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Ndwomkro Musical Type As Cultural Preservation Medium Among the Akan in Ghana
Quest Journals Journal of Research in Humanities and Social Science Volume 9 ~ Issue 6 (2021)pp: 05-11 ISSN(Online):2321-9467 www.questjournals.org Research Paper Ndwomkro Musical type as Cultural Preservation medium among the Akan in Ghana Ndah Divine Selorm Creative Arts Department, SDA College of Education, Koforidua, Ghana Francis kojoKokro Industrial Art Department, Tamale Technical University, Tamale Ghana Priscilla Walden Department of Creative ArtsSt Monica.s College of Education, Mampong, Ghana Jessica Amoah Department of Creative Arts, St Monica’s College of Education, Mampong, Ghana Adom FaithMawunyo Department of Performing Arts, St Francis College of Education, Hohoe, Ghana Corresponding author: Ndah Divine Selorm ABSTRACT Many traditional musical types exists in Ghana. These musical types are affiliated or associated with the ethnic groups. Few example of these musical ensembles could be identified as Kpalongo, Kete, Agbaza for Ga, Asante and Ewe ethnic groups respectively as well as Ndwonkro which was the focus for this study. The study was a qualitative research and for that matter adopted interview and participant observation as some of the research instruments in carrying out the research. The research sought to find out whether Ndwonkro musical type could be regarded as a traditional music as well as discussing some social values that are hidden in this musical type. Purposive and snowball sampling method were used to sample the population for the study. The study revealed that, Ndwonkro musical type has link with the traditional events such as funeral and as such could be classified as a traditional musical type. Also, the study pointed out some values that are embedded in the musical types as communication, socialization and carrier. -
A Film by Deron Albright Written by and Starring Yao B. Nunoo
a film by Deron Albright written by and starring Yao B. Nunoo 2011, Ghana / USA, 89 minutes www.destinyoflesseranimals.com BRIGHT NOON PICTURES in association with the GHANA ACADEMY OF FILM & TELEVISION ARTS a film by DERON ALBRIGHT starring YAO B. NUNOO with FRED AMUGI, ABENA TAYKI, SANDY ARKHURST and XOLASIE MAWUENYEGA produced by DERON ALBRIGHT, FRANCIS GBORMITTAH, DEDE MAITRE, YAO B. NUNOO Producer (USA) Producer (Ghana) Legal Representation (US) Deron Albright Francis Gbormittah Justin Wineburgh, Esq. Bright Noon Pictures, LLC Bright Noon Pictures GH Cozen O’ Connor P.O. Box 929 P.O. Box 357 1900 Market Street Narberth, PA 19072 Teshie Nungua Estates Philadelphia, PA 19103 (267) 307-3051 Accra, Ghana (215) 665-2733 [email protected] +233-26-489-3437 [email protected] [email protected] www.destinyoflesseranimals.com | 2 About the Film A dream deferred... a future never dreamed of. The Destiny of Lesser Animals follows Boniface Koomsin, a Ghanaian police inspector, as he embarks upon a dangerous crime-laden journey to recover the one thing that can help him realize his ultimate dream— to escape the ghosts of his past and return to America. Synopsis Nearly a decade after deportation from the United States, Inspector Boniface Koomsin (Yao B. Nunoo) makes the last payment on a “perfect” counterfeit pass- port, only to have it immediately stolen. Desperate to recover it, Boniface enlists the resources of the police on the pretense of a stolen pistol, and follows a tip to the capital city of Accra and the counterfeiter who crafted the fake document. In Accra, Chief Inspector Oscar Darko (Fred Amugi), who is investigating an armed robbery, intercepts Boniface. -
African Music Vol 7 No 4(Seb)
KOO NIMO, A CONTEMPORARY GHANAIAN MUSICIAN 1 4 7 KOO NIMO: A CONTEMPORARY GHANAIAN MUSICIAN by ANDREW L. KAYE Daniel Kwabena Amponsah, known professionally as Koo Nimo, was bom on October 3, 1934 in Ofoase, a village near Kumasi, capital of the Ashanti Region of modem Ghana. His mother, Akua Forkuo, was a farmer, cloth trader, homemaker, and a chorister at the local Methodist church. His father, Kwame Amponsah, was a farmer, tailor, mason, and musical amateur who played the trumpet in the Ofoase brass band. 1 During his childhood in Ofoase, young Kwabena was exposed to a mix of musical styles characteristic to Akan-speaking villages in the Gold Coast colony during the 1930s.1 2 He played the asratoa, a pair of plum-sized gourd rattles attached to a string, with which Ghanaian children practice intricate rhythmic patterns.3 He made his own drums by fixing rubber over Koo Nimo and the Kumasi Adadam Trio, old tin cans.. He enjoyed the rhythms of c. 1969. L to R: Kwao Sarfo, bottle, Koo adakem, tetia, gome, and konkomma, heard Nimo, guitar, J.K.Barwuah, prempresiwa in the popular music played by the village recreational bands which featured solo and group singing and a variety of drums and idiophones. The subtle tonalities of the Asante-Twi language and the harmonies of indigenous song deeply impressed Kwabena. His maternal grandmother sang indigenous songs in a “modal, moody, bending” style. His mother often sang abibindwom, vernacular Christian poetry set to indigenous melodies, at home and in church. At funerals she 1 A more lengthly treatment of Koo Nimo's life and music is presented in the author's doctoral dissertation (Kaye 1992), and in a book currently in preparation. -
On His Way Home with Dondology*: a Tribute to Professor Emeritus J.H
Volume 53, Number 3 Summer 2019 On His Way Home With Dondology*: A Tribute to Professor Emeritus J.H. Kwabena Nketia Kwasi Ampene, University of Michigan It was in 2016 that I wrote the Honorary Citation for Pro- so while his death occurred in the early hours of Wednes- fessor Emeritus J.H. Kwabena Nketia for the SEM web- day morning in Accra, it was still late Tuesday night site. It is now May 2019, and I have been asked to write here—the person delivering the unfortunate message a tribute for the SEM Newsletter. Yes, a tribute in memory about Professor Nketia’s passing was dealing with “two of the preeminent scholar of African mornings” across the ocean. Three music, for as we say in Ghana, the months shy of his 98th birthday, the winds that blew on that fateful day, unthinkable had happened—Prof 13 March 2019, did not bring good had joined his forebears! news. For those of my African compatri- Around 6:30 Wednesday morning, I ots living and working in the U.S. received a phone call from Ghana. or elsewhere, this is one of those In a typical Ghanaian expression, phone calls we pray we do not infused with all the kinds of manner- receive; but the way things are, I am isms related to indirect speech that sure they might have experienced, one can imagine in the Twi lan- at least, one of such phone calls guage, and punctuated with sobs, from the motherland about parents, the voice on the other end just said, siblings, or a member of the extend- “Look at what Prof has done to us.” ed family passing on. -
Oryza Glaberrima
African rice (Oryza glaberrima) cultivation in the Togo Hills: ecological and socio-cultural cues in farmer seed selection and development and socio-cultural cues in farmer seed selection development African rice ( Oryza glaberrima ) cultivation in the Togo Hills: ecological Togo ) cultivation in the Béla Teeken Béla Béla Teeken African rice (Oryza glaberrima) cultivation in the Togo Hills: ecological and socio-cultural cues in farmer seed selection and development Béla Teeken Thesis committee Promotors Prof. Dr P. Richards Emeritus professor of Technology and Agrarian Development Wageningen University Prof. Dr P.C. Struik Professor of Crop Physiology Wageningen University Co-promotors Dr H. Maat Assistant Professor Knowledge, Technology and Innovation group Wageningen University Dr E. Nuijten Senior Researcher Plant Breeding & Sustainable Production Chains Louis Bolk Institute Other members Prof. Dr H.A.J. Bras, Wageningen University Prof. Dr S. Hagberg, Professor of Cultural Anthropology, Uppsala University, Sweden Dr T.J.L. van Hintum, Wageningen University Dr S. Zanen, Senior Trainer Consultant, MDF Training & Consultancy, Ede This research was conducted under the auspices of the Wageningen School of Social Sciences (WASS). African rice (Oryza glaberrima) cultivation in the Togo Hills: ecological and socio-cultural cues in farmer seed selection and development Be´la Teeken PHD Thesis submitted in fulfilment of the requirements for the degree of doctor at Wageningen University by the authority of the Rector Magnificus Prof. Dr A.P.J. Mol, in the presence of the Thesis Committee appointed by the Academic Board to be defended in public on Tuesday 1 September 2015 at 4 p.m. in the Aula. Béla Teeken African rice (Oryza glaberrima) cultivation in the Togo Hills: ecological and socio-cultural cues in farmer seed selection and development 306 pages PhD thesis, Wageningen University, Wageningen, NL (2015) With references, with summaries in English and Dutch ISBN: 978-94-6257-435-9 Abstract Teeken B (2015). -
Defining Our Lives with Music a Case Study of the Krobo Woman
University of Ghana http://ugspace.ug.edu.gh DEFINING OUR LIVES WITH MUSIC: A CASE STUDY OF THE KROBO WOMAN ATHALIAH NANA DARKOA OPARE-DARKO 10508320 MPHIL THESIS PROJECT THIS THESIS IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON, IN PARTIAL FULFILMENT OF THE REQUIREMENT OF THE AWARD FOR MASTER OF PHILOSOPHY (MPHIL) IN MUSIC. JUNE 2016 University of Ghana http://ugspace.ug.edu.gh DEDICATION I dedicate this work to the Almighty God for His inspiration, protection, and guidance and with whose strength has made my work see the light of day. i University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Athaliah Nana Darkoa Opare-Darko, do hereby declare that apart from references of people’s work which has been cited, this research is my own original work and that no part of it may be presented elsewhere without my permission. Signature Signature …………………………… …….……..…………… Student Supervisor Athaliah Nana Darkoa Opare-Darko Prof. Daniel Avorgbedor Date……………… Date………………… ……………………..…. ………………..………… Supervisor External Examiner Prof. John Collins Date………………. Date………………. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS I owe gratitude to the Almighty God who in His power has made it possible for me to see this day. His name is praised for His wondrous works. My sincere gratitude goes to my grandfather Rev. Emmanuel Mate-kodjo, my parents Mr. Davies Opare-Darko and Mrs. Fabiola M. Opare- Darko for their constant attention and dedication throughout my stay on campus. Also to my friends in the department who contributed immensely to the success of this work, I say may God replenish all your efforts. -
Highlife in the Ghanaian Music Scene: a Historical and Socio-Political Perspective Micah Motenko SIT Study Abroad
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2011 Highlife in the Ghanaian Music Scene: A Historical and Socio-Political Perspective Micah Motenko SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the African Studies Commons, Musicology Commons, and the Place and Environment Commons Recommended Citation Motenko, Micah, "Highlife in the Ghanaian Music Scene: A Historical and Socio-Political Perspective" (2011). Independent Study Project (ISP) Collection. 1107. https://digitalcollections.sit.edu/isp_collection/1107 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. School for International Training Study Abroad: Ghana Social Transformation and Cultural Expression Fall 2011 Highlife in the Ghanaian Music Scene: A Historical and Socio-Political Perspective Micah Motenko (College of Wooster) Project Advisor: Dr. Nathan Damptey University of Ghana, Legon, Institute of African Studies Academic Director: Dr. Olayemi Tinuoye Data Collection Date: November 1 st , 2011 – November 30 th , 2011 Abstract 1. Title: Highlife in the Ghanaian Music Scene: A Historical and Socio-political Perspective 2. Author: Micah David Motenko ( [email protected] ; College of Wooster) 3. Objective: The objective of this project was multifaceted: i. To understand the history of Highlife music and its various offshoots in Ghana, with regards its socio-political and cultural significance over time. ii. To examine the current music scene in Ghanaian cities and analyze it with regards to its socio-political and cultural significance. -
Gender, Migration and Rural Livelihoods in Ghana
GENDER, MIGRATION AND RURAL LIVELIHOODS IN GHANA: A CASE OF THE HO DISTRICT By JUSTINA EYRAM DUGBAZAH A thesis submitted to The University of Birmingham For the Degree of DOCTOR OF PHILOSOPHY Centre of West African Studies School of Historical Studies Faculty of Arts The University of Birmingham August 2007 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. 2 ABSTRACT This thesis seeks to examine the interrelationships between gender, migration and rural livelihoods in Ghana. The central argument of the study is that policy making on migration and livelihood, tends to ignore gender as a critical issue in development planning. The study suggests that effective development policy interventions should take into consideration the dynamics of gender relations because men and women experience migration differently. Employing primary and secondary data, the study demonstrates that when men and/or women migrate, there are consequences for households. For those migrating, this can result in either empowerment or increased vulnerability. And for the agricultural households in the sending areas, the departure of men and/or women affects their livelihood and division of labour. -
Òåçèñû Abstracts
ХIV Международная конференция африканистов АФРИКА И АФРИКАНЦЫ В НАЦИОНАЛЬНОМ, РЕГИОНАЛЬНОМ И ГЛОБАЛЬНОМ ИЗМЕРЕНИЯХ Москва, 17–20 октября 2017 г. ÒÅÇÈÑÛ XIV International Conference of Africanists AFRICA AND AFRICANS IN NATIONAL, REGIONAL AND GLOBAL DIMENSIONS Moscow, October 17–20, 2017 ABSTRACTS И ГЛОБАЛЬНОМ ИЗМЕРЕНИЯХ АФРИКА И АФРИКАНЦЫ В НАЦИОНАЛЬНОМ, РЕГИОНАЛЬНОМ ХIV конференция африканистов АФРИКА И АФРИКАНЦЫ В НАЦИОНАЛЬНОМ, РЕГИОНАЛЬНОМ И ГЛОБАЛЬНОМ ИЗМЕРЕНИЯХ Москва, 17-20 октября 2017 г. ТЕЗИСЫ 14th International Conference of Africanists AFRICA AND AFRICANS IN NATIONAL, REGIONAL AND GLOBAL DIMENSIONS Moscow, Russia. October 17-20, 2017 Abstracts Спонсоры конференции: Российский фонд фундаментальных исследований (грант 17-07-14005) Федеральное агентство научных организаций (ФАНО России) 1 ФЕДЕРАЛЬНОЕ ГОСУДАРСТВЕННОЕ БЮДЖЕТНОЕ УЧРЕЖДЕНИЕ НАУКИ ИНСТИТУТ АФРИКИ РОССИЙСКОЙ АКАДЕМИИ НАУК НАУЧНЫЙ СОВЕТ РАН ПО ПРОБЛЕМАМ СТРАН АФРИКИ ХIV конференция африканистов АФРИКА И АФРИКАНЦЫ В НАЦИОНАЛЬНОМ, РЕГИОНАЛЬНОМ И ГЛОБАЛЬНОМ ИЗМЕРЕНИЯХ Москва, 17-20 октября 2017 г. ТЕЗИСЫ 14th International Conference of Africanists AFRICA AND AFRICANS IN NATIONAL, REGIONAL AND GLOBAL DIMENSIONS Moscow, Russia. October 17-20, 2017 Abstracts Ответственные редакторы академик А.М. Васильев профессор И.О. Абрамова Ответственный секретарь к.и.н. Н.А. Жерлицына ISBN 978-5-91298-198-2 2 МОСКВА 2017 ОГЛАВЛЕНИЕ CONTENTS I. Cultures and Languages Культуры и языки I-1. Anthropology’s Contribution to the Study of 21st Century Africa Вклад антропологии в изучение Африки XXI в. 7 I-2. Human Sciences and Identity Studies for Cooperation and Development in Africa – Examples from the Field Гуманитарные науки и исследования идентичности для сотрудничества и развития в Африке – примеры применения 17 I-3. Languages of Africa: Traditions and Perspectives Языки Африки: традиции и перспективы 23 I-4. -
Yaa Amponsah and the Rhythm at the Heart of West African Guitar
“You can’t run away from it! The melody will always appear!” Yaa Amponsah and the Rhythm at the Heart of West African Guitar A thesis submitted by Nathaniel C. Braddock in partial fulfillment of the requirements for the degree of Master of Arts in Music Tufts University August 2020 Adviser: Jeffrey Summit © 2020, Nathaniel C. Braddock Abstract The song “Yaa Amponsah” is held by Ghanaian musicians as the key to all highlife music. However, Amponsah occupies two spaces: that of a specific song with folkloric and historical origin stories, and that of a compositional form—or “Rhythm”—from which countless variations have evolved over the past century. This thesis seeks to define Amponsah as a style where certain characteristics are not always clear but are continually present and recognizable cross-nationally. Using musical analysis and ethnographic interviews with West African guitarists, I explore the movement of Amponsah across generations and national boundaries, drawing larger conclusions that have implications for understanding the transmission of cultural practice and embedded cultural memory carried within a specific musical expression. The Rhythm makes impactful appearances in the music of neighboring countries, becoming entwined with the Mami Wata myth, further complicating our understanding of ownership and origin, and bringing this song to the center of a debate regarding ownership of folkloric intellectual property and the relationship between developing nations and global capital. i Acknowledgements My journey has been supported by numerous people, and I wish now to salute their love, friendship, and guidance. My wife Julie Shapiro and son Phineas have given the most during this process, but I also owe much to my parents Robert and Sarah Braddock whose respect of my independence enabled me to follow the less trodden paths. -
Kente Cloth Weaving Among the Asante in Ghana a West African Example of Gender and Role Change Resistance
University of Al berta Kente Cloth Weaving among the Asante in Ghana A West African Example of Gender and Role Change Resistance Mari Elizabeth Bergen O A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Master of Arts Textiles and Clothing Department of Human Ecology Edmonton, Alberta Fall 1998 National Library Bibliothèque nationale m*m ofcarda du Canada Acquisitions and Acquisitions et Bibliographic Services senrices bibliographiques 395 Wellington Street 395. rue Wellington OttawaON K1AON4 ûtrawaON K1AON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire' prêter, distncbuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantieIs may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Kente doth weaving on the namw4p West Afn'can loom is traditionally a male role among the Asante in Ghana. 1 conducted forma1 and informal intewiews with residents of al1 age groups, in Bonwire, to soli& opinion on why or why not women should weave in the village. -
Constructing Avatime: Questions of History and Identity in a West African Polity, C. 1690S to the Twentieth Century Brydon, Lynne
University of Birmingham Constructing Avatime: questions of history and identity in a West African polity, c. 1690s to the twentieth century Brydon, Lynne DOI: 10.1017/S0021853707003386 License: None: All rights reserved Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Brydon, L 2008, 'Constructing Avatime: questions of history and identity in a West African polity, c. 1690s to the twentieth century', Journal of African History, vol. 49, no. 01, pp. 23-42. https://doi.org/10.1017/S0021853707003386 Link to publication on Research at Birmingham portal Publisher Rights Statement: © Cambridge University Press 2008 Eligibility for repository: checked July 2014 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version.