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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Ihsahn to Premiere New Show at Inferno 2020
IHSAHN TO PREMIERE NEW SHOW AT INFERNO 2020 We can reveal that Ihsahn is currently in the studio putting the final touches on brand new material to be released via Candlelight Records. For Inferno 2020, Ihsahn will be perform this new material live for the first time, premiering a specialized set rooted in the blackest corners of his musical palette: "The music I’m working on distills the most basic, black metal aesthetics of my music. Keeping to rather traditional arrangements and expressed with Norwegian lyrics, I explore the core elements of my musical background. These new songs will form the basis for some conceptualized shows, which I shall debut at Inferno in 2020." More details coming soon… INFERNO METAL FESTIVAL 2020: MAYHEM IHSAHN – KAMPFAR – VED BUENS ENDE – CADAVER – MYRKSKOG – BÖLZER DJERV – SYLVAINE – VALKYRJA + MANY MORE TO BE ANNOUNCED IHSAHN Ihsahn comes from Notodden, Norway, where he at the age of thirteen started playing in what developed into one of the world’s most influential black metal bands, Emperor. At only seventeen he recorded and performed “In the Nightside Eclipse”, which has many times been voted as one of the top metal albums of all time. After Emperor released their last album, “Prometheus - The Discipline of Fire & Demise” in 2001, Ihsahn has focused on is solo work and has by now released seven albums under the name Ihsahn. Now Ihsahn will return to Inferno Metal Festival for a special premiere of his new show. Make sure you don’t miss it. https://www.facebook.com/ihsahnmusic/ INFERNO METAL FESTIVAL 2020 Inferno Metal Festival 2020 marks the 20 years anniversary of the festival. -
Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Deutsche Nationalbibliografie 2014 T 05
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 05 Stand: 21. Mai 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2014-2 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
NOV. 27- Dec. 3, 2014
NOV. 27- DEC. 3, 2014 ----------------------------Cover Story • Les Misérables--------------------------- Ballads and Barricades By Jen Poiry-Prough ment supporting the melody lines that are always felt that American productions of Les some of the most beautiful phrases ever Misérables had a disadvantage because they For the past 5 years, Rich Najuch and written for the stage,” he says. “Cameron didn’t have the versatility of dialect that Brit- Joel Froomkin have produced delightful Macintosh called them ‘magic notes.’ This ish actors were able to employ,” he explains. holiday Supper Club shows at the New Hun- show is filled with themes that support the “In British productions, simply by changing tington Theatre. But to end the inaugural melody, but are absolutely breathtaking. It’s regional dialect the actors are not only able season of their main stage theatre Different one of the only shows I know where the au- to transform their characters, but they can Stages, they decided to do a bit of a 180. dience can hum the accompaniment. That’s also make clear statements regarding geo- Rather than a lighthearted holiday caba- extraordinary.” graphic location, social status and class.” ret show, they are mount- Another enhance- ing a grand production of ment Froomkin is bring- the most heart-wrenching, ing to his production tear-jerking and univer- centers on the characters sally beloved musical in themselves. He has turned history: Les Misérables. to the source material, What makes this sto- the Victor Hugo novel, to ry – about the oppressed -
Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording
Méi-Ra St-Laurent: "It’s kind of in the middle": The ‘Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Laurent, M.-R. (2019). "It’s kind of in the middle": The ‘Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Qué- bec Black Metal Scene. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 267-286). Stock-holm: Royal College of Music (KMH) & Art of Record Production. Méi-Ra St-Laurent: "It’s kind of in the middle": The ‘Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene Abstract The designation of the black metal sound as “lo-fi” by academics is problem- atic, since it doesn’t reflect the contemporary black metal production. Field- work in the Québec scene show that the members designate their sound as being “in the middle” – or mid-fi as I advocate it. In this paper, I first define “hi-fi”, “lo-fi”, “authenticity” and “mid-fi” in the context of black metal. Then, I present different black metal sound aesthetic using audio extracts, frequency analysis, spectrogram images and ethnographic data. This analysis allow better qualify black metal aesthetic production today using the Québec scene as an example. Introduction Between April 2015 and December 2017, I conducted nineteen ethnographic interviews with twenty-five members of the black metal scene in the prov- ince of Québec (Canada) as a part of my doctoral thesis in musicology1. -
Doom, Goticismo Y Metal Extremo
185 Doom, goticismo y metal extremo Salvador Rubio Licenciado en Historia del Arte Universidad Complutense de Madrid Resumen Dentro de ese “término paraguas” que denominamos “metal extremo”, y que se ha ido consolidando a nivel mundial desde su nacimiento en 1981 (progresivamente haciendo sombra a su primo hermano, el heavy metal tradicional), este estilo siempre se ha distinguido por su facilidad para in- 9*,7&7=94)4=9.54=)*=.3R:*3(.&8=2:8.(&1*8`=*85*(.&12*39*=1&8=574;*3.*39*8= del lado más oscuro de cualquier manifestación cultural sonora. Y dentro del metal extremo, se distingue particularmente un cierto esti- lo, o más bien una escisión de él, que ha acertado a tomar lo más granado de ese submundo musical oscuro, igualmente escindido del punk y la new wave, que conocemos habitualmente con términos como “gótico” o “siniestro”. Nos referimos, obviamente, al llamado “doom metal”, el cual nace 4Q(.&12*39*=(43=1&=5:'1.(&(.3=*3=+33+=)*=1&=4'7&=2&,3&=)*=1&='&3)&= británica Paradise Lost, y titulado, de forma evidentemente reveladora, Gothic. A partir de su aporte, especialmente en Reino Unido (y con una predilec- ción especial por la zona de Halifax), bandas como Anathema, My Dying Bride o Esoteric desarrollarán el citado estilo, que pronto se extendería al resto de Europa, y a su vez darían lugar, con la cada vez más importante presencia del componente siniestro en la música, al llamado metal gótico o gothic metal. En esta conferencia, pues, narraremos el proceso por el cual dicho estilo +:*=+472&)4=>=(24=1&8=(.9&)&8=.3R:*3(.&8=,9.(&8=+:*743=942&3)4=- tagonismo, desde los mismos pioneros Celtic Frost y su interés por los aportes de Joy Division, hasta los más recientes grupos actuales de metal gótico y su desarrollo ulterior hacia la música más progresiva. -
RECORD SHOP Gesamtkatalog Gültig Bis 31.12.2020 Record Shop Holger Schneider Flurstr
RECORD SHOP GESamtkatalOG gültig bis 31.12.2020 Record Shop Holger Schneider Flurstr. 7, 66989 Höheinöd, Germany Tel.: (0049) 06333-993214 Fax: (0049) 06333-993215 @Mail: [email protected] Homepage: www.recordshop-online.de Gruppe / Titel Artikelbeschreibung B.-Nr.Preis Gruppe / Titel Artikelbeschreibung B.-Nr. Preis 10 CC LIVE AT RIVER PLATEDVD DVD Tray hat einen Riss VG/VG- 02931 2,99 € GREATEST HITS 1972 - 1978CD M-/M 90675 4,99 € LIVE FROM THE CLUBLP 180G RED VINYL M-/M 20872 19,99 € NO BULLVHS LIVE PLAZA DE TOROS 122 MINUTEN 00502 2,99 € 12 STONES POWERAGECD Digitaly Remastered AC/DC Collection EX-/M 96500 4,99 € 12 STONESCD M-/M 97005 6,99 € POWERAGECD Digitaly Remastered AC/DC Collection M-/M 57652 6,99 € POTTERS FIELDCD M/M 97004 6,99 € POWERAGECD Lim. Edition im Digipack !!! M/M 73804 5,99 € 18 SUMMERS ROCK OR BUSTCD Lim. Edition im Digipack !!! EX/M 96501 6,99 € VIRGIN MARYCD EX-/M- 93108 4,99 € ROCK OR BUSTCD Lim. Edition im Digipack !!! ORIGINALVERPACKT 93937 6,99 € 23RD GRADE OF EVIL STIFF UPPER LIPCD M/M 53656 6,99 € WHAT WILL REMAIN WHEN WE ARE GCD M-/M 98249 9,99 € STIFF UPPER LIPCD Lim. Edition im Digipack !!! VG+/EX- 83727 4,99 € STIFF UPPER LIPCD Maxi EX-/M- 61532 4,99 € 24 K STIFF UPPER LIP LIVEDVD 2001 M-/M 02085 9,99 € BULLETPROOFCD EX-/M 82303 4,99 € THE RAZORS EDGECD D/1990/ACTO M/M 83231 6,99 € PURECD EX-/M- 72083 4,99 € 3 DOORS DOWN AC/DC - BON SCOTT THE YEARS BEFORE AC/DCDVD M/M 01870 4,99 € THE BETTER LIFECD M/M 84233 2,99 € 30.000 Kollegen AC/DC - VARIOUS ARTITS BACK IN BLACKCD A TRIBUTE TO AC/DC M/M 85519 5,99 € Allein auf weiter flurLP M/M 20841 5,99 € THE MANY FACES OFCD 3 CD BOX Lim. -
A Map of Kyuss and Related Acts
1997, 1998 The Desert Sessions 1987 - 1989 is a side project Nick Oliveri (solo) A map of Kyuss The Desert Sessions 1 & 2 hosted by Josh Katzenjammer Josh Homme Homme where he Demolition Day (2004) Brant Bjork - Drums No releases Fred Drake invites musicians to Death Acoustic (2009) and related acts Chris Cockrell - Bass Dave Catching make an album with Nick Oliveri vs The Chuck Norris John Garcia - Vocals Brant Bjork Experiment (2012) Josh Homme - Lead guitar him over a week. Kyuss are the most influential band on the stoner Alfredo Hernández Nick Oliveri vs HeWhoCannotBeNamed Nick Oliveri - Rhythm guitar Yawning Man was founded by these and desert rock/metal genres. Some of the most Pete Stahl (2013) members, but they've had more notable people within the scene are Josh Homme, participants. It is arguably the same Ben Shepherd Leave Me Alone (2014) Brant Bjork, Chris Goss, and the Lallis. John McBain N.O. Hits At All vol. 1 - 3 (2017) band as The Sort of Quartet. Throughout their lives, the members of Kyuss 1986 - Releases 1994 - Brant Bjork (solo) have produced many, many projects that would The band Releases 1998 only release one or two albums. This chart changes name Yawning Man Rock Formations Fatso Jetson Jalamanta (1999) attempts to map them out. It gets especially Alfredo Hernández - Drums Vista Point Tony Tornay - Drums Stinky Little Gods The Desert Sessions 3 & 4 messy somewhere around 1996, when Kyuss fully Brant Bjork & the Operators (2002) Gary Arce - Guitar Yawning Sons Larry Lalli - Bass Power of Three Josh Homme split. -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros. -
Gonzo234 CND.Pub
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Now, on with the editorialythingumybob. Regular readers will remember that I am somewhat of a fan of an American TV series called Veep staring the delectably foul- mouthed Julia Louis-Dreyfus as Selina Meyer a former Maryland Senator who, in the start of the series, is the titular Vice President, or "Veep", with strained relationship with the President. After the president declines to run for a second term, she begins campaigning in Season 3. At the end of Season 3, she becomes president when he resigns for personal issues. Due to a complex manipulation of constitutional law, she loses the presidential race in season 5. It is probably the only US reboot of a British TV series which I prefer to the original, and as the Dear Friends, original was The Thick of It featuring future timelord Peter Capaldi, and future sex offenders Welcome to another issue of my favourite music registeree Chris Langham. I thought that The magazine; indeed, the one which has come closer Thick of It was magnificently funny, but overall to fulfilling the concept of a music somehow Veep (which was created by Armando magazine that I first tried to publish (and failed Iannucci when a straight graft of the UK show impressively in doing so) back thirty five years onto the American TV rosebush failed to be taken ago, when my first music fanzine was an up by the networks) manages to be first through overblown mishmash of pretension and slightly the finishing line.