A Trip Down Memory Lane but I Know Him from the Stories Reins to Stop the Horse
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She Is Not a Criminal
SHE IS NOT A CRIMINAL THE IMPACT OF IRELAND’S ABORTION LAW Amnesty International is a global movement of more than 7 million people who campaign for a world where human rights are enjoyed by all. Our vision is for every person to enjoy all the rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. First published in 2015 by Amnesty International Ltd Peter Benenson House 1 Easton Street London WC1X 0DW United Kingdom © Amnesty International 2015 Index: EUR 29/1597/2015 Original language: English Printed by Amnesty International, International Secretariat, United Kingdom All rights reserved. This publication is copyright, but may be reproduced by any method without fee for advocacy, campaigning and teaching purposes, but not for resale. The copyright holders request that all such use be registered with them for impact assessment purposes. For copying in any other circumstances, or for reuse in other publications, or for translation or adaptation, prior written permission must be obtained from the publishers, and a fee may be payable. To request permission, or for any other inquiries, please contact [email protected] Cover photo: Stock image: Female patient sitting on a hospital bed. © Corbis amnesty.org CONTENTS 1. Executive summary ................................................................................................... 6 -
SWEET SMELL of SUCCESS" Introducing SUSAN HARRISON a Norma-Curtle1gh Productions Picture Released Through United Artists
CAST AND CREDITS HECHT, HILL and LANCASTER Present BURT LANCASTER and TONY CURTIS In "SWEET SMELL OF SUCCESS" Introducing SUSAN HARRISON A Norma-Curtle1gh Productions Picture Released through United Artists J. J. Hunsecker ••••••••••••..••••••• Burt LancaBter Sidney Falco••••••••••··•••·•••·•··· Tony Curtis Susan Hunsecker ····•·••···•••••••••• Susan Harrison Steve Dallas •••••••••••••••••••••••• Marty Milner Frank D'Angelo ••·••••••••••••••••··• Sam Levene Rita •••.•••••••••••••••••••••••••••• Barbara Nichols Sally . Jeff Dc>.nne11 Robard •••••••••••••••••••••••••••••• Joseph Leon Mary .••...••.•..•.••...••.••••••••.• Edith Atwater Harry Kello ••••••••••••••.•••••••••• Emile Meyer Herbie Temple•·••••••••·•••••••••••• Joe Frisco Otis Elwell •••••••••••.••••••••••••• David White Leo Bartha•••••••••••···•·•········· Lawrence Dobkin Mrs. Bartha • • • • • • • • • • • . • • • • • • • • • • • • • Lurene Tuttle Mildred Tam ••••••••••••••••••••••••. Queenie Smith Linda • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Autumn Russell Manny Davis······•····•••······••••• Jay Adler Al Evans • • • . • • . • • • • . • • • • • • • . • • • • • • • . Lewis Charles Produced by James Hill Directed by Alexander Mackendrick Screenplay by Clifford Odets and Ernest Lehman From the Novelette by Ernest Lehman Photography by James Wong Howe, A.s.c. Art Direction by Ed.ward Carrere Music Scored and Conducted by Elmer Bernstein S01 . .;s by Chico Hamilton and Fred Katz Running time: 103 minutee 11/6/ 56 l. Workin~ Script Por TIE S':iEET SNELL OF SUCCZSS FAD;: IN: 1 EXT. INT. GLOBE 1-fE':!SPAPER BUILDING - DUSK - N. Y. A r ow of newspaper delivery trucks is lined up aga1-nst the lo~~ loading bay, waiting for the edition. In the foreground a lai"ge clock establishe~ the time as 8! 10 PM. A rumbling noise war-ns the rr.en to take their positions; a few seconds lat e::'.' t he b~les of newspapers come sliding the spiral chutes on~o t~e mo·..r1n~ belts from which they are manhandled onto the tru~ks. Much !1o1se a:1d s!:.ou t ing. -
September 27, 1999
VOLUME 33 FEATURES The Budweiser Gateway September 27, Football Classic is more than just a game. Find 1999 out all about it inside. ISSUE 964 ..... See page 3 UNIVERSITV OF MISS OURI - S T. LOUIS ounces Touhill Members of Select Committee on Fiscal Practices vote unani1nously to express 'no confidence' in Chancellor BY SUE BRITT Chancellor's office. report cites, for .... ... ... .... .. ..... ................... .. ... ... ...... " ... ... staff editor A culture of secrecy instance, the and closed decision endowed-profes The Faculty Council Select making has devel sors program and Committee on Fiscal Practices cast a oped on the [UM-St the Pelforrning Atts unanimous vote of "no confidence" Louis] campus." Center as new ini and issued a report Sept. 15, 1999. The report states Read the text of the tiatives taken on, Handle with care: Nine Differing views on how data from the the administration of Select Committee on "without regard for Inch Nails' new double budget is interpreted have complicated UM-St. Louis has Fiscal Practices' their impact on the album "The Fragile" might the matter. used · the tenn report online! campus', fiscal be one of the best CDs of The report states that the "enrollment short health." the decade. Chancellor of UM-St. Louis, Blanche fall" to explain the www.umsl.edU/ The report also Touhill, "violated the planning and reason for realloca studentlife/ includes its findings ~ See page 6 governance procedures mandated by tions and that the fig current on the effects of the Collected Rules and Regulations ures given for the Touhill's policies of the University of Missouri," has number of student on campus. -
Elvis Costello Began Writing Songs at the Age of Thirteen. 2017 Marked the 40Th Anniversary of the Release of His First Record Album, My Aim Is True
Elvis Costello began writing songs at the age of thirteen. 2017 marked the 40th anniversary of the release of his first record album, My Aim Is True. He is perhaps best known for the songs, “Alison”, “Pump It Up”, “Everyday I Write The Book” and his rendition of the Nick Lowe song, “(What’s So Funny ‘Bout) Peace Love and Understanding”. His record catalogue of more than thirty albums includes the contrasting pop and rock & roll albums: This Year’s Model, Armed Forces, Imperial Bedroom, Blood and Chocolate and King Of America along with an album of country covers, Almost Blue and two collections of orchestrally accompanied piano ballads, Painted From Memory - with Burt Bacharach and North. He has performed worldwide with his bands, The Attractions, His Confederates - which featured two members of Elvis Presley’s “T.C.B” band - and his current group, The Imposters – Steve Nieve, Pete Thomas and Davey Faragher - as well as solo concerts, most recently his acclaimed solo show, “Detour”. Costello has entered into songwriting collaborations with Paul McCartney, Burt Bacharach, the Brodsky Quartet and with Allen Toussaint for the album The River In Reverse, the first major label recording project to visit New Orleans after Hurricane Katrina and completed there while the city was still under curfew. In 2003, Costello acted as lyrical editor of six songs written with his wife, the jazz pianist and singer Diana Krall for her album, The Girl In The Other Room. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson and musical settings for words by W.B. -
THE CELLO Or While Rome Burns
THE CELLO or while Rome burns . Zann Gill Screenplay for a Feature Film eDK LLC & TBD LOGLINE From the 1% to the 99%, we’re all in this together. PITCH – The table is set for a luxury dinner party as fires ramp up nearby and pandemic spreads. Before Charyn's guests show, the power is shut off to millions of homes. What we IMAGINE becomes reality as would-be President “Darren” touts his Great Wall of Amerika in the context of climate change and pandemic. On this 40th anniversary of the NYC murder of Beatles star John Lennon, stories, not facts, drive action. PO BOX 4001 LOS ALTOS, CA 94024 USA TELEPHONE: 650-292-0751 http://MoodyStudio.com [email protected] Draft date – May 16, 2020 WGAw Reg | International Copyright © 2020 1 THE CELLO ACTORS CHARYN – screenwriter hosting a dinner to inspire her next screenplay; beautiful older actress who can sing and dance DARREN – frat guy with lots of inherited money; ambition to become President of the United States (ideally Owen Wilson) WALT – desperate neighbor with an autistic son, dying mother-in- law and angry wife (needs a great comedy actor) MAGNUS – singer/ musician/ actor / writer; attractive; wise; any age; “Viking look” – we have a potential great attachment PEDRO – former Silicon Valley entrepreneur gone bust; now a chef MOHAMMED – composer from Persia, now in the U.S. with a day job as a FedEx delivery man JON – African-American with a big, bold vision for global justice – inspired by Dr. Joseph Okpaku and Dr. Robert Bullard YOKO ONO – fortieth anniversary of the murder of John Lennon [words that follow the song “Imagine” – with permission] NEWSCLIPS – today’s reality outside the scene of the dinner that didn’t happen can be simulated. -
The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
Exploration in Imagination: The Walt Disney Silly Symphony Cartoons and American Animation in the 1930s By Kendall Wagner In the 1930s, Americans experienced major changes in their lifestyles when the Great Depression took hold. A feeling of malaise gripped the country, as unemployment rose, and money became scarce. However, despite the economic situation, movie attendance remained strong during the decade.1 Americans attended films to escape from their everyday lives. While many notable live-action feature-length films like The Public Enemy (1931) and It Happened One Night (1934) delighted Depression-era audiences, animated cartoon shorts also grew in popularity. The most important contributor to the evolution of animated cartoons in this era was Walt Disney, who innovated and perfected ideas that drastically changed cartoon production.2 Disney expanded on the simple gag-based cartoon by implementing film technologies like synchronized sound and music, full-spectrum color, and the multiplane camera. With his contributions, cartoons sharply advanced in maturity and professionalism. The ultimate proof came with the release of 1937’s Snow White and the Seven Dwarfs, the culmination of the technical and talent development that had taken place at the studio. The massive success of Snow White showed that animation could not only hold feature-length attention but tell a captivating story backed by impressive imagery that could rival any live-action film. However, it would take nearly a decade of experimentation at the Disney Studios before a project of this size and scope could be feasibly produced. While Mickey Mouse is often solely associated with 1930s-era Disney animation, many are unaware that alongside Mickey, ran another popular series of shorts, the Silly Symphony cartoons. -
Outlined Above
University of Calgary Department of Communication, Media and Film Film Studies FILM 305 L01/B01 TOPIC IN GENRE: ANIMATION FALL 2019 Thurs., Sept. 5 – Thurs., Dec. 5 (excluding November 11th – 15th) Lecture, Thurs. 12:30 – 2:20 Lab (film screening), Tues. 12:30 – 3:15 Instructor: Ryan Pierson Office: SS 214 Office Phone: 220-6720 E-Mail: [email protected] Web Page: D2L Office Hours: 11:00 – 12:00, T + Th Teaching Assistant: Sarah Samwel E-Mail: [email protected] Office Hours: XXXX Course Description This course will explore the role that animation has played in the history of moving-image culture. From the beginning of moving pictures, filmmakers have manipulated images frame-by- frame to create the impression of movement where none had originally existed. This course will study the different ways that filmmakers have made things move, in the context of their aesthetic and industrial histories. We will pay particular attention to the construction of the movements of animated figures and to the construction of animated spaces. Objectives of the Course This course will focus on developing two major skills. First, observing and analyzing formal elements specific to animated films (such as the timing of movements); and second, reading high-level historical and theoretical film scholarship. Textbooks and Readings All readings will be posted on D2L. Internet and electronic communication device information Laptops may be used only for taking notes and consulting the readings for discussion; they may not be out during screenings. (You will be given time to take notes on each short.) Handheld devices (cell phones, etc.) may not be used at any time. -
Firing the Canon: Multiple Insularities in Jazz Criticism
FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM By © 2014 Christopher Robinson Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie Tucker ________________________________ Randal Jelks ________________________________ Tony Bolden ________________________________ John Gennari ________________________________ William J Harris Date Defended: April 7, 2014 The Dissertation Committee for Christopher Robinson certifies that this is the approved version of the following dissertation: Firing the Canon: Multiple Insularities in Jazz Criticism ________________________________ Chairperson, Sherrie Tucker Date approved: April 7, 2014 ii ABSTRACT Whereas many jazz scholars focus on jazz criticism's construction and implications of a single, or insular, jazz canon, this dissertation argues that what many jazz critics do is precisely the opposite. These critics disrupt the sense of a singular and insular jazz canon by challenging it through the creation of what I call an insularity, which is a bounded collection of artists and music with a definable tradition, values and established criteria which regulates what is suitable for inclusion. This dissertation argues that jazz does not consist of a single canon and music that exists beyond the canon's boundaries; rather, jazz contains multiple insularities that challenge the canon and vie for the opportunity to overthrow the canon in order to reach canonical status. This dissertation conceptualizes jazz critics as cultural authorities who create or deconstruct insularities through a variety of race, gender and nation projects. It examines the criticism of Leonard Feather, Val Wilmer and Nathaniel Mackey to highlight the numerous ways in which critics engage with multiple insularities. -
History of Leonard's Mill Pond the Original Mill Construction Date Of
History of Leonard's Mill Pond The original mill construction date of Leonard's Mill and millpond is unknown. The owner of the mill at the time of the Revolutionary War was George Parker, Sr. He received by original patent "a tract of land called 'Parker's Security' in 1770". Whether Mr. Parker built the homestead, barn, saw and grist mills, and pond after obtaining the patent is unknown, but we do know that during the American Revolution in 1777 his land was called Parker's Mill. On February 6, 1777 the Council of Safety of the Maryland Congress received word from Samuel Chase of Tory (Loyalist) build-up on the Eastern Shore at Parker's Mill. He wrote, " ... the Tories in Sussex, Somerset and Worcester Counties have been assembling for some days. They have 250 men collected at Parker's Mill, about nine miles from the Roebuck with some men, with intention to seise (sic) the Magazine and destroy the property of the Whigs." Three regiments were sent to quell the insurrection. When General Smallwood, later governor of Maryland, finally arrived from Wilmington with his regiment on February 19th, it is reported in the Archives of Maryland that he "found people generally quiet and peaceable". An additional report states, "upon arrival here General Smallwood found the community had recruited a military body, and though inadequately armed; had with daring and courage captured a large ·number of Tories without bloodshed". Even though the insurrection was pinpointed at Parker's Mill, and George Parker probably allowed the Tories to assemble at his place, there is no record with which side he sympathized. -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17 -
Varga Zoltán
Kurzus kódjai: BBN-FLM-241:25 BMA-FLMD-111:15 BMA-FLMD-211:29 Kurzus címe: Az animációs film tendenciái Tanár neve: Varga Zoltán Kurzus időpontja, helye: Péntek,15:30-17:00, 34-es terem Kurzus típusa: Előadás Kurzus leírása: A kurzus célja a bevezetés az animációs filmmel kapcsolatos fogalmak és jelenségek vizsgálatába. Az animációs film meghatározási lehetőségeinek térképezését és történetének felvázolását követően olyan jellegzetességek vizsgálatára helyeződik a hangsúly, mint az animációs film sajátos vizualitása és hanghasználatának különleges konvenciói; az animációs film és az elbeszélésmódok összekapcsolódása; valamint animáció és műfajiság kérdésköre. A félév az alábbi módon tagolódik; a témák több órát fed(het)nek le: 1. Az animációs film meghatározásának lehetőségei és problémái 2. Az animációs film történetének vázlata 3. Az animációs film és a vizualitás 4. Az animációs film és a hang 5. Az animációs film és az elbeszélés 6. Az animációs film és a műfajiság: burleszk, horror és musical az animációban Kurzus teljesítésének követelményei: Írásbeli vizsga: az óra anyaga + a kötelező filmek ismerete Kötelező filmek: Tex Avery: Dumb-Hounded; Red Hot Riding Hood; King Size Canary; Bad Luck Blackie Paul Berry: The Sandman Walerian Borowczyk – Jan Lenica: Dom/Ház/House Walerian Borowczyk: Renaissance; Les Yeux des Anges/Game of Angels/Angyaljáték Konstantin Bronzit: Switchcraft Tim Burton: Vincent Émile Cohl: Fantasmagorie Walt Disney: Steamboat Willie; The Old Mill Disney – John Kahrs: Paperman Piotr Dumala: Sciany/Walls Oskar Fischinger: -
New Life for an Old Mill Ason Boyer of Woodsboro Re- Started Freelance Woodworking, Be His First Priority
VOLUME 2, NO. 3 • www.woodsborotimes.com • mARCH 2014 New life for an old mill ason Boyer of Woodsboro re- started freelance woodworking, be his first priority. He is consider- Jcently purchased the build- and when word of a pending lay- ing his options for the remainder ing that served as the Glade Val- off came, Jason set off on his own. of the building. ley Mill and an adjacent two-story That was about 7 years ago, and house on Woodsboro Creager- Jason says business has been im- Jason, a member of the Wood- stown Rd. at auction for $70,000. proving every year since. sboro Historical Society, is very Jason is the sole proprietor of JSB aware of the historical signifi- Woodworking Inc. He lives next Jason’s work ranges from “a cigar cance of the building built in the to the property and will use the box to custom kitchens.” The ma- late 19th century. The building still mill to expand his home-run busi- jority of his work involves built-in contains a large collection of mill ness. He plans to renovate the custom features such as cabinetry, machinery, much of it manufac- house and rent it out. libraries, shelving, entertainment tured by the Allis Chalmers Com- centers, and home bars. He covers pany which did business from Only 33 years-old, Jason is deep quite a geographic range, work- 1914 to 1985. The Glade Valley into his second decade of a ca- ing regularly in Frederick, Carroll, Mill operated from the 1890’s to reer in woodworking.