Allan King Bibliography
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Cinemati • TRADE NEWS • Full Implementation of Law Due in 0C Private Labs Suffer From
CINEMAti • TRADE NEWS • Full Implementation of law due in 0C Private labs suffer from MONTREAL - By the end of gross; and the factors which Once the regulations are ap NF B IT Fproductions October, the Quebec Cabinet should determine the 'house proved, the Cabinet will then 15 projects since the begin is expected to have approved nut' or the cost of operating a promulgate the articles of the MONTREAL - Figures recently the final version of the regula theatre. law which are pertinent. released by the National Film ning of the Broadcast Fund for tions of the Cinema Law. Ap Guerin does not foresee any Board to Sonolab's president budgets totalling 532,528,000. proval of the 140 articles of the parts of the law being set aside, Andre Fleury reveal for the Of this amount, the NFB spent regulations will permit prom For articles concerning film and commented that the first time the ventilation of in $4,399,000 internally on tech ulgation of the remaining arti distribution as defined in the cinema dossier is one of the vestments made by the NFB on nical services while it spent cles of the law which was pass regulations see page 44, minister's priorities. Richard productions involving Telefilm only 565,000 on the same ser ed by the National Assembly has already announced that he Canada and are sure to fuel the vices in the private sector. on June 22, 1983. will not stand for re-election, long-standing battle involving Emo explains in her letter to The final, public consulta Other briefs presented at the but has promised to see the the Board and the private-sec Fleury that the Board's policy tion on the regulations took hearings dealt with video-cas Cinema Law completed before tor service houses. -
May 6–15, 2011 Festival Guide Vancouver Canada
DOCUMENTARY FILM FESTIVAL MAY 6–15, 2011 FESTIVAL GUIDE VANCOUVER CANADA www.doxafestival.ca facebook.com/DOXAfestival @doxafestival PRESENTING PARTNER ORDER TICKETS TODAY [PAGE 5] GET SERIOUSLY CREATIVE Considering a career in Art, Design or Media? At Emily Carr, our degree programs (BFA, BDes, MAA) merge critical theory with studio practice and link you to industry. You’ll gain the knowledge, tools and hands-on experience you need for a dynamic career in the creative sector. Already have a degree, looking to develop your skills or just want to experiment? Join us this summer for short courses and workshops for the public in visual art, design, media and professional development. Between May and August, Continuing Studies will off er over 180 skills-based courses, inspiring exhibits and special events for artists and designers at all levels. Registration opens March 31. SUMMER DESIGN INSTITUTE | June 18-25 SUMMER INSTITUTE FOR TEENS | July 4-29 Table of Contents Tickets and General Festival Info . 5 Special Programs . .15 The Documentary Media Society . 7 Festival Schedule . .42 Acknowledgements . 8 Don’t just stand there — get on the bus! Greetings from our Funders . .10 Essay by John Vaillant . 68. Welcome from DOXA . 11 NO! A Film of Sexual Politics — and Art Essay by Robin Morgan . 78 Awards . 13 Youth Programs . 14 SCREENINGS OPEning NigHT: Louder Than a Bomb . .17 Maria and I . 63. Closing NigHT: Cave of Forgotten Dreams . .21 The Market . .59 A Good Man . 33. My Perestroika . 73 Ahead of Time . 65. The National Parks Project . 31 Amnesty! When They Are All Free . -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Ontario Producer Constraints and Opportunities James Warrack a Thesis Submitted to the Facu
BUSINESS MODELS FOR FILM PRODUCTION: ONTARIO PRODUCER CONSTRAINTS AND OPPORTUNITIES JAMES WARRACK A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGAM IN INTERDISCIPLINARY STUDIES YORK UNIVERSITY, TORONTO, ONTARIO January 2012 © James Warrack, 2012 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-90026-0 Our file Notre reference ISBN: 978-0-494-90026-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
THE NATIONAL FILM BOARD of CANADA and Intervention Productions in Association with TVO Present a BETTER MAN a Documentary Film B
THE NATIONAL FILM BOARD OF CANADA and Intervention Productions in association with TVO present A BETTER MAN A documentary film by Attiya Khan & Lawrence Jackman --- "A Better Man takes on the issue of violence against women from an angle we have never seen before. It is fierce, compassionate, searingly honest and beautiful." - Sarah Polley --- 79 minutes, Canada, 2017 NFB Publicist: Jennifer Mair | c: 416.436.0105 | [email protected] NFB Electronic Press Kit with high-res stills: http://mediaspace.nfb.ca/epk/a-better-man/ Loglines 1-Liner A woman confronts her former boyfriend about the daily abuse he inflicted on her during the two years they lived together. 2-Liner Following a series of intimate conversations between a former couple who lived through two years of domestic abuse, A Better Man infuses new energy and possibility into the movement to end violence against women. 60-80 word description During the two years they lived together, Steve abused Attiya on a daily basis. Now 20 years later, Attiya has asked Steve to meet. She wants to know if he will finally take responsibility for his violent actions. Following a series of intimate conversations between the former couple, A Better Man offers a fresh and nuanced look at the healing and revelation that can happen for everyone involved when men take responsibility for their abuse. Short Synopsis “I wish I could have been a better man.” On a hot summer night 22 years ago, 18-year-old Attiya Khan ran through the streets, frightened for her life. She was fleeing her ex-boyfriend Steve, who’d been abusing her on a daily basis. -
Cornelius Cardew's Music for Moving Images
Cornelius Cardew’s Music for Moving Images: Some Preliminary Observations Clemens Gresser Some initial thoughts Whereas Cardew’s autonomous music (especially within a modernist or more experimental framework) has received some attention, his music for moving images and for radio has been little discussed to date.1 Such applied music seems to fit none of what could be seen as the four core areas of Cardew’s musical activity: 1. his modernist and avant-garde music (all his works before starting his early experiments with the Scratch Orchestra),2 2. his experimental and improvisational music (Scratch Orchestra, AMM), 3. his overtly political and tonal music (mainly songs, and often performed by PLM3 or the Songs for Our Society Group), or 4. his programmatic, indirectly political music (mostly piano music, such as Thälmann Variations).4 However, film and radio music might also feature (or can have traces of) any of the approaches found in other areas of his oeuvre. This research was supported by a three-month British Library Research Break (an annual scheme for BL staff). I am extremely grateful to my former colleagues in Music Collections, and particularly to Nicolas Bell and Sandra Tuppen, for allowing me to have access to uncatalogued material and generally answering all my questions; to Trish Hayes (BBC Written Archives), for helping me with BBC archival materials; and to Susan Reed for not interrupting my research work with queries relating to my previous library position. 1 John Tilbury, Cornelius Cardew (1936-1981): A Life Unfinished (Matching Tye, Essex, 2008), and Eddie Prévost (ed.), Cornelius Cardew: A Reader. -
MOTION PICTURE PRODUCTION in BRITISH COLUMBIA, 1941-1965 by Dennis J
MOTION PICTURE PRODUCTION IN BRITISH COLUMBIA, 1941-1965 by Dennis J. Duffy Present-day film production in British Columbia has attracted a lot of attention. Local filmmaking is not a new phenomenon, however, but the continuation of an activity which has gone on in the province since the early part of this century. The west coast has had an eventful filmmaking heritage -- perhaps more so than any other English-speaking region in Canada. This heritage has been largely ignored until recent years, when the revitalization of the Canadian film industry has sparked interest in our new cinema and in its historical precedents. The early development of filmmaking in British Columbia took place largely in isolation from the rest of Canada. Cameramen first came to film the province for the sake of its novel and photogenic landscapes, and to promote immigration and tourism.1 The first incursion of Hollywood film crews, in the 1920s, was also drawn primarily by the varied scenery available for outdoor adventure pictures. In the 1930s, they set up a branch plant here and made features of dubious quality, taking advantage of Canada's membership in the British Empire to exploit the British quota restriction on imported films. Meanwhile, domestic film production developed separately, usually growing from existing photographic or advertising concerns. British Columbia's first locally- based commercial cinematographer was A.D. "Cowboy" Kean, who got his start in movies filming the Vancouver Exhibition and the departure of troops for Europe during Copyright © 1986 by Dennis J. Duffy. This essay originally appeared in Camera West: British Columbia on Film, 1941-1965 (Victoria: Provincial Archives of British Columbia, 1986). -
THE 60Th CSC AWARDS GALA
PRESENTS THE 60th CSC AWARDS GALA SATURDAY APRIL 1, 2017 Arcadian Court 401 Bay Street, 8th Floor Toronto • Ontario • Canada Technicolor proudly supports the CSC Awards. 60th CSC AWARDS d CONTENTS 2 .............. CSC Executive 6 .............. President’s Message 8 .............. Program 10 .............. CSC Awards Sponsors 12 .............. Jury Selected Nominees Congratulations to 19 .............. Past Recipients all of the 2017 21 ............. Remarks from the Awards Chair nominees and winners. 26 .............. CSC Sponsors 28 .............. 2017 Jurors www.csc.ca @csc_CDN Facebook: canadian society of cinematographers CSC Instagram: canadiancinematographer #cscawards2017 Live Stream Link: https://livestream.com/inspiredimagepicturecompany/60thCSCAwardsGala MONTREAL TORONTO VANCOUVER 1 CANADIAN SOCIETY OF CINEMATOGRAPHERS CSC BOARD OF DIRECTORS Carlos Esteves csc | Joan Hutton csc | Alwyn Kumst csc | Antonin Lhotsky csc Bruno Philip csc | Joseph Sunday PhD | George Willis csc, sasc CSC EXECUTIVE President George Willis csc, sasc Past President Joan Hutton csc Vice Presidents Carlos Esteves csc, Toronto Alwyn Kumst csc, Vancouver Bruno Philip csc, Montreal Membership Chairs Arthur Cooper csc Phil Earnshaw csc Education Chairs Carlos Esteves csc George Willis csc, sasc Awards Chair Alwyn Kumst csc Public Relations Chair Bruce Marshall AWARDS COMMITTEE Chair Alwyn Kumst csc Committee Members Peter Benison csc Albert Dunk csc, asc Joan Hutton csc André Pienaar csc, sasc George Willis csc, sasc CSC Executive Officer Susan Saranchuk -
Moma PRESENTS ALLAN KING FILM RETROSPECTIVE Filmmaker to Introduce Three-Week Series of Fiction and Nonfiction Work, Which Inclu
MoMA PRESENTS ALLAN KING FILM RETROSPECTIVE Filmmaker to Introduce Three-Week Series of Fiction and NonFiction Work, Which Includes Warrendale, A Married Couple, and a Week-Long Run of Dying at Grace Allan King May 9–31, 2007 The Roy and Niuta Titus Theaters NEW YORK, April 24, 2007—The Museum of Modern Art presents a comprehensive retrospective of Canadian filmmaker Allan King in a 22-film, 50-year survey of his fiction and nonfiction work. Allan King, presented May 9 through May 31, 2007, in The Roy and Niuta Titus Theaters, includes such seminal work as Warrendale (1966) and A Married Couple (1969). The series culminates with Dying at Grace (2003), King’s quiet observation about the end of life, which is presented for a weeklong run, May 23 to 28. The filmmaker will be in attendance to introduce the opening night screening of Warrendale on Wednesday, May 9. Allan King is organized by Laurence Kardish, Senior Curator, Department of Film, The Museum of Modern Art, with the support of Telefilm Canada and the Canadian Consulate General in New York. Allan King (Canadian, b.1930) has made some of cinema’s most moving and humane documentaries—including Warrendale, which looked at the then-experimental treatment of emotionally disturbed children, and A Married Couple, which focuses on the collapse of a marriage—and he has been a major influence on nonfiction filmmaking. King studied philosophy at the University of British Columbia. After working with the Canadian Broadcasting Corporation in Vancouver in the mid-1950s, where he was involved in Skidrow (1957), he pioneered a documentary style in which subjects spoke directly to the camera. -
Csc Awards Gala
PRESENTS THE CSC AWARDS GALA SATURDAY APRIL 2, 2016 The Arcadian Court 401 Bay Street, 8th Floor Toronto • Ontario • Canada 59th CSC AWARDS d CONTENTS 2 .............. CSC Executive 4 .............. President’s Message 6 .............. Program 8 .............. CSC Awards Sponsors 10 .............. Jury Selected Nominees 17 .............. Past Recipients 19 ............. Remarks from the Awards Chair 22 .............. CSC Sponsors 24 .............. 2016 Jurors 1 CANADIAN SOCIETY OF CINEMATOGRAPHERS CURRENT EXECUTIVE President George Willis csc, sasc Co-Vice-President Ron Stannett csc Carlos Esteves csc Secretary Antonin Lhotsky csc Treasurer Joseph Sunday phd Membership Co-Chair Philip Earnshaw csc Arthur Cooper csc Education co-chair Alwyn Kumst csc Luc Montpellier csc Board Managers Carolyn Wong Bruno Philip csc Jeremy Benning csc Dylan Macleod csc ADVISORY BOARD Robert Bocking csc Joan Hutton csc, past president AWARDS COMMITTEE Chair Alwyn Kumst csc Committee Members Albert Dunk csc, asc George Hosek csc Joan Hutton csc Ron Stannett csc George Willis csc, sasc CSC Executive Officer Susan Saranchuk AWARDS PRODUCTION Director Ian McLaren Stage Manager Sydney Kondruss TONIGHT’S HOST Asst. Stage Manager Hannah Jane Coulter Rick Roberts Writer Guido Kondruss Camera Operators Richard Ruffolo, Richard Bacsa & Calvin D’Souza Gala cinematographer Alistair Sinclair Portrait Photographer John Narvali Roaming Photographer Ray Harripaul Engineer Oliver Weedon Audio/Visual Freeman Audio Visual Switcher Dave Solomon Lighting Craig Steele Lights courtesy of Steam Punk Pictures. Show Reel, courtesy of David Oliver, Editor, REDLAB digital. Special thanks to Lowell Schrieder for his assistance with the Red Carpet Event and so much more. Volunteers: Nancy Angevine-Sands, Lukas Guyader, Guido Kondruss, Graeme Kondruss, Linsay McIsaac and Sylvia Richmond. -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
The Toronto New Wave Was a Kitchen Party, Atom Egoyan, Bruce Mcdonald, Peter Mettler and Don Mckellar Would Take the Prime Spot Between the Sink and the Fridge
STANDING IN THE KITCHEN ALL NIGHT All photos (except Peter Mettler) by Anne Levenston. "Independents stand alone. decade already: Peep Show, Scissere, Let Me See..., Passion: A Letter in 16mm. Then the features: Next of Kin, Listen to the Other terms like underground, City, Family Viewing, I've Heard the Mermaids Singing. By the fall of 1988, when the "Outlaw Edition" hit the streets, avant-garde, low budget or new Toronto had produced enough solid work to back up the wave leave a bad taste in everyone's boasts. mouth. Being an outlaw is more "We are paving the ground for the creation of the new Canadian Feature Film," McDonald claimed. "This new cin- fun. It's cool. It's dangerous." ema needs new freedoms. Freedom from the customary conventions of the trade. Freedom from the influence of It didn't last. commercial partners. Freedom from the tutelage of vested interests." When Bruce McDonald dropped his manifesto on the world in Cinema Canada's 1988 "Outlaw Edition," he gave the new style a name. The films had been brewing for most of a He always talked a great line. 0 SUMMER 2000 OK, so that particular revolution never happened. Sooner or The question remains: What exactly was this new wave? And later, they all worked for television. Or Alliance Or both. But what wasn't it? First, it wasn't about reality. The will to docu- between, say, 1984 and 1995, something new did develop in ment reality that had ruled Canadian cinema since its birth was Toronto. Filmmakers shook off the dead skin of tax-shelter over.