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Otorisama Continues to Be Loved by the People
2020 edition Edo to the Present The Sugamo Otori Shrine, located near the Nakasendo, has been providing a spiritual Ⅰ Otorisama continues to be loved sanctuary to the people as Oinarisama (Inari god) and continues to be worshipped and by the people loved to this today. Torinoichi, the legacy of flourishing Edo Stylish manners of Torinoichi The Torinoichi is famous for its Kaiun Kumade Mamori (rake-shaped amulet for Every November on the day of the good luck). This very popular good luck charm symbolizes prosperous business cock, the Torinoichi (Cock Fairs) are and is believed to rake in better luck with money. You may hear bells ringing from all held in Otori Shrines across the nation parts of the precinct. This signifies that the bid for the rake has settled. The prices and many worshippers gather at the of the rakes are not fixed so they need to be negotiated. The customer will give the Sugamo Otori Shrine. Kumade vendor a portion of the money saved from negotiation as gratuity so both The Sugamo Otori Shrine first held parties can pray for successful business. It is evident through their stylish way of business that the people of Edo lived in a society rich in spirit. its Torinoichi in 1864. Sugamo’s Torinoichi immediately gained good reputation in Edo and flourished year Kosodateinari / Sugamo Otori Shrine ( 4-25 Sengoku, Bunkyo Ward ) MAP 1 after year. Sugamo Otori Shrine was established in 1688 by a Sugamo resident, Shin However, in 1868, the new Meiji Usaemon, when he built it as Sugamoinari Shrine. -
The World's Oldest Plan of Angkor
UDAYA, Journal of 13, 2015 UDAYA, Khmer Studies, The World’s Oldest Plan of Angkor Vat THE WORLD’S OLDEST PLAN OF ANGKOR VAT: THE JAPANESE SO-CALLED JETAVANA, AN ILLUSTRATED PLAN OF THE SEVENTEENTH CENTURY Yoshiaki Ishizawa Director, Sophia Asia Center for Research and Human Development Cambodia and Japan in the 16th and 17th Century The Angkor Empire, which built grand monuments including those now registered as the UNESCO World Heritage Site of Angkor, came under attack by the army of the neighboring Siamese Ayutthaya dynasty (today’s Thailand), around 1431. This led to the fall of the ancient capital of Angkor, thereby ending the Empire’s history of 600 years. The kingdom’s capital was then transferred to Srei Santhor, Phnom Penh, and Longvek in 1529, and then to Oudong in 1618. Phnom Penh has been the capital city from 1867 to this day. Recent research has uncovered the fact that descendants of the Angkor rulers returned to Angkor Thom between 1546 and 1576, where they repaired the derelict structures and encouraged locals to move back to the area.1 Western missionaries, visiting Cambodia around this time, also left documents with details concerning the ancient capital. Angkor Vat on the other hand was turned into a Buddhist temple (Theravada Buddhism) after the collapse of the Khmer Empire, and continues to attract nearby residents as a place of Buddhist worship. In Japan, Toyotomi Hideyoshi accomplished the unification of the nation (1590). Following the Battle of Sekigahara (1600), Tokugawa Ieyasu established the Shogunal government in 1603, and around this time Japan received a large number of international visitors including Christian missionaries and international traders. -
Full Download
VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
Characteristics of Agriculture in Japanese Regions and Convergence: an Empirical Analysis Using Panel Unit Root Test*
Kobe University Economic Review 59 (2013) 25 CHARACTERISTICS OF AGRICULTURE IN JAPANESE REGIONS AND CONVERGENCE: AN EMPIRICAL ANALYSIS USING PANEL UNIT ROOT TEST* By TOMOKO KINUGASA† and YUKIO FUKUMOTO‡ This research investigates whether several characteristics of agriculture in Japanese regions were con- verging empirically. Four kinds of panel unit root tests imply that agricultural income per farm tended to converge among Japanese prefectures from 1965 to 1995. However, other characteristics of agriculture did not necessarily converge. The dependent ratio of agriculture in Hokkaido is so large that it would be dif- ficult for other prefectures to match its level. We could not find strong evidence that agricultural research stock per farm was converging. Therefore, it is possible that agriculture had not been operating in a similar way throughout Japan. 1. Introduction Japanese agriculture is facing a critical situation. The food self-sufficiency ratio has de- creased year by year, and many farms abandoned agricultural pursuits or devoted more effort to businesses other than agriculture. Japan is a small country, and the limited amount of arable land is a serious problem. In such a situation, Japanese farms with relatively high productiv- ity have expanded their agricultural land by absorbing smaller farm holdings in an attempt to strengthen their international competitiveness. The purpose of this research is to investigate the convergence of characteristics of agricul- ture in Japanese regions by using the panel unit root test. The basic tenets of convergence the- ory are that an economy with low productivity tends to grow faster than one with higher pro- ductivity, and that a poor economy tends to catch up with a rich economy over the long run. -
Harvesting Tradition
VOLUME 7 NO. 16 SEPTEMBER 11 – SEPTEMBER 17, 2020 SUBMIT STORIES TO: [email protected] STRIPESJAPAN.COM FACEBOOK.COM/STRIPESPACIFIC FREE INSIDE INFO HARVESTING ZAMA VETS GAIN TRUST WITH FURRY FRIENDS, HUMANS PAGE 3 TRADITIONDig deep into Japan’s lesser-known fall holidays Speakin’ Japanese Pages 8-9 AUTUMN AUDIBLES PAGE 4 WHY JAPANESE LUCKY CHARMS ARE AMAZING! PAGES 6-7 LIMITING PLASTIC USE IN JAPAN PAGES 10-11 Midnight and Mt.Fuji, full moon. Barbecues help Yokota’s new MELON PAN airmen get through quarantine MADNESS BY SETH ROBSON, U.S. personnel arriving in Japan must PAGES 12-13 STARS AND STRIPES spend 14 days in quarantine, which the Published: September 4, 2020 military calls “restriction of movement” or ROM, that’s designed to stop them YOKOTA AIR BASE — Some summer spreading the coronavirus to others at barbecues at the home of U.S. Forces Ja- their new home. pan in western Tokyo are To make sure the ex- a little out of the ordinary EXCLUSIVE NEWS FROM: Business cards, flyers, perience doesn’t feel like invitations and more! this year. a short stint in jail, the Contact The events for newly Air Force has come up arrived airmen are cho- with all sorts of things to printshop.stripes.com reographed affairs where 042-552-2510 (extension77315) amuse quarantined single airmen, in- the guests of honor don masks and keep cluding fortnightly barbecues. 227-7315 Volunteers dish out comfort food to quarantined service members at Yokota Air Base. their distance from the folks cooking Photo by Theron Godbold, Stars and Stripes their food. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles. -
Thought and Culture of Buddhism ―From India to Japan
List of Works Ryukoku Museum Concept Exhibition Thought and Culture of Buddhism ―From India to Japan First half :Sep. 12th to Oct. 4th, 2020 Second half:Oct. 6th to Nov. 3rd, 2020 ▶Collection of Otani Expedition = 3rd Floor: Part I Various Aspects of the Buddhism in Asia ▶Format and ▶Exhibition ▶No. ▶Title ▶Provenance ▶Date Materials ▶Location and Owner Term 1. What is Buddhism? 1 Standing Buddha Gandhara 2nd-3rd century Schist 2 Seated Buddha Hadda(Gandhara) 4th-5th century Stucco Ryukoku University 3 Standing Bodhisattva Gandhara 2nd-3rd century Schist Ryukoku University Exhibiting Bhusparsamudra, 4 East India 10th-11th century Stone Ryukoku University Seated Buddha 5 Standing Buddha Myanmar 11th-12th century Gilt bronze 6 Buddha protected by Nāga Cambodia 12th-13th century Gilt bronze 7 Standing Avalokiteśvara Cambodia 12th-13th century Gilt bronze 2. Teaching of Shakyamuni and its Succession 8 Rubbing of the Ashoka Inscription Lauriya-Nandangarh 3rd century B.C. Rubbing on paper Ryukoku University First Half. 9 Rubbing of the Ashoka Inscription Lauriya-Nandangarh 3rd century B.C. Rubbing on paper Ryukoku University Second Half. Sanghavedavastu of 10 Tibet Published in 1733 Color on paper Ryukoku University First Half. Mūlasarvāstivādavinaya in Tibetan Edo, published in Mahīśāsaka Vinaya in Chinese ( ) Print on paper Ryukoku University Second Half. 11 五分律 1681(Tenna 1) 12 Satipatthana-suttanta Cambodia 18th-19th century Ink on paim-leaf Ryukoku University Second Half. Saṃyukta Āgama in Chinese Late Heian period Gold on 13 First Half. (雜阿含経),vol.27 (12th century) indigo paper Sanskrit Manuscripts of the 14 Khotan Middle of 5th century Ink on paper Ryukoku University Second Half. -
Outline of Japan Water Agency
-Outline of Japan Water Agency- Incorporated Administrative Agency Japan Water Agency Contents We, Japan Water Agency, is Contributing to the Development of Japan ...... 1 How Water is Delivered JWA’s Roles Water Resources Development Today JWA’s Projects/ Facilities and Funding .................................................................. 5 JWA’s Projects/ Facilities Project Implementation Procedures Financing Composition Financing Flows Payment Options Overview of the Medium-term Plan ........................................................................ 10 Operational Flows of a Typical Incorporated Administrative Agency (IAA) Selected Events during FY2013 Examples of JWA’s Responses to Floods and Droughts ................................. 19 Work of the Japan Water Agency (JWA) ............................................................. 21 JWA Supplies you with Safe and Quality Water Taking on Various Challenges Tackling the challenges with JWA’s New Technologies Strengthening Coordination with Local Municipalities Concerned and Local People Leveraging Advanced Technical Capabilities Commitment to Proper Operational Management Message from the President ...................................................................................... 35 *JWA=Japan Water Agency Management Policy of Japan Water Agency “Stably supplying safe and quality water at low cost” Japan Water Agency (JWA), as the implementing organization of government policy on the supply of water, which is vital for the lives of our people and economy, are engaged -
The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
The Goddesses' Shrine Family: the Munakata Through The
THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago. -
Chapter 5 Buddhist Illusion and the Landscape Arts
Page 155 Chapter 5 Buddhist Illusion and the Landscape Arts Truths are illusions that we have forgotten are illusions. —Friedrich Nietzsche Practice illusion by means of illusion. —The Perfect Enlightenment Sutra While the Kitayama Zen views of landscape paintings we have surveyed were grounded in the venerable Chinese Mahayana and Zen Buddhist traditions, they also developed their own distinctive vision of the landscape arts. Chinese Zen monks and nuns had modified classical Indian and Chinese Buddhist ontology to emphasize the two premises of the illusory, ultimately empty character of reality and the nondualistic interplay of the realms of samsaric suffering and the enlightened bliss of nirvana. 1 The Kitayama Five Mountains monks applied these premises to artistic creation and interpretation through such canonical Buddhist terms describing meditative states as "the samadhi of [seeing that all is] like an illusion" (C. juhuan sanmei; J. nyogen zammai), and "the samadhi of playfulness" (C. yuge san mei; J. yuge zammai). In this and the final chapter we explore the central role played by these two Buddhist themes in the Kitayama religioaesthetic vision of the landscape arts: Mahayana ontological and heuristic theories of illusion; and a mode of Zen enlightened activity characterized by unimpeded playfulness. It was through syncretic integration of these Buddhist theories of reality and of artistic interpretation with both Chinese painting theory and Taoist and other conceptions of landscape that the Japanese Zen monks developed their