Mercury Live and Lounge, which is title of the song and exactly where the songs since its inception some five years ago, offered a funked- up, retro space where Jozi’s music lovers can unite in style, situated in the historic area of District Six, also known as Says Gustafson: “When a SAMRO member performs, are being used. while appreciating some of ’s hottest acts, Zonnebloem. at any venue, they need to submit the playlist of songs Incorporating two venues in one, playing genres of If you are unsure of the deal you are such as Prime Circle, , Louise Carver and performed and the venue’s name so that we at SAMRO music across the board and including some of the best negotiating with the person who will be using Watershed. can check up on these venues. This means that royalties South African tunes around, Mercury Live embraces your music, don’t hesitate to contact SAMRO. It’s not only about the big names but the up-and-coming can be paid out based on the information that was eclectic musical styles, from rock, pop and hip-hop to , Let someone from the organisation advise you artists, too, since Tanz is well known for inviting new provided to SAMRO.” world music and electronica. on legalities. and promising acts to perform on the venue’s large and impressive stage – the sound and lighting system is all-out In fact, the venue calls itself a training ground for all The cost of being exploited far outweighs the time spent sorts of music and here you get exactly that, from some If your music is, for example, being played as state-of-the-art. on administrative issues. Ultimately, the musician or of the best up-and-coming bands to the country’s most a backing track on a visual presentation, or on The spacious restaurant offers a variety of options, composer should create a working relationship with talented big names. someone’s website, without your permission, including a decent a la carte menu and full buffet, plus SAMRO and also be organised about his/her music by ’s students pack out the place on Manic let SAMRO know so that the organisation can snacks, which go perfectly with a cocktail ordered from the monitoring where is it being played and who’s playing Mondays, when drinks are cheap and cool indie, rock and deal with it in an appropriate manner. cocktail bar. There’s only one way to be at Tanz and that’s zoned into rocking-hot South African tunes. pop bands heat up the joint. On Friday nights Mercury is renowned for its DJs, who play tunes ranging from the ’50s Some platforms where your music can be to what’s hot now. used and where you can collect royalties are: TINGS ’N TIMES Mercury Live brags that it’s one of the best live music Covers – where other musicians perform your venues in the country and, after a rocking night here, you will most likely agree. song/music; 1065 ARCADIA STREET, HATFIELD, PRETORIA Compilation CDs – where your song is used on (012 430-3176/7 / WWW.TINGS.CO.ZA) a mixed CD that is being made for commercial use; Digital media – where your music is being Anything goes at this eclectically bohemian-styled joint, where Pretoria’s students hang out and where you used on the internet and in visual presentations; can expect diverse sounds, ranging from laid-back reggae Soundtracks – where your song/music is being rhythms to alternative rock. used in a film or television series; New and original acts play here, so this is where the little-known gems of the local music industry are often Adverts – where your music is being used in an discovered. Occasionally, South Africa’s heavyweight advertisement; musicians rock the joint, too. Background music – where your songs Hippie-reggae can best describe the décor, creating a great entertainment venue with serious music sensibilities are being used as background music in an and a menu offering excellent yet affordable food, too boot. entertainment venue; Live performances take place at least three times a week Live performance – where you are performing and when the bands are not playing, the DJs are, and then your own music in a venue; and you get to groove to reggae and dub. Whether it’s a laid-back lunch or a party-hard evening Stage – where your music is being performed vibe, Tings ’n Times’ “anything goes” attitude allows pretty CAPTIONS CAPTIONS CAPTIONS in a theatrical production, whether it be live or much everything to go down, just as long as it’s original and CAPTIONS CAPTIONS CAPTIONS a recording. musically-inspired. 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CREDITS OF PICSANDCREDITS OF PICCREDITS OF PICCREDITS OF PICCREDITS OF PICCREDITS OF PIC CULTURE>>

ended up performing the song with him at the opening

CREDITS OF PICSANDCREDITS PICCREDITS OF PIC ceremony.

The song, called Sign of a Victory, was featured ona compilation of tracks commissioned by Sony, the record SA MUSIC HITS label that held the licence for the music during the World Cup. A number of songs on the album drew attention to artists that have been plying their trade in South Africa THE BACK OF for many years. Kwaito all-stars TKZee collaborated with the hip-at-the- moment Pitbull (of I Know You Want Me fame), while CAPTIONS CAPTIONS CAPTIONS CAP- Afro-pop group Uju came together with London-born THE NET DURING Judy Bailey and the track Spirit of Freedom was the result. These all brought incredible exposure for the local and African artists involved. WORLD CUP It went a step further, too – it wasn’t just official songs that gained popularity. K’Naan’s Waving Flag, another anthemic soundtrack of the tournament, sent this Somalian-born rapper into superstardom. Before his association with The 2010 FIFA World Cup brought with it Coca-Cola, only his hardcore fans knew who he was. Once Coke commissioned his song to be remixed and adapted opportunities and challenges alike for many South for the World Cup, and he went all over the continent on Africans – not least local musicians. Some of a trophy tour, he was spun into the global musical orbit.

South Africa’s top artists were able to collaborate Then there’s the MTN track Everywhere You Go, which with African and international artists, creating a brought together former Destiny’s Child member and Grammy-winning singer Kelly Rowland with a host of number of hit songs in the process. local and African rappers, such as Slikour and Zuluboy.

The artists performing as part of the World Cup kickoff celebration concert also benefited from sharing a stage with international stars like Alicia Keys, Black Eyed Peas and The biggest and most publicised track was perhaps the CAPTIONS CAPTIONS CAPTIONS CAP- TIONS CAPTIONS CAPTIONS John Legend. This was even more evident when Legend official World Cup song by Colombian pop star , featuring and Keys both performed songs with local artists on stage to a worldwide audience of an estimated one billion people. , called Waka Waka, which sampled a Cameroonian There was not a dry eye in the house during Keys’ rendition military song. of the late Brenda Fassie’s Too Late for Mama with Blk Jks But the track wasn’t without its share of controversy. From the moment it was announced as the official song, there . were critics who accused it of not being African enough, or specifically South African enough, for that matter. There CAPTIONS CAPTIONS CAPTIONS CAP- TIONS CAPTIONS CAPTIONS were also those who said that Freshlyground should have featured more prominently in the song – and the video. Three of the group’s members – , Kyla-Rose Smith and Julio Sigauque – flew to Los Angeles to shoot the video, which was also in 3D, a first for all involved.

Despite the criticism, Waka Waka seemed to grow on people, and by the end of the World Cup, music-lovers all over the world were singing along to its catchy chorus. Months after the tournament has ended, the song remains on high rotation on MTV. The contribution Freshlyground made could possibly have been bigger, but it doesn’t seem to have mattered. Despite the ongoing controversy, their music is being talked about around the world, with the song having been played from Mitchell’s Plain to Madrid.

Another of the official tracks of the World Cup was one sung by R Kelly, which didn’t seem to do as well in the CAPTIONS CAPTIONS CAPTIONS CAP- popularity stakes. However, it managed to up the profile of another local choir, the Soweto Spiritual Singers, who

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GIBB SLAMS BRAZIL’S PLANS TO notesSAMRO AND VENUES 05MRO 05 MRO BRING COPYRIGHT UNDER STATE NOTE CONTROL

Bee Gees member Robin Gibb, who is also president of the International Confederation of Authors and Composers (CISAC), has come out in solidarity with Brazilian musicians in anticipation of restrictive reforms to the country’s copyright law. HOW LOCAL The Brazilian government is currently proposing several changes, including legalising the copying of entire books if they were obtained lawfully, legalising the copying of out-of-print books or recordings, and changing the term of copyright to 70 years from the publication date instead of from the death of the creator. MUSICIANSCAN The biggest change, however, and the one that motivated creators and their societies to come together in opposition, is the creation of the Brazilian Copyright Institute (IBDA), a public body that would supervise the activities of authors’ societies. PROFIT FROM In response to this, Brazilian artists formed the National Culture and Copyright Committee (CNDCA), which aims to mobilise artists to defend their rights. Its launch in April 2010 was attended by over 300 Brazilian artists who oppose the reforms.

Gibb made a passionate plea in a video on CISAC’s website (www.cisac.org). “When COLLABORATIONS governments are willing to support creators’ organisations, we are truly happy, but when I hear it suggested that it is better for the artist that their governments administer their She says there are two words to remember: agree and notify. Sign an rights in their name, we become worried.” For all the criticism these various agreement, stating who has contributed what to the collaboration, and then take this and register it. He said the Brazilian collective management system had evolved over the last few years World Cup music collaborations to become one of the most efficient in Latin America. “Authors’ rights allow artists to live “If you bring the documentation to SAMRO, we will register it on a central with dignity, which is why they are, above all, human rights,” he added. raised, it seems the benefits for database that is international. So if there are any disputes down the line, we have the necessary documentation to sort it out. If a work is in local musicians far outweighed suspense, then no monies will be paid out to anyone.” If an artist belongs to a publishing label such as EMI, Sony or any of the the negative aspects. others, then that publisher would usually sort out the documentation. If the artist is working on his or her own, then they would need to make sure Going forward, these collaborations offer possibilities that could come they get it done themselves. out in the future. But SAMRO’s General Manager: Strategy and Business Development, Yavi Madurai, has a few words of advice to offer those Either way, says Madurai, it must be done. “It may be boring and may not musicians looking to collaborate with others – locally or internationally. have an immediate value, but to be financially rewarded for the use of your compositions time and again, it’s something that must be done.” Make sure you get all your documentation“ sorted out She says that artists may tend to get caught up in the euphoria” of the creative process, but that it’s vital that the legalities are taken care of. “If you feel awkward about doing it or you just don’t like it, then delegate: get an agent or a manager to do it. But it must be done,” stresses Madurai. MAIN notesMAIN FEATURE 00 FEATURE THREE SISTAS WHO ARE DOIN’ IT FOR THEMSELVES

To celebrate Women’s Month in August and Heritage Month in September, SAMRO Notes is focusing on three exceptional women who have taken the reins and made their mark on the South African music industry.

Judith Sephuma, Auriol Hays and Tasha Baxter are the three dynamic “sistas” that we are celebrating in this issue.

Being a woman can be challenging in a male-dominated music world, especially when it comes to balancing career and family, bringing forth your individual artistic vision and being in control of your music as a business and revenue stream. From Cape Town to Limpopo, these three phenomenal women have been doing it for themselves, beating the odds. Seemingly from very different backgrounds, what each of these amazing women has in common is the tenacity to navigate their own path in the cut-throat music industry with poise and sophistication. So what does it take for woman to make it in the music industry? We touched base with the three ladies to find out what makes them tick and to get some key insights into their success and how young, up-and-coming sistas can get a piece of the pie… notesMAIN FEATURE 00

So I used that to my advantage and started focusing on the positive things in me. AHPlease share with us some of your trials and successes that JUDITH SEPHUMA: ‘YOUR MUSIC IS A AURIOL HAYS: ‘WHEN MUSIC STOPS BEING FUN, have shaped your musical path. JS Give us some tips on how you ensure that your brand and your LEGACY IN THE MAKING’ work is administered properly. YOU ARE IN TROUBLE’ SN The worse thing I have had to put up with is people. People who made me feel as though everything about me is wrong or not enough. It can be very disheartening, Afro-jazz artist Judith Sephuma has been making SN I run my career as a business. Judith Sephuma is managed by Lalomba Music, Auriol Hays is a young, up-and-coming singer but I try not to let it get me down. And when it does, I do the only thing I can do: which is also my recording label. Growth comes when one stops being afraid of and songwriter with an old soul who hails from I kill them off in the songs I write. beautiful music since her debut in the ’90s with the unknown. I realised that I put myself under pressure when I don’t know what’s The best musical experience I had was singing in a small bar in Buccleuch with Keira hit songs such as A Cry, A Smile, A Dance. From happening, so I decided to employ staff that will manage my affairs closely according the Western Cape. Her critically acclaimed debut Witherkay and her acoustic band. Something very special and intimate happens her humble beginnings in Limpopo to her current to my rules, but also people that I could love and have them love what I do and me. album, Behind Closed Doors, with its appealing when you sing and happen to be heartbroken and oh so very sad. The way that I emoted those jazz songs was pure magic. I should be sad and depressed more… lol! status as one of the most prolific songstresses of Another point is to always look good on stage and to always remember that you jazzy-pop sensibility, has made her one of the her generation, her understanding of music as are as good as your last performance. So do your best at all times and always try to most sought-after musicians on the scene. AH Give us some tips on how you ensure that your brand and your perfect your craft. work is administered properly. business ensures that she stays at the top of her AH Who are your musical influences? game. SN A good and clear communication with clients is very important; arguments result SN Well, the fact that you should join SAMRO goes without question. It is usually in you being out of work or disrespected. So I will always double-check on things SN I am inspired by the usual suspects – Ella Fitzgerald, Nina Simone, Sarah Vaughan, the first thing I ask musicians. JS Who are your musical influences? before I misunderstand anything and, most importantly, document stuff. Anita O’Day, John Lee Hooker and any kick-ass blues song. The there’s Radiohead Then, having a clear idea of what you would like to achieve always helps. It gives you and all the bad pop songs my mother listened to when I was a kid. a clear goal and a reason to wake up in the morning. You should always be ready to listen to others and take advice. Now, you might not SN I am inspired by a lot of artist that have come and gone through time. But mostly If your brand is to get to another level, there needs to be a differentiation between AH What lessons have you learnt from those who inspire you, to get always agree with them because, let’s face it, some people talk a lot of crap. Rather it is life, nature and experiences that I go through daily: being able to overcome certain employer, employee and friends. to where you are today? ask yourself if the advice you are given can be adapted to your needs. things in one’s life and still remaining on top of every situation. SN Always remember to focus on what your goal is. This industry does not have rules When music stops being fun, you are in trouble. SN In general it’s the bitter, angry musicians that inspire me – people who have JS What lessons have you learnt from those who inspire you, to get that suite individuals, they suite whoever works hard. So focus on you and your gift and your business. Make every moment of your career count. fought tooth and nail to be where they are. I think of artists such as Nina Simone AH Why is it important to make use of the services that an to where you are today? especially, who was so bitter. I watch her live performances and two things strike me organisation such as SAMRO has to offer? immediately: that she is brilliant and that I should try not to become as bitter or sad SN JS Why is it important to make use of the services that an Well, I am still learning, but what I can tell you is that we are not meant to run organisation such as SAMRO has to offer? when things don’t go my way. SN The fact is that most musicians have no business sense. They get up, write music, when the going gets tough. We need to learn how to have staying power through it I think of Billie [Holiday] – who must have been one crazy hellcat – who found a and perform it and dream big. Very often, the business of music is left to people who all. I also know that in this industry, competition doesn’t really work for me. I have SN My music is a very personal thing and I speak on behalf of all artists on this. It’s measure of peace when she sang. And that’s the beauty of music. You can sing and cannot always be trusted. An organisation like SAMRO gives musicians the resources learned that we are all unique and are all very special. That’s how God created us. important that I am protected so that I can keep working hard and be inspired to forget all your insecurities. In fact when I am really low, I close the doors and sing so they can make proper business decisions. It always helps being informed of your We have different impacts on people because of our uniqueness. always produce. It would be a mess if we were just relying on ourselves to keep track all the jazz and blues songs I know. My poor, poor neighbours… rights and wrongs! of our legacy. Your music is a legacy in the making. Every song, every note has to JS What does it take to successfully enter the music market? AH Z What does it take to successfully enter the music market? . be very personal.

SN I believe that there is no formula for making it in this industry but only hard work. SN That depends on how you define success. That definition will determine how So you just do your best and hope for the best. Most of all, no gambling is allowed SN SAMRO helps us to keep creating the beautiful music – especially when you get royalties, but it is more than just about getting royalties. You are protected so that much work you have to do. There were nights when I felt so lost and unsure of myself with your career. That’s when we will fail. I think one must just believe that what or my ability to sing. So I only offered one prayer to my “people upstairs”. I told they are doing will work, no matter what. Love what you do more than anything. no one can abuse your legacy. Everyone needs to be a member of SAMRO if you are a creative person. If you are an artist, it’s also up to you to educate yourself about all them that all I wanted was to sing… Everything else came from that single desire. So getting very clear on what success would look and feel like is very important. JS Please share with us some of your trials and successes that of these things and to do research. Every day should be a learning curve if you are have shaped your musical path. a creative person. SN You know, trials are there every day. I live life for today and tomorrow is all I have; yesterday came and went. So what I went through yesterday brought me to where I am today. The one thing was not being accepted because I wasn’t light-skinned enough to fit in with other kids when I was growing up. But that made me realise that I am a beautiful person and there had to be something really special about me.

CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONSCAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONCAPTIONS CAPTIONS CAPTIONS CAPTIONS C TB What does it take to successfully enter the music market? notesMAIN FEATURE 05 notesMAIN FEATURE 05 SN You need to have talent, balls of steel and thick skin! It’s hard out there and there are many waiting in the wings to “one-up” you every second of the day. So don’t sleep on your stuff! You are never too young, too old, too poor, too fat, too thin, too short. If you have that raw talent, there is nothing stopping you but yourself. Set your own goals, polish your craft, learn another and be humble!

TB Please share with us some of your trials and successes that have shaped your musical path. NOTE SN The last two years have been the most hectic for me. All that I knew and was DUBUTANTE’S comfortable with changed. This then meant that I had to change: my thinking, my ways, my relationships – everything. POLISHED SOUND My boyfriend of five years moved to Sydney, I was struggling financially, trying to support myself and the kids, my car was stolen with my laptop that had all my new Like a precious gem, Ternielle Nelson’s debut CD titled ‘Unearthed’ can be compared to a rare find. material on it, my brand-new guitar was in the car too (my fault completely), I had debt coming out my ears, and music was becoming my downfall because I was so Born in Durban, this Joburg resident has broken into the music industry almost silently, yet desperate to make it work, I dropped the ball with everything else – my kids, my many have started sitting up and taking notice of the young singer-songwriter, who dedicates relationship, my family and myself. her musical talent to her late mother and young daughter. When days are dark, friends are few – and in this industry, it’s as fickle as a wolf in Tasha Baxter: ‘There is nothing stopping you sheep’s clothing. I have been focusing on what life really means to me, my children She strums to her own tune, thoughts and music, baring the bittersweet truth of her experi- and me. ences though her work, a genre-defying sound laced with elements of jazz and neo-soul. but yourself’ I write music for commercials at Freq’ncy Music, which I am loving: learning to produce my own stuff and make pictures sound pretty has been SOOO rewarding. Discovered by jazz stalwart Selaelo Selota, Nelson’s talents were put to the test when he ap- Feisty SAMA award-winning singer, songwriter, I’ve been finishing the second album, which is by far my best work as it is as true and proached her to step into his recording studio and perfect her art – and she has not looked back raw as it comes. I’ve also not been trying to write songs just to get airplay on the major since. producer, musician and sound engineer Tasha stations – which, by the way, have now changed their tune completely by playing the Baxter, who had a smash hit debut album with likes of Die Antwoord and Jack Parow. Things are changing and it’s great. Finally! She chose the title of her 10-track debut album based on her journey in life: the passing of her parents, the birth of her baby and her thoughts on being a young African woman. Colour of Me, understands the ups and downs of TB Give us some tips on how you ensure that your brand and your this business. But her passion for music and her work is administered properly. ‘Unearthed’ features a wide range of eclectic influences, with a hint of hot melodies and spicy never-say-die attitude have been a driving force lyrics. This offering definitely leaves one wishing for more… SN Admin is my absolute worst! And not being organised and admin-savvy has cost that pushes her to keep reaching new heights. me bucketloads. Your brand is everything; I, for one, can tell you that I have seen the pros and cons to this. TB Who are your musical influences? Have a logo, have good PR – PR is king – have a good publisher (I use Jay Savage at Sony ATV), make sure you send in all your songs, your gigs and performances, SN I can honestly say it is a conglomeration of music and memories that influence keep in touch with friends and liaise with SAMRO on a regular basis. If you can, my work. It is hard not to be influenced, even if it is subliminally, so it is hard to start your own label, but make sure you have good legal representation and someone pinpoint. I can say, however, that I love everything from jazz and blues to metal, to manage the admin. drum ’n bass, most electronic music and most in between. I can’t stand R&B, though! TB Why is it important to make use of the services that an SN As a teenager, No Doubt and Gwen Stefani were a big influence on me; so were organisation such as SAMRO has to offer? , Etta James and Miles Davis. I love being versatile and chopping and changing on a regular basis. If I am not growing, evolving and learning, I am SN SAMRO has really been amazing to me over the years; I have been a member for bored to death. ages and have received some great wads of cash from airplay on my music.

TB What lessons have you learnt from those who inspire you, to get Being in the advertising industry too, they are a huge part of the extra earnings I make to where you are today? when I write music and do vocals for TV and radio commercials. They have always had my back: I have made no money from sales of my album at all, which is part of SN The lessons I have learnt have come from my own personal life, as it is all I know the reason why [my former record label] dropped me, but the amount of songs I wrote and is real to me. I have learned that sometimes you need to unlearn and that is a and had played on stations nationwide and internationally has made up for it hugely. task on its own; your ways can hinder you if you are not keeping a close check on yourself at all times. SAMRO is about protecting the rights of artists. I can always count on them to collect Having my two kids by the age of 21, my life was quickly put into perspective and the royalties, send me my statements, newsletters and invites to events that help us I realised my values at a young age. I learnt to be tenacious and resilient. Time grow as independent artists. So at this stage, I am releasing independently, and having management is huge, and something I have to work at every day! Having a healthy a great relationship with SAMRO over the years proves that I can release digitally mind and body helps, which is also something I am constantly working on. all over the world, not give half the cash away to a label, and still make good cash Where I am today will change tomorrow and the next day, and I can safely say I am from airplay and licence deals, international collaborations and performances not where I will be in a few years’ time, and if I get comfortable and think I have “made it” then I am very mistaken. You need support from family and friends, you need to . keep financially stable and you need to persevere with passion and determination, knowing that you will have friends and enemies along the way CREDITS OF PICSANDCREDITS PICCREDITS OF PIC MUSIC notesMUSIC INDUSTRY ROUNDUP 00 INDUSTRY ROUND UP >>

PSSST… NEED SOME HOT TIPS? SA MUSIC EXPERTS GIVE SAMRO NOTES THE LOWDOWN ON HOW TO MAKE IT IN THE CUT-THROAT MUSIC BIZ CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONSCAPTIONS CAPTIONS CAPTIONS CAPTIONS CAPTIONCAPTIONS CAPTIONS CAPTIONS CAPTIONS C THE SECRET TO SUREFIRE MUSIC SUCCESS Artistic integrity. Media and marketing and digital savvy. Great songwriting. A willingness to work – hard! These are just some of the attributes of a successful artist, according to a survey of some of the top managers, booking agents and promoters in South Africa.

notesmusic industry roundup CREDITS OF PICSANDCREDITS OF PICCREDITS OF PICCREDITS OF PICCREDITS OF PICCREDITS OF PIC notesMUSIC INDUSTRY ROUNDUP 00 notesMUSIC INDUSTRY ROUNDUP 00

“Artists must be true to themselves and to the markets Ninja (now edging towards six million views since it CAPTIONS CAPTIONS CAPTIONS CAPTIONS CAP- they want to appeal to,” says Odutayo. “The most was loaded six months ago), the video itself was hailed TIONS CAPTIONS PLANNING AND SHEER HARD important people in this respect are the audiences. If as exceptional and the music acclaimed as delivering CAPTIONS CAPTIONS CAPTIONS CAPTIONS WORK an act appeals to an audience, then we (T-Musicman) something fresh to the global music community. CAPTIONCAPTIONS CAPTIONS CAPTIONS CAP- will take note.” The idea of integrity and authenticity also comes into TIONS C For Roshnie Moonsammy, who runs the Urban Voices play here. As Hays puts it, “Tapping into social media Festival, the plan should start with several essential For this veteran promoter, a defining feature of all really does help. Facebook, Twitter and even MySpace And they are not ingredients: “Hard work, quality, good management, successful artists she has worked with on projects like makes you more accessible to fans. This is especially wrong: take a look at knowing your music rights, good social and cultural Joy of Jazz is artistic integrity. “Artists that have artistic important as music is so easy to obtain these days. If knowledge of life and the world, enjoying people, integrity and present a performance that has been the fans know that you take an interest and answer their those artists who are coming across well in the media – and that’s just for clearly defined to appeal to their audience is what I questions when you do get them, they will be more starters! see as a common thread in the international and local willing to come to your shows and buy your CDs.” currently impacting artists we work with who have managed to build a on the national and “You should also be able to work well with your fellow successful career.” Adds Moonsammy, “Artists need to be aware of the international music musicians – always trying new things, collaborating, marketing and media aspects of the music industry and working with different producers, and having a sense of KNOW YOUR RIGHTS! have the right attitude and zeal.” industry and you can see what is going on internationally and locally in music.” It’s not just about being a star, she says: “It’s about Moonsammy believes strongly in the self-empowerment it takes more than luck It may sound like a tall order but, says Billboard’s developing your brain with a strong consciousness of element of a successful career. “I have just done the correspondent for South Africa, Diane Coetzer, it’s the cultural and social issues. Look at how well Lira is and talent to SAMRO music rights course,” she reveals, referring been proved doable and it shows in the artists who doing! She is intellectually developed and conscious, to SAMRO’s Business Principles of Songwriting take their careers seriously. and great for local and international media.” make an impact. and Music Publishing part-time course being run in partnership with Wits University. “Some artists do buy into the culture of expectancy, but

this only works for a short period of time,” comments GET YOUR MUSIC ON THE RADIO “So few people in the industry understand the value ands like The Parlotones, Blk Jks Coetzer. “Artists who are successful are thinking B of this kind of thing. You need to get to grips about Finally, don’t ever underestimate the power of the and Tidal Waves (all featured in the May 2010 about all aspects of their career, even if they are not composing, your Needletime rights, publishing and basic tools of the trade – from strong and well-crafted issue of SAMRO Notes) are not sitting back undertaking each part themselves. more, so you don’t get ripped off and end up having songwriting to stellar live shows to the role of radio. and waiting for things to happen: all three are people donate for your burial!” actively pursuing the gaps that have opened for “Simple things, like turning up for an interview with “Radio, radio, radio,” says G-Management’s Ross, them internationally with commitment, vision a member of the press on time and having thought A forum like the annual Moshito Music Conference when asked what she thinks is important in sustaining and lots of blood, sweat and tears. through what you want to say makes a lasting and Exhibition is a South African-specific space to and growing a successful artist – both at home and It’s the same for several other South African impression. Believe me, if an artist does break through enhance your knowledge and grapple with current abroad. artists who’re creating a stir internationally. internationally, the press isn’t going to indulge them hot topics (like the digital domain) – but anyone with Locnville now have a deal with Jive in the US if they insist on treating the journalist’s time as less access to the internet (even at a public café) can research “Radio play is often the most powerful tool for artists (Epic in the UK) and are playing in places like valuable than theirs for very long – no matter how and empower themselves with the knowledge needed to get noticed. It is their most important form of Sweden – keeping their fans up to date with talented they may be.” to have a basic and working knowledge of music rights advertising. We have also seen a huge shift from regular Twitter updates and a website that and more. traditional to digital marketing, and those artists who allows for interaction. Morgan Ross, who handles PR and events at are active online, and are gaining a fanbase digitally, are Rap-rave outfit Die Antwoord is currently G-Management, reiterates the hard work aspect of often a step ahead.” undertaking the most extensive live tour ever making a successful jump from your town to a big city, HONE YOUR SONGWRITING by a South African act, playing to sold-out from Cape Town to Joburg, and from South Africa to audiences in Europe, the US and Japan – their beyond our borders. “An artist who is lazy won’t get CRAFT cross-country gallivanting putting no stop anywhere. Too often, I think artists sit back and let SO WHAT’S THE RECIPE FOR to Ninja and Yo-landi’s extensive Facebook managers or record companies do all the work, but that Hays is adamant that artists should not sit back and take SUCCESS? contact with their fans. means nothing if the artist isn’t hard-working.” their gifts for granted. The singer and songwriter – who Artists like Lira and Prime Circle are also in 2010 will notch up performances at the Montreux Jazz Festival, the Joburg Arts Alive International Festival So there you have it. The days of sitting back and hard at work, preparing to take their successful The need for artists to take an active role in their career relying on your creative talent to do the work for you South African careers to new markets in 2011. is something Moonsammy also believes strongly in, and Joy of Jazz – says thinking “practically about the songs you sing and write” is key. are gone: if you want to make a surefire success of your But the fact is that even in a relatively small saying: “I have been working internationally since career internationally – or indeed, here at home – get market like South Africa (by global standards), 1985 and if I have learnt one thing, it’s that you must “One good song, even a pop one, could give you the to work. Make plans. Take an interest and learn about it takes something other than just existing to be driven. Don’t put your destiny in your record label the environment in which you operate. Get active in be noticed. As one of the cover stars of this and manager but work together to achieve success.” boost you need to get noticed. So, great songwriting is essential.” the digital space. Work your songwriting craft. Pour issue of SAMRO Notes, Auriol Hays, puts it: “I your heart and soul into the live gigs you do, no matter wish I could say that all it takes to be successful WORK THE CROWD how big or small. is a great voice and hard work, but that would EMBRACE CYBERSPACE not be entirely honest! There are thousands Mantwa Odutayo, General Manager at T-Musicman And take heart: there is a growing global interest in of amazingly talented singers who are still Do the digital dance – but do it with quality, as all forms of homegrown music, which means South singing in their bathrooms or dodgy clubs. (one of South Africa’s most successful promoters), says that one of the keys to getting noticed in the crush of Moonsammy suggests. When Die Antwoord shot to Africa’s time is coming! Having a plan and a clear idea about what you global fame on the back of the viral video Enter the want from your career is vital. artists out there is knowing your audience.

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THE TRADITIONAL KNOWLEDGE BILL APPLYING THE LAW TO AND YOUR ROYALTIES PROTECT MEMBERS’ The SAMRO Group, being SAMRO and its subsidiary company DALRO, is in the business of ensuring that you, the copyright owner, RIGHTS are compensated for the use of your work. The Southern African Music The next process is to ensure that music users Each member with active works is registered Rights Organisation has with licences pay for their music usage, and to with administrator of the SRAF, which is collect monies if they don’t pay. Alexander Forbes. Beneficiaries are identified grown into arguably one of to receive benefits that accrue after one of “Here we assist our control department, which is SAMRO’s members has died, and the money So, whether your song is performed at a However, SAMRO is of the view that such a legal SAMRO’s support for a stand-alone law for traditional the most respected copyright tasked with collecting from those licensees who that has been accumulating is distributed to the framework should be developed using a system of knowledge was echoed by representatives of the labour public concert, or played on the radio or administration bodies in Africa, have licences with us,” he said. “If they are not rightful beneficiaries. law specifically developed for traditional knowledge, and business sectors in the July 2010 Parliamentary paying, they are handed over to us and we deal in a nightclub, it is SAMRO’s responsibility arguing that the Copyright Act should not be amended hearings of the Portfolio Committee on Trade and thanks in part to the with that. He said: “We subscribe to the fund on behalf of to collect the royalties due to you and to to accommodate traditional knowledge. Industry. It was also supported by the Department of careful attention that is paid to the members and the only condition is that you Science and Technology, as well as a number of MPs ensure that these are paid to you. “If they are still refusing to pay, we hand them over have to be a member of SAMRO and your works “What we propose is that a sui generis law (i.e. a present in Parliament. legal matters. to our attorneys. We have an obligation to ensure must be active then we start contributing.” unique law of its own kind) should be specially Similarly, as an author, DALRO would collect royalties that attorneys who have received instruction developed to protect traditional knowledge and also Following the hearings, the MPs asked the DTI to Sibusiso Mthenjane, Manager of SAMRO’s Legal arising from the photocopying of your book for use in from us perform as expected according to the According to the Copyright Act, a member assist communities in ensuring that they have adequate produce a report explaining why the Traditional Services Department within the Corporate university course-packs and pay these over to you. It standards set by SAMRO.” benefits from royalties as long as he/she is alive, control over the use and commercialisation of their Knowledge Bill is in conflict with the recommendations Affairs Division, explains the various functions therefore follows that SAMRO will always do what it but after death there is a 50-year period during knowledge,” explains Hlatshwayo. made by labour and business, the Africa Group at the of his department as it relates to the rest of the can to protect not only your royalty, but your right to When it comes to instituting action against which his/her heirs or beneficiaries will benefit. World Intellectual Property Organisation (WIPO), organisation. earn that royalty. people who use music without licences, She says that the Bill may sow confusion and as well as numerous academics working in the area of SAMRO statistics reveal that the most common uncertainty among artists. Ownership within the intellectual property and traditional knowledge. “SAMRO has different rights that we administer,” Once this period expires, the works go into the public The SAMRO Group’s interest in the Intellectual “infringers” are shebeens and community radio current intellectual property framework is a standard he says. “These include Performing rights, domain and can be used freely. Here, the function that Property Laws Amendment Bill (popularly known as stations. This means that music being played and predictable concept where the owner of any type While awaiting this report, SAMRO and DALRO shall Mechanical rights and Needletime rights. As the Legal Services Department is tasked with is to elect the Traditional Knowledge Bill) is one example of its in these establishments is not receiving any of intellectual property is either the creator or any other continue to attempt to engage with the DTI on this an organisation we need to see to it that all successor members. commitment to protecting your right to earn a royalty. recognition for being played, and therefore there person that the creator has assigned the ownership to. matter while continuing to protect your rights and these rights are administered effectively and our department ensures that people who need is no reward for the musicians. “Lobbying is also part of our task,” Mthenjane said. The Traditional Knowledge Bill is a law proposed by the interests. According to the Bill, a performer (not necessarily the to sign contracts (or licence agreements) in “We look at existing legislation, identify where it Department of Trade and Industry (DTI), which tries Mthenjane said the department also assists the creator) is the owner of the right under the Performers’ For more information on the Intellectual Property relation to all these rights, do so.” can be improved and submit our findings to internal to use intellectual property laws to protect traditional Writer Services Department with distribution of Protection Act, a government trust fund (the National Laws Amendment Bill, log on to www.samro.org.za. structures of the organisation, which are then tasked knowledge. death benefits linked to the SAMRO retirement Trust Fund for Traditional Intellectual Property) The Legal Services Department has an with lobbying government.” annuity fund (SRAF). “We also help Writer would be the owner under the Copyright Act, and the obligation to advise the company on general Despite the concerns that SAMRO has with this Bill, Services with identifying successor members. traditional community would be the owner under the legal principles that might affect the company, Contact SAMRO Legal Services at (011) 712-8000. the organisation is fully behind the development of a When you join SAMRO you become the main Trade Marks Act and the Designs Act. not only on copyright matters. framework to protect traditional knowledge. member. If you should die, we have to appoint an individual member who will continue to In addition to potential legal problems, authors and “We have an obligation to see to it that the users “SAMRO is very aware of the fact that elements of the benefit from the royalties that you (the member) composers could lose the copyright in any future of music have got proper licences,” he said. “In traditional knowledge of South African communities terms of the Copyright Act, the owners of music accumulate,” he said. have been expropriated and exploited for centuries work they create that is based on a traditional song or story. Furthermore, the current copyright framework have the exclusive right to issue licences for the without due acknowledgement or compensation being usage of their music. given to the communities,” says Nothando Migogo that protects creators’ right to royalties would not be guaranteed. Hlatshwayo, General Manager: Corporate and Legal “In this way, we assist the licensing department at DALRO. “It is for these reasons that we strongly feel that the with formulating licence agreements and Bill is doing more harm than good when trying to monitoring the process of signing of those “It is for this reason that implementing an appropriate licence agreements,” he added. way of protecting this knowledge from unauthorised protect community-based traditional rights using an CAPTIONS CAPTIONS CAPTIONS CAP- TIONS CAPTIONS CAPTIONS use and, where relevant, compensating its creators and individual-based intellectual property system,” she says. CAPTIONS CAPTIONS CAPTIONS CAP- owners, is important and overdue.” TIONS CAPTIONCAPTIONS CAPTIONS

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Grand dame of SA music says eclipsed the older generation who are still in that our older musicians are our the business. living heritage and should have “I can no longer perform in a club; besides, my genre of music is not for the backdrop of a disco more platforms to perform – it’s soulful, it’s jazzy, it’s cabaret and we don’t have venues any more where people come and Mention any of South Africa’s great artists and dine and listen to good music. We really need the name Abigail Kubeka will reel in a memory those to revive the older musicians who still or two of their time on stage together, behind sing.” a mic singing, at a club dancing or working on She says that singing was her friend Makeba’s a musical. passion, but had there been a market for her Their memories will hark back to the days when music at home and venues for her to perform Abdullah Ibrahim was still called Dollar Brand, in, perhaps she would have taken her last bow and when Kubeka went to live with Miriam CREDITS OF PICSANDCREDITS PICCREDITS OF PIC in front of a South African audience on a South Makeba after her parents shut her out of the African stage. SAMRO HELPS house, not understanding why their daughter She recalls the days when musicians were in wanted to be what they called a “straatsmeid” it together, when there was something to fight for pursuing her musical talent. for and when they would all support each other. Her journey might have started out rocky, but Today, she reflects, perhaps all they fought for is COMPOSER’S she had what it takes to stand the test of time lost, as some musicians seem to have forgotten – and the test of tunes. the true meaning of being gifted with a voice and At 70, this soulful singer has travelled the are more focused on the money. world and back, but it’s Soweto that has always Women mentors have moulded Kubeka’s life as LEGACY LIVE ON remained her home. Fellow artists have left the a performer. Her fondest memories are of her country to seek greener pastures, to escape the mother, for raising her as a working woman with apartheid regime and make a life elsewhere, vigour and strength, and of Makeba, who took but Kubeka’s heart has always remained in her under her wing and not only taught her about When renowned composer “I felt very cared for and found SAMRO incredibly I have with them.” She says that right down to receiving individual South Africa. music, but about life. supportive,” relates Brenda Devar-Sakelarides, who After sorting out the relevant paperwork, such as birth statements for each child, “the accounting and admin “This is by choice; yes, I travelled the world but In turn, Kubeka has passed down strong family Siva Devar died suddenly in is an arts practitioner herself and also has her own certificates and executor documents, with SAMRO’s has been impeccable”. always felt like this is where I belong. Many other values to her daughter and grandchild – ensuring December 2003 aged just 46, the publishing company listed with SAMRO. Her late legal department, Brenda and the children soon began Encouraged by SAMRO’s open-door approach, Brenda friends left SA and did exceptionally well and are that her legacy of personal strength and husband composed, among others, the Isidingo theme benefiting from Siva’s musical legacy in the form of advises fellow SAMRO members: “Communicate still doing well but me, I chose a different route. forbearance, in addition to her music, endures. last thing his devastated family music. royalties and a SAMRO retirement annuity payout. “I and have one-on-one face-to-face interaction with I love this country. I love my home and I don’t Then-SAMRO CEO Rob Hooijer came to see her requested that my child’s RA portion went to Siva’s SAMRO. They have the capacity and willingness to ever want to leave it.” needed was wrangling over his personally “after the dust had settled” and offered mom, and SAMRO respected my wishes,” she says. help you with your queries. If you are prepared to work Beautifully clad in sequinned gowns, opaque estate and his royalties. But his support, while explaining how she, as well as Siva’s As a priceless gift that carries on giving, the regular with SAMRO and provide them with the information tights and nine-inch heels, it’s clear this diva’s five children from both his marriages, would be the royalty credits have even helped the children attend and documentation they need, it can be a win-win singing days are far from over. widow was pleasantly surprised beneficiaries since he died intestate. private school and two eldest enrol in university in situation.” At the closing ceremony of the 2010 FIFA World by the compassion and “It was all very respectfully handled. I definitely got Durban. “That’s the miracle of intellectual property – Cup, Kubeka was among a handful of female the sense that there was an open door; it was reassuring Siva promised to look after his children, and he has artists representing the country and the assistance displayed by SAMRO to know SAMRO would offer support and help. They never reneged on that promise,” says Brenda. timeless talent that has emerged from South were there for me 100%, and I treasure the relationship Africa. Kubeka applauds new talent but does during this difficult time. say that modern-day “doof-doof” music has

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broadest platform possible! MAKE MUSIC YOUR UK PUBLISHING EXPERT HEADS INDIGENOUS KNOWLEDGE GETTING DOWN TO THE FOR MOSHITO SYSTEMS BILL UNDER NITTY-GRITTY BUSINESS AT SCRUTINY Not to be missed on the Moshito 2010 programme SAMRO will be among the music industry organisations is Stephen Navin – one of the event’s international giving a briefing on its benefits, structure and more In the last issue of SAMRO Notes (May 2010), several MOSHITO 2010 speakers. on 2 September – making it the perfect place to ask experts unbundled the Department of Trade and questions and gain more insight into SAMRO’s current Industry’s Intellectual Property Amendment Bill (also Since 2006, Navin has been the CEO of the positioning in the South African music marketplace. known as the Indigenous Knowledge Systems Bill) to Independent Music Publishers Association (IMPA), amend the intellectual property statutes – including Songwriters are in for a stimulating representing the profession of music publishing in the There are also presentations that address the nitty-gritty the Trademarks Act, Copyright Act, Designs Act and UK. Prior to that, Navin – from 2002 to 2005 – was of financial planning (‘Social Security: Making Your Performers Protection Act – to make provision for the and engaging Moshito Music the exclusive adviser to the Secretary of State at the Money Stretch’ on 1 September) and tax compliance. protection of “traditional knowledge”. UK’s Department of Culture, Media and Sport on all CREDITS OF PICSANDCREDITS PICCREDITS OF PIC matters relating to music – social, cultural, educational, The latter session on tax compliance may not sound Conference A session during Moshito 2010 will give those involved and economic. He came to that job following several as riveting as, say, the 2 September session titled in the music industry the chance to debate this Bill in years as acting CEO of the V2 Music Group, reporting ‘Music, Mobile and Gadgets: How Can the Music and Exhibition this year. an open forum – and it’s expected to be one of the most to Sir Richard Branson, Chairman of the Virgin Group. Industry Help Maximise the Potential of the Mobile engaging sessions at the event, and of real interest to and Download Market?’, but it is essential for any songwriters working in traditional music. IMPA was formed to “safeguard and promote the songwriter or musician who wants to ensure they are interests of music publishers and the writers signed Dubbed Moshito 2010, the annual event – now in its seventh To round off your full Moshito 2010 experience, make sure year – takes place from 1 to 3 September at Museum Africa in to them; represent these interests to government, the MEATY INDUSTRY you also take advantage of the free workshops and free live music industry, the media and the public; provide Newtown, Johannesburg and features a conference programme showcases detailed here – including the opening networking publishers with a forum, a collective voice and a DISCUSSIONS ON THE MENU that’s poised to deliver some strong content to SAMRO’s event and the closing Africa Unites concert, which places the wide range of benefits, services and training courses; members, and others. spotlight well and truly on the real driving force behind Moshito: promote an understanding of the value of music and There are plenty of discussions that will be of significant innovative, mesmerising, original music that deserves the the importance of copyright; and provide information benefit to SAMRO’s members – among them It’s no surprise that giving songwriters the tools and up-to-date and guidance to members of the public.” ‘Needletime: The SA Industry’s Copyright Dilemma’, information to significantly advance their career should feature which takes place on 2 September and takes an in-depth at Moshito 2010: SAMRO is a founding member of South Africa’s Navin will be taking part in the sessions – and is sure to look at this challenging issue on the South African leading music industry event. provide real food for thought for SAMRO’s members. music industry’s playing field. ‘Sync or Swim’ on 2 September is yet another Moshito Says Yavi Madurai, General Manager: Strategy and Business 2010 programme session that should not be missed by Development at SAMRO, “SAMRO is a proud supporter of songwriters looking for ways to exploit their intellectual Moshito – as its founder, we will continue to support the growth property across the multiple platforms that are now initiatives as well as contributing to making Moshito bigger and available to them. better every year.” And for those intent on looking to new markets for Read on for a full programme of events at Moshito 2010. And a way to sustain their career, the session titled ‘How don’t forget that as a delegate you can visit the Moshito 2010 Can The SA Music Industry Unlock the Global Market Expo and catch up with us at the SAMRO stand, as well as get a – And Which Markets to Target?’ on 2 September is similarly one to get to. feel for other important goods and services in the South African and international music industry. MOSHITO 2010 SENA notesNEWS 00

CATCHING UP WITH PASTWINNERS The winners of the last SAMRO Overseas Scholarships competition for composers, Matthijs van Dyk and Gareth Walwyn, have been busy BOOSTING TOMORROW’S building their careers and profiles since they were MUSICIANS, TODAY each awarded a scholarship four years ago. Van Dijk, the son of classical composer, conductor and teacher Péter Louis van Dijk and brother of Xandi, founder member of the Sontonga String Quartet, continued of today for their hard work, but the organisation considers it equally we can add to our country’s treasure trove of classical and contemporary SAMRO has been investing in music education the family tradition of musical excellence by winning the Western Art category of important to nurture the musical satellites of tomorrow, making them feel compositions by encouraging excellence in composition. After all, it is this the 2006 SAMRO Overseas Scholarship for Composers. since 1962, ensuring that the country has a that they have a home in the broader Southern African music fraternity. creativity that is the lifeblood of SAMRO’s revenue,” said Le Roux. To date he has used part of his award to take master classes and private lessons in New This year’s SAMRO Overseas Scholarships Competition for composers took SAMRO also recently awarded 113 music study bursaries – collectively York and Europe, and to immerse himself in the international music scene. Now back constant feed of vibrant young music graduates place at the University of Johannesburg Arts Centre on 28 August 2010, worth more than a million rand – to music students at South African in Cape Town, Van Dijk is brimming with ideas and inspiration to revitalise South and saw four young composers competing for two R170 000 scholarships universities. whose talent has been allowed to unfurl and African classical music and make it more accessible to local audiences by, inter alia, to further their music studies overseas. These bursaries and scholarships, coupled with SAMRO’s recently forming a contemporary music ensemble in the Big Apple tradition. The finalists in the two categories were: Keith Moss and Angela Mullins launched collaboration on a part-time course for current and aspiring blossom with the help of to a SAMRO bursary “There are opportunities here to build the scene and I am really keen to make a (Western Art Music) and James Bassingthwaighte and Kingsley Alexander music publishers at Wits University, underscore SAMRO’s commitment difference,” the 27-year-old composer and arranger says. “The SAMRO scholarship or grant. Buitendag (Jazz/Popular Music). Their compositions were played during to remaining a champion of music education – and indicate that things is definitely a great way to get the ball rolling and helped me find my feet musically.” the final round of the competition, with guest performances by the Wits are looking good for the continued growth and evolution of the country’s Having won the Jazz section of the competition, Walwyn was eager to pursue his Over almost five decades, SAMRO’s Endowment for the National Arts Choir and SAMRO member Paul Hanmer, together with saxophonist music scene. studies in Latin American music. “I wanted to understudy Cuban musicians who I (SENA) has awarded thousands of music education bursaries and scores McCoy Mrubata. The winners were... admire, but getting to Cuba was a project in itself,” he recalls. of prized overseas scholarships to deserving young composers, singers, This year’s contest attracted an unprecedented 22 entries – rare for the He decided to go to Mexico on a working visa and learn as much Spanish as possible, keyboard players and instrumentalists. composing category – and suggests a renaissance in the writing of music before flying to Havana on a tourist visa. There, he discovered that there was no formal This ongoing financial commitment to music development seeks to ensure in South Africa, says André le Roux, General Manager of SENA. training available for Cuban music, which was “a national consciousness”, and that that the country’s rich musical legacy not only endures, but is constantly “South Africa needs new, original music works and we are pleased that renewed and refreshed with dynamic new ideas. there was “a brilliant, professional-quality band on every corner”. Walwyn managed SAMRO’s core business is looking after and rewarding the creative artists to obtain private lessons with a local Cuban outfit, as well as playing in a professional salsa outfit in Mexico and getting tips from none other than Buena Vista Social Club member Juan de Marcos González. The 33-year-old adventurer is now back in SA, concentrating on completing his PhD at Rhodes University. At the same time he is involved in a project very near to his heart – helping township children gain access to quality music education.