DOCSLIB.ORG

+ Curriculum Vitae

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
+ Curriculum Vitae * [email protected] * laurendutch.com Lauren Dutch * 07766693549 Graphic Designer Profile Experience I am a multi-disciplinary designer with a passion for * Hub Voice typography and motion graphics, based between Bristol and Magazine Feature Layout London. I have a keen interest in social design, and enjoy {02/2019 - 03/2019} creating work that provokes conversation around key topical I designed a few spreads for university magazine, the Hub Voice, on hot issues. I am always looking to learn new skills,and enjoy topic issues, such as Shamima Begum’s exile from the UK. collaborating with like-minded individuals. * Marble Film Technical Skills Editorial Design Freelancer {03/2019 - 04/2019} I worked mostly on designing treatments for films and television series » Adobe InDesign that would be pitched to producers. These would be editorial based, » Adobe Photoshop and involved laying out the content provided to me in a clear and » Adobe Illustrator attractive way in order to convince clients to take up the film project. » Premiere Pro » After Effects » HTML & CSS * BE - Team » Arduino & Processing » Screenprinting Design & Branding Internship {05/2019 - 08/2019} BE-Team needed some branding for the launch of their social networking app, which promoted health through decreasing stress and increasing happiness. I designed some graphics for them, including a Education logo and website banners, as well as posts for their social media. * Waddesdon School * Concerning Contraception (Short Film) {2015 - 2017} Motion Graphics and Film Titles A-levels obtained in Graphic Design, Photography, History {07/2019 - 09/2019} and English Literature. Sandy Jeglum needed a title card and some motion graphics for her short film, Concerning Contraception, to display statistics regarding the * UWE Bristol impact of contraception on women’s mental health. I completed these {2017 - 2020} using After Effects and her brand guidelines. Bachelors (Hon) Degree obtained in Graphic Design * UWE Bandits Baseball Team Social Media Manager Achievements {09/2019 - 03/2020} Baseball team, the UWE Bandits, wanted to up their social media presence and advertise their socials better in order to get a better attendance, so asked me to design some funny posts for their » Published on the Dean’s List of Students with Instagram and Facebook that would encourage people to engage. Exemplarary Performance at UWE {2017-2020} » Curated Graphic Design’s first exhibition, * European Society for Environmental History {2017} the ‘F Block Show' Branding & Advertising for Conference {02/2020 - 03/2020} » Submitted to the International Society of The European Society for Environmental History required a logo Typographic Designers (pending results) {2020} and some deliverables, e.g. posters and website banners, for their conference based in Bristol in 2021. * Yowzer Signs & Graphics Junior Graphic Designer {06/2020 - Present} At Yowzer, I do a lot of varied work - from logo designs and menu layouts to vehicle graphics and shop signage. I feel this is really helping to develop my design skills as I become more versatile within the field. * [email protected] Lauren Dutch * http://laurendutch.com * 07766 693549 Graphic Designer Recent Graduate from UWE Bristol Portfolio of Work * Print Production The Anomalies * Publication Design * Typography & Curation Spreads from my submission to ISTD, a 100 page long publication on airplanes. * Editorial Design Roar Film Treatment * Presentation Design * Typography Short presentation for Marble Film to pitch the concept of their Netflix documentary. THE DOCUMENTARY:THE REAL STORY OF ROAR Through close consideration of the astounding original archive and critically candid conversations with the surviving members of the cast and crew, this one-off documentary will seek to reveal the real story behind ‘ ROAR ’ . It will pick over the disaster plagued production process and examine the ravaged relationships of the individuals involved, in an attempt to understand the misplaced motivations of this foolhardy filmmaking family, who very nearly let their love of big cats tear them apart. The finished film of ‘ ROAR ’ is at times funny, often shocking and gloriously chaotic, unsurprising when you consider that every big cat featured alongside the (often terrified looking) actors is a living, breathing, biting, roaring reality. An astounding fact when viewed through the eyes of 21st century audiences, who’ve become so used to the simulated snarling of contemporary CGI beasts. It also makes it entirely unsurprising that 70 members of the cast and crew were injured during the making of the film : with seven major incidents, two almost fatal accidents, and countless scrapes and near-misses. Noel Marshall suffered gangrene and multiple puncture wounds, Tippi Hedren had her leg broken after being bucked by an elephant, Melanie needed facial reconstruction surgery after a swipe from a lion’s claws narrowly missed her eye, while cinematographer and future ‘Speed’ director Jan De Bont was scalped, requiring over 200 stitches (see picture). In total ‘ ROAR ’ reportedly cost $17million to make – largely funded by Noel and the surprise success of ‘The Exorcist’. However when it was eventually released in cinemas in 1981 this big cat B-movie barely made $2million at the US box office. Unsurprisingly both professional and personal relationships were frayed by the end, with Tippi and Noel filing for divorce soon after the film’s release. Most of those involved in the making of the movie have since expressed regret - verging on disbelief - that any of it happened at all. Although Noel Marshall died in 2010, his son John has since hinted at the familial tensions during filming: “ Dad was a f–king a–hole to do that to his family .” Melanie has rarely spoken of her experiences of making the film, while Tippi – in a surprising twist – went on to continue to live with lions. An avid animal rights campaigner, in 1983 she founded the ‘Shambala Preserve’ at her home just outside L.A, which not only provided a sanctuary for the retired cast of ‘ ROAR ’, but also for countless other rescued endangered wild animals. Now 86, Tippi continues to live and work at the preserve, lobbying for changes in the law regarding the breeding and trading of exotic wildlife, as well as avidly urging fellow fans of big cats not to follow in her families footsteps: ‘ Some people will tell you lions are wonderful pets - and it’s an absolute lie. ’ 5 Copyright © Marble Films 2019 [email protected] Contact - Sacha Mirzoeff THE DOCUMENTARY:THE REAL STORY OF ROAR For the first time ever this revealing documentary will seek to understand what drove one family to go from the tinsel-town eccentricity of living with one (relatively) domesticated lion, to pursuing the downright absurd and overtly dangerous dream of making a live- action movie directed and starring themselves and over a hundred big cats. The real story of ‘ ROAR ’ has never been fully revealed and yet, beneath the broken bones and multiple puncture wounds, there is a tale to be told which so many of us can relate to. At its heart, this is a story about our human love of animals and the lengths we will go to prove that they are like us, that they can understand us, and that they can love us back. The mistake that the makers of this madcap, misadventure of a movie made was to think that they could ever truly tame a wild creature; they believed that they were safe, that they were in control, even when dozens of lions, tigers, panthers and leopards were rampaging around their home. ‘ THE MOVIE THAT MAULED MY FAMILY ’ will be an entertaining and enlightening examination of the human-animal relationship like you have never seen before. Told by the people who were there and brought to life by astounding archive; this documentary will be a sensational yet sensitive reflection on the lessons that can be learnt from the making of ‘ We were dealing ROAR ’: the most dangerous movie ever made. with animals that we psychopaths. They have no conscience or remorse genes, and they will kill you for their dinner. Tippi Hedren 6 Copyright © Marble Films 2019 [email protected] Contact - Sacha Mirzoeff * Motion Graphics The GIFt of Privacy * After Effects * Communication A series of GIFs created to raise awareness of blatant privacy abuses we’re subjected to. * Research & Development Module File Design * Publication Design * Editorial & Layout Spreads from my process documents over the years, showing my creative development. * Art Direction Physical Pieces * Product Design * Arduino & Processing A series of physical pieces created and art-directed for my final university project. * Screenprint Right To Privacy * Research & Design * Typography A screen-printed poster campaign seeking to inform the masses of their rights. * Motion Design Now Showing: Your History * After Effects * Communication A short video to convey how Google keeps a track of our every search and click. * Editorial & Layout Menu Design * Typography * Print Production Menu designs done for Bradley’s Bed & Breakfast, and Keely’s Kitchen * HTML & CSS Coding Portfolio Website * Javascript * Content Curation My website showcasing the work I produce, coded by me using HTML, CSS & Javascript..
Load more

Recommended publications
  • Program Guide
    PROGRAM GUIDE SATURDAY. APRIL 18 | 7:00PM SWIM LITTLE FISH SWIM TICKET & VENUE INFORMATION VENUE Globe Cinema - 617 8 Ave. SW SINGLE TICKETS Opening Night Film Screening & Party $12 Saturday Morning Cartoon Party $12 Kids 6 & under $6 Regular Admission $10 ON CUFF Members, Students & Seniors $8.25 PUNCH PASS rmati O F N 5 Film Punch Pass $40 I E Excludes Saturday Morning Cartoon Party/Opening Night Film). U Punch pass can be shared, used for more than one ticket per screening, and for year-round programming. & VEN FESTIVAL PASSES T KE IC Early Bird Pass $99 Regular Festival Pass $120 | T AL Tickets for pass holders are available at all screenings. We V recommend arriving 30-45 min prior to start time to ensure entry. STI E F LICENSED 18+ All screenings after 3PM are licensed (18+), which means you can FILM drink beer during the film (!) but NO MINORS. Early matinees are D N all ages. U O FESTIVAL BOX OFFICE R G R 1. Online at www.calgaryundergroundfilm.com E D 2. Globe Cinema Box Office (during festival hours only) N U MEMBERSHIPS ary G Purchase a lifetime membership for $10 AL from the festival merchandise table, or at C H www.calgaryundergroundfilm.com. Add your T membership tag to your keychain, and get 12 discounts at all CUFF screenings, the festival bar, and special offers throughout the year. 12 PARTIES SPONSORS MondaY, APRIL 13 FUNDING Partners 9 PM OPENING NIGHT AFTERPARTY! Sole Korea Restaurant 628 8 Ave SW $12 (includes screening and afterparty). Come join us for a party following Ex Machina (p.
    [Show full text]
  • 676 Grads Get Jobs Through Placement Center
    676 grads get jobs through placement center By Katie McClare acquire positions by using the ters, said Doherty, placement do. We provide information declined by 4 per cent. About About half of all students personal skills obtained through personnel arrange interviews, about what the employment 89 per cent of all offers are com­ graduating from UNH who re­ the use of the office. This, he identify employers, formulate m arket is like, so th ey ’ll know ing from the engineering and spond to Career Planning and said, is the main function of the letters of application and in­ what’s out there.” business fields. Placement before and after service. quiry, and prepare personal Quoting figures issued by the While job offers from federal graduation obtain their desired “Students think of this office resumes, among other things. He College Placement Service, and state employers and school positions, according to Career as a ‘thing’ on campus to get you said that 802 seniors have regis­ Doherty said that although the systems went down this year, Planning and Placement Director a job. It is actually more of an tered. outlook for the job m arket is those in business, industry, and Edward Doherty. informational service which The placem ent service is open not good, it is slowly improving. non-profit organizations in­ Approximately 50 per cent of helps you acquire the skills to to all students, not just seniors. He said that positions in the creased, Doherty continued. UNH students use the placement place yourself in a job. What we “We are here to serve everyone, humanities and social science Doherty said that a lot of the service located in Huddleston try to do is give the student an from the first year,” said disciplines are experiencing a 26 jobs being offered do not direct­ Hall, said Doherty.
    [Show full text]
  • Ebook Download Roar Ebook, Epub
    ROAR PDF, EPUB, EBOOK Stacy Sims,Selene Yeager | 304 pages | 18 Jul 2016 | Rodale Press Inc. | 9781623366865 | English | Emmaus, United States Roar PDF Book The Best Horror Movies on Netflix. Marshall and Hedren began keeping young lions that they had acquired from zoos and circuses in their house in Sherman Oaks. The film was fully completed after 11 years in production. The Awl. John Jerry Marshall Mativo Frank Tom Official Sites. Crazy Credits. The Guardian. Take the quiz Forms of Government Quiz Name that government! External Sites. Save Word. Edit Did You Know? Now I'm floating like a butterfly Stinging like a bee I earned my stripes I went from zero, to my own hero. Archived from the original on August 1, Trivia In , a flood from a dam break killed many lions in the film, washed away the set and destroyed nearly all of the movie, including ranch property, personal possessions, film sets, editing equipment, completed film footage and three key lions including Robbie, the movie's lion king. Error: please try again. Archived from the original on September 23, Archived from the original on March 25, Director: Noel Marshall. Box Office Mojo. They decided to make a film centered around that theme, bringing rescued big cats into their homes in California and living with them. Panama City News Herald. Edit Details Official Sites: Official site. Retrieved June 16, Send us feedback. Nominated for 1 Primetime Emmy. Redirected from Roar film. Choose an adventure below and discover your next favorite movie or TV show. Keep track of everything you watch; tell your friends.
    [Show full text]
  • Read Book the Roar
    THE ROAR PDF, EPUB, EBOOK Emma Clayton | 384 pages | 04 Sep 2014 | Chicken House Ltd | 9781910002032 | English | Somerset, United Kingdom Daytona reveals later Roar Before the Rolex 24 date The story barely makes sense if you think about it very long. But who needs a story when you've got this insanity on screen? The madness and health and safety black hole that the events on screen represent mean that a story needs be no more than an afterthought. For what it's worth, Noel Marshall - wrote, starred, directed and financed it and his wife Tippi Hedren, who was a wildlife activist who campaigned for the protection of big cats, was the big name draw. Hedren, of course, was previously most well-known for her starring role in The Birds where she was famously mauled and scratched by an assortment of flying fiends. Well, all I can say is that what she experiences on Roar makes the actions of the birds in Alfred Hitchcock's classic seem positively reticent by comparison. The actors are all splendidly game and deserve huge amounts of credit for their nerve but the real stars of Roar are the big cats and rampaging elephants. This is the ultimate wet dream for any lover of the big cats in particular and we have the very strange scenario of seeing lions, cheetahs, panthers, leopards and tigers interacting with each other. Watching them violently wrestle is a pretty nerve shredding thing, except if you are Noel Marshall that is, he usually runs in to join them! But on the whole, while there are a few continuity errors and the editing is full-on and sporadic, this is exciting stuff that could never in a million years be described as boring.
    [Show full text]
  • {Dоwnlоаd/Rеаd PDF Bооk} Roar! Ebook Free Download
    ROAR! PDF, EPUB, EBOOK Bindi Irwin,Jess Black | 87 pages | 01 Oct 2011 | Sourcebooks Jabberwocky | 9781402259319 | English | Naperville, United States The Roar of the Lion - Richard Toye - Oxford University Press Filming took five years to complete. Due to the large number of untrained animals on set, there were a reported 48 injuries within two years of the start of filming. Noel Marshall was bitten through the hand when he interacted with male lions during a fight scene; doctors initially feared that he might lose his arm. She was taken to Sherman Oaks Hospital , where her wounds were treated and she was given a tetanus shot. She was left with phlebitis and gangrene, in addition to a fractured hand and abrasions on her leg. Several days earlier Tembo had bucked his trainer, Patricia Barbeau, into a tree and broken her shoulder. It was feared that she would lose an eye, but she eventually recovered without being disfigured, although she did require some facial reconstruction. Most members of the crew were injured, including de Bont, who was scalped by Cherries while he was filming under a tarpaulin; [73] [51] [74] he received stitches, but resumed his duties after recovering. Pipes and berms from Aliso Canyon became flooded with water and burst on February 9, , after a night of heavy rain. Both were pointed towards the Marshall property to redirect water from the Southern Pacific Railroad tracks. The property was destroyed by a foot 3. Marshall, who had left the hospital despite being scheduled to undergo knee surgery, helped to rescue many of the animals.
    [Show full text]
  • Sfreeweekl Ysince | April
    CHICAGO’SFREEWEEKLYSINCE | APRIL THIS WEEK CHICAGOREADER | APRIL | VOLUME NUMBER IN THIS ISSUE TR 08 NewsDoesthemayor’s astonishingimagesofhumanity’s - OPINION COVIDexecutiveorderputher impactontheplanet’stopography 30 IdentityandCultureSeeking @ onlightfooting? Roarisacaseagainstdisrupting safetyisn’tsoeasyifyou’rebattling 09 Dukmasova|PetsAnimal theanimalkingdomonawhim COVIDwhileBlack PTB sheltershavebeenoverwhelmed 31 ‘Americanness’Onrejecting ECS K KH CLR H withadoptionapplicationsduring antiAsianAmericanrhetoricand MEP M standinguptohate TDKR CEBW AEJL SWMD LG DI BJ MS EAS N L GD AH CITYLIFE L CSC-J 03 PublicService CEBN B AnnouncementZoomoverto L C M DLCMC J F S F JH I theseonlineclasses H C MJ MUSIC &NIGHTLIFE MKSK FOOD&DRINK 21 Galil|FeatureChristenThomas ND L JL MMAM -K 04 KeyIngredientIntroducing thepandemic bookedshowsforadecadewith J R N JN M O thefi rstinstallmentofPandemic 10 ImmigrationCoronavirusleaves theEmptyBottleandMetrobut 32 SavageLoveDanSavageoff ers M S CS PantryinwhichFunkenhausen’s immigrantstrappedinabyzantine thatworkwasjustthebeginning advicetoamanwhohasananxiety ---------------------------------------------------------------- MarkSteuermakesamiracleoutof courtsystemwithoutlawyersand ofthelovejoyandsupportshe attackwhenheseeshiswifenaked DD J D mushypasta morefrightenedthanever showeredonthescene D DCW SMCJ G 24 RecordsofNoteApandemic CLASSIFIEDS MPC ARTS&CULTURE can’tstopthefl owofgreatmusic 34 Jobs YD 13 Profi leBeforetherewasJoe Ourcriticsreviewreleasesthatyou 34 Apartments&Spaces SSP
    [Show full text]
  • Tippi: a Memoir Free
    FREE TIPPI: A MEMOIR PDF Tippi Hedren | 288 pages | 17 Nov 2016 | HarperCollins Publishers Inc | 9780062469038 | English | New York, United States a book review by Laura Schultz: Tippi: A Memoir Magazine article The Spectator. Well, the cats is coming in her memoir. More than half the book is given over to Shambala Preserve, the lion and tiger sanctuary that Hedren set up in California in the s. If you want to know how to stroke a big cat 'strong and firm, under his chin or in his mane'or what it means when they bare their teeth 'it has nothing Tippi: A Memoir do with anger; lions do their most effective sniffing from two holes in the roof of their mouths'this is the book for you. But if you're after the lowdown on what went on between Hedren and Alfred Hitchcock during the making of The Birds and Marnie, this memoir is rather less satisfying. Ever since the publication of Donald Tippi: A Memoir biography of Hitchcock, The Dark Side of Geniusmovie fans have wanted to know exactly what the ageing auteur got up to with his latest blonde starlet. Did the man who liked to tell his Tippi: A Memoir ladies to 'Call me Hitch, hold the cock', really fall head over heels for Hedren? Did he really follow her into her dressing-room during the Marnie shoot? And once in there, did he really make what Spoto calls an 'overt sexual proposition'? He certainly did, says Hedren, though since she adds that 'I've never gone into detail about this and I never will', you wonder what kind of autobiography the publishers thought they were buying.
    [Show full text]
  • Film Review: Roar
    Film Review: Roar Hank runs a nature reserve to study large cats in Africa, but the other land owners don’t like having a concentration of large predators so close by. On the same day Hank’s family flies to join him, he has a run-in with a council of neighbors who want the cats removed, and two men are injured by the overzealous animals. A comedy of errors follows Hank as he attempts to meet up with his family who eventually finds their own way to his house. Unfortunately the family arrives while Hank is away, and between the family’s lack of experience with the animals and the animals’ intention to display their place in the hierarchy, Hank’s family are beset upon by a large pack of lions, tigers, cheetahs and panthers. Roar has been referred to as the most dangerous film ever made, and watching it backs up that claim. The action in this film is all real and the actors are truly grappling with real animals; even the film’s promotion boasts that 70 members of the cast and crew were injured by the animals during the shooting of the film. Credit must be given to the cast and crew and especially to director and star Noel Marshall who somehow convinced people to take part in this project. In many scenes it is obvious that the animals are not trying to attack the actors, but just acting playfully dominant. However, playful or not, these are still animals that weigh hundreds of pounds and have sharp teeth and claws.
    [Show full text]
  • Lion. Lynn Culver Visited Tippi at Her Shambala Preserve - Her Story Starts on Page 3
    L.I.O.C. Endangered Species Conservation Federation inc. vol- 33, 1^Tumber 6 ~ovember/~ecember,1989 . TIPPI HEDREN talks to the "perfect" lion. Lynn Culver visited Tippi at her Shambala Preserve - her story starts on page 3. This newsletter is ptiulished bi-monthly by the LIOC Endangered Species Conservation Feder- ation, Inc. He are a non-profit (Federal I.D.# 58-9100616)), non-commercial organization, international in membership, devoted to the welfare of exotic felines. The purpose of this newsletter is to ores ent information about exotic feline conservation, management, and .. ownershi* to our members. Th material printed in this newsletter is contributed by our members and in many cases, reflects the point of view of the person whose name appears on the article, rather than the point of view of the organization. The organization's statment of intent is contained in our by-laws; a CODY of which can be requested from the Secretary/ Treasurer. Re~roductionof the material in this newsletter may not be made without written permission of the authors and/or copyright owner LIOC. Since the newsletter consists of articles, photos and artwork contributed by our members, we depend on you for our material. We can only publish what you send us. Articles of all types concernin? exotic felines are gladly accepted. We also have a Reader's Write column for letters or responses to articles. Please send all materials for contribution~tothe Newsletter editor. Editor: Shirley Wagner, 3730 Belle Isle Lane E., Mobile, Al. 36619 (205È661-134 Founder: Catherine Cisin, Amaqansett, N.Y. 11930 President: Dr.John Perry, 6684 Central Avenue N., Fridley, MH 55432,(612)571-7918.
    [Show full text]
  • Just More People Dressed in Black
    just CASHIERmore SAIDpeople dressed in black. I WANT TO BE THE WINNER FO THIS CONTEST. I WANT AT LEAST THE THIRD PLACE. PIA I’M REALLY MAD ADN DISAPPOINTED. IM REALLY PASSIO- NATE I REALLY LOVE THAI PEOPLE I COMMIT TO EVERYTHING THAT IT DO. REALLY REALLY REALLY I WANT TO BE THE WINNER FO THIS CONTEST. I WANT AT LEAST THE THIRD PLACE. PIA I’M REALLY MAD ADN DISAPPOINTED. IM REALLY PASSIO- NATE I REALLY LOVE THAI PEOPLE I COMMIT TO EVERYTHING THAT IT DO. REALLY REALLY REALLY. I WAN- TED TO WIN THE MASK CONTEST BUT IT DIDNT HAPPEN NOOOOOOO. NOOOOOOO DIARY OF PIG FRANK 18.4.18, wednesday. Day started beautifully. I chibbled and nibbled on the corn on the east side of the house, starring at the beautifull sunshine. Even my ears got some of that California tan. I was just fixing my tail-hole in my uniform, when a dusty cloud covered the sun. A henchmen arrived and started explaining that there was a problem at the Big house. A new group arrived and wasn’t yet schooled in the ways of our camp. We instructed them the rules and point them to housing area. They expressed some unwilingness, but they can become quite quiet when approached with loud oink manifesto. It was raining later in the afternoon. 19.4.18, thursday. The workers did not continue to dispute like yester- day, so I managaed to have a little quiet nice bath in the mud, enriched by some pieces of ceadar wood with parts of decaying rat.
    [Show full text]
  • Meiermovies Feature Films by Star Rating
    MeierMovies Feature Films by Star Rating 5 stars (masterpieces) Oscars Noms Cinema Year Director Writer AFI 100 1. Gone with the Wind * $1 8 (11) ~ 13 (16) 5 1939 Selznick/Fleming/Cukor Howard/Hecht/Zelznick 4 2. 2001: A Space Odyssey 1 4 3 1968 Stanley Kubrick Kubrick/A. Clarke 22 3. Psycho 0 4 3 1960 Alfred Hitchcock Joseph Stefano 18 4. The Sting * 7 10 3 1973 George Roy Hill David Ward 5. One Flew over the Cuckoo’s Nest * 5 9 2 1975 Milos Forman Goldman/Hauben 20 6. The Godfather * 3 9 1 1972 Francis Ford Coppola M. Puzo/Coppola 3 7. Once Upon a Time in the West (165-min version) 0 0 1 1968/69 Sergio Leone S. Donati/Leone 8. The Graduate 1 6 5 1967 Mike Nichols Willingham/Henry 7 9. The Third Man 2 2 1 1949 Carol Reed Graham Greene 57 10. On the Waterfront * 8 12 2 1954 Elia Kazan Johnson/Schulberg 8 11. Modern Times SlWS 0 0 1 1936 Charlie Chaplin Charlie Chaplin 81 12. The Godfather, Part II * 6 11 1 1974 Francis Ford Coppola M. Puzo/Coppola 32 13. Les Enfants du Paradis (Children of Paradise) FL 0 0 1 1945 Marcel Carné Jacques Prevert 14. Wuthering Heights 1 8 1939 William Wyler MacArthur/Hecht 73 15. East of Eden 1 4 1955 Elia Kazan Osborn/Steinbeck 16. Pinocchio 1 2 1940 W. Disney/Sharpsteen/Luske Battaglia/Cottrell 17. Who Framed Roger Rabbit 3 (4) 6 17 1988 Robert Zemeckis/R. Williams J. Price/P.
    [Show full text]
  • Camping Anthropomorphism in Roar
    The Cine-Files, Issue 14 (spring 2019) Animalistic Laughter: Camping Anthropomorphism in Roar Sean Donovan In 1971, Tippi Hedren participated in a photoshoot with Life magazine photographer Michael Rougier, showcasing her husband Noel Marshall and their family lounging in their spacious Sherman Oaks home. Far from a typical look at the rich and famous, these photos commanded attention through the presence of Neil, a 400-pound lion that is featured with the family in a variety of quotidian tableaux: with Hedren by the pool (see FIGURE 1), with Marshall in his office, even with Hedren’s daughter Melanie Griffith in her bed.1 These photographs were an expression of the family’s devout lion-love, willfully selling the fantasy of the Hedren-Marshall family living alongside an adult lion in a utopian union of animal and man (Neil actually lived in an animal preserve called Soledad Canyon, which Marshall purchased shortly after the photoshoot). As revealed in Hedren’s 2016 memoir Tippi, the photos also bore a calculated purpose: they were part of an effort to spur buzz in Hollywood about Roar (1981), Hedren and Marshall’s dream project, a family adventure film celebrating the majestic beauty of lions. Marshall would direct and star alongside Hedren, who was giving up birds for a new and even more ferocious animal co-star. Completed almost ten years after this glamorous photoshoot, Roar had a production history that completely contradicted the glossy leisure myth promoted by Rougier’s photography. Writing about the photoshoot years later, Hedren remarked, “I didn’t learn until many years later how naive and stupid we were.”2 FIGURE 1.
    [Show full text]