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CITES Musical Instrument Certificates Background Musicians Perform With
CITES Musical Instrument Certificates Background Musicians perform with valuable and culturally significant musical instruments legally crafted decades and even centuries ago. A number of these instruments contain small amounts of ivory, shell, reptile skin, and rosewood or other materials regulated under the Convention on International Trade in Endangered Species of Wild Flora and Fauna (CITES). The international use of musical instruments by musicians and professional and student ensembles is essential to advance diplomacy, spark artistic innovation, and support vital international cultural activity. In partnership with CITES parties and the conservation community, music stakeholders have undertaken efforts to increase compliance with current permit requirements while simultaneously pursuing policy improvements that will alleviate unnecessary burdens. Musical Instrument Certificate Created at CoP16 – A Consolidated Permit At the 16th Conference of the Parties (CoP16), Resolution Conf. 16.8 was adopted on Frequent Cross-Border Non-Commercial Movements of Musical Instruments, creating a multi-use Musical Instrument Certificate. The Musical Instrument Certificate is not an exemption from the permit process. It is a consolidated permit. The MIC streamlines the requirement for obtaining multiple CITES export permits when an instrument contains CITES material and is not exempted from permit requirements by an annotation or a personal effects exemption. Musicians using the MIC apply to their CITES Management Authority for issuance of single permit, which must then be credentialed by CITES enforcement officials at each port through which an instrument travels. Clarifications and Exemptions Approved at CoP17 At the 17th conference of the parties (CoP17), unanimous approval was given to Resolution Conf. 16.8 (Rev. CoP17), which: 1. -
Gitarren, Amps, Effekte & Co
2/2018 l D: 9,80 l A: 11,50 l BeNeLux: 11,90 l CH: SFR 16,20 l I: 12,80 l E: 12,80 2018 2018 Sonderheft Nr. 2 Sonderheft Nr. Gitarren, Amps, Effekte & Co. Guitar-Guide 144 Seiten Test & Technik Marshall + Fender + Engl + Music Man + Schecter + Malekko + Fulltone + EVH + Charvel + Randall + LTD + Nexi +Gibson + Walrus Audio + Zoom + Cordial + Learn more about the All-New Electromatic guitars at: bassisten & gitarristen für magazin Lehle + TAD + Evidence + Elixir + Danelectro + Maybach + gretschguitars.com/electromatic Relish + Reverend Guitars u.v.m. ©2018 FMIC. Gretsch®, Electromatic®, Jet™, and Bigsby® are trademarks of Fred W. Gretsch Enterprises, Ltd. and used herein under license. All rights reserved. 2018 Electromatic Jet BT GER Guitar 210x280mm[3mbld].indd 1 25/07/2018 11:12 INTRO Liebe Leser! „Es liegt in der Natur des Gitarristen: Wir alle wollen mehr!“ Dieser Spruch stammt aus dem angedachten Editorial unseres verehrten Chefredakteurs Jürgen. Dass dieses Editorial nun aus meiner Feder stammt, liegt wohl daran, dass ich ihm diese Aufgabe respektive Ehre irgendwas zwischen abgeluchst und abgenommen habe. Ist ja letztlich auch vollkommen wurscht, wiesoweshalbwarum … Nun denn, auf zur Tat. Vorliegen habt ihr nicht weniger als 144 Seiten voll mit Tests der vergangenen anderthalb Jahre rund um Gitarren, Amps, Effekte und Zubehör. Ausgewählt haben wir nach verschiedenen Kriterien: So sind etwa unsere Preis-Leistungs-Sieger mit dabei, dazu kleine, aber feine Hersteller wie Malekko, Orion oder Mad Professor. Selbstredend fehlen ebensowenig die Großen wie Fender, Gibson, Blackstar, EVH und Charvel, Klassiker aus dem Hause Marshall oder die High-Class-Gitarren aus dem Hause Ernie Ball. -
Die Welt Der Taylor Gitarren
Wilder Charakter Blackheart Sassafras Herbst-LTDs Blackwood 500er Voll-Koa 300er & GS Mini 40 Taylor-Innovationen Warum man mit Verstärker spielen sollte Zeit für einen Saitenwechsel 2 www.taylorguitars.com | Sommerausgabe]. Ich war von 1984 12 hatte ich mal Klavierunterricht gehabt, sofort, dass sich die Basswiedergabe AUSGABE 80 herbst 2014 bis 1988 der Fahrer von Prince. Auch aber als ich die Mädchen entdeckte, war der A- und E-Saite massiv verschlechtert Leserbriefe auf der Purple Rain-Tour war ich dabei. es mit meiner angehenden Musikkarriere hatte. Ich war niedergeschmettert. Die Mir wurde ein umgebauter schwarzer am Ende. Ein langjähriger Freund vom Gitarre klang nicht mehr wie eine Taylor. > IN DIESER AUSGABE < Besuchen Sie uns auf Facebook. Abonnieren Sie uns auf YouTube. Folgen Sie uns auf Twitter: @taylorguitars Transporter zugeteilt, um Prince zu Hot Licks Guitar Shop verkauft Taylor- Außerdem war nicht mehr viel vom Steg den klanglichen Verbesserungen, von fahren. Als ich mir den Wagen ansah, Gitarren. Er war überzeugt davon, dass übrig, und die Justierung hatte einen den strahlenden Höhen bis zu den stieß ich auf einen Gitarrenkoffer. Ich ich noch was lernen kann. Also kaufte dämpfenden Effekt auf das Sustain der tiefen, artikulierten Bässen, rockt es spiele selbst Gitarre, weshalb ich ich eine 518e, und ich liebe ihren Klang. tiefen E-Saite. Es fehlten die starken mit dieser Gitarre viel besser, und ich neugierig war. Ich sah an der Seite Inzwischen sieht mein Zuhause aus wie Bass-Schwingungen, die ich zu hören muss sie nicht missbrauchen, um die den Taylor-Schriftzug, aber ich muss eine Taylor-Ausstellung. Jedes Modell ist und fühlen gewöhnt war. -
Ibanez Market Strategy
Ibanez Market Strategy Billy Heany, Jason Li, Hyun Park, Alena Noson Strategic Marketing Table of Contents Executive Summary ....................................................................................................................................... 3 Firm Analysis.................................................................................................................................................... 4 Key Information about the Firm ........................................................................................................... 4 Current Goals and Objectives ................................................................................................................ 5 Current Performance ................................................................................................................................. 6 SWOT ............................................................................................................................................................. 7 Current Life Cycle Stage for the Product .......................................................................................... 8 Current Branding Strategy ...................................................................................................................... 9 Industry Analysis .......................................................................................................................................... 10 Market Review ........................................................................................................................................ -
2018 Us Price List & Specifications
2018 US PRICE LIST & SPECIFICATIONS Effective January 1, 2018 taylorguitars.com Contents Models by Series / Pricing 4 Custom Program 8 Dimensions by Shape 9 Standard Model Options 10 Specifications 11 The majority of Taylor’s acoustic guitars are offered in three model variations: • Cutaway body with onboard electronics (e.g., 516ce) A Guide to Taylor • Non-cutaway body with onboard electronics (e.g., 516e) • Non-cutaway body with no onboard electronics (e.g., 516) Acoustic Model Most models are organized by series, featuring the 100 through 900 Series along with our Academy, Numbers Presentation (PS) and Koa (K) Series. Here’s how our numbering system works: The first digit (or letter) identifies the Series. Most guitar models within each series share the same back and side woods and appointment package. The second digit designates two things: first, whether the guitar is a 6-string or a 12-string, and second, whether the top features a softwood like spruce or cedar, or a hardwood like mahogany or koa. The middle number “1” or “2” designates a 6-string guitar with a softwood (1) or hardwood (2) top. For example: 516ce = 6-string with a spruce top 526ce = 6-string with a mahogany top The middle number “5” or “6” designates a 12-string guitar with either a soft (5) or hardwood (6) top. 516ce In this case: 552ce = 12-string with a cedar top 562ce = 12-string with a mahogany top Taylor nylon-string models are integrated into various series and are designated by the letter “N” at the end of the model name. -
Inside the World of Taylor Guitars / Volume 85 Summer 2016
The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in. -
Line 6 POD Go Owner's Manual
® 16C Two–Plus Decades ACTION 1 VIEW Heir Stereo FX Cali Q Apparent Loop Graphic Twin Transistor Particle WAH EXP 1 PAGE PAGE Harmony Tape Verb VOL EXP 2 Time Feedback Wow/Fluttr Scale Spread C D MODE EDIT / EXIT TAP A B TUNER 1.10 OWNER'S MANUAL 40-00-0568 Rev B (For use with POD Go Firmware 1.10) ©2020 Yamaha Guitar Group, Inc. All rights reserved. 0•1 Contents Welcome to POD Go 3 The Blocks 13 Global EQ 31 Common Terminology 3 Input and Output 13 Resetting Global EQ 31 Updating POD Go to the Latest Firmware 3 Amp/Preamp 13 Global Settings 32 Top Panel 4 Cab/IR 15 Rear Panel 6 Effects 17 Restoring All Global Settings 32 Global Settings > Ins/Outs 32 Quick Start 7 Looper 22 Preset EQ 23 Global Settings > Preferences 33 Hooking It All Up 7 Wah/Volume 24 Global Settings > Switches/Pedals 33 Play View 8 FX Loop 24 Global Settings > MIDI/Tempo 34 Edit View 9 U.S. Registered Trademarks 25 USB Audio/MIDI 35 Selecting Blocks/Adjusting Parameters 9 Choosing a Block's Model 10 Snapshots 26 Hardware Monitoring vs. DAW Software Monitoring 35 Moving Blocks 10 Using Snapshots 26 DI Recording and Re-amping 35 Copying/Pasting a Block 10 Saving Snapshots 27 Core Audio Driver Settings (macOS only) 37 Preset List 11 Tips for Creative Snapshot Use 27 ASIO Driver Settings (Windows only) 37 Setlist and Preset Recall via MIDI 38 Saving/Naming a Preset 11 Bypass/Control 28 TAP Tempo 12 Snapshot Recall via MIDI 38 The Tuner 12 Quick Bypass Assign 28 MIDI CC 39 Quick Controller Assign 28 Additional Resources 40 Manual Bypass/Control Assignment 29 Clearing a Block's Assignments 29 Clearing All Assignments 30 Swapping Stomp Footswitches 30 ©2020 Yamaha Guitar Group, Inc. -
GUITAR CENTER, INC. Form 10-K Annual Report Filed 2013-03-26
SECURITIES AND EXCHANGE COMMISSION FORM 10-K Annual report pursuant to section 13 and 15(d) Filing Date: 2013-03-26 | Period of Report: 2012-12-31 SEC Accession No. 0001104659-13-024368 (HTML Version on secdatabase.com) FILER GUITAR CENTER, INC. Mailing Address Business Address 5795 LINDERO CANYON RD 5795 LINDERO CANYON RD CIK:1021113| IRS No.: 954600862 | State of Incorp.:DE | Fiscal Year End: 1231 WESTLAKE VILLAGE CA WESTLAKE VILLAGE CA Type: 10-K | Act: 34 | File No.: 000-22207 | Film No.: 13716047 91362 91362 SIC: 5731 Radio, tv & consumer electronics stores 8187358800 GUITAR CENTER HOLDINGS, INC. Mailing Address Business Address 5795 LINDERO CANYON 5795 LINDERO CANYON CIK:1427553| IRS No.: 000000000 | State of Incorp.:DE | Fiscal Year End: 1231 ROAD ROAD Type: 10-K | Act: 34 | File No.: 333-175270-07 | Film No.: 13716046 WESTLAKE VILLAGE CA WESTLAKE VILLAGE CA SIC: 5731 Radio, tv & consumer electronics stores 91362 91362 818-735-8888 Copyright © 2014 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) x ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2012 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 333-175270-07 GUITAR CENTER HOLDINGS, INC. (Exact Name of Registrant as Specified in Its Charter) Delaware 26-0843262 (State or Other Jurisdiction of (I.R.S. -
The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel Inmusic Brands Inc
ANAHEIM CONVENTION CENTER 326A 326B 369 370 LEVEL 3: Grotrian Piano Company GmbH Yangtze River Mendelssohn Piano Mason & Hamlin MEETING ROOMS & BOOTHS 300–799 THANK YOU TO OUR SPONSORS LEVELS & HOTELS Piano 323 (Shanghai) Reserved Wilh. Steinberg Fender Fazioli Marketing Co., Ltd. 303D Group Inc. 366 388 Fender 321 Pianoforti Niendorf SPA Dynatone Flügel AT A GLANCE Musical - 319 Corp. und PianoDisc Musical Klavierfabrik 300B2 Samick Instruments 318 340 362GmbH 384 391 Instruments 317 Corporation Music North Corporation 314 335 American A.Geyer Music Corp. Inc. Kawai America Corp 334 356 376 390 393 Schimmel Piano Ravenscroft North Corporation Lowrey ACC North 304BCD Pianos Vienna W. Schimmel 303BC W Katella Ave American International, 374 Gretsch Guitars Music Pianofortefabrik Inc. Inc. Pearl River Piano Jackson 308 330 352 372 389 392 GmbH Guangzhou Pearl River Amason PROFESSIONAL ACC 300E Charvel Digital Musical Instr 305 L88A L88B 300B 300A 304A EVH 303A Arena Outdoor Cafe S West Street 303 • Level 2 • Level 2 • Level 2 • Level 2 DJ String • Lobbies E & D 300a & PTG Museum Display • Lobby B Arena • Mezzanine • Lobby C • Lobby B &Piano Bow Plaza Events DJ/Pro Audio Level 2 Level 3 The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel inMusic Brands Inc. Akai Professional Hotel Way Denon DJ Import Reserved Exhibitor Numark Music Grand Reserved Reserved RANE Reserved Plaza NAMM Meeting Alesis USA, Events D'Angelico Alto Professional Corp. Mackie 209B 206B MARQ Lighting 203B Guitars 210D 210D1 207D 204C Ampeg Hall E Yamaha Zemaitis Guitars Reserved Exhibitor Meinl W Convention Way Taylor Greco Guitars Meeting 212AB 210C 209A 207C 206A Pearl Corporation 203A 201CD Marriott Hotel Guitars Marshall Adams Musical Instruments Pacific Drums & Amplification Percussion Sky Bridge to ACC North Dean Guitars Drum Workshop, Inc. -
Roger Sadowsky Carves a Guitar Neck by Hand
Right: Roger Sadowsky carves a guitar neck by hand. Below: Roger takes a break beneath a wall of customized guitars and basses. ROGER SADOWSKY he job of the instrument maker is to provide a tool that “ allows the musician to express himself. Ultimately, the changes in sound and design don’t come from us, but New York’s T from innovative musicians whose talent demands something new. The most dramatic example we get is people Acclaimed Craftsman from all over the world requesting the ‘Marcus Miller bass sound’.” Tailors Instruments —Roger Sadowsky For Everyone From “Roger was the first repairman to take an interest in my playing. He asked a lot of questions concerning how hard I played, the Springsteen and Sting kinds of music I was involved with, and what sort of sound I was looking for. He has great insight into the wood and To Di Meola And Stern electronics that make up an instrument, and he suggested I try one of his preamps. At the time, I was having trouble conveying my style through my bass. With the preamp, I gradually noticed that I could do more with the instrument and the sound was By Chris Jisi projecting better. What Roger did was give me a sound with which I could communicate my style.” —Marcus Miller PHOTOS BY EBET ROBERTS PHOTOS Similar accolades arrive from all corners of the music busi- New York in 1979, 95% of my clients were top studio and ness for New York luthier/repairman Roger Sadowsky, from guitar touring musicians in town. -
JHS & Co. Ltd. Look Forward to Another Successful NAMM Show
Press Release - for immediate publication Booth 5279 Hall B JHS & Co. Ltd. look forward to another successful NAMM Show John Hornby Skewes & Co. Ltd. (JHS) the worldwide trade distributors for their proprietary Fret-King™ electric and bass guitars, Vintage® and Encore® electric, acoustic and bass guitars and Pilgrim® Folk Instruments, are looking forward to a successful NAMM Show 2016. Having secured representation in North America through Texas-based RBI Music back in June 2015, their Fret-King, Vintage and Encore guitar brands will all be on show in Hall B Booth 5279, along with a comprehensive range of the Paul Tebbut designed Pilgrim Folk Instruments range, including the brand new Morning Star series with their superb ‘tubaphone style’ tonerings. Fret-King guitars will see the official launch of the new Black Label ‘JJ’ John Jorgensen Signature model, designed by Trev Wilkinson in conjunction with the former Hellecasters and session supremo. John’s model will join the ranks of Fret-King Signature models alongside former band mate Jerry Donahue, jazz supremo John Etheridge, Queensryche’s Parker Lundgren, former Michael Jackson guitarist Gregg Wright, Procul Harum’s Geoff Whitehorn and UK blues guitarists Danny Bryant and John Verity. There will also be a select number of one-off Fret-King guitars pre-fitted with the groundbreaking Fishman Fluence pickup systems on display and ready to try. The very popular Vintage electric guitar range has taken on 8 new models, including its very first seven-string the V7HTBB, an homage to the ‘80s rock guitars with the V624M which has been honoured to receive 5 star reviews from a number of UK guitar magazines. -
Equipment List
EQUIPMENT LIST HARDWARE • Pro Tools HD3 Accel System with Antelope Audio OC X master word clock • Crane Song Hedd 192 converter and harmonic processor COMPRESSORS • 8- Empirical Labs El-8 Distressor's • Inward Connection TSL-3 tube limiters • Retro Sta-Level • Chandler/Emi Stereo Abbey Road compressor • Chandler Germanium • Neve 2254 Stereo • Neve 33609 Stereo • Manley ELOP Stereo • Alan Smart C1 Stereo • 2- Teletronix LA2A Tube • 2- Urie La 3a • Urie 1176 Ln Black Face • Purple Mc76 1176 Reissue EQUALIZERS / MIC PREAMPS • 2- Telefunken V72 Tube Mic Pre's • 4- Neve 1084 Class A Discreet • Great River Electronics MP2 NV • Great River Electronics EQ2 NV • 5- Chandler Ltd. Neve Class A Mic Pre/EQ's • 2- Chandler Germanium Mic Pre’s • Chandler Ltd. EMI Channel • Chandler Ltd. Tg2 EMI Style Stereo Mic Pre • Grace 201 Stereo Mic Pre • 4 - Api 312 Mic Pre's • 6- Api 560 Graphic EQ • 8- Api 550 A EQ • 2- Api 554 B EQ • 4 - Aengus EQ's • Reddi Tube DI • Evil Twin Tube DI MICROPHONES - BOCK • Bock EL 250 MICROPHONES - AKG • C-12 Vintage Tube • C-12a Vintage Tube • C-28 Tube • D112 • 5 D19 “Beatles mics” MICROPHONES - NEUMAN • U-67 Vintage Tube • KM - 53 Vintage Tube • KM - 54 Vintage Tube • KM - 56 Vintage Tube Matched Pair • KM - 84 Matched Pair • U-87 Matched Pair MICROPHONES - TRACY KORBY • Handmade Classic Tube Mic MICROPHONES - ROYER LABS • 2 SF-24 Active Stereo Ribbon • 4 122 Matched Pair Active Ribbon • 4 121 Matched Pair Ribbon MICROPHONES - MOJAVE • 2 MA 200 large diaphragm • 2 MA 100 small diaphragm MICROPHONES - HEIL • PR 40 • PR 35