DOCSLIB.ORG

Philip Hunter Cv

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PHILIP HUNTER CV EDUCATION 1996-99, Doctor of Philosophy, Deakin University 1993-95, Master of Fine Art, Victorian College of the Arts 1977-79, Diploma of Art and Design, Prahran College of Advanced Education SELECTED SOLO EXHIBITIONS 2016 Philip Hunter - Geophonics, Sophie Gannon Gallery, Melbourne Philip Hunter - Geophonics, Michael Reid Gallery, Sydney 2015 Philip Hunter - Geophonics, Turner Galleries, Perth 2014 Philip Hunter - Geosphere, Philip Bacon Galleries, Brisbane Philip Hunter - Geomorpher, Olsen Irwin, Sydney 2013 Philip Hunter - Geobloom, Sophie Gannon Gallery, Melbourne 2011 Philip Hunter – Southern Oscillations, Block Projects, Melbourne Philip Hunter – Phantom Surge, Tim Olsen Gallery, Sydney 2010 Philip Hunter – Traces of Rain, Philip Bacon Galleries, Brisbane Between the Lines, Philip Hunter Drawings, Latrobe University Museumof Art, Latrobe University, Bundoora and Latrobe University Gallery, Bendigo 2009 Between the Lines - Philip Hunter Drawings, Latrobe University Museum of Art Exhibition, Stefano’s Gallery 25, Palimpsest Festival, Mildura 2008 Philip Hunter –Lines in the Dirt, Tim Olsen Galleries, Sydney. 2006 Philip Hunter: Philip Bacon Galleries, Brisbane. 2005 Philip Hunter: Christine Abrahams Gallery, Melbourne. 2004 Philip Hunter - Plains, Tim Olsen Gallery, Sydney. Philip Hunter - Flatlands, Horsham Regional Art Gallery. The Flatlands Project. Tim Olsen Gallery (annexe), Sydney. Philip Hunter. Tim Olsen Gallery, Melbourne Art Fair, Melbourne. 2003 Philip Hunter. The Victorian College of the Arts Gallery, Melbourne. Philip Hunter. Philip Bacon Galleries, Brisbane 2002 Wimmera.The Work of Philip Hunter, Tim Olsen Gallery, Sydney. 2001 The Plains. Ian Potter Museum of Art, The University of Melbourne. 2000 Ben Grady Gallery, Canberra Smyrnios Gallery, Melbourne PHILIP HUNTER CV 1999 Geelong Art Gallery, Geelong. Smyrnios Gallery, Melbourne. 1998 The Nolan Gallery, Lanyon, Canberra. Smyrnios Gallery, Melbourne. 1995 Changing Landscapes-New Prospects, Meridian Gallery, Melbourne. 1992 The Territory - 1st Hemisphere, Monash University Gallery, Melbourne. The Garden Cycle, Macquarie Gallery, Sydney. 1990 The Visit Cycle, City Gallery, Melbourne. 1989 The Continent Cycle, City Gallery, Melbourne. 1988 The Northern Landscapes, City Gallery (United Artists), Melbourne. 1987 United Artists Gallery, Melbourne. The Warrnambool Art Gallery, Victoria. 1986 70 Arden Street, Melbourne. 1984 Christine Abrahams Gallery (Axiom Gallery), Melbourne. 1982 Axiom Gallery, Melbourne. SELECTED GROUP EXHIBITIONS 2016 The Landscape 1804 – 2015, Philip Bacon Galleries, Brisbane. 2015 Contemporary Australian Drawing#5 (CAD), SACI, Florence. Tattersall’s Club Landscape Prize, Brisbane. 2014 The Skullbone Experiment’, Queen Victoria Museum and Art Gallery, Launceston and COFA, Sydney. 2013 Reading the Space: Contemporary Australian Drawing #3, New York Studio School, New York. 2010 Abstract Nature, The Samstag Museum of Art, The University of South Australia. Contemporary Australian Drawing #1, RMIT University Gallery, Melbourne. Constellations. A Large Number of Small Drawings, RMIT University, Gallery, Melbourne. 2008 The View From Here 11, Christine Abrahams Gallery, Melbourne Fictions, Monash University Museum of Art. 2006 Hunter, Rees, Williams - lithographs and etchings , Christine Abrahams, Gallery, Melbourne. National Works on Paper, Mornington Peninsula Gallery. PHILIP HUNTER CV 2005 Imaging the Apple. Curated by Dr. John R. Neeson. Ballarat Fine Art Gallery, Ballarat. Plimsoll Gallery, Centre for the Arts, University of Tasmania, Hobart. Latrobe Regional Gallery, Morwell. RMIT Project Space, Melbourne. Geelong Art Gallery, Geelong. Noosa Regional Art Gallery, Tewantin QLD. War Memorial Art Gallery, University of Sydney, Camperdown Campus, Sydney. McClelland Gallery, Langwarrin 2004 Before Night - After Nature, Monash University Museum of Art. 2003 North: Art From The Other Side of the Yarra, LaTrobe University, Bundoora Homestead Art Centre, Bundoora. 2002 Nocturne: Images of Night and Darkness, Mornington Peninsula Regional Gallery. Transit Narratives, Le Venezie, Italy, Victorian College of the Arts, Queensland College of Art, Tasmanian School of Art and the Curtin University School of Art. 2001 The Plains: Wimmera and the Imaging of Australian Landscape, Philip Hunter and Sir Sidney Nolan, The Ian Potter Museum of Art, The University of Melbourne, in conjunction with the Melbourne Festival, 2001 2000 Darkness and Light, McClelland Gallery, Geelong Art Gallery, Ballarat Art Gallery, Auckland Museum and Gallery. 1999 National Works on Paper, Mornington Peninsula Gallery. 1998 National Works on Paper, Mornington Peninsula Gallery. The Sixth Australian Contemporary Art Fair, Melbourne. Geelong Contemporary Art Prize, Geelong Art Gallery. 1996 The Sulman Prize, The Art Gallery of New South Wales. Archibald, Wynne and Sulman Prizes: Regional tour of selected works. The Geelong Contemporary Art Prize, Geelong Art Gallery. Works on Paper, Wimbledon School of Art, London; Cheltenham and Gloucester College of Higher Education, Cheltenham; Victorian College of the Arts, Melbourne. 1994 Between the Paddock and the House, Philip Hunter and Greg Wain, Meridian Gallery, Melbourne. The Baillieu Myer Collection, Museum of Modern Art at Heide, Melbourne. Fourth Australian Contemporary Art Fair, Melbourne. Meridian at Song He Tang, Beijing, China. Chinese Art Exposition, Guangzhou, China. Tableaux, Monash University Gallery, Monash University, Melbourne PHILIP HUNTER CV 1993 Moet & Chandon Touring Exhibition. 1992 Moet & Chandon Touring Exhibition. 1991 Moet & Chandon Touring Exhibition. Tokyo Art Expo, Tokyo, Japan. Transitional Times: The Approaching Fin de Siècle, Victorian Print Workshop, Melbourne. 1990 Scotchman’s Hill Art Prize, Geelong Art Gallery, Victoria. Prints and Drawings - Recent Acquisitions 1986-90, National Gallery, Victoria, Melbourne. Second Australian Contemporary Art Fair, Exhibition Building, Melbourne. The Mornington Peninsula Art Centre Prints Acquisitive, Mornington. 1989 6 x 3 and Paul Grabowsky Performance, (Spiral Scratch Records), City Gallery, Melbourne. 1988 Moet and Chandon Touring Exhibition. A New Generation, Philip Morris Collection, Australian National Gallery. Directors’ Choice Exhibition, Storey Hall, RMIT Gallery, Melbourne. Melbourne Savage Club Invitation Drawing Prize. 1987 Artists in the Field, Darwin Natural History and Fine Arts Museum, Darwin. Koongarra: Philip Hunter and Ian Friend, National Australia Bank, Collins Street, Melbourne. 1986 Slouching Towards Bethlehem, 200 Gertrude Street Gallery, Melbourne. Fears and Scruples, University of Melbourne Gallery, Melbourne. 1984 The Australians, C.D.S. Gallery, New York. 1983 Australian Perspecta, The Art Gallery of New South Wales. 1982 Young Melbourne Painters, Monash University Exhibition Gallery, Melbourne. Ansett Art Award, Hamilton Regional Gallery, Hamilton, Victoria. COLLECTIONS National Gallery of Victoria, Melbourne; Australian National Gallery, Canberra; Queen Victoria Museum and Art Gallery, Launceston; Tasmanian Museum and Art Gallery, Hobart; The Baillieu Myer Collection, Museum of Modern Art at Heide, Victoria; Print Council Of Australia; Horsham Regional Art Gallery, Victoria; Ballarat Fine Art Gallery, Victoria; Hamilton Art Gallery, Victoria; Benalla Art Gallery, Victoria; Bendigo Art Gallery, Victoria; Warrnambool Art Gallery, Victoria; Mildura Arts Centre, Victoria; Tanworth City Art Gallery, New South Wales; Swan Hill High School, Victoria; Malvern Girls High School, Victoria; Camberwell Grammar School, Victoria; St. Catherine’s School, Victoria; Kirwan State High School, Western Australia; Deakin University Collection; Monash University Collection; Latrobe University Collection; The Victorian College of the Arts, The University of Melbourne; RMIT University, Melbourne; Customs House Gallery, Melbourne; Shell Australia Collection; Art bank, Australia; Canson Australia, Victoria; The Athenaeum Club, Melbourne; Melbourne Club, Melbourne; Macquarie Bank, Sydney; Deutsche Bank, Melbourne; KPMG Collection, Sydney; RACV PHILIP HUNTER CV Collection, Melbourne; Walter and Eliza Hall Institute of Medical Research, Melbourne. AWARDS 2015, Artist-in-Residence, Central Institute of Technology, Perth. 2003, Commission - KPMG, Sydney 2002, Artist-in-Residence, Bundanon Studios - Shoalhaven, NSW. 1998, Commission - Deutsche Bank, Melbourne. 1996-99, Australian Postgraduate Research Award 1994-95, Melbourne University Postgraduate Scholarship. 1992, Commission Print Council of Australia 1987, Artist-in-Residence, Canberra School of Art, Canberra. 1986, Artist-in-Residence, Artist in the Field Program, Darwin Natural History and Fine Arts Museum, Darwin. 1984, Australia Council, Visual Arts Board Grant. 1982, Ansett Art Award. Contact 44 Roslyn Gardens, Elizabeth Bay, NSW 2011 +61 2 8353 3500 [email protected] michaelreid.com.au.
Recommended publications
  • CLUNES Excel Print Copy.Xlsx

    CLUNES Excel Print Copy.Xlsx

    Contents ART - FROM AROUND THE WORLD......................................................................................................................................................................... 2 AUSTRALIAN HISTORY .............................................................................................................................................................................................. 5 CINEMA .......................................................................................................................................................................................................................... 13 INDIGENOUS .................................................................................................................................................................................................................. 16 MILITARY ....................................................................................................................................................................................................................... 17 OTHER STATES - NSW, TAS, QLD, SA, WA, & NT ............................................................................................................................................... 21 AUSTRALIAN RAILWAYS ............................................................................................................................................................................................... 25 SKETCH BOOKS ............................................................................................................................................................................................................
  • An Interpretive Case Study of the Design of the Emerging Cultural Landscape

    An Interpretive Case Study of the Design of the Emerging Cultural Landscape

    Design Research Society DRS Digital Library DRS Biennial Conference Series DRS2004 - Futureground Nov 17th, 12:00 AM Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape. Vince Dziekan Monash University Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Dziekan, V. (2004) Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape., in Redmond, J., Durling, D. and de Bono, A (eds.), Futureground - DRS International Conference 2004, 17-21 November, Melbourne, Australia. https://dl.designresearchsociety.org/drs- conference-papers/drs2004/researchpapers/22 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape. Vince Dziekan Position Statement Monash University In response to the call to “address the emerging context, which acknowledges that in recent years, media and information-technology shifts have changed the cultural landscape of design and designing”, this paper will contribute to the discourse of design’s fluid interrelationship with cultural activity and production by focussing on the resulting formation of art, new technology and the design of its institutions. If art since the advent of Modernism can be characterized by any single quality it would have to be its diversity… however, across the breadth of such aesthetic and stylistic difference remains its common, primary destination: the Museum.
  • Annual Report Contents About Museums Australia Inc

    Annual Report Contents About Museums Australia Inc

    Museums Australia (Victoria) Melbourne Museum Carlton Gardens, Carlton PO Box 385 Carlton South, Victoria 3053 (03) 8341 7344 Regional Freecall 1800 680 082 www.mavic.asn.au 08 annual report Contents About Museums Australia Inc. (Victoria) About Museums Australia Inc. (Victoria) .................................................................................................. 2 Mission Enabling museums and their Training and Professional Development President’s Report .................................................................................................................................... 3 services, including phone and print-based people to develop their capacity to inspire advice, referrals, workshops and seminars. Treasurer’s Report .................................................................................................................................... 4 Membership and Networking Executive Director’s Report ...................................................................................................................... 5 and engage their communities. to proactively and reactively identify initiatives for the benefit of existing and Management ............................................................................................................................................. 7 potential members and links with the wider museum sector. The weekly Training & Professional Development and Member Events ................................................................... 9 Statement of Purpose MA (Vic) represents
  • KATHRYN RYAN Lives and Works in Warrnambool VIC

    KATHRYN RYAN Lives and Works in Warrnambool VIC

    KATHRYN RYAN Lives and works in Warrnambool VIC SOLO EXHIBITIONS 2018 : South West Coast, Flinders Lane Gallery Melbourne ( May22- June 16) 2017 : Shifting Light, Olsen Gallery Sydney 2016: New Works : Olsen Irwin Works on Paper Gallery, Sydney 2016: New Works, Flinders Lane Gallery, Melbourne 2015: A Quiet Place, Paintings & Drawings 1995 – 2015 Warrnambool Art Gallery 2015: New Works: Olsen Irwin Works on Paper Gallery, Sydney, 2013: Shadow & Light, Flinders Lane Gallery Melbourne, 2012 : New Paintings, Tim Olsen Gallery , Sydney 2011 : Winter Landscapes, Flinders Lane Gallery, Melbourne 2010: New Paintings, Tim Olsen Gallery, Sydney 2009: New Paintings, Flinders Lane Gallery, Melbourne 2008: Recent Paintings, Tim Olsen Gallery, Sydney 2007: The Pines, Flinders Lane Gallery, Melbourne 2005: The South West, Flinders Lane Gallery, Melbourne 2003: Panmure Paddocks, Flinders Lane Gallery, Melbourne 2001: A Quiet Place, Flinders Lane Gallery, Melbourne 1999: Works on Paper, The Continental, Melbourne 1996: Paintings, Dianne Tanzer Gallery, Fitzroy AWARDS / PRIZES The Wynne Prize AGNSW : Finalist 2007, 2004, 2000 Salon des Refuses Wynne Selection: Finalist 2018 , 2017 , 2016, 2001, 1996, 1995 Lyn McCrea Memorial Drawing Prize, Noosa Regional Gallery QLD, Finalist 2018 Paul Guest Prize: Bendigo Art Gallery , Finalist 2016 Geelong Contemporary Art Prize: Finalist 2012 The John Leslie Art Prize for Landscape: Finalist 2012, 2018 Fleurieu Art Prize: Finalist 2011 Tattersall’s Club Art Prize for Landscape: Finalist 2017, 2016, 2015, 2014, 2013,
  • 2018-Annual-Report.Pdf

    2018-Annual-Report.Pdf

    2018 ANNUAL REPORT GROWING TODAY. BUILDING New Fishermans Bend Campus 2022* Southbank Campus Redevelopment 2019* New Student Precinct 2022* THE IDEAS OF Engineering ideas for the 21st century Melbourne’s new creative centre Bringing the campus community together The University is creating a world-class engineering school for the This ambitious $200 million project, including the new Melbourne Co-created with students, the New Student Precinct at Parkville will 21st century, including a new purpose-built engineering campus Conservatorium, brings music and fine arts students together at the provide a place for students to connect, engage and innovate. TOMORROW at Melbourne’s Fishermans Bend – Australia’s newest design and heart of the Melbourne Arts Precinct. It supports the Faculty of Fine Arts This vibrant precinct will bring together student services with study engineering precinct. and Music’s standing as a world-leading arts education institution with spaces, arts and cultural facilities with food and retail outlets; all in close cutting-edge facilities and strong industry links. proximity to the Parkville campus. Science Gallery Melbourne 2020* Old Quadrangle Redevelopment 2019* Western Edge Biosciences Parkville 2019* Werribee Campus Redevelopment 2019* Growing minds in arts and science Reaffirming the heart of the University Where modern facilities meet our living Victoria’s world-class home for veterinary The newest addition to an acclaimed international network with eight Following an extensive restoration and the incorporation of cultural and heritage education and animal treatment nodes worldwide, the landmark Science Gallery Melbourne will be event spaces, the Old Quad will be reaffirmed as the University’s cultural, Bringing three faculties together for the first time, our Western Edge Through a $63 million investment, the University is expanding its embedded in the University of Melbourne ’s new innovation precinct, civic and ceremonial heart.
  • News from the Collections

    News from the Collections

    News from the collections Grainger Museum reopening Melbourne Conservatorium of The Grainger Museum officially Music; Dr Peter Tregear of Monash re-opened on Friday 15 October, University; and Brian Allison and following a seven-year closure. Astrid Krautschneider, Curators of Over the past few years substantial the Grainger Museum. conservation works were carried out The Grainger Museum is located on the heritage-registered building on Royal Parade, near Gate 13, under the supervision of conservation Parkville Campus. The opening architects Lovell Chen, along with hours are Tuesday to Friday 1pm to improvements to the facilities for 4.30pm and Sunday 1pm to 4.30pm. visitors, collections and staff. The new Closed Monday and Saturday, public suite of exhibitions, curated by the holidays and Christmas through Grainger Museum staff and designed January. Percy’s Café is open 8am to by Lucy Bannyan of Bannyan Wood 5pm, Monday to Friday. For further Design, explore Grainger’s life, times information or to join the mailing list and work. Funding was provided see www.grainger.unimelb.edu.au. by the University, the University Library, the University Annual MacPherson, Ormond Professor of G.W.L. Marshall-Hall: Appeal, bequests and donors. The Music and Director of the Melbourne A symposium guest speaker at the launch was Conservatorium of Music. Professor The collections of the Grainger Professor Malcolm Gillies, Vice- Gillies’ keynote paper ‘Grainger Museum provide an invaluable Chancellor of London Metropolitan 50 years on’ explored Percy Grainger’s research resource that extend far University and a leading Grainger current place in both the world of beyond the life and music of Percy scholar.
  • Strategic Plan Geelong Gallery

    Strategic Plan Geelong Gallery

    GEELONG GALLERY STRATEGIC PLAN 2020–2023 0 GEELONG GALLERY STRATEGIC PLAN 2020 – 2023 Endorsed by Geelong Gallery Board 21 September 2020 CONTENTS 1. Our Purpose 3 2. Introduction 3 3. Organisational Background 4 4. Strategic Plan 6 1 GEELONG GALLERY STRATEGIC PLAN 2020 – 2023 Endorsed by Geelong Gallery Board 21 September 2020 1. OUR PURPOSE Geelong Gallery’s purpose is to provide an experience of art that will enrich people’s lives. PILLARS Geelong Gallery’s purpose is underpinned by four pillars: 1. Geelong Gallery will deliver artistic and cultural advancement for the community thus making Geelong a more liveable City; 2. Geelong Gallery will bring economic benefit to the region through tourism arising from its exhibitions and events; 3. Geelong Gallery will connect and empower people by promoting equity, diversity, inclusion, access and lifelong learning; 4. Geelong Gallery will expand its premises to provide greater access to its collections and exhibitions, in order to significantly enhance the delivery of its aims in the first, second and third pillars. 2. INTRODUCTION This document summarises the strategic direction of Geelong Gallery for the period 2020–2023. This Plan is endorsed by the Geelong Gallery Board and supported by six key sub-committees of the Board focussed on the Governance and guidance of Gallery operations. The plan is implemented by Senior Management via detailed annual business plans. While many Gallery activities delivered are quantifiable, the primary outcomes of the Gallery’s core business — across exhibitions, learning and public programs, and visitor experience — are qualitative: beyond conventional accounting and measurement, and reliant on peer, popular and critical response in the short and long term, and on the cumulative effects of learning, engagement and self-determination.
  • ANNUAL REPORT 2013 / 2014 Page 1

    ANNUAL REPORT 2013 / 2014 Page 1

    Geelong Community Foundation ANNUAL REPORT 2013 / 2014 Page 1 Geelong Community Foundation Your Gift Working Forever Annual Report 2013/2014 OUR CORE PURPOSE Geelong Community Foundation ANNUAL REPORT 2013 / 2014 Page 2 The Geelong Community Foundation exists to make a positive and Our Structure lasting difference to people in the Geelong region. The Foundation has been endorsed by the Australian Tax Office as Our Role a charity. Donations to the Foundation’s Gift Fund are tax deductible The Geelong region has needs which are not being met from and the Foundation is exempt from tax. other funding sources. The Geelong Community Foundation The Foundation has been set up to support the people living in the encourages individuals, families, business and other organisations City of Greater Geelong, the Borough of Queenscliffe, the Surf to make donations to meet these needs, now and in the future. Coast Shire and the southern part of the Golden Plains Shire. These donations are retained as capital by the Foundation to build a perpetual and substantial fund for philanthropic purposes, with the The Foundation is governed by a volunteer board of Directors, with income from this capital used to make local community grants. a wide range of skills, experience and an extensive knowledge of the community. The Foundation is able to support charitable organisations across Our Major Aims the full spectrum of health and welfare services, as well as cultural • Manage and invest funds prudently to achieve fund growth and programs and environmental projects. good returns • Make grants for the long-term benefit of our community and evaluate their effectiveness • Provide a simple, cost effective way to make substantial donations to our community • Be part of new initiatives and achievements in community building • Maintain the highest professional standards, service and transparency to the community Geelong Community Foundation Tag Line The Foundation adopted a new Tag Line this year which is “Your Gift Working Forever”.
  • Heritage Precincts: History and Significance

    Heritage Precincts: History and Significance

    MELBOURNE PLANNING SCHEME TABLE OF CONTENTS Introduction 4 1 The City of Melbourne 5 Background History 5 City of Melbourne Summary Statement of Significance 11 2. Carlton Heritage Precinct 13 Background History 13 Statement of Significance for Carlton Heritage Precinct 16 3. East Melbourne Heritage Precinct including Jolimont and the Parliamentary Precinct 19 Background History 19 0 Statement of Significance for East Melbourne Heritage Precinct including Jolimont and the Parliamentary Precinct 22 4. Kensington & Flour Milling Heritage Precinct 27 Background History 27 Statement of Significance for Kensington & Flour Milling Heritage Precinct 29 5. North & West Melbourne Heritage Precinct 31 Background History 31 Statement of Significance for North & West Melbourne Heritage Precinct 34 6. Parkville Heritage Precinct 37 Background History 37 Statement of Significance for Perky'Ile Heritage Precinct 40 7. South Yarra Heritage Precinct 43 Background History 43 Statement of Significance for South Yarra Heritage Precinct 46 8. Bank Place Heritage Precinct 50 Background History 50 Statement of Significance for Bank Place Heritage Precinct 52 9. Bourke Hill Heritage Precinct 54 Background History 54 Statement of Significance for Bourke Hill Heritage Precinct 56 10. Collins Street East Heritage Precinct59 Background History 59 Statement of Significance for Collins Street East Heritage Precinct 61 REFERENCE DOCUMENT - PAGE 2 OF 94 MELBOURNE PLANNING SCHEME 11. Flinders Lane Heritage Precinct 64 Background History 64 Statement of Significance for Flinders Lane Heritage Precinct 65 12. Flinders Street Heritage Precinct 68 Background History 68 Statement of Significance for Flinders Street Heritage Precinct 69 13. Guildford Lane Heritage Precinct 72 Background History 72 Statement of Significance for Guildford Lane Heritage Precinct 73 14.
  • Bruce Thurrowgood — CV

    Bruce Thurrowgood — CV

    bruce thurrowgood — CV handmark QUALIFICATIONS 1971-74 Diploma Art & Design (Painting and Printmaking), Gordon Institute of Technology, Geelong 1974 Sumie Painting, with Andre’ Sollier, Melbourne 1988 Diploma of Education, Hawthorn Institute of Education, Melbourne SOLO EXHIBITIONS 2020 Handmark Gallery, Hobart 2003 Qdos, Lorne 2001-2 Qdos, Lorne 2000 Wholefoods Cafe & Gallery, Geelong 1994 Lauraine Diggins Fine Art, Melbourne 1991-2 Qdos, Lorne 1985 Pinacotheca, Waltham Place, Richmond, Melbourne 1982 Pinacotheca, Waltham Place, Richmond, Melbourne 1976 Works Gallery, Geelong 1975 Flinders Gallery, Geelong GROUP EXHIBITIONS 2013-14 Qdos, Lorne 2001 Art Company of Australia, ‘Skin’, Ocean Grove 2000 Wall Street Exchange, ‘Realities’, Qantas Club Lounge, Melbourne 1996 Lauraine Diggins Fine Art, Garden’s House, Royal Botanic Gardens, Melbourne 1995 Lauraine Diggins Fine Art 1995 Lauraine Diggins Fine Art, ‘Different Views: Aspects of the Landscape’ 1993 Geelong Art Gallery, ‘Survey 14: Images of the Geelong Region’ 1991 Geelong Art Gallery, ‘Survey 12: A Regional Review’ 1990 Qdos, Lorne 1988 Pinacotheca, 'Pinacotheca Artists', Richmond 1987 Deakin University Gallery, Geelong 1985 Geelong Art Gallery, ‘Survey surveyed’ 1983 Geelong Art Gallery, 'Survey 6' 1980 Niagara Galleries, Melbourne 1977 Geelong Art Gallery, 'Didn’t you go to the Gordon?’ 1976 Mildura Art Gallery, ‘The Mask Show’ 1976 Geelong Art Gallery, ‘Heads’ handmark.com.au bruce thurrowgood — CV 02 GROUP EXHIBITIONS 1975 Age Gallery, Melbourne, ‘A Look at a Region’ 1975 Geelong
  • Curatorial Assistant

    Curatorial Assistant

    Position Description – Curatorial Assistant Position Details Position Title: Curatorial Assistant Position Number: NEW Portfolio: Research & Innovation Portfolio School/Group: Research Office (Design Hub) Campus Location: Based at the City campus, but may be required to work at other campuses of the University. Classification: HEW 5 (Salary Schedule: http://www.rmit.edu.au/browse;ID=ewhtlt73t01) Employment Type: Continuing Time Fraction: 1.0 FTE (Tuesday–Saturday during exhibitions, Monday–Friday during non-exhibition periods) RMIT University RMIT is a global university of technology, design and enterprise in which teaching, research and engagement are central to achieving positive impact and creating life-changing experiences for our students. One of Australia’s original educational institutions founded in 1887, RMIT University now has 83,000 students including 12,000 at postgraduate level. The University enjoys an international reputation for excellence in professional and vocational education, applied and innovative research, and engagement with the needs of industry and the community. With three campuses in Melbourne (City, Brunswick and Bundoora), two in Vietnam (Hanoi and Ho Chi Minh City) and a centre in Barcelona, Spain, RMIT is a truly global university. RMIT also offers programs through partners in Singapore, Hong Kong, mainland China, Indonesia and Sri Lanka, and enjoys research and industry partnerships on every continent. RMIT prides itself on the strong industry links it has forged over its 130-year history. Collaboration with industry is integral to the University’s leadership in applied research and education, and to the development of highly skilled, globally focused graduates. We are a 5-Star university under the QS Stars international evaluation system, and are 16th in the world among universities less than 50 years old (2016–17 QS Top 50 Under 50 index).
  • Guided Tour Map (PDF 2MB)

    Guided Tour Map (PDF 2MB)

    Map V4 EXPLORE the UNIVERSITY OF MELBOURNE STORIES SECRETS ONE OF THE WORLD’S MOST BEAUTIFUL DISCOVER AND INSPIRING UNIVERSITY CAMPUSES. WELCOME! WELCOME TO THE UNIVERSITY OF MELBOURNE, AN INTERNATIONALLY RECOGNISED RESEARCH-INTENSIVE UNIVERSITY WITH A TRADITION OF EXCELLENCE IN TEACHING AND LEARNING, RESEARCH AND RESEARCH TRAINING, AND COMMUNITY ENGAGEMENT. THE UNIVERSITY WAS FOUNDED IN 1853, AND IS SITUATED IN THE HEART OF THE WORLD’S MOST LIVEABLE CITY. USE THIS MAP TO PLAN YOUR VISIT – WHETHER YOU’RE DISCOVERING 150 YEARS OF MELBOURNE’S HISTORY, ABOUT TO STUDY OR WORK HERE, OR JUST WANT TO EXPLORE OUR BEAUTIFUL CAMPUS. GETTING AROUND ON FOOT MELBOURNE VISITOR SHUTTLE The Parkville campus is a 15–20 minute walk The Melbourne Visitor Shuttle hop-on-hop-off bus north of Melbourne’s CBD. includes a stop at the University of Melbourne. Climb aboard and explore any of the 13 precincts. The University is Stop 7. Tickets are $10. BY TRAM, TRAIN OR BUS www.thatsmelbourne.com.au Catch the number 19 tram on Elizabeth Street and alight at Stop 14, or tram number 1, 3/3a, 5, 6, 8, 16, GRAB A MEMENTO OF YOUR VISIT 64, 67 or 72 on Swanston Street and alight at the Melbourne University Tram Stop. TO THE UNIVERSITY OF MELBOURNE The 401 bus from North Melbourne train station is A great selection of University of Melbourne clothes a free shuttle for validated public transport ticket and merchandise is available at the Co-op Bookshop holders stopping at the Royal Melbourne and at Stop 1 on the corner of Grattan and Swanston Women’s hospitals and the University of Melbourne’s Streets or online: www.shop.unimelb.edu.au Gate 10 on Grattan Street.