Gimme Something to Feel

Total Page:16

File Type:pdf, Size:1020Kb

Gimme Something to Feel Page 8 Los Angeles Free Press December 7, 1973 science (". Sell my heart to the junkman, and give-my love to Rose.") with the tart "Christ­ mas in Prison" currently running axlose second ("The search light in the big yard swings round with the gun and spotlights the snowflakes like dust in the sun LOUDON WAINWRIGHT III ATTEMPTED MUSTACHE harmonica style, late Velvet It's always pleasant when you can begin a column with a positive Sweet Revenge. (John Prine) Underground in the general comment like this: She lived up to all my expectations and more. Produced by Arif Mardin. sound and clean, almost polite, I'm referring, of course, to Dory Previn who played to four sold-out Atlantic SD 7274. lead guitar, Bowie in the voice houses at the Troubadour last weekend. Dory performed songs from * * * * and show-biz savvy. Then the her standard repertoir (with a few notable exceptions excised for words start coming through and lack of time) plus four new songs "Coldwater Canyon" and Attempted Mustache. (Loudon you realize that Murphy could "Brando" being exceptional standouts and a song called "The Em­ Wainwright, III) Produced by just as easily be you or me as press of China" being the only weak piece (in the sense that the idea Bob Johnston. Columbia KG some big-headed kid from subur­ seems incomplete, the song unfinished) of the entire set. Peter 32710. ban Long Island. The surprising Jameson and Bob Wachtel on guitars provided the musical accom­ * * * * thing is that his being, in his own other paniment (Dory's guitar was unamplified and unmiked). Todd Funny Coincidences of the Wainwright, on the words, "so low down middle Everett's more detailed review of what is probably the most Week: John Prine and Loudon hand, has written a Liza class," works so well foe him. memorable show I have seen all year at the Troubadour appears Wainwright, III have each Minnelli song that's even more In contrast to Alice Cooper, elsewhere in this issue. released a new album within two bitter than Peter Alien's Liza whose appeal stems largely from weeks of one another. Minnelli song, and a lullabye to his outrageous teenage fantasies end all lullabies ("Shut up and Gris-Gris Goes Ga-Ga Each deals in social and moral and freak-outs, Murphy's per­ count some sheep and do me a in a Troubadour, I stopped by last Friday night to issues. sona is direct and based Speaking of the favor don't bitch in your sleep common to many of us. catch Dr. John's set one more time, and I (and the rest of the Each writer often uses the reality "story" as a device. .") He's grown up, moved away from audience) received an unexpected treat. For both the second and Both gentlemen are articulate, John's friends stopped by to Each writer/singer has been home and is into new scenes; but third shows that evening, a few of Dr. amusing and entertaining. and roll were far from together, but the energy and excite­ hailed as "the next Dylan." he's still hung up on rock jam. The results Prine's got the reputation, if not and his roots to his hometown ment made for one of the most fun rock and roll parties I have ever Each has a high, reedy, nasal voice (see above item). the record sales; Wainwright's and family are closer than he'd stumbled upon. The "friends" who played during the second set got "Dead Skunk" (not on this like them to be. were John Lennon, Elton John and Bobby Woinack. Those drop­ Each has recorded his current album, for the most part, in album, though) but not the And he knows it, so his percep­ ping in for the third set were Cher, Joni Mitchell and Bonnie publicity. I enjoy them both, but and five of the six Nashville, and several of the tions turn out to be acute Bramlett. And for those of you who are into gossip, like 'em both more "live," life. "Last of the Rock "friends" gre more or less sinirlp thsii? dswS (YOU fi(rlir6 it OUt) same musicians play on both true to albums. without ali the extra in­ Stars," for instance, depicts the Little Caesar Lives struments, and wish they'd life of a high school rock and One of the most delightfully unpretentious autobiographies ever Each album includes one "live" cut, recorded in concert, record that way. roller while hinting that the to come out of Hollywood (especially during the current rash of Del Porter of a "comedy" song. music is existing on little more gossipy expose books) is Edward G. Robinson's All My Yesterdays. than momentum these days. Together with writer Leonard Spigelgass (who completed the book Each includes one song the ar­ tist didn't write. Aquashow (Elliott Murphy). "Like a Great Gatsby" and after the author's death), Robinson has created a most remarkable K. Siegel. "White Middle Class Blues" are of a human being who coincidentally happened to be a There are some differences, Produced by Peter portrait Polydor PD-5061. also tied to the suburbs, the legend. Perhaps the secret to this book (both in the writing and the though. Wainwright is taller than Prine. Wainwright is from When the opening cut on a latter in such an overplayed enjoyment of it) was that its author found the legend just as manner that it becomes an fascinating as the rest of the world did and the book is a convincing­ New York; Prine from Kentucky. debut album neatly summarizes Wainwright was born rich; Prine Ziggy Stardust and "American amusing self-parody. ly honest explanation of what that legend was all about. Nor does The album's class, though, Robinson neglect the man one Emanuel Goldenberg (Robinson's wasn't. Pie" and transcends them both, Wainwright's album was you know you're listening to takes place in the city: "Hangin' real name) who was behind the legend. From his constant con­ Out," complete with speeded up flict of art vs. the dollar to his maniacal penchant for art collecting produced by a man whose ex­ someone substantially more perience is largely in country than ordinary. The rest of "Sweet Jane" chord progression, (perhaps the art on his walls was the artistry he denied in himself) Murphy's most convincing vocal to his painfully protracted marriage, the author engages in the kind music. Prine's is a jazz and pop Aquashow confirms the man. Both producers, though, suspicion: Elliott Murphy is and lyrics that tell it all. When of self-examination that made him special both as a man and as a he sings, You can laugh or you legend. have worked with the last Dylan. someone to be reckoned with. Prine and can stab but we're all in the Although I may have made All My Yesterdays seem like pretty While both The first couple of times "serious" same damn show, it hits right heavy reading, it is not; it is a thoroughly entertaining book. If it Wainwright write through, you hear mainly the in­ has any flaws, it is only because Robinson was a bit too defensive songs as well as "funny" ones, fluences Dylan in the rifts and (please turn to page 10) (no, "apologetic") about some of his alleged political activities. neither's are that easy to Aside from a few heavy-handed pages towards the end, the reader categorize. Both have a way of can get almost as much enjoyment out of Edward G. Robinson's life drawing comedy from tragedy (witness Prine's "Things Could ROCK mu/ic as he apparently had living it. One note of caution: if you're looking for any Hollywood "dirt" Be Worse," about an auto acci­ you won't find it here. In fact. Robinson with the greatest dent, and Wainwright's and gentlemanly discretion has avoided any such cheap sen­ "Clockwork Chartreuse," about sationalism. All My Yesterdays is a book for all fans of the legend a couple of droogs). HOT BOOK/! who would like to know the man, and it is also a book for anyone My favorite song on Prine's """"""""" Any who could enjoy reading about a fascinating human being. album is "Please Don't Bury Me," about a fellow who wants Old Way You to donate parts of his body to Choose It Guru Goes Ga-Ga Rock and Ottier Pop Music. 1967-1973 As promised, I will keep my readers up to date on the activities of ROBERT CHRISTGAU ANY OLD WAY the 15-year-old sham and wunderkind. Guru Maharaj Ji. The following release from Zodiac News Service came across my desk YOU CHOOSE IT! this past week. Enjoy; I did. The Guru Maharaj Ji, the 15-year-old self-proclaimed 1W by Robert Christgau perfect master," lost a legal battle in India this week. :,, All about all kinds of rock mu­ The Indian government has announced that it has per­ manently confiscated $46,000 in cash and jewelry which ll sic and rock-music performers. customs officials claim the Guru was attempting to smuggle Here are Bob Dylan, the Roll­ into India last year. ing Stones, Bette Midler, the The alleged smuggling incident occurred last year when the New York Dolls, and many Guru and a number of his followers returned to India and others—from the days of flower attempted to pass through customs. One of his followers, Bihari Singh, was apprehended while trying to carry in an undeclared power to the new androgyny.
Recommended publications
  • Loudon Wainwright III Loudon Wainwright III Mp3, Flac, Wma
    Loudon Wainwright III Loudon Wainwright III mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Loudon Wainwright III Country: Germany Released: 1971 Style: Folk MP3 version RAR size: 1629 mb FLAC version RAR size: 1194 mb WMA version RAR size: 1591 mb Rating: 4.6 Votes: 620 Other Formats: XM MP1 AHX APE WAV VOX MP3 Tracklist A1 School Days 3:04 A2 Hospital Lady 4:03 A3 Ode To A Pittsburgh 3:13 A4 Glad To See You've Got Religion 3:53 A5 Uptown 2:42 B1 Black Uncle Remus 2:37 B2 Four Is A Magic Number 3:26 B3 I Don't Care 4:07 B4 Central Square Song 5:26 B5 Movies Are A Mother To Me 2:36 B6 Bruno's Place 3:31 Companies, etc. Recorded At – Mediasound Recorded At – A&R Studios Recorded At – Atlantic Studios Credits Design – Ira Friedlander Photography By – Lee Friedlander Producer – Loudon Wainwright III, Milton Kramer Recorded By – Elliot Scheiner (tracks: A1, A2, B2, B3), Jimmy Douglas* (tracks: A3 to A5, B4 to B5), Tony Bongiovi (tracks: B1) Written-By – Loudon Wainwright III Notes This LP is also referred to as "Album I". B1 recorded at Media Sound, New York. A1, A2, B2, B3 recorded at A&R Studios, New York. All other tracks recorded at Atlanic Recording Studios, New York. Barcode and Other Identifiers Matrix / Runout (Side A runout, stamped): R /S Alsdorf 40107-A Matrix / Runout (Side B runout, stamped): R /S Alsdorf 40107-VB Label Code: LC 0121 Other versions Category Artist Title (Format) Label Category Country Year Loudon Loudon Wainwright SD 8260 Atlantic SD 8260 US 1970 Wainwright III III (LP, Album) Loudon Loudon Wainwright Edsel ED 308 ED 308 UK 1989 Wainwright III III (LP, Album) Records Loudon Loudon Wainwright SD 8260 Atlantic SD 8260 US Unknown Wainwright III III (LP, Album, RI) Loudon Wainwright Loudon SD 8260 III (LP, Album, Atlantic SD 8260 US 1970 Wainwright III Promo) 2400 103, Loudon Loudon Wainwright Atlantic, 2400 103, UK 1971 2400103 Wainwright III III (LP, Album) Atlantic 2400103 Related Music albums to Loudon Wainwright III by Loudon Wainwright III 1.
    [Show full text]
  • Martha's Vineyard Concert Series
    THA’S VINEY AR ARD M SUMMER 2017 CONCERT SERIES 2ND ANNUAL SEASON ALL SHOWS ON SALE NOW! MVCONCERTSERIES.COM MARTHA’S VINEYARD CONCERT SERIES your year - round connection to Martha’s Vineyard SUmmER LINE-UP! JUNE 28 • AIMEE MANN over 6,500 photo, canvas WITH SPECIAL GUEST JONATHAN COULTON images & metal prints published agendas JULY 6 • LOUDON WAINWRIGHT III daily photos calendars JULY 13 • PINK MARTINI sent to your inbox notecards WITH LEAD SINGER CHINA FORBES JULY 18 • GRAHAM NASH JULY 23 • PRESERVATION HALL JAZZ BAND JULY 29 • JACKOPIERCE WITH SPECIAL GUEST IAN MURRAY FROM VINEYARD VINES AUGUST 15 • THE CAPITOL STEPS ALL NEW SHOW! ORANGE IS THE NEW BARACK AUGUST 19 • ARETHA FRANKLIN AUGUST 21 • DIRTY DOZEN BRAss BAND AUGUST 23 • BLACK VIOLIN GET YOUR TICKETS TODAY! www.vineyardcolors.com MVCONCERTSERIES.COM AIMEE MANN WITH SPECIAL GUEST JONATHON COULTON WEDNESDAY, JUNE 28 | MARTHA’S VINEYARD PAC Aimee Mann is an American rock singer-songwriter, bassist and guitarist. In 1983, she co-founded ‘Til Tuesday, a new-wave band that found success with its first album, Voices Carry. The title track became an MTV favorite, winning the MTV Video Music Award for Best New Artist, propelling Mann and the band into the spotlight. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than ‘Til Tuesday’s albums, and received uniformly positive reviews upon its release in the summer of 1993. Mann’s song “Save Me” from the soundtrack to the Paul Thomas Anderson film Magnolia was nominated for an Academy® Award and a Grammy®.
    [Show full text]
  • Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy
    Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy Webb, Robert Forster, Leonard Cohen, Pamela Des Barres, Ian Hunter, Mod Art & a Few of Our Other Favourite Things. 2017/18 CATALOGUE 2017/18 CATALOGUE CONTENTS For over forty years Omnibus Press has been publishing the stories that matter from the music NEW TITLES 4 world. Omnibus Press is the World’s/Europe’s GIFT GUIDE 26 largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist ROCK 28 of over two hundred and seventy titles currently in THE BEATLES 37 print and many more as digital downloads. POP 39 Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, PUNK & ALTERNATIVE 41 rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list METAL 44 to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist GRAPHIC NOVELS 45 Pete Frame, three editions of which remain in print to this day and have been the basis of two PHOTOGRAPHY 46 BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed CLASSICAL 48 Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, RHINEGOLD 49 Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music OTHER 50 Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by THE LITTLE BLACK SONGBOOK 51 magazines and critics as being amongst the finest rock biographies ever published.
    [Show full text]
  • Elliott Murphy & Band
    De parijse concerttempel Bercy. Ergens in 1992, haalt Bruce Springsteen een oude vriend Elliott Murphy & Band het podium op, “we zijn beide begonnen met muziek in de zeventiger jaren in New York City” introduceert Bruce de Amerikaan. Samen voor één microfoon en gewapend met akoestische th gitaren brengen ze het mooie ‘Rock ballad’, van het album ‘Just a story from America’ ten Friday, February 7 , 2003 gehore. Vanaf dan kruisen Elliotts en Bruces paden elkaar steeds vaker. Bij Springsteens laatste Belgische doortocht waren ze nog samen te zien in Flanders Expo en ook in Londen en Parijs was Elliott telkens van de partij. Bruce Springsteen is echter niet de enige grote meneer waar Elliott Murphy mee optrok. Hij maakte ook muziek met leden van o.a. The Velvet Underground, Talking Heads, The Violent Femmes, The Smithereens, neo-folkie Shawn Colvin. Ook Phil Collins en Billy Joel behoren tot zijn kennissenkring. In twee decennia heeft de multigetalenteerde Murphy naast zijn platen, een verzameling korte verhalen en een boek uitgebracht en was hij te zien in de film “Roma” van Fellini. Murphy was ook interviewer voor muziekbladen Spin en Rolling Stone. His name is Elliott James Murphy and his is one of the more remarkable stories in modern rock'n roll! Afkomstig uit Long Island - New York, begon Elliott Murphy zijn carrière eind jaren zestig. Hij kende zijn eerste succes in 1973 met het album "Aquashow ". Op dit ogenblik meende zijn platenfirma de nieuwe Bob Dylan ontdekt te hebben. Hij doorkruist zo Amerika in de jaren 70, maar zonder echt een groot commercieel succes te hebben.Het is eerder in Frankrijk dat hij een ware doorbraak zal kennen, dit bracht hem er toe in Parijs te gaan wonen.
    [Show full text]
  • Joe Avery's Blues / the Eureka Brass Band Jazz at Preservation Hall [1] (LP)
    2008/02/02 ゲストに文屋章さん、吉田淳さんを迎えて。 Joe Avery's Blues / The Eureka Brass Band Jazz At Preservation Hall [1] (LP) My Feet Can't Fail Me Now / Dirty Dozen Brass Band My Feet Can't Fail Me Now (LP) Do Watcha Wanna / Rebirth Brass Band Do Watcha Wanna Hail King Zulu / Wardell Quezergue and His Slammin' Big Band Maestropiece Carnival Day / Dave Bartholomew The Chronological Dave Bartholomew 1947-1950 She's My Baby / Fats Domino Dave Bartholomew Plays With Fats Domino - First Sessions Go To The Mardi Gras / Professor Longhair (7" Single) Rockin' Pneumonia And The Boogie Woogie Flu Part.1 / Huey“Piano”Smith Having A Good Time Here Come The Girls / Ernie K. Doe Ernie K. Doe (LP) Ride Your Pony / Lee Dorsey Ride Your Pony Ooh Poo Pah Doo part1 & 2 / Jessie Hill Crescent City Soul-The Sound Of New Orleans 1947-1974 Chicken Strut / The Meters Struttin What Is Success / Allen Toussaint What Is Success-The Scepter And Bell Recordings The Hook And Sling part 1 / Eddie Bo And The Soul Finders The Hook And Sling Hip Parade / Ronnie Barron (7" single) I Won't Cry / Johnny Adams The Best Of Ric Records・Volume One- Carnival Time! The Story Of My Life / Guitar Slim The Things That I Used To Do Come On part1 / Earl King Crescent City Soul-The Sound Of New Orleans 1947-1974 My Girl Josephine / Snooks Eaglin Soul Train From Nawlins-Live At The Park Tower Blues Festival '95 Ninety-Nine And A Half / Spiritualettes I Believe 2008/02/09 Run Little One / The Subdudes The Subdudes The Ten Commandments of Love / Aaron Neville Orchid In The Storm Last Train / Allen Toussaint The Complete Warner Recordings Walking The Long Miles Home / Richard Thompson Live From Austin TX Grey In L.A.
    [Show full text]
  • Loudon Wainwright III Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É —´È¡¨)
    Loudon Wainwright III 音樂專輯 串行 (专辑 & æ—¶é —´è¡¨) Grown Man https://zh.listvote.com/lists/music/albums/grown-man-5611710/songs Unrequited https://zh.listvote.com/lists/music/albums/unrequited-7897386/songs I'm Alright https://zh.listvote.com/lists/music/albums/i%27m-alright-5966143/songs Album II https://zh.listvote.com/lists/music/albums/album-ii-4712773/songs Attempted Mustache https://zh.listvote.com/lists/music/albums/attempted-mustache-11959548/songs Social Studies https://zh.listvote.com/lists/music/albums/social-studies-7550864/songs High Wide & Handsome: The Charlie https://zh.listvote.com/lists/music/albums/high-wide-%26-handsome%3A-the-charlie- Poole Project poole-project-11975323/songs More Love Songs https://zh.listvote.com/lists/music/albums/more-love-songs-6910999/songs Recovery https://zh.listvote.com/lists/music/albums/recovery-7302988/songs T Shirt https://zh.listvote.com/lists/music/albums/t-shirt-7672681/songs Strange Weirdos https://zh.listvote.com/lists/music/albums/strange-weirdos-7621487/songs Final Exam https://zh.listvote.com/lists/music/albums/final-exam-5449382/songs Last Man on Earth https://zh.listvote.com/lists/music/albums/last-man-on-earth-6494483/songs Little Ship https://zh.listvote.com/lists/music/albums/little-ship-6651909/songs Fame and Wealth https://zh.listvote.com/lists/music/albums/fame-and-wealth-5432895/songs History https://zh.listvote.com/lists/music/albums/history-11975455/songs Therapy https://zh.listvote.com/lists/music/albums/therapy-7782539/songs Older Than My Old Man Now
    [Show full text]
  • June 15.11 June14.12 FATHERS
    Play List for ROAD HOME Road #712 Date: June 15.11 June14.12 FATHERS DAY from :00 KIND Artist SELECTION SOURCE Bob theme McDades The Road Home Commissioned (composed by Solon McDade) poem Gregory Orr Father's Song (poetryfoundation.org) Judy Collins My Father The Very Best of Judy Collins poem Miller Williams For a Girl I Know About to be A (Some Jazz A While- Collected Woman Poems) Lucinda Williams Born To Be Loved Blessed poem Miller Williams 10th Anniversary Photograph (Some Jazz A While- Collected 1952 Poems) Greg Brown Remember The Sun Freak Flag poet David Ignatow For My Daughter in Reply to a Poem of the Day from Question Poetryfoundation.org Loudon Wainwright III Daughter Strange Weirdos Loudon Wainwright III Father - Daughter Dialogue Grown Man (w Martha Wainwright) Darrell Scott A Father's Song A Crooked Road poet Wyatt Prunty Learning the Bicycle Poem of the Day from Poetryfoundation.org Paul Simon Father And Daughter The Essential Paul Simon poet Gerald Stern Waving Goodbye Poem of the Day from Poetryfoundation.org Steve Goodman My Old Man Live Wire Guy Clark Randall Knife Dublin Blues poet Chase Twichell Dog Biscuits poetryfoundation.org Tom Russell Throwin' Horseshoes at the Moon Veteran's Day-Anthology Robert Kroetsch Afterthought 2 (Too Bad) (cutting down father's tree) Carrie Newcomer My Father's Only Son Betty's Diner: The Best of Carrie Newcomer Poem Simon F. Ortiz My Father's Song A Good Journey Add jun/12 theme McDades The Road Home Commissioned (composed by Solon McDade) .
    [Show full text]
  • FW May-June 03.Qxd
    IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time.
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • ELLIOTT MURPHY with the NORMANDY ALL STARS Featuring OLIVIER DURAND “It Takes a Worried Man” CD/DVD (LAST CALL/WAGRAM)
    ELLIOTT MURPHY With THE NORMANDY ALL STARS Featuring OLIVIER DURAND “It Takes A Worried Man” CD/DVD (LAST CALL/WAGRAM) Lorsque "Aquashow", le tout premier album d'ELLIOTT MURPHY, sort en novembre 1973, les critiques unanimes lui réservent un accueil triomphal. On voit fleurir des articles dans des journaux aussi prestigieux que Rolling Stone, Newsweek, The New Yorker... Radios et télévisions enfoncent le clou et consacrent ELLIOTT comme le nouveau Dylan, le nouveau Lou Reed ou le F. Scott Fitzgerald du Rock'n'roll. Ces comparaisons restent éminemment flatteuses, mais immergent notre homme dans l'habituel et réducteur jeu des comparaisons que connaissent bien des nouveaux venus. En fait, ce que fut ELLIOTT MURPHY - et surtout ce qu'il demeure contre vents et marées depuis plus de trente-cinq ans - se décline sur une riche palette d'adjectifs, de rôles et de compétences qui forcent le respect. Disons le tout de go : MURPHY est avant tout un artiste prolixe, ce compositeur-guitariste inspiré, ce chanteur charismatique, cet infatigable et authentique baladin sans compromission ni souci de séduction facile. Ses admirateurs dans le monde de la musique sont légions. On pourrait citer Peter Buck (REM), The Violent Femmes, Paul Rothchild (le producteur des Doors), Lou Reed, Tom Petty, Elvis Costello et Bruce Springsteen. Parmi les prestigieux musiciens qui l'ont accompagné, on se souvient de certains membres des Smithereens, des Talking Heads, du Velvet Underground, des Violent Femmes, ainsi que l'ex-Stone Mick Taylor, Chris Spedding, Phil Collins, Billy Joë ou encore Bruce Springsteen! Aujourd'hui ELLIOTT MURPHY vit à Paris et il ne cesse de tourner avec son guitariste extraordinaire Olivier Durand et The Normandy All Stars (Alan Fatras – batterie; Laurent Pardo – basse).
    [Show full text]
  • LOUDON WAINWRIGHT III Haven’T Got the Blues (Yet) (429 Records)
    MUSIC / NEW MUSIC By STEPHEN HOLDEN Published: September 8, 2014 LOUDON WAINWRIGHT III Haven’t Got the Blues (Yet) (429 Records) From an enfant terrible, once hailed as a new Bob Dylan, to a wary but not too grumpy older man, Loudon Wainwright III, now 68, has stayed the course for well over four decades, charting his life and times with pungent light verses and biting turns of phrase. As a folk singer-songwriter, he has proved that a sharp sense of humor can make for verses more durable than earnest self-examination. You can’t whine about the aging process but you can confront it and soften it with laughter. And on the best songs in “Haven’t Got the Blues (Yet),” his 23rd studio album, he faces impending decrepitude with a smile on his face, buoyed by Zoloft. “Brand New Dance,” which opens the album, is a frantic rockabilly swinger in which he announces a new dance craze “sweeping the land,” where “First you get out of bed, then you attempt to stand.” There’s a silver lining. “But that senior discount that’s my kind of treat/Cause when I get on the bus, you got to gimme a seat.” As the song continues, the point of view widens to embrace an older person’s cynicism on Election Day: “One of them fools is bound to win/But it’s the same old same old all over again.” Mr. Wainwright’s music hasn’t changed significantly. It varies from good-timey folk to spare folk-blues. If his voice has thinned a bit, he still conveys the jovial intimacy of a born storyteller whose public self- mockery exorcises demons.
    [Show full text]