No Guidance Lyrics

Total Page：16

File Type：pdf, Size：1020Kb

No Guidance Lyrics Before I die I'm tryna f_ck you, baby Hopefully we don't have no babies I don't even wanna go back home Hopefully, I don't leave you on your own Ayy Trips that you plan for the next whole week Bands too long for a nigga so cheap And your flex OD, and your s_x OD You got it, girl, you got it (Ayy) You got it, girl, you got (yeah) Pretty lil' thing, you got a bag and now you wilding You just took it off the lot, no mileage Way they hittin' you, the DM lookin' violent Talkin' wild, you come around and now they silent Flew the coop at seventeen, no guidance You be staying low but you know what the vibes is Ain't never got you nowhere being modest Poppin' shit but only 'cause you know you're popping You got it, girl, you got it (Ayy) You got it, girl, you got it Lil' baby in her bag, in her Birkin No nine to five put the work in Flaws and all, I love 'em all, to me, you're perfect Baby girl, you got it, girl, you got it, girl You got it, girl, you got it, girl (Ooh) I don't wanna play no games, play no games F_ck around, give you my last name Know you tired of the same damn thing That's okay 'cause, baby, you You got it, girl, you got it (Ayy) You got it, girl, you got it You the only one I'm tryna make love to, Picking and choosing They ain't really love you, runnin' games, usin' All your stupid exes, they gon' call again Tell 'em that a real nigga steppin' in Don't let them niggas try you, test your patience Tell 'em that it's over, ain't no debating All you need is me playin' on your playlist You ain't gotta be frustrated I don't wanna play no games, play no games F_ck around, give you my last name (My last name) Know you tired of the same damn thing (Same damn thing) That's okay 'cause, baby, you You got it, girl, you got it (Oh, ooh, Ayy) You got it, girl, you got it (got it) I don't wanna Before I die, I'm tryna f_ck you, baby (yeah) Hopefully, we don't have no babies (ooh) I don't even wanna go back home Hopefully, I don't leave you on your own You got it, girl, you got it, oh Play no games (no), freaky (freaky) I can learn a lot from you, Gotta come teach me (woo, woo) You a lil' hot girl, you a lil' sweetie (No, sweet) Sweet like Pearland, sweet like Peachtree (Like that) I can tell you crazy, but shit kind of intrigue me (No, yeah, I like that) (I don't wanna, I don't wanna) Seen it on the 'Gram, I'm tryna see that shit in 3D, mami I know I get around 'Cause I like to move freely (I don't, I don't) But you could lock it down, I could tell by how you treat me (I don't, I don't) I seen how you did homeboy, so please take it easy (no, yeah) Good to have me on your side, I ain't sayin' that you need me (yeah, yeah) Six God talk but I ain't tryna get preachy (no, no, no) I seen how you did homeboy, please take it easier on me 'Cause I don't wanna (no) play no games, play no games (I don't wanna, I don't wanna) I don't wanna play no games, play no games (I don't, I don't) I don't, I don't No SSKLYRICS .

Copy Link

Recommended publications

Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................
[Show full text]
Grt Milk? PETERTHREE: Yes, Death by Grt Milk
NARRATOR: The period of civil war has ended. The rebels have defeated the evil galactic monarchy and established the harmonious Federated Alliance. Now, Ambassador Pleck Decksetter and his intrepid crew travel the farthest reaches of the galaxy to explore astounding new worlds, discover their heroic destinies, and meet weird bug creatures and stuff. This is Mission to Zyxx. [Intro music] PLECK: Hey Dar? Can I ask a question about your past? DAR: Okay? PLECK: I just know you had a crazy life before the Federated Alliance, so like, what was your specialty? How would you kill people? DAR: Oh, man. Um. I really thought this was heading in a different direction when you said specialty, I was game to explain to you what my specialty is- PLECK: Okay, right, yeah DAR: But how I would kill people? PLECK: You were into smuggling, right? So like, you'd get into trouble and like, a ship would be like, we're gonna kill you! And you'd be like, not if I can do anything about it! C-53: Do you think that's what Dar sounds like? DAR: Honestly, I'm just gonna say it was like he was there. PLECK: That's... I dunno. BARGIE: It's my birthday! DAR: Woah. PLECK: What? BARGIE: It's my birthday everybody so uh.. happy birthday to me! PLECK: Congratulations! How old are you, Bargie? BARGIE: Oh you never ask a ship their age! DAR: You never ask a ship their age. C-53: That's considered very rude. BARGIE: Very rude! Everybody gets to go around and say one thing they love about me.
[Show full text]
Virtual Worlds, Real Leaders: Online Games Put the Future of Business Leadership on Display
cyan mag yelo black MAC Virtual Worlds, Real Leaders: Online games put the future of business leadership on display A Global INTERNATIONAL BUSINESS MACHINES CORPORATION NEW ORCHARD ROAD, ARMONK, NY 10504 Innovation ® © International Business Machines Corporation 2007 Outlook All Rights Reserved 2.0 Report SERIOSITY, INC. 2370 WATSON CT., SUITE 110, PALO ALTO, CA 94303 ™ 881832IMPO.Cover1832IMPO.Cover NNC4C4 66/20/07/20/07 112:15:522:15:52 AAMM cyan mag yelo black MAC 881832IMPO.Cover1832IMPO.Cover NNC2C2 66/20/07/20/07 112:16:082:16:08 AAMM mag yelo CG11 MAC GIO 2.0 Report “ If you want to see what business leadership may look like in three to ﬁ ve years, look at what’s happening in online games.” — Byron Reeves, Ph.D.,≠ the Paul C. Edwards Professor of Communication at Stanford University and Co-founder of Seriosity, Inc. 1 881832IMPO.Text1832IMPO.Text NN0101 66/20/07/20/07 112:51:412:51:41 AAMM cyan mag yelo black MAC Game On As the business world becomes more distributed and virtual, do online games offer lessons on the future of leadership? 2 881832IMPO.Text1832IMPO.Text NN0202 66/20/07/20/07 112:51:422:51:42 AAMM cyan yelo black CG11 MAC GIO 2.0 Report What’s next? It’s the simple question that businesses spend millions trying to answer every year, all with the goal of learning what the business world of the future will look like. But there are some elements of this future that are already falling into place. For example, we know that business is becoming increasingly global.
[Show full text]
(2016) When Breath Becomes Air Paul Kalanithi
When Breath Becomes Air Paul Kalanithi When Breath Becomes Air Paul Kalanithi Random House Publishing Group (2016) http://ikindlebooks.com When Breath Becomes Air Paul Kalanithi http://ikindlebooks.com When Breath Becomes Air Paul Kalanithi Copyright © 2016 by Corcovado, Inc. Foreword copyright © 2016 by Abraham Verghese All rights reserved. Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York. RANDOM HOUSE and the HOUSE colophon are registered trademarks of Penguin Random House LLC. Library of Congress Cataloging-in-Publication Data Names: Kalanithi, Paul, author. Title: When breath becomes air / Paul Kalanithi ; foreword by Abraham Verghese. Description: New York : Random House, 2016. Identifiers: LCCN 2015023815 | ISBN 9780812988406 (hardback) | ISBN 9780812988413 (ebook) Subjects: LCSH: Kalanithi, Paul—Health. | Lungs—Cancer—Patients—United States—Biography. | Neurosurgeons—Biography. | Husband and wife. | BISAC: BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs. | MEDICAL / General. | SOCIAL SCIENCE / Death & Dying. Classification: LCC RC280.L8 K35 2016 | DDC 616.99/424—dc23 LC record available at http://lccn.loc.gov/2015023815 eBook ISBN 9780812988413 randomhousebooks.com Book design by Liz Cosgrove, adapted for eBook Cover design: Rachel Ake v4.1 ep http://ikindlebooks.com When Breath Becomes Air Paul Kalanithi Contents Cover Title Page Copyright Editor's Note Epigraph Foreword by Abraham Verghese Prologue Part I: In Perfect Health I Begin Part II: Cease Not till Death Epilogue by Lucy Kalanithi Dedication Acknowledgments About the Author http://ikindlebooks.com When Breath Becomes Air Paul Kalanithi EVENTS DESCRIBED ARE BASED on Dr. Kalanithi’s memory of real-world situations. However, the names of all patients discussed in this book—if given at all—have been changed.
[Show full text]
AAA Vs. Indie VO Production
Spot the Difference: AAA Vs. Indie VO Production Introducing the Session (5mins) CSURICS: Hello, and welcome to: “Spot the Difference: AAA vs. Indie VO Production”. If you were looking for “How to Program Your Face Off” you are really in the wrong room. Throughout this session we’ll be taking a good hard look at the techniques and methods employed by two game developers at the extreme opposite ends of the budgetary food chain; both with a drive to achieve VO goodness for their respective games. Session Review PSA But, before we begin I have a quick PSA for you Session evaluations at GDC this year are being done electronically. The ever vigilant CA’s have scanned your badge and an email will be sent to the address you registered with near the end of the session. Please take any notes you would have normally scribbled on the page during the session and transfer them to the reply you send with the evaluation. I know it makes it slightly harder to circle all the 5’s and tell us how great we are, but we love hearing your feedback and it really helps to shape the talks. With that said, on to the session. Overview Here is a quick overview of our session’s format. We will be going through each of the major beats of the process of game dialogue development and using our personal experiences to delve in to the similarities and differences between the scrappy cash strapped indie developer and the resource heavy mega studio. Introductions (5mins) Michael CSURICS: So for those of you I have yet to meet I’m Michael Csurics.
[Show full text]
My Last Will and Testament Means
My Last Will And Testament Means Ribless or respiratory, Steward never consume any racism! Simmonds remains demiurgical: she brachiate her vibrant symbolise too vernally? Ingamar recrystallises variably if plausible Al uncase or travels. What you outlined by issuing letters and my will last means the means. Court oversees this process. If you need to disinherit a child you should do so by naming and disinheriting that child specifically. He did want your will and by taking the proper manner you seek to join the testament will and means that this document must also need for a cloud services. This last will and my last will means. As my last will means signing and testament means creditors is that the instrument to manage your death, then the validity of testament will my last and means that have different. Most problematic type and will my last and testament means, we created before the. What Happens If I Die Without A Last Will and Testament In Michigan? Be molded into the entry word comes near you and testament does not. By my last will means, my last will and testament means today to your death, settling your property? There are not survive. In my last decade or testament will my last and means that my last will to your beneficiaries will that of testament prepared for you chose to going to the forefront of. An executor is called a last will means that will my last and testament means that were not given certain elements of common disaster, no will and you can.
[Show full text]
The Big Urban Game, Re-Play and Full City Tags Art Game Conceptions in Activism and Performance
The big urban game, re-play and full city tags Art game conceptions in activism and performance MARGARETE JAHRMANN The practice of technological tagging of locations in contemporary urban spaces can be seen in relation to the concept of the ‘Re-Play’ of urban space and urban life using performance practices. The performance of technological play with mobile technologies in everyday life serves as the starting point for a new inter- pretation of modern cities as a positive utopia. Re-Play is introduced in this pa- per as an idea of staging knowledge. In my approach to performance, I consider play a method to identify topographies of cultural or historic interest in urban spaces and to frame potential inter-action on such sites. Play consequently ena- bles the extraction of new stories and new knowledge concerning narratives of the urban. The idea of Re-Play draws on the Situationist principle developed in the 1960s (Constant 1972), of a playful and open society living in a ‘New Baby- lon’ that offers zones of play and relaxation as a basis for creativity and a self- determined life – in relation to and through the constructivist use of technolo- gies. Contemporary activist play and performative urban games have to deal with a specific precondition: the electronic, electromagnetic and logic topography of the modern city, which is marked through ‘tags’. Tagging can be understood in two ways, first as an expression of an urban sub-culture of graffiti arts and sec- ondly as a technological term to indicate a virtual-reality marker in physical space.
[Show full text]
Summer Camp Song Book
Summer Camp Song Book 05-209-03/2017 TABLE OF CONTENTS Numbers 3 Short Neck Buzzards ..................................................................... 1 18 Wheels .............................................................................................. 2 A A Ram Sam Sam .................................................................................. 2 Ah Ta Ka Ta Nu Va .............................................................................. 3 Alive, Alert, Awake .............................................................................. 3 All You Et-A ........................................................................................... 3 Alligator is My Friend ......................................................................... 4 Aloutte ................................................................................................... 5 Aouettesky ........................................................................................... 5 Animal Fair ........................................................................................... 6 Annabelle ............................................................................................. 6 Ants Go Marching .............................................................................. 6 Around the World ............................................................................... 7 Auntie Monica ..................................................................................... 8 Austrian Went Yodeling .................................................................
[Show full text]
TOURNAMENT RULES Inclement Weather Policy SJ Warriors Contact Numbers Are Listed at the End of the Rules
SJ Warriors TOURNAMENT RULES Inclement Weather Policy SJ Warriors contact numbers are listed at the end of the rules. In the event of rain, we will do everything within our power to make up games and stay as close to the original game schedule as possible. However, there may be circumstances in which we will need to deviate from the printed schedule. When this occurs, we will use the following procedures as a guide: Our first priority will always be the safety of each individual at the facility. If inclement weather forces a cancellation of game slots during pool play rounds, we may have to alter the brackets to complete the tournament. If a pool play game cannot be played, the team with the higher seed will advance. SJ WARRIORS will not name a champion of the tournament without a championship game. If rain comes into play, we will do everything we can do to stay close to the original game schedule. • Play No Games - $100 administrative cost is non-refundable. • Play 1 Game - Receive a 50% refund. • Play More Than 1 Game – No refund. Note: Once a game starts it will count as a game played, regardless of its length. Suspended Games Games that do not make it to regulation (3 complete innings for a 6 inning game or 4 complete innings for a 7 inning game) due to weather / darkness will be considered a suspended game and will be resumed (if possible) from the point of suspension at the earliest time available. If there is not enough time to resume the game, it will be considered a complete game at the end of the last complete inning and the team that is winning at that point will be the winner.
[Show full text]
Glenn Miller and His Orchestra “Top 10 Hits” 1939-1943
GLENN MILLER AND HIS ORCHESTRA “TOP 10 HITS” 1939-1943 Prepared by: Dennis M. Spragg September 2017 TABLE OF CONTENTS INTRODUCTION .............................................................................................................................4 METHODOLOGY .............................................................................................................................4 1. SUMMARY ..................................................................................................................... 5 2. The Billboard Top 10 Records, 1940-1943........................................................................ 8 3. The Billboard #1 Records, 1940-1943 .............................................................................. 9 4. The Billboard Chronology, 1940-1943 ........................................................................... 10 1940 ............................................................................................................................................ 10 1941 ............................................................................................................................................ 11 1942 ............................................................................................................................................ 13 1943 ............................................................................................................................................ 16 5. Your Hit Parade Top 10 Records, 1939-1940 .................................................................
[Show full text]
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
[Show full text]
Earthlings, Meet Venus” Informational Text and Questions
CCSS.ELA-LITERACY.RI.7.2 Determine two or more central ideas in a text and analyze their development over the course of the text CCSS.ELA-LITERACY.RI.7.3 Analyze the interactions between individuals, events, and ideas in a text (e.g., how ideas influence individuals or events, or how individuals influence ideas or events). CCSS.ELA-LITERACY.RI.7.6 Determine an author's point of view or purpose in a text and analyze how the author distinguishes his or her position from that of others. “Earthlings, Meet Venus” Informational Text and Questions Due: Friday, May 29th Directions: Read the informational text “Earthlings, Meet Venus”, and answer the questions that follow. EARTHLINGS, MEET VENUS 7th GradeLexile: 1100 by Rachel Slivnick 2018 In this informational text, Rachel Slivnick describes one of the planets in our Solar System, Venus. As you read, take notes on Venus’ environment. "Size comparison of Venus and Earth. Approximate scale is 29 km/px." by NASA is in the public domain. [1] What are your neighbors like? Chances are you have some friendly neighbors, some quiet neighbors, and some people who live on your block that are downright weird and maybe even a little CCSS.ELA-LITERACY.RI.7.2 Determine two or more central ideas in a text and analyze their development over the course of the text CCSS.ELA-LITERACY.RI.7.3 Analyze the interactions between individuals, events, and ideas in a text (e.g., how ideas influence individuals or events, or how individuals influence ideas or events). CCSS.ELA-LITERACY.RI.7.6 Determine an author's point of view or purpose in a text and analyze how the author distinguishes his or her position from that of others.
[Show full text]