Robert Petkoff As Mike Robert Petkoff's Broadway Credits Include
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
View the Playbill
GEORGE STREET PLAYHOUSE The Second Mrs.Wilson Board of Trustees Chairman: James N. Heston* President: Dr. Penelope Lattimer* First Vice President: Lucy Hughes* Second Vice President: Janice Stolar* Treasurer: David Fasanella* Secretary: Sharon Karmazin* Ronald Bleich David Saint* David Capodanno Jocelyn Schwartzman Kenneth M. Fisher Lora Tremayne William R. Hagaman, Jr. Stephen M. Vajtay Norman Politziner Alan W. Voorhees Kelly Ryman* *Denotes Members of the Executive Committee Trustees Emeritus Robert L. Bramson Cody P. Eckert Clarence E. Lockett Al D’Augusta Peter Goldberg Anthony L. Marchetta George Wolansky, Jr. Honorary Board of Trustees Thomas H. Kean Eric Krebs Honorary Memoriam Maurice Aaron∆ Arthur Laurents∆ Dr. Edward Bloustein∆ Richard Sellars∆ Dora Center∆∆ Barbara Voorhees∆∆ Douglas Fairbanks, Jr.∆ Edward K. Zuckerman∆ Milton Goldman∆ Adelaide M. Zagoren John Hila ∆∆ – Denotes Trustee Emeritus ∆ – Denotes Honorary Trustee From the Artistic Director It is a pleasure to welcome back playwright Joe DiPietro for his fifth premiere here at George Street Playhouse! I am truly astonished at the breadth of his talent! From the wild farce of The Toxic Photo by: Frank Wojciechowski Avenger to the drama of Creating Claire and the comic/drama of Clever Little Lies, David Saint Artistic Director now running at the West Side Theatre in Manhattan, he explores all genres. And now the sensational historical romance of The Second Mrs.Wilson. The extremely gifted Artistic Director of Long Wharf Theatre, Gordon Edelstein, brings a remarkable company of Tony Award-winning actors, the top rank of actors working in American theatre today, to breathe astonishing life into these characters from a little known chapter of American history. -
On State Power, Queer Aesthetics & Asian/Americanist Critique
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2016 Dislocating Camps: On State Power, Queer Aesthetics & Asian/ Americanist Critique Christopher Alan Eng The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1240 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DISLOCATING CAMPS: ON STATE POWER, QUEER AESTHETICS & ASIAN/AMERICANIST CRITIQUE by CHRISTOPHER ALAN ENG A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 CHRISTOPHER ALAN ENG All Rights Reserved ii Dislocating Camps: On State Power, Queer Aesthetics & Asian/Americanist Critique By Christopher Alan Eng This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _______________ ____________________________________________ Date Kandice Chuh Chair of Examining Committee _______________ ____________________________________________ Date Mario DiGangi Executive Officer Supervisory Committee: Eric Lott Robert Reid-Pharr Karen Shimakawa THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT DISLOCATING CAMPS: ON STATE POWER, QUEER AESTHETICS & ASIAN/AMERICANIST CRITIQUE by Christopher Alan Eng Advisor: Kandice Chuh My dissertation argues that the history of Asian racialization in the United States requires us to grapple with the seemingly counterintuitive entanglement between “the camp” as exceptional space of biopolitical management and “camp” as a performative practice of queer excess. -
FOR IMMEDIATE RELEASE February 11, 2015
FOR IMMEDIATE RELEASE February 11, 2015 CONTACT: Meg Walker Gretchen Koss President, Dir. of Marketing President, Dir. of Publicity Tandem Literary Tandem Literary 212-629-1990 ext. 2 212-629-1990 ext. 1 [email protected] [email protected] 20th Annual Audie® finalists announced in thirty categories Winners announced at the Audie Awards Gala in New York City on May 28th hosted by award winning author Jack Gantos Philadelphia, PA – The Audio Publishers Association (APA) has announced finalists for its 2015 Audie Awards® competition, the only awards program in the United States devoted entirely to honoring spoken word entertainment. Winners will be announced at the Audies Gala on May 28, 2015, at the New York Academy of Medicine in New York. Newbery award winning author, and audiobook narrator extraordinaire, Jack Gantos will emcee the event and says "I'm thrilled to host the Audies. Unlike when I'm in the recording studio, while on stage at the Audies Gala I can wear a watch, have my stomach growl, jiggle pocket change, trip over my own tongue, laugh at my own jokes, completely screw up my lines and not have to worry about repeating myself-- again and again. It is an honor to be a part of recognizing all the incredible audio talent in the industry who do the hard work of controlling themselves in the studio every single day." This year there will be an additional category: JUDGES AWARD – SCIENCE & TECHNOLOGY. Janet Benson, Audies Competition Chair, says “Recognizing the constantly evolving nature of modern science and technology, the Audies Competition Committee wished to honor audiobooks which celebrate Science, Technology, Engineering, and Mathematics. -
Research Proposal
DEFINING MIXED RACE ON TELEVISION: AN ANALYSIS OF BARACK OBAMA AND SATURDAY NIGHT LIVE Amanda Joy Davis B.A., California State University, Sacramento, 2004 THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in COMMUNICATION STUDIES at CALIFORNIA STATE UNIVERSITY, SACRAMENTO FALL 2011 © 2011 Amanda Joy Davis ALL RIGHTS RESERVED ii DEFINING MIXED RACE ON TELEVISION: AN ANALYSIS OF BARACK OBAMA AND SATURDAY NIGHT LIVE A Thesis by Amanda Joy Davis Approved by: __________________________________, Committee Chair Michele Foss-Snowden, Ph.D. __________________________________, Committee Member Carmen Stitt, Ph.D. __________________________________, Committee Member S. David Zuckerman, Ph.D. Date iii Student: Amanda Joy Davis I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. , Graduate Coordinator Michele Foss-Snowden, Ph.D. Date Department of Communication Studies iv Abstract of DEFINING MIXED RACE ON TELEVISION: AN ANALYSIS OF BARACK OBAMA AND SATURDAY NIGHT LIVE by Amanda Joy Davis This study uses a semiotic approach to textual analysis to examine social constructions of Barack Obama’s race in televised sketch comedy to discover how this construction contributes to the process of hegemony regarding society’s treatment of mixed race. Polysemy will be explored as a key contributing factor. The television program chosen for this study is Saturday Night Live (SNL); the program will be examined for visual and linguistic references to Obama and mixed race. The absence of mixed race references will also be analyzed for their contribution to the show’s overall message. -
At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers. -
Depaul Animation Zine #1
Conditioner // Shane Beam D i e F l u c h t / / C a r t e r B o y c e 2 0 1 6 S t u d e n t A c a d e m y A w a r d B r o n z e M e d a l 243 South Wabash Avenue Chicago, IL 60604 #1 zine a z i n e e x p l o r i n g t h e A n i m a t i o n C u l t u r e a t D e P a u l U n i v e r s i t y in Chicago R a n k e d t h e # 1 0 A n i m a t i o n M F A P r o g r a m a n d # 1 4 A n i m a t i o n P r o g r a m i n t h e U . S . b y A n i m a t i o n C a r e e r R e v i e w i n 2 0 1 8 D e P a u l h a s 1 3 f u l l - t i m e A n i m a t i o n p r o f e s s o r s , o n e o f t h e l a r g e s t f u l l - t i m e A n i m a t i o n f a c u l t i e s i n t h e U S , w i t h e x p e r t i s e i n t r a d i t i o n a l c h a r a c t e r a n i m a t i o n , 3 D , s t o r y b o a r d i n g , g a m e a r t , s t o p m o t i o n , c h r a c t e r d e s i g n , e x p e r i m e n t a l , a n d m o t i o n g r a p h i c s . -
Who's Who in the Cast
WHO’S WHO IN THE CAST ROBERT PETKOFF (Bruce). Broadway: All The Way with Bryan Cranston, Anything Goes, Ragtime, Spamalot, Fiddler On The Roof and Epic Proportions. London: The Royal Family with Dame Judi Dench and Tantalus. Regional: Sweeney Todd, Hamlet, Troilus & Cressida, Follies, Romeo & Juliet, Compleat Female Stage Beauty and The Importance Of Being Earnest. Film: Irrational Man, Vice Versa, Milk and Money, Gameday. TV: Elementary, Forever, Law and Order: SVU, The Good Wife and more. Robert is an award-winning audiobook narrator. SUSAN MONIZ (Helen). Broadway: Grease – Sandy & Rizzo. Regional: Follies – Sally (Chicago Shakespeare Theater); October Sky –Elsie (world premier); Peggy Sue Got Married – Peggy (world premier); Kismet (Joseph Jefferson award); Into the Woods, 9 to 5, Carousel, (Marriott Theatre); The Merry Widow, The Sound Of Music, (Chicago Lyric Opera); Hot Mikado (Ford’s Theatre); Phantom, Chitty- Chitty Bang-Bang (Fulton Theatre); Shadowlands, The Spitfire Grill, (Provision Theatre); Evita, BIG, (Drury Lane Theatre). TV: Chicago PD; Romance, Romance (A&E). KATE SHINDLE (Alison). Broadway: Legally Blonde (Vivienne), Cabaret (Sally Bowles), Wonderland (Hatter), Jekyll & Hyde. Elsewhere: Rapture, Blister, Burn (Catherine), After the Fall (Maggie), Restoration, A Midsummer Night’s Dream, Gypsy, Into the Woods, The Last Five Years, First Lady Suite, The Mousetrap. Film/TV: Lucky Stiff, SVU, White Collar, Gossip Girl, The Stepford Wives, Capote. Kate is a longtime activist, author of Being Miss America: Behind the Rhinestone Curtain and President of Actors’ Equity Association. twitter.com/AEApresident ABBY CORRIGAN (Middle Alison). Stage: Cabaret, A Chorus Line (TCS); Shrek (Blumey award), In The Heights, Peter Pan, Rent (NWSA); Next to Normal (QCTC); Film/TV: Headed South For Christmas (Painted Horse), A Smile As Big As The Moon (Hallmark), Homeland (HBO), Rectify (Sundance), Banshee (Cinemax). -
PAUL LIBERTI - Voice Actor/Muppet Performer/ VO Educator - Bio
PAUL LIBERTI - Voice Actor/Muppet Performer/ VO Educator - Bio Paul Liberti had his first professional puppet work with Jim & Jane Henson in 1984 and has worked for Sesame Workshop, Sesame Street, Nickelodeon, Noggin, PBS, MTV, VH1, Muppet Babies Live, Muppet Show On Tour, and more. His students have gone on to work on Nickelodeon, Disney, Noggin, PBS, Avenue Q, and Sesame Street and more! Paul also trained many of the Avenue Q puppeteers in Puppet ‘Boot Camp’. He toured with the Muppet Show On Tour - Directed by Jon Stone and Jim Henson and the Muppet Babies Live! And worked on the film - MUPPETS TAKE MANHATTAN. As an Actor and Improv Performer - Second City, The Funny Firm (Chicago) - Chicago City Limits (NYC). Films - The Stepford Wives w/ Nicole Kidman, Dummy w/ Adrian Brody, No Such Thing w/Helen Mirren, Lead in Showtime’s - Priority Seating Directed by Meg Busch - TV - Comedy Central's The Daily Show, UnAuthorized Biography. Internet - Mike Stickle’s - Floaters. In Voice Over, he currently teaches competitive classes in Los Angeles and NYC and Nationally for SAG/AFTRA Foundation in independently in Commercial VO, Audio Book Narration, Video Game Character work and Animation and TV Puppeteering. He also teaches Accents for Actors - for Animation, Voice Actors, Film Actors, and also actors on Broadway and London's West End Theater, Regional Theater with recent shows like Disney's Frozen, Avenue Q, Disney’s Live Tangled, and on TV - USA Network - Falling Water, The National Theater's - One Night in Miami, Greater Tuna, Anastasia, My Fair Lady, Brigadoon among others. -
Rick Ludwin Collection Finding
Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, photographs, books, newsletters, correspondence and realia Date Range: 1937-2017 Quantity: 12.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: • magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations, etc. • program scripts, treatments, and rehearsal schedules • industry publications • national news clippings • awards program catalogs • network communications, and • camera-ready advertising copy • television production photographs Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/22/2019 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: • Bob Hope • Johnny Carson • Jay Leno • Conan O’Brien • Jimmy Fallon • Disney • Motown • The Emmy Awards • Seinfeld • Saturday Night Live (SNL) • Carson Daly • The Mike Douglas Show • Kennedy & Co. • AM America • Miami University Studio 14 Nineteen original Seinfeld scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Notably, the original pilot scripts are included, which indicate that the original title ideas for the show were Stand Up, and later The Seinfeld Chronicles. -
Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style
University of Windsor Scholarship at UWindsor Major Papers Theses, Dissertations, and Major Papers June 2018 Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style Dustin Jones University of Windsor, [email protected] Follow this and additional works at: https://scholar.uwindsor.ca/major-papers Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Museum Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Public History Commons, and the United States History Commons Recommended Citation Jones, Dustin, "Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style" (2018). Major Papers. 43. https://scholar.uwindsor.ca/major-papers/43 This Major Research Paper is brought to you for free and open access by the Theses, Dissertations, and Major Papers at Scholarship at UWindsor. It has been accepted for inclusion in Major Papers by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style By Dustin Jones A Major Research Paper Submitted to the Faculty of Graduate Studies through the Department of History in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2018 © 2018 Dustin Jones Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style By Dustin Jones APPROVED BY: ______________________________________________ N. Atkin Department of History ______________________________________________ M. Wright, Advisor Department of History May 17th, 2018 DECLARATION OF ORIGINALITY I hereby certify that I am the sole author of this thesis and that no part of this thesis has been published or submitted for publication. -
Season 2013-2014
23 Season 2013-2014 Thursday, February 13, at 8:00 The Philadelphia Orchestra Friday, February 14, at 8:00 Saturday, February 15, at 8:00 Vladimir Jurowski Conductor Vsevolod Grivnov Tenor Alexey Zuev Piano Sherman Howard Speaker Tatiana Monogarova Soprano Sergei Leiferkus Baritone Westminster Symphonic Choir Joe Miller Director Rachmaninoff/ Songs orch. Jurowski I. “Christ Is Risen,” Op. 26, No. 6 II. “Dreams,” Op. 38, No. 5 III. “The Morn of Life,” Op. 34, No. 10 IV. “So Dread a Fate,” Op. 34, No. 7 V. “All Things Depart,” Op. 26, No. 15 VI. “Come Let Us Rest,” Op. 26, No. 3 VII. “Before My Window,” Op. 26, No. 10 VIII. “The Little Island,” Op. 14, No. 2 IX. “How Fair this Spot,” Op. 21, No. 7 X. “What Wealth of Rapture,” Op. 34, No. 12 (U.S. premiere of orchestrated version) Rachmaninoff Piano Concerto No. 4 in G minor, Op. 40 I. Allegro vivace II. Largo III. Allegro vivace Intermission 24 Rachmaninoff The Bells, Op. 35 I. Allegro, ma non tanto II. Lento—Adagio III. Presto—Prestissimo IV. Lento lugubre—Allegro—Andante— Tempo I This program runs approximately 1 hour, 45 minutes. These concerts are presented in cooperation with the Sergei Rachmaninoff Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations. -
Lesbian Suicide Musical"
The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Branding Bechdel’s Fun Home: Activism and the Advertising of a "Lesbian Suicide Musical" by Maureen McDonnell The Journal of American Drama and Theatre Volume 31, Number 2 (Winter 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center Alison Bechdel offered a complicated and compelling memoir in her graphic novel Fun Home: A Family Tragicomic (2006), adapted by Lisa Kron and Jeanine Tesori into the Broadway musical Fun Home (2015). Both works presented an adult Bechdel reflecting on her father’s troubled life as a closeted gay man and his possible death by suicide. As Bechdel herself noted, “it’s not like a happy story, it’s not something that you would celebrate or be proud of.”[1] Bechdel’s coining of “tragicomic” as her book’s genre highlights its fraught narrative and its visual format indebted to “comics” rather than to comedy. Bechdel’s bleak overview of her father’s life and death served as a backdrop for a production that posited truthfulness as life-affirming and as a means of survival. Fun Home’s marketers, however, imagined that being forthright about the production’s contents and its masculine lesbian protagonist would threaten the show’s entertainment and economic potential. It was noted before the show opened that “the promotional text for the show downplays the queer aspects,” a restriction that was by design.[2] According to Tom Greenwald, Fun Home’s chief marketing strategist and the production’s strategy officer, the main advertising objective was to “make sure that it’s never ever associated specifically with the ‘plot or subject matter.’” Instead, the marketing team decided to frame the musical as a relatable story of a family “like yours.” [3] The marketers assumed that would-be playgoers would be uninterested in this tragic hero/ine if her sexuality were known.