Mythcon 39 Programming Schedule
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Tolkien, Bard of the Bible1
Tolkien, Bard of the Bible1 And in moments of exaltation we may call on all created things to join in our chorus, speaking on their behalf, as is done in Psalm 148, and in The Song of the Three Children in Daniel II. PRAISE THE LORD … all mountains and hills, all orchards and forests, all things that creep and birds on the wing. J.R.R. Tolkien, Letter to Camilla Unwin, Letters, p. 400. INTRODUCTION : TOLKIEN READER OF THE BIBLE The Bible stands as a particular influence on Tolkien's life and work. This conclusion has been well documented, even at the outset of Tolkien studies, and few scholars would now question the finely woven biblical tapestry of the Middle-earth corpus. Randel Helms pointed out, as early as 1981, in Tolkien and the Silmarils, the numerous parallels one could make between Tolkien's work and the biblical narratives.2 Christina Ganong Walton concluded, in her article 'Tolkien and the Bible', that 'Tolkien was familiar with the Bible in all its aspects because of his religious devotion and his work as a philologist'.3 Others have also indicated extra-Biblical influence, including Mesopotamian mythology, thus reinforcing the centrality of biblical patterns in Middle-earth.4 However, the reader must be careful not to be carried away by mere parallelisms, symbolism and 1 Unpublished paper. 2 Randel Helm, Tolkien and the Silmarils (London: Thames and Hudson, 1981); J. E. A. Tyler, The J. R. R. Tolkien's Companion (New York: Avon, 1977) 3 Christina Ganong Walton, “Tolkien and the Bible,' in Michael Drout (ed.), The J.R.R. -
DUTTON.Thesis.July 16.FINAL
THE BONES OF THE OX: HOW J.R.R. TOLKIEN’S COSMOLOGY REFLECTS ANCIENT NEAR EASTERN CREATION MYTHS by Amanda M. Dutton A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2012 © Copyright Amanda M. Dutton 2012 ii ACKNOWLEDGEMENTS I wish to express my gratitude to the faculty and staff at Florida Atlantic University for their support and guidance through the journey that culminates in this manuscript. In particular, sincere thanks go to Dr. Mary Faraci, Dr. Julieann Ulin, and Dr. John Hess for their inspiration and for going far beyond the call of duty during my undergraduate studies and further. I also wish to extend thanks and fond feelings to my fellow students – my peers and colleagues – who were such an integral part of the experience and contributed to my growth as a scholar and teacher. I am additionally grateful to those who volunteered as readers as your feedback was most helpful. Most importantly, I wish to express my gratitude to Dr. John Leeds and Dr. John Golden for their support, insight, and knowledge as members of my thesis committee. I especially wish to acknowledge and thank Dr. Thomas L. Martin for chairing my thesis committee. Your patience, encouragement, dedication, and honest feedback were most valuable during this process. iv ABSTRACT Author: Amanda M. Dutton Title: The Bones of The Ox: How J.R.R. Tolkien’s Cosmology Reflects Ancient Near Eastern Creation Myths Institution: Florida Atlantic University Thesis Advisor: Dr. -
Report to Donors 2019
Report to Donors 2019 Table of Contents Mission 2 Board of Trustees 3 Letter from the Director 4 Letter from the President 5 Exhibitions and Publications 6 Public, Educational, and Scholarly Programs 11 Family and School Programs 16 Museum and Research Services 17 Acquisitions 18 Statement of Financial Position 24 Donors 25 Mission he mission of the Morgan Library & Museum is to preserve, build, study, present, and interpret a collection T of extraordinary quality in order to stimulate enjoyment, excite the imagination, advance learning, and nurture creativity. A global institution focused on the European and American traditions, the Morgan houses one of the world’s foremost collections of manuscripts, rare books, music, drawings, and ancient and other works of art. These holdings, which represent the legacy of Pierpont Morgan and numerous later benefactors, comprise a unique and dynamic record of civilization as well as an incomparable repository of ideas and of the creative process. 2 the morgan library & museum Board of Trustees Lawrence R. Ricciardi Susanna Borghese ex officio President T. Kimball Brooker Colin B. Bailey Karen B. Cohen Barbara Dau Richard L. Menschel Flobelle Burden Davis life trustees Vice President Annette de la Renta William R. Acquavella Jerker M. Johansson Rodney B. Berens Clement C. Moore II Martha McGarry Miller Geoffrey K. Elliott Vice President John A. Morgan Marina Kellen French Patricia Morton Agnes Gund George L. K. Frelinghuysen Diane A. Nixon James R. Houghton Treasurer Gary W. Parr Lawrence Hughes Peter Pennoyer Herbert Kasper Thomas J. Reid Katharine J. Rayner Herbert L. Lucas Secretary Joshua W. Sommer Janine Luke Robert King Steel Charles F. -
Reviews of North Wind 33, Supernatural Studies 2.1, Journal of Inklings Studies 4.2
Please do not remove this page Reviews of North Wind 33, Supernatural Studies 2.1, Journal of Inklings Studies 4.2. Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643438800004646?l#13643522290004646 Croft, J. B. (2015). Reviews of North Wind 33, Supernatural Studies 2.1, Journal of Inklings Studies 4.2. [Review of Reviews of North Wind 33, Supernatural Studies 2.1, Journal of Inklings Studies 4.2.]. Mythlore, 34(1), 203–210. Mythopoeic Society. https://doi.org/10.7282/T3QR5020 This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 05:46:43 -0400 Reviews scholarship award in the first year of their nomination. Downing, whose 1992 book Planets In Peril: A Critical Study Of C.S. Lewis’s Ransom Trilogy won that award in 1993, can perhaps expect a nomination for the 2016 honors. Perhaps Lewis’s object is revealed in this quatrain from Hesiod, prefatory to Book Eight, “At Bay”: “He that hath understanding in himself is best; He that lays up his brother’s wisdom in his breast Is good. But he that neither knoweth, nor will be taught By instruction of the wise—this man is naught.” (137) Whether or not the author protests too much, David C. Downing’s commentary illuminates Lewis’s first religious novel. If readers of The Pilgrim’s Regress: Wade Annotated Edition wanted a better understanding of the original 1933 book, here they have it. -
Through the Magic World: Tolkien's New Myth
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue e Letterature Europee e Americane Classe LM-37 Tesi di Laurea Through The Magic World: Tolkien's New Myth Relatore Prof.ssa. Marilena Parlati Correlatore Prof. Gabriele Cocco Laureando Giulia Barbiero n° matr.1157104/ LMLLA Anno Accademico 2018 / 2019 Table of Contents Introduction .......................................................................................................................1 Chapter I: The Fantastic………………………………………………………………...5 I.i: A new genre between the uncanny and the marvellous…………………………... .5 I.ii: J.R.R. Tolkien: myth-maker and sub-creator……………………………………...15 Chapter II: Tolkien and the magic world in The Hobbit……………………………....23 II.i: Medieval and epic influences in The Hobbit……………………………………...23 Chapter III: The Hobbit on screen: a new myth……………………………………….55 III.i: From page to screen: Jackson’s creation of a new myth…………………………55 Summary………………………………………………………………………………….83 Bibliography……………………………………………………………………………...87 Introduction “There is more in you of good than you know, child of the kindly west. Some courage and some wisdom, blended in measure. If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.”1 I introduce my work with this quotation from The Hobbit (1937) by J.R.R. Tolkien because the fantasy novel is its core matter. This short passage perfectly represents my goal, that is to find the origin of the magic world of The Hobbit by looking at the processes of mythography and mythopoetics carried out by the author and by investigating the dynamicity of myth and the subsequent creation of new myths. Thus, speaking in Tolkienian terms, I look for the primary world in the secondary one and, through a journey in the magic world of Tolkien’s The Hobbit, I analyse not only the nature of myth, but also the figure of the hero, who, with his admirable humanity, transmits a message of tolerance and justice and represents the new myth. -
Mythcon XXXIX the Valkyrie & the Goddess: the Warrior Woman In
Mythcon XXXIX The Valkyrie & the Goddess: The Warrior Woman in Fantasy Program Booklet Mythcon XXXIX The Valkyrie & the Goddess: The Warrior Woman in Fantasy MYTHCON 39 C OMMITTEE : Chair: Anthony Burdge Registrar: Emily Rauscher Treasurer: Lisa Harrigan Programming & Publications: Jessica Burke Papers: Alexei Kondratiev Masquerade: Marion Van Loo Site Liaison: Kristine Larsen Dealers’ : Julian Lander Design: Jef Murray Video Madness: Arden Smith Stewards Rep: Lynn Maudlin Table of Contents Page Guests of Honor…………………………………………………….3Honor…………………………………………………….3----7777 Marjorie Burns………………………………………3 Sharan Newman……………………………………5 Additional Guests………………………………………………….7Guests………………………………………………….7----9999 Verlyn Flieger……………………………………….7 Ted Nasmith……………………………………….8 Bernadette Bosky.………………………………….9 Presenter Bios………………………………………25-27 Programming ………...…………………………………………….10………...…………………………………………….10----20202020 General Information……………………………….1o Friday Schedule……………………………………..11 Saturday Schedule…………………………………..11 Sunday Schedule…………………………………….12 Monday Schedule……………………………………13 Panel Discussions……………………………………14 Papers…………………………………………………15 Mythcon’s Policy on Video & Photography………..21 Evening Entertainment………………………………22 2 2 Musical Performances by Ted Nasmith……………………………………………….22 Lord of the Ringos………………………………………….22 Lynn Maudlin………………………………………………22 Masquerade………………………………………………...22 After Hours Entertainment………………………………..23 The Seventh Not Very Annual Mary M. Stolzenbach Memorial Clerihew Contest……………………………………………….23 The Mythopoeic Press………………………………………………………27 -
The Inner Consistency of Reality": Intermediacy in the Hobbit
Volume 31 Number 3 Article 3 4-15-2013 "The Inner Consistency of Reality": Intermediacy in The Hobbit Nicholas Birns New School, NY Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Birns, Nicholas (2013) ""The Inner Consistency of Reality": Intermediacy in The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 31 : No. 3 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol31/iss3/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Especially concerned with Bilbo’s characterization, unusual in children’s literature, as middle-aged, but also addresses other issues of world-building and story structure that reinforce this motif of “starting in the middle”: maps, the sense of the past, racial characteristics and relations. -
Mythcon 39 Programming Schedule
Mythcon 39 Programming Schedule Please note that any Programming Changes and important announcements will be made at Opening Ceremonies. Evening festivities that are currently TBA will have specifics (time & location) posted in the lobby at Copernicus Hall. It is our hope that the definitive schedule will be printed in the Program Booklet and on a separate hand-out in the Registration Packet. As it stands, no major changes to programming will be made… we hope. Programming Tracks COPERNICUS HALL Track Room Number Valkyrie & Goddess Room 213 Inklings Room 22405 General Mythopoeic Fiction Room 232 Panels & Presentations Lecture Hall Special Scheduling Meals PROGRAMMING LOCATION SCHEDULE Campus Site FRIDAY COPERNICUS HALL (Unless otherwise noted) 2pm-5pm Dealer’s Room Room: 236 1:45-2:45pm Jason Fisher “Tolkien's Wraiths, 22405 Rings, and Dragons: An Exercise in Literary Linguistics” 1:45-2:45pm Daniel Baird “Becoming a Warrior 213 Empress: Chinese Mythology in Twelve Kingdoms: Sea of Shadow ” 2:45-3:45pm Christopher Tuthill “Made to Hold 232 Light: The Feminism of LeGuin’s Earthsea Books” 2:45-3:45pm David Bratman “The Forgotten 213 Women of Middle-Earth” 3:45-4:45pm Book Discussion: Mythopoeic Lecture Hall Award Finalists—Followed by Khazad dûm Book Toss 3:45-4:45pm Carl Hostetter: 22405 "'The Circles of the World:' Fate, Free Will, and the Oikumene in Elvish Thought" 5:-6:30pm DINNER THE SEMESTERS AREA OF THE STUDENT CENTER 7:15 pm Planetarium PLANETARIUM Show Evening Festivities—After Planetarium Show TBA Welcoming TBA Party & Hospitality Suite TBA Bardic Circle TBA with Lynn Maudlin TBA Mad Doctor TBA Smith’s Video Laboratory SATURDAY 7:00-8:30am BREAKFAST THE SEMESTERS AREA OF THE STUDENT CENTER 8:45-9:00am Procession THE STUDENT CENTER to TORP THEATER, DAVIDSON March HALL 9:00- Opening TORP THEATER, DAVIDSON HALL 10:45am Ceremonies 11am- LUNCH THE SEMESTERS AREA OF THE STUDENT CENTER 12:30pm 12:45pm- Dealers’ Room 236 4:45pm 12:45- Anne V. -
47Th International Congress on Medieval Studies
47th International Congress on Medieval Studies May 10–13, 2012 Medieval Institute College of Arts and Sciences Western Michigan University Kalamazoo, MI 49008-5432 <www.wmich.edu/medieval> 2012 Table of Contents Welcome Letter v Registration vi–vii On-Campus Housing viii Off-Campus Accommodations ix Travel x Driving and Parking xi Food xii Facilities xiii Varia xiv Shuttle Bus Service xv Exhibits Hall xvi Exhibitors xvii Plenary Lectures xviii Exhibition and Reception xix The Congress: How It Works xx Advance Notice—2013 Congress xxi Travel Awards xxii Celebrating 50 Years xxiii MA Program in Medieval Studies xxiv Elective Courses for the MA xxv Medieval Institute Affiliated Faculty xxvi Research Centers xxvii Medieval Institute Publications xxviii–xxix About Western Michigan University xxx The Otto Gründler Book Prize xxxi Endowment and Gift Funds xxxii 2012 Congress Schedule of Events 1–180 Index of Sponsoring Organizations 180–186 Index of Participants 187–209 List of Advertisers A-1 Advertising A-2–A-55 Maps M-1–M-5 The Adoration of the Magi (London, Victoria & Albert Museum, inv. no. A.95-1946) On display in the exhibition Object of Devotion at the Kalamazoo Institute of Arts, March 3 – May 13, 2012. The Medieval Institute College of Arts and Sciences Dear colleague: “Perched on the shoulders of giants”—that medieval commonplace comes frequently to mind when I write this invitation each year. As a successor to the likes of John Sommerfeldt, Otto Gründler, and Paul Szarmach, I am reminded daily of the tremendous work they did in building this Institute and the annual Congress for which it is internationally famous. -
Evil in Urban Fantasy Literature Cassandra Ashton a Dissertation Submitted to the Faculty of Graduate S
SYMPATHY FOR THE ORCS: EVIL IN URBAN FANTASY LITERATURE CASSANDRA ASHTON A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HUMANITIES YORK UNIVERSITY TORONTO, ONTARIO JANUARY 2018 © Cassandra Ashton, 2018 Abstract This dissertation argues that urban fantasy—fantasy set in cities—has a more nuanced conception of evil than high fantasy, which favours pastoral settings, and which was heavily influenced by the works of J.R.R. Tolkien. Tolkien wrote his Lord of the Rings trilogy in part as a critique of the effect of industrialism on the English countryside and on human lives in general. His work has been so influential that the effect has been an anti-urban tradition in high fantasy, and his portrayal of absolute good versus absolute evil has carried forward into many other fantasy works. The factors that create compelling and satisfying stories do not necessarily reflect or shed light on human behaviour, and it is useful to be able to distinguish what Robert Ellwood calls moral evil and mythical evil, and to understand when each is being deployed, to what end. The urban fantasy genre arose in the early 1980s, and derives from its setting a greater level of comfort with multiplicity, uncertainty, and ambiguity. In short, the urban setting itself affects how evil is portrayed. This argument is supported with close reading and content analysis of twenty-four novels by four authors of urban fantasy: Charles de Lint, Mercedes Lackey, Kelley Armstrong, and China Miéville. My analysis asks about the nature and source of evil in each text, the values that are associated with evil and set in opposition to it, the text’s handling of moral and mythical evil, and the role of the urban landscape. -
New York Tolkien Conference 2019
New York Tolkien Conference 2019 When: Sunday March 17th, 2019 Where: Baruch College, The Newman Vertical Campus at Baruch College One Bernard Baruch Way, New York, NY 10010 Schedule of Events Doors Open 9:15am Registration begins at 9:15am: If you have registered with a ticket, you MUST arrive when the doors open & you MUST check in prior to opening remarks. The Registration table is at the 7th Floor Main Hall. All Registered attendees will be checked in. You will have a seat at the Opening Remarks at 10am if you check in by 9:55am. Registration will close during Opening Remarks and reopen afterwards. No registration will take place during Opening Remarks. No one can attend any programming without having registered. Track 1: 7th Floor Main Hall Room 150 from 10am to 5pm Track 2: 6th Floor Room 170 from 10:30am to 3:45pm Track 3: 6th Floor Room 175 from 10:30am to 2:45pm Track 4: 6th Floor Room 180 from 2pm to 2:45pm th Track 1: 7 Floor Main Hall Room 150 10am-1030am Opening Remarks: The Conference Team “Tolkien Maker of Middle-earth Presentation” by Tony Del Aversano Public Programs Associate for the Morgan Library and Museum 10:30am-11:15am “The Bones of the Ox”: Exploring J.R.R. Tolkien’s Sources and Why They Matter” by Jason Fisher Source criticism is the study of how authors construct their works from earlier sources and analogues. All authors have some sources and infuences, but those of J.R.R. Tolkien are especially rich and varied. -
Elrond Kristine Larsen Central Connecticut State University, [email protected]
Journal of Tolkien Research Volume 7 | Issue 1 Article 9 2019 A Journey Down the Rabbit Hole of the OED in Search of the Meaning of “Master” Elrond Kristine Larsen Central Connecticut State University, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Larsen, Kristine (2019) "A Journey Down the Rabbit Hole of the OED in Search of the Meaning of “Master” Elrond," Journal of Tolkien Research: Vol. 7 : Iss. 1 , Article 9. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol7/iss1/9 This Article is brought to you for free and open access by the Christopher Center Library at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. A Journey Down the Rabbit Hole of the OED in Search of the Meaning of “Master” Elrond Cover Page Footnote Many thanks to Nicholas Birns, Jenny Curtis, and Andrew Peterson, for the helpful discussions. This article is available in Journal of Tolkien Research: https://scholar.valpo.edu/journaloftolkienresearch/vol7/iss1/9 Larsen: "Master" Elrond In The Lord of the Rings we read about Lady Galadriel, Lord Celeborn, the Elven-king Gil- galad, and Master Elrond. Despite what our ears hear in Peter Jackson’s film adaptations, in the novel Elrond is either directly called or referred to as Master Elrond by Glóin, Bilbo, Boromir, Gandalf, Pippin, Gilraen, Aragorn, and the narrator, among others.